Posts featuring Hanif Kureishi

Weekly Dispatches from the Front Lines of World Literature

The latest in world literature from Italy, the Philippines, and Croatia!

This week, our editors on the ground are bringing you news of summer literary festivities, publishers fighting back against silence, gatherings of award-winning writers, translation exhibitions, and more! 

Amaryllis Gacioppo, Newsletter Editor, reporting from Italy

Italians are known for their ability to delight in la dolce vita, and this exuberance is never more evident than in the summer season, when the entire country throws itself into festivities. The Italian literary world is no exception: from June 9 to June 12, indie publisher festival Una marina di libri held its thirteenth edition in the massive open-air courtyard of Palermo’s Villa Filipina. Along with an indie book fair—which included publishers such as Edizioni E/O (Elena Ferrante’s Italian publisher), Iperborea (an Italian publisher specialised in translations of Northern European literature), La Nuova Frontiera (a Rome-based publisher focusing on Spanish, Catalan, and Portuguese-language translations), and famed Palermitan publisher Sellerio—festival-goers were treated to poetry readings, music, wine, pizza, and magazine launches—such as that of Arabpop, a beguiling Italian magazine on its second issue, which is devoted to Arab art and literature. This year’s festival was dedicated to both Pier Paolo Pasolini and the thirty-year anniversary of the Capaci massacre (in which one of Palermo’s famed and beloved anti-mafia magistrates, Giovanni Falcone, was murdered by Cosa Nostra, along with his wife and three police escorts). One such event featured theatre and music students from Teatro Biondo and Palermo’s Conservatory giving music-accompanied dramatic readings of pieces by Pasolini, Giuliana Saladino, and Leonardo Sciascia at various times and locations around the festival. Others featured educational talks for young people about famous anti-mafia figures including Falcone and Paolo Borsellino (Falcone’s friend and fellow beloved magistrate, murdered with five police escorts by Cosa Nostra less than two months after Falcone), and the presentation of Pietro Grasso and Alessio Pasquini’s new book Il mio amico Giovanni, in which the former spoke about his friendship with Falcone.

In other news, the shortlist for Italy’s most prestigious prize for book-length fiction, the Strega Prize, was announced on June 8. Among the nominees are Marco Amerighi, for his second novel Randagi (Strays); Fabio Bacà for his second novel Nova; Alessandra Carati for her first novel E poi saremo salvi (And then we’ll be safe); prior Strega nominee Mario Desiati for Spatriati (Patriates); Veronica Galletta for her second novel Nina sull’argine (Nina on the riverbank); Claudio Piersanti for Quel maledetto Vronskij (That damn Vronkskij); and Veronica Raimo for Niente di vero (Nothing true). I found the nominees list to be exciting, with many up-and-coming writers unearthed, along with more established writers that have yet to be appreciated in the Anglophone world. With the exception of Desiati, Piersanti, and Raimo, most are relative newcomers on their first or second book, and—with the exception of the latter two—have yet to be translated into English. READ MORE…

News from Ubud Writers and Readers Festival

In this post, news hot off the press from Ubud, Indonesia.

Greetings from the Ubud Writers and Readers Festival (UWRF), which has just concluded its second day. Heres a bit of historical background: founded in response to the 2002 Bali bombings, the festival celebrates its fifteenth anniversary this year. Since then, UWRF has successfully surmounted several challenges: In 2015, the local government censored festival discussions of the 1965 mass killings in Indonesia; last year, volcanic activity took a toll on festival participation, with many attendees and speakers canceling their flights. This year, we (Norman Erikson Pasaribu and Tiffany Tsao) were both invited to speak at the festival in our capacity as writers, and we thought we would share some of our impressions so far.

On Wednesday, the festival held a press call immediately before the festival’s official opening gala event. The press call featured festival founders Janet DeNeefe and Ketut Suardana, as well as some of the festival’s speakers, including Hanif Kureishi, Reni Eddo-Lodge, Avianti Armand, and Norman Erikson Pasaribu (hooray!). Ketut Suardana spoke about how they coined this year’s theme, Jagadhita – the world we create, and how we should live life according to dharma (goodness) and strive to attain ultimate happiness. When Norman was asked what he expected his writing to achieve, took the opportunity to observe that perhaps “goodness” and “happiness” shouldn’t be so universalized. Quoting a line from Marianne Katoppo, that “language is where theology begins,” he noted how we rarely refer to either concept in plural form. Such language places limitations on what it means to be happy and good, pressuring queer communities in Indonesia to conform to society and engage in self-erasure. Reni, when asked what advice she had for Indonesian feminists, humbly answered that she isn’t in a position to suggest anything to them without listening to them first since their experiences are very culturally specific and very different from hers as a British-Nigerian woman.

READ MORE…

Announcing Our Partnership With: Ubud Writers and Readers Festival

Save 20% on passes to Southeast Asia's biggest literary festival with Asymptote!

Asymptote is proud to announce a collaboration with Southeast Asia’s biggest literary festival! Held in Ubud, Bali, the Ubud Writers & Readers Festival will take place this October, featuring exciting and instructive conversations, talks and performances by leaders in world literature. Do read on to find out how you can get a discounted festival pass with Asymptote.

The Ubud Writers & Readers Festival (UWRF) celebrates its fifteenth year as Southeast Asia’s leading festival of words and ideas, from 24-28 October in Ubud, Bali. From humble beginnings, the UWRF has grown into Indonesia’s leading platform for showcasing its writers and artists, and one of the world’s ’20 Best Literary Festivals’ (Penguin Random House).

The five-day program of insightful in-conversations, intimate literary lunches, impassioned debates and powerful performances will feature more than 180 authors, journalists, translators, artists and activists from 30 countries. From Indonesia to Ireland, Sweden to Spain, the Philippines to Pakistan and dozens of countries in between, this year’s UWRF promises a world of stories, ideas, and solutions at a time when amplifying diverse voices and rarely-heard perspectives is more critical than ever.

READ MORE…