Posts featuring Kafka

The Making of Rude Girl

July 27, 2024 | in News | by Lee Yew Leong

Priscilla Layne’s story, Birgit Weyhe’s graphic novel, an unexpected collaboration – and an English translation

Imagine translating a book based on your own life… That’s exactly what Priscilla Layne did with Birgit Weyhe’s German graphic novel Rude Girl, published in English by V&Q Books.

Faced with accusations of cultural appropriation for her comics depicting Black characters’ stories, Weyhe was looking for a new approach when she met Priscilla Layne. A Chapel Hill professor of German and African Diaspora Studies, Layne grew up in Chicago with Bajan and Jamaican parents and learned German after watching Indiana Jones as a child – that’s what she’d need to fight Nazis, after all. Later, a fascination with Kafka and May Ayim fueled that enthusiasm even more.

This time around, the author and her subject collaborated closely. First Priscilla told her life story, then Birgit drew a chapter and sent it to her. Priscilla gave feedback – “not using skin color in the drawings implies a ‘post-racial’ society; I prefer it when you combine two colors, like in your earlier comics,” for instance – and Birgit picked that up and adapted the way she worked as she went along. Each chapter is followed by a separate section detailing Priscilla’s comments and explanations.

The book came out in German in 2022 and was promptly shortlisted for the prestigious Leipzig Book Fair Prize – the first graphic novel ever to be nominated. Berlin-based imprint V&Q Books had previously published Birgit Weyhe’s Madgermanes, a comic about Mozambican contract workers in the GDR. And publisher Katy Derbyshire not only shares Priscilla Layne’s love of German literature… they’re also both big fans of punk, ska and reggae. In fact, their paths presumably crossed at gigs in Berlin during Priscilla’s time as an exchange student there. It’s the rude girl culture of the title that provided her with a sense of community among anti-racist skinheads, and the book features great stylized drawings of album covers that shaped her life at various stages – something Derbyshire very much related to.

So it was a no-brainer to publish Rude Girl in English, and it was clear who’d have to translate it. Priscilla Layne had previously worked on writing by Feridun Zaimoglu and Olivia Wenzel, but Rude Girl posed new challenges. As she writes in her translator’s note, “having your life displayed on the page requires a degree of vulnerability.” The graphic novel explores personal and political hurdles she has faced and doesn’t shy away from depictions of difficult experiences, though they’re not always literal; Birgit Weyhe has a special gift for apt metaphors in illustration form.

In the end, the book is a beacon for a great many readers. As Priscilla Layne writes: “If you are a Black nerd, any other nerd of Color, or even just a femme-identifying nerd, you don’t necessarily see any (positive) representation of yourself. I’m glad Rude Girl is helping to contribute to these representations and that it is now available in English.”

Find out more about Rude Girl here.

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Traitor to Tradition, Resister to Remorse: A Conversation with Kiran Bhat

April 13, 2023 | in Interviews | by Alton Melvar M Dapanas

I want to shift the story before the labels set in; I want to blur the border before it has had time to be constructed . . .

Khiran Bhat is true to what he says he is: a “citizen of the world.” Among other things, he has authored poetry volumes in both Spanish and Mandarin, a short story collection in Portuguese, and a travel book in Kannada. He is also a speaker of Turkish, Indonesian, Hindi, Japanese, French, Arabic, and Russian, and has made homes from Madrid to Melbourne, from Cairo to Cuzco.

In this interview, I asked Bhat about writing across genres, self-translating from and into a myriad of languages, and being a writer who identifies as planetary, belonging to no nation—and thus, all nations at once.

Alton Melvar M Dapanas (AMMD): As a polyglot, a citizen of the world, and a writer “writing for the global,” are there authors (especially those writing in any of the twelve languages that you speak) whom you think were not translated well, and therefore deserve to be re-translated?

Kiran Bhat (KB): What an interesting question! I’m rarely asked about translation, and since I dabble in translation, I’m glad to see someone challenge me on a topic that speaks to this side of myself.

It’s a hard one to answer. I would pose that almost all books are badly translated because no one can truly capture what an author says in one language. Every work of translation, no matter how ‘faithful’ it aspires to be, is essentially an interpretation, and that interpretation is really a piece of fiction from the translator. Some people really want ‘authenticity,’ but when I read a translation, I just want something that compels me to keep reading (probably because I’m so aware of the ruse of it all).

For example, a lot of people prefer the Pevear and Volokhonsky translation of War and Peace, but I fell in love with the Constance Garnett translation. This might have been because it’s easy to find on the Internet and I was reading it on my computer while waiting on a ferry crossing Guyana and Suriname in 2012, but Garnett’s effortless storytelling style really made me fall in love with Pierre and Natasha. I can understand why technically Pevear and Volokhonsky are truer to Tolstoy’s sentences and paragraph structures, but I feel riveted when I read the Garnett version. I want to turn the pages and find out what’s going on, and I think that’s important as a reader: to get lost and immersed in a fictional world.