Gozo Yoshimasu, Naked Memos

Translated from the Japanese by Sayuri Okamoto

Eiríkur Örn Norðdahl, Höpöhöpö Böks

Yevgeniy Fiks, Moscow

Chia-En Jao, Statement

Translated from the Chinese by Lee Yew Leong

Araya Rasdjarmrearnsook, The Class, Death Seminar

Manit Sriwanichpoom, Masters

Alexandra Demenkova, Pokrovka

Thomas Broomé, Two Works

Simon Morley, Messagerie

Charwei Tsai, Ah!

Legend Hou Chun-Ming, God Hates You

Translated from the Chinese by Sim Yee Chiang

Judith Huang and Huang Zhipeng, Chun Xue

Hsia Yü et al., 'Cross it Out, Cross it Out, Cross it Out'—Erasurist Poetry from Taiwan's Poetry Now.

Translated from the Chinese by Dylan Suher and Rachel Hui-Yu Tang

Nina Katchadourian, Sorted Books

Nick Dubois, Parnassus Paper

Paco Roca, from Wrinkles

Translated from the Spanish by Adrian West

Sadik Kwaish Alfraji, The House That My Father Built

Johanna Drucker, Figuring the Word

Ian Whittlesea, Text in the Expanded Field

Simon Lewty, Two Adventures in Translation

Sarah Jacobs, Intersecting Words

Maria Chevska, From the Diary of a Fly

Michael Jacobson, On Asemic Writing

Ghada Amer, Norms and Forms of Translation

Walker and Walker, Mount Analogue Revisited

Frédéric Diart, Geistervariationen

Translated from the French by Simon Morley

Manfredi Giffone, from Un Fatto Umano

Jewyo Rhii, Trace of Speech

Danny Aldred, The Back of Books

Jinkyung Lee, Jeong Jae-wan, Kim Jong-won, Kim Jongku, and Lee Dong Kook, Korean Alphabet (Hangul) Art

Translated from the Korean by Lee Sangyeon and Choe Jeong-Hoon

Grace Weir, Script

Rafaël, VOWELS

Hiba Schahbaz, My Selves

Mahwish Chishty, War Machines

Leslie Ross, Text and Image

Odires Mlászho, Altered Books

Will Kwan, The Iconography of Globalism

Farhad Fozouni, Typographic Objects and Three-Dimensional Poems

Ali Wong and Wong Kit Yi, Every System Breaks

Mekhitar Garabedian, Always Speaking the Words of Others

Christine Davis, Machines for Thinking

Naho Taruishi, An Outside and an Inside

Jumaadi, Art as a Vehicle to Connect

Nina Papaconstantinou, Drawing the Printed Page

Brandon Downing, Burning Through the Razor Blades

Caroline Bergvall, Propelled to the Edges of a Language’s Freedom, and to the Depths of Its Collective Traumas

Paol Keineg, Bad Language

Translated from the French of Paol Keineg

Peyman Hooshmandzadeh, Memories

Translated from the English by Poupeh Missaghi

Kemang Wa Lehulere, History Will Break Your Heart

Translated from the English by Alice Inggs

Kinga Tóth, Voice and Machine

Translated from the English by Eva Heisler

Jakub Woynarowski, Art as Alchemy

Translated from the Polish by Beatrice Smigasiewicz

Stefana McClure, Tactile Translations

Youdhisthir Maharjan, The Absurdity and Redemption of Repetition

Jinoos Taghizadeh, A Map of the Artist’s Mind

Translated from the Persian by Poupeh Missaghi

Shilpa Gupta, Possessing Skies

Nico Vassilakis, Visual Language and Lexical Image on Steroids

Kambiz Derambakhsh, Literary Series

Kingsley Ng, Art and Community

Enrique Chagoya, (Mis)Appropriation: Then and Now

Bogosi Sekhukhuni, Using the Internet as Mothership Blueprint

Mikhail Karikis, The Sonic Strata of the Real and the Imagined

Behdad Lahooti, Inscription

Yiğit Kolat, (Mis)translations of Data into Sound

Tim Simonds, Phatic Talk

Amira Hanafi, Cities and Dictionaries

RohwaJeong, Everyday Play

Tomaz Viana, Insomnia and the Museum

Mounira Al Solh, Mother Tongues

Chan Sai-lok, Visualizations of Literature

Guga Szabzon, Impossible, Indelible, Inexhaustible

Translated from the Portuguese by Sarah Booker and Robert Noffsinger

Berny Tan, Navigating the Space Between Reason and Feeling

Wawa, Medium-Pure Poetry and Translation as the Cost that Language Learns to Bear

Diana Khoi Nguyen, To Cut Out

hiromi suzuki, Invisible Poetry

Christen Shea, Poetic Simulations

Jorge Wellesley, Textructures

Roya Amigh, Resilient Fragilities

Chang Wen-Hsuan, The Compendium of Autobiographies

Julie Wills, The Depth of Need Made Visible

Winnie Soon, Time, Code, and Poetry

Some Artists, The Visual Language of Protest in Iran

Ain Bailey, Sonic Autobiographies and Pitch Sisterhood

Simona Nastac, Polyphonic

Rachel Blau DuPlessis, On Portals, Poems, and Collage

Charbel-joseph H. Boutros, Charged Invisibility

Elisabeth S. Clark, The Restlessness of Words

Ella Ponizovsky Bergelson, Hybrid Calligraphy

Minia Biabiany, Weaving Silences

Lap-See Lam, The Chinese Restaurant as Portal

Zi Yi Wang, Trash History

Dani Spinosa, Typewriters, Desire, Community

Iman Issa, Text and Object Collaborations

Tania Candiani, Sonorous Objects and Speaking Machines

Jaro Varga, Smuggling the Past into This Brief Moment

Cosmo Whyte, Coming into Being and Disappearing

Yikui Gu, Classic Yellow

Michael Lee, Serious Intent, Light Humor, Low Stakes

Sergey Katran, When the Cannons are Firing

Abdulrahman Naanseh, Pressure/Movement/Effect

Bahia Shehab, Heaven and Hell in the Anthropocene

Lynn Xu, And Those Ashen Heaps That Cantilevered Vase of Moonlight

Yevgenia Belorusets, “The Complaint Against Language” in Wartime Ukraine

Translated from the English and Russian by Eugene Ostashevsky

Alaa Abu Asad, Wild Plants

Alexa Frank, Translating Manga

Choy-Ping Ní Chléirigh-Ng, Window to Window

Gertrudis Rivalta Oliva, That Kind of Silence

Alberto Chimal, Apparitions: Scary Story and Literature of the Imagination

Katie Holten, Rewilding: Katie Holten and The Language of Trees

Yornel Martínez Elías, A Dialogue Postponed

Translated from the Spanish by Jacqueline Loss

Olivia E. Sears, Fantastic Radiation and Ferroconcrete: Olivia Sears and Eugene Ostashevsky on Translating Modernist Visual Poetry (Part 1)

Eugene Ostashevsky, Fantastic Radiation and Ferroconcrete: Olivia Sears and Eugene Ostashevsky on Translating Modernist Visual Poetry (Part 2)

André Griffo, There Is Dirt Underneath the Dirt: An Interview with André Griffo