Posts featuring Karolina Ramqvist

What’s New in Translation: February 2025

February's latest in translation.

In this month’s round-up of recent translations, we present eleven titles from Japan, Iraq, Colombia, Indonesia, Austria, Ukraine, Italy, Spain, Sweden, and Slovenia. From neorealist postwar fiction to the graphic novel, stories capturing the tides of time and the turbulent eras of violence, narratives of migration and mystery, innovations of the short fiction form and unconventional looks into classic tales . . . these titles are invitations into hidden places and profound sights, stark realities and dreamy visions.

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A Perfect Day to be Alone by Nanae Aoyama, translated from the Japanese by Jesse Kirkwood, Other Press, 2025

Review by Rosalia Ignatova

Nanae Aoyama’s short novel, A Perfect Day to Be Alone, is the English-language debut of its lauded young author, offering a delicate exploration of existential drift through the eyes of Chizu, a restless twenty-year-old, and Ginko, her elderly relative who takes her in for a year. While the narrative is sparse on action, it is rich in atmospheric detail, focusing on the quiet moments that shape their unlikely cohabitation.

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Weekly Dispatches From the Frontlines of World Literature

The latest in literary updates from Sweden and Bulgaria!

In this week’s roundup of global literary news, our Editors-at-Large from Sweden and Bulgaria report on controversial translation practices and changes in reading preferences over the past sixteen years. Read on to learn more!

Linnea Gradin, Editor-at-Large, Reporting from Sweden

Last week, the translation of American historian Timothy Snyder’s latest book, On Freedom, was published in Sweden to mixed reviews. Perhaps more interesting than the book itself, though, is the debate that the translation has caused, because, as reported by SVT, the Swedish translator has both changed the meaning of certain words and added an entirely new clause to a section on Nazism—without consulting the author.

The original:

The boys threw off what they were wearing, pushed their arms and heads into their new shirts, and suddenly looked like a team.

The Swedish (in my translation):

The boys tore off their own shirts, threw on their new ones, and suddenly looked like one “body,” in the same sense that the Nazis saw the German people as one body.

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