Posts featuring Slavenka Drakulić

For the Reader Who Cannot Be Bought: On Dubravka Ugrešić’s A Muzzle for Witches

. . . her writing worked to unsettle, challenge, and dismantle—a process she called “a perestroika of literary values.”

A Muzzle for Witches by Dubravka Ugrešić, translated from the Croatian by Ellen Elias-Bursać, Open Letter, 2024

For thirty years, Dubravka Ugrešić lived in self-imposed exile as a cultural dissident and an enduring critic, challenging the prevailing orthodoxies that fueled anti-intellectualism, oppression, inequality, and nationalism. Her prolific writing—including both fiction and essays—took on topics ranging from the rise of virtual fandoms and the wars of Yugoslav dissolution, to cultural nostalgia and the state of the publishing industry.

A Muzzle for Witches, released this year by her longtime American publisher Open Letter, was Ugrešić’s final book before her death in March 2023. Translated from the Croatian by Ellen Elias-Bursać (the preeminent translator into English of Bosnian, Serbian, and Croatian authors, including David Albahari, Ivana Bodrožić, Slavenka Drakulić, Daša Drndić, and Robert Perišić), the book is a highly polished transcript of an interview between Ugrešić and literary critic Merima Omeragić.

The book is divided into seven sections, throughout which Ugrešić expounds upon many of the key themes and ideas she addressed in her life’s work. Loosely guided by Omeragić’s brief questions, she focuses on three subjects that are her greatest concerns: the resurgence of Croatian nationalism after the breakup of Yugoslavia; the marginalization of women’s voices, particularly in literature; and the dubious future of contemporary literature itself. Cumulatively, these three areas—in no small part responsible for her extended exile—suggest a grim outlook for the future.

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Resurrecting the Dead: Translator Will Firth on Unearthing Balkan Classics

In a world dominated by a handful of powers, "minor" literatures help us think outside the box.

In our current globalized state, translated literatures are at the forefront of creating cross-cultural dialogues and paving the path for a richer and more diverse literary landscape. There remain, however, distinct inconsistencies in the publication, marketing, and distribution between national literatures that enjoy moderate international renown, and those that are sadly compartmentalized and neglected. In this impassioned and forceful essay by translator Will Firth, who specializes in Balkan literature, a much-needed spotlight is shone upon the overlooked classics of the Macedonian and Serbo-Croatian canon, additionally turning our attentions to the failures of a literature market that privileges predictable profits over unfamiliar brilliance.

Few regions are as fraught with historical rifts and discontinuities as the Balkans, and, given their degree of cultural and linguistic “otherness” compared to the English-speaking world, it is no wonder that the reception of literature from the Balkans is patchy. The francophone world performs somewhat better in this regard, and some countries (e.g. Poland, Hungary, and Turkey) have been remarkably consistent in accompanying Balkan literatures through translation. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of the world's literary news brings us to Romania, Moldova, Slovakia, and Iran.

This week, we bring you news of literary festivities in Romania and Moldova, a resurgence of female writing in Slovakia, and the tragic loss of a promising young translator in Iran. As always, watch this space for the latest in literary news the world over!

MARGENTO, Editor-at-Large, reporting from Romania and Moldova:

A book of interviews with Romanian-German writer and past Asymptote contributor Herta Müller came out in French translation from Gallimard just a few days ago (on Feb 15). The book has already been praised for the lucidity showed by the Nobel-prize winner in combining the personal and the historical or the political.

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