Posts featuring Mary Oliver

Elementalia: Chapter III Earth

April 3, 2025 | in Essays | by Kanya Kanchana

What does Earth know that Word does not?

Humans throughout history have been fascinated by the elements. Unfathomable forces of nature, they entered our myths and minds aeons ago. There’s no time when we’re not in their thrall. Drawing from the vast store of our collective imagination across mythology, philosophy, religion, literature, science, and art, I present Elementalia, a series of five element-bending lyric essays that explores their enchanting stories and their relationship with the word—making, translating, and transforming meaning and message. This is not an exhaustive (nor exhausting) effort that covers every instance of and interaction with each element, but rather an idiosyncratic, intertextual, meditative work—a patchwork quilt of conversations with other writers, works, and texts across space and time.

Earth is cracking along her fault lines. And most of these fault lines are now human.

[William of Baskerville, a Franciscan friar-turned-detective:] “This is what we need: a way to get into the library at night, and a lamp. You get the lamp. Linger in the kitchen after dinner, and take one…”

[Adso of Melk, his protégé, a Benedictine novice:] “A theft?”

[William:] “A loan, in the name of the greater glory of the Lord.”

[Adso:] “If that is so, then count on me.”

– Umberto Eco, The Name of the Rose

Reckoning With the Idea of the Canon: An Interview with Robin Myers, Part II

July 7, 2022 | in Interviews | by Alan Mendoza Sosa

The tradition becomes this tidal flow that is always acting on us . . .

In the second part of a three-part series, Editor-at-Large Alan Mendoza Sosa continues his conversation with poet and translator Robin Myers. In this installment, they continue their discussion on multiplicity in translation, touching on canons in Spanish literature, conceptual writing, and collaboration. Read part one of the interview here.

Alan Mendoza Sosa (AM): Have you felt that commercial interests interfere with what gets published and translated?

Robin Myers (RM): Always, although I find it hard to express exactly how, beyond my own intuitions and observations, you know? Definitely. I sense that certain authors become “hot” authors, and so other writers will get grouped together or hyped in response to them or in comparison to them. And of course authors in translation are very susceptible to being treated as automatically “representing” the country or even the region they come from, which is hugely problematic. Among many publishers there is a real interest in contemporary Latin American fiction writ large, which is obviously never a balanced playing field. With literature translated from Spanish to English, there are lots and lots of books being translated from Argentina, Chile, quite a few books from Mexico, and far fewer from other places. You know, very unequal.

AM: Usually very little, next to nothing from Central America, I would imagine.

RM: Totally, next to nothing. Yeah, Argentina, Mexico, Chile, I’d say.

AM: Sometimes Peru, maybe? Or not even.

RM: Yeah, Peru a little more recently. I’m thinking of Katya Aduai, Gabriela Wiener. But anyway, my hope is that as interest in translation as a field continues to grow, and with increasing advocacy for translators as artists, the range and multiplicity of authors who get translated will also keep growing. I think all of that is on the rise, which is thrilling.