Weekly Dispatches From the Frontlines of World Literature

August 16, 2024 | in Dispatches, Weekly Roundup | by Ibrahim Fawzy, Thuy Dinh, and Wambua Muindi

The latest literary news from Egypt, Vietnam, and Kenya!

This week, our Editors-at-Large report on beloved literary figures and emerging talents from their respective regions. From personal tributes to literary luminaries to fan meetups, read on to find out more!

Ibrahim Fawzy, Editor-at-Large reporting from Egypt

In this dispatch, I won’t be reporting on literary festivals and book fairs, as usual. But I will share some good news that personally brought me happiness and gratitude in troubled, gloomy days: Literary translator and cultural worker Nariman Youssef was named head of the Poetry Translation Center (PTC), and Nashwa Nasreldine has joined the PTC team as editor. Excitingly, two Arabic translators have taken over the PTC though they were recruited through totally separate processes. Let this lovely takeover begin and stay tuned for all the amazing work they will bring into the world alongside the PTC’s already brilliant team.

When I praise the new leadership of the PTC, I speak from experience. One day in 2021, I stumbled upon a lifeline: a pay-what-you-want online workshop at PTC. This workshop, led by the extraordinary Nariman Youssef, laid the foundational bricks for my journey as a literary translator. Translating Mustafa Ibrahim’s “Nothing of Note” under her patient, quiet, and profoundly insightful guidance was a revelation. It was as if she was born to lead, with an innate ability to listen, to nurture, and to inspire.

Upending Literary Hierarchies: An Interview with kotobli, a SWANA-Focused Book Discovery Platform

August 30, 2023 | in Interviews | by Alex Tan

“It shouldn’t be this hard,” we thought. So we decided to make it easier.

kotobli is a book discovery platform dedicated to amplifying cultural and literary production from the Southwest Asia/North Africa (SWANA) region, with a special focus on independent publishers and marginalized writers. Curated with care according to geography, genre, and even theme, kotobli’s lists create opportunities for readers to encounter their next great read based on affinity and interest. I corresponded with the largely volunteer-run team behind kotobli on their conceptualisation of the website; in the process, I learned a lot about the difficulties underlying literary circulation in the Arab world, and the groundbreaking, creative ways in which small SWANA-based presses navigate them.

Alex Tan (AT): How did you begin to conceptualise kotobli? What distinguishes it from other book recommendation/discovery platforms like Goodreads, or even Bookstagram and Booktok accounts?

kotobli (k): A couple of years ago, we were getting frustrated with how difficult it is to look for good books about the Southwest Asia/North Africa (SWANA) region online. We found them to be badly categorised and difficult to sort through—and if we were looking for books in Arabic, they were almost impossible to find with only keywords and a topic in mind. Without knowing which titles to look for, we could hardly discover books worth reading.

On a brief visit to Lebanon in spring 2021, one of our founders, Omar, was determined to find Layla Baalbaki’s Ana Ahya, which he had discovered through an academic paper on feminism in Lebanon. After unsuccessful online searches and hopping from one bookstore to another, he finally found a used copy.

“It shouldn’t be this hard,” we thought. So we decided to make it easier. kotobli started as a platform to help readers find interesting books from the SWANA region, by topic, genre, geography, the identity of the authors, and through our curated reading lists. We named it kotobli—written in all lowercase letters as a nod to its Arabic origin “كتب لي”—which means “books for me”.

Throughout the process of collecting book information to populate our platform, we noticed deeply entrenched weaknesses in the publishing landscape of Arab countries: many publishers, especially smaller and older ones, do not have any digital presence; as such, many readers, especially in the Arab diaspora, are missing out on incredible books just because they would never show up in internet searches. This is where our project “Daleel el Nashirin” (Publishers’ Guide) started. With a grant from Culture Resource, we’ve been digitising the metadata for thousands of books and more than a dozen publishers in the Levant and North Africa. We’ve also been building virtual tools with publishers and authors participating in the process, giving them a free webpage on our website that they can fully control through a simple and safe content management system. Additionally, the publishers themselves have access to statistics that show how many readers look up their books on kotobli. READ MORE…

Contributor:

Alex Tan

Language:

Arabic

Place:

Southwest Asia/North Africa (SWANA) region

Writers:

Tags:

Arab diaspora
book discovery
Book Recommendations
independent publishers
online literary community
Southwest Asia/North Africa (SWANA) region

Weekly Dispatches from the Frontlines of World Literature

February 23, 2018 | in Dispatches, News, Weekly Roundup | by Julia Sherwood, MARGENTO, and Poupeh Missaghi

Our weekly roundup of the world's literary news brings us to Romania, Moldova, Slovakia, and Iran.

This week, we bring you news of literary festivities in Romania and Moldova, a resurgence of female writing in Slovakia, and the tragic loss of a promising young translator in Iran. As always, watch this space for the latest in literary news the world over!

MARGENTO, Editor-at-Large, reporting from Romania and Moldova:

A book of interviews with Romanian-German writer and past Asymptote contributor Herta Müller came out in French translation from Gallimard just a few days ago (on Feb 15). The book has already been praised for the lucidity showed by the Nobel-prize winner in combining the personal and the historical or the political.

The Nobel’s Faulty Compass

November 20, 2017 | in Essays | by Sam Carter

After all, it seems hard to believe that the magnetic north of the literary lies in Europe or in the languages that have emerged from it.

In the will he signed in Paris on November 27, 1895, Alfred Nobel established five prizes in the fields of physics, chemistry, medicine, literature, and the promotion of peace. In the sciences, the key characteristic of a laureate’s contribution to the larger field was that it should be the “most important” discovery or improvement, while the peace prize was intended to recognize “the most or the best work” performed in pursuit of fostering what he called the “fraternity between nations.” Yet when turning to the award for careful work with language, Nobel would distinctly modify his own: he specified that the literary prize should go to whichever writer had produced “the most outstanding work in an ideal direction.”

From 1901 to 2017, women have exemplified that ideal direction a mere fourteen times. Although that dismal distribution has somewhat improved in recent years, it is nothing to brag about: only five women have won since 2004, and only six in the past twenty-one years. Such disappointing diversity continues when we turn to languages: of the 113 laureates in that same period, twenty-nine have written in English. That number does not even include three laureates who each wrote in two languages, one of which was English: Rabindranath Tagore, the songwriter who won a century before Bob Dylan and who also wrote in Bengali; Samuel Beckett, whose most famous work is titled En attendant Godot in the original French; and Joseph Brodsky, whose poems appeared in Russian and whose prose was written in the same language as the documents certifying the American citizenship he had acquired a decade before winning.