Posts featuring Pavol Országh-Hviezdoslav

Weekly Dispatches from the Front Lines of World Literature

New festivals, publications, and films from Slovakia, Palestine, and Kazakhstan!

This winter, festivals and events across the globe introduce new literature in translation, while literary magazines and film festival screenings amplify underrepresented voices. In Slovakia, recent works explore sexual identity, the weight of twentieth-century history, and trauma. From Palestine, Arablit and Arablit Quarterly launched its first “In Focus” section, spotlighting Iraqi literature. In Kazakhstan, the film Akyn highlights the political power of writing, acquiring greater significance in the context of recent governmental restrictions on free speech. Read on to find out more!

Julia Sherwood, Editor-at-Large, reporting on Slovakia

In October 2021, Barbora Hrínová was declared the winner of Slovakia’s most prestigious literary prize, the Anasoft Litera. The jury praised her remarkable debut collection Jednorožce (Unicorns) for writing “about otherness without exoticizing or exploiting it, thus enabling us to accept different ways of life or the search for identity.” As the author herself put in a recent interview: “Otherness in Unicorns occurs on two levels; one is literal, where the characters from the LGBTI+ community belong by definition, and the other is universal, all-human; after all, every person is a minority in their own right. I didn’t want to emphasize the element of sexual identity or outward difference in the characters, because I think that such people are part of everyday life and no different from the majority in any essential way. Rather, I was interested in and irritated by the way they are perceived by society, which often reacts very dismissively and critically to even a minor deviation from the norm. I wanted to create a space in the stories where we could also look at the ‘different characters,’ or a variety of shortcomings in a somewhat more human way.” The fact that Hrínová’s collection also won the 2021 René Prize, chosen by secondary school students, testifies to the author’s empathetic handling of a sensitive subject.

November 2021 marked the centennial of the passing of Slovakia’s national poet, Pavol Országh Hviezdoslav. This brief video, recorded for the Slovak consulate in New York City by Columbia University professor Christopher W. Harwood, is a great primer for anyone not familiar with Hviezdoslav’s work. Literature scholar Charles Sabatos gave a captivating Zoom talk on Gejza Vámoš (1901–1956), another Slovak writer not yet widely known in the English-speaking world. Sabatos, who is translating Vámos’s seminal Atómy boha (God’s Atoms), published in 1928 and 1933, focused on issues of language and identity in this book, summed up by one critic as “a novel of heroism and syphilis.”

While this translation awaits publication, two recent works by contemporary Slovak writers appeared in October, inaugurating Seagull Books‘s Slovak list: Boat Number Five by Monika Kompaníková (translated by Janet Livingstone) and Necklace/Choker by Jana Bodnárová (translated by Jonathan Gresty). TranslatorsAloud features excerpts from both books: a bilingual reading by the author and translator in one case and a reading by the translator in the other, while an interview with Jana Bodnárová is available on Trafika Europa Radio.

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Weekly Dispatches from the Frontlines of World Literature

This week we report from Slovakia, Brazil, and Egypt.

Welcome back for a fresh batch of literary news, featuring the most exciting developments from Slovakia, Brazil, and Egypt. 

Julia Sherwood, Editor-at-Large, reporting from Slovakia:

Hot on the heels of the prolonged Night of Literature, held from 16 to 18 May in sixteen towns and cities across Slovakia, the fifth annual independent book festival, BRaK, took place between 17 and 20 May in the capital, Bratislava. In keeping with the festival’s traditional focus on the visual side of books, the programme included bookbinding, typesetting and comic writing workshops, activities for children, and exhibitions of works by veteran Czech illustrator, poster and animation artist Jiří Šalamoun, as well as French illustrators Laurent Moreau and Anne-Margot Ramstein. The last two also held illustration masterclasses, while the German Reinhard Kleist launched the Slovak translation of his graphic novel Nick Cave: Mercy on Me, accompanied by a local band.

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Weekly Dispatches from the Frontlines of World Literature

Your Friday update from Spain, Morocco, and Slovakia!

This week, we begin our world tour on the Iberian Peninsula in the midst of political unrest—Podcast Editor Layla Benitez-James is on the ground in Spain with the full report. Then south to Morocco: we’ll catch up with Editor-at-Large Jessie Stoolman about the latest book fairs and literary trends. And finally, we’ll wrap up in Slovakia with Editor-at-Large Julia Sherwood, who has the scoop on the latest Slovak poetry available to English readers and more.

Podcast Editor Layla Benitez-James reports from Spain:

Political actions and gestures have been more overtly woven through the Spanish literary scene as writers seek to speak back against increasingly divisive governments. Writers called for remembrance of fifteen people killed in Tarajal on the two year anniversary of their deaths on February 6, 2014; a documentary about the tragedy was made to both inform the public and denounce such instances of institutional racism in the country.

Amidst celebrations of women’s roles in science, Bellver, the cultural journal of the Diario de Mallorca, highlighted three recent anthologies written by women: Poesía soy yo, 20 con 20,  and (Tras)lúcidas.

Another recent book has been getting a lot of attention not for its political weight, but because of the strange circumstances under which it’s being published. Michi Panero, who came from a very literary family but died young in 2004 has had his first book, Funerales vikingos, published by Bartelby Editores. La Movida madrileña called him the writer without books, as he had famously shunned the writing life. He wrote in secret, however, and eventually entrusted the work to his stepson, Javier Mendoza, who has finally sought to publish the unedited stories, together with his own work narrating his relationship with Panero. The product is bound to be an interesting read.

Similarly mysterious and posthumously discovered is a recent gift to the Madrid art world: drawings and sketches by the painter Francis Bacon that were previously unascertained. Bacon had also famously declared that he did not sketch or plan in this way, but some nearly 800 drawings were given to Cristiano Lovatelli Ravarino, the journalist and a partner of Bacon’s for some years. The works will be on display in the Círculo de Bellas Artes in Madrid until May 21.

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