Posts featuring Luke Leafgren

To Exist At All: On Nasser Abu Srour’s Prison Memoir

. . . Abu Srour exercises a poet’s iteration of prose, gliding towards the mystic wonders of his undivided, individual experience.

The Tale of a Wall: Reflections on the Meaning of Hope and Freedom by Nasser Abu Srour, translated from the Arabic by Luke Leafgren, Other Press, 2024

In his opening note to the readers of his prison memoir, The Tale of a Wall, Palestinian poet Nasser Abu Srour wishes a “rugged time” to those who are heading into his scintillating prose, a terrain which is also interspersed with charged moments of verse. Indicating that its author is a romantic at heart, this philosophical and nihilist work of mental abstraction was inspired by the “womb of a concrete wall” that has held Abu Srour since 1993, when he was given a life sentence at the age of twenty-three for being an alleged accomplice in the murder of a Shin Bet intelligence officer.

As literature, The Tale of a Wall is a visceral, Dionysian feast of words, lain with a delicate hand. Fired by righteous indignation and howling with a disembodied eccentricity, Palestinian self-determination is here distilled into a single voice, tortured within the echo chambers of a confession table and the paper cuts of intellectualism, finishing with a full course of epistolary melodrama. The memoir itself is cleaved in two, with the first half dedicated to letting go, to saying farewell to the world after his incarceration in Hebron Prison in the last year of the First Intifada. The latter portion is devoted to his relationship with a woman named Nanna, a diaspora Palestinian who returns to her ancestral homeland to capture his heart with a power rivalling that of Israel’s occupying force.

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Weekly Dispatches from the Frontlines of World Literature

New Guatemalan publications, a feminist conference, as well as awards in translation feature in this week's literary updates!

This week brings notable translations of up-and-coming Guatemalan authors, an insightful conversation between two Nigerian writers, and the announcement of highly-regarded translation prizes in the UK. If you’ve been searching for exciting new writers and translators, look no further!

José García Escobar, Editor-at-Large for Guatemala, reporting from Guatemala

In early December, Ugly Duckling Presse (UDP) put out No Budu Please, a selection of poems by the Guatemalan and Garifuna author Wingston González, translated by the Puerto Rican poet Urayoán Noel. No Budu, which has been favorably reviewed by Columbia Journal, Verse, and PANK, marks the first time Wingston’s work has been published in the United States. Additionally, Wingston’s book place of comfort has been incorporated into artist Naufus Ramírez-Figueroa’s performance and installation Heart of the Scarecrow, which will be on exhibit through March 9 at Simon Fraser University in Vancouver, Canada.

Across the pond, independent publishing house Charco Press is bringing another Guatemalan author into the English language. Celebrated short story writer Rodrigo Fuentes published a collection called Trucha panza arriba in Guatemala in 2017. Since then, the book has been reissued in Bolivia by Editorial El Cuervo and in Colombia by Laguna Libros. Trucha was even longlisted for the Premio Hispanoamericano de Cuento Gabriel García Márquez. And as of February 7, thanks to researcher and translator Ellen Jones, Trucha is now available in English as Trout, Belly Up. You can read one of the stories from the collection in our Winter 2019 issue.

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