Posts featuring Gioconda Belli

Weekly Dispatches From the Frontlines of World Literature

News from Spain and Nicaragua!

This week, our editors bring us news from their respective literary horizons and the many exciting publications being released to the delight of readers. In Spain, Romanian literature hits the spotlight as a the first text of a new series is released, covering the nineteenth century through to World War II. In Nicaragua, the lauded poet and author Gioconda Belli has announced her latest work. Read on to find out more! 

MARGENTO, Editor-at-Large, reporting from Spain

Within international contexts, the most important literary event of the past few months is the release of Grandes escritores rumanos (Great Romanian Writers), a collection edited by Alba Diz Villanueva and past Asymptote contributor Felix Nicolau, and published by Huerga & Fierro (Madrid, Spain). The anthology is the first instalment of a series projected to cover Romanian literature chronologically, and samples the second half of the nineteenth century and early twentieth century, through to World War II. Numbering over three hundred pages, it starts off with both the original and the Spanish translation of the “great [three] Romanian classics”: the eruditely eclectic, formally exhaustive Renaissance man and “national poet,” Eminescu; the proverbially language-bending, comedic, and politically sarcastic playwright and short-story writer Caragiale (whom Eugène Ionesco referred to as his master, making him the true forerunner of the theatre of the absurd); and the linguistically-Gargantuan, (faux-)folkloric raconteur, Creangă. Among the featured twentieth century writers are the paradoxically modernist-traditionalist poet Tudor Arghezi, modernist-expressionist poet and philosopher Lucian Blaga, iconic Symbolist George Bacovia, landmark novelists Mihail Sadoveanu and Liviu Rebreanu, alongside significant women poets and fiction writers including Magda Isanos, Hortensia Papadat-Bengescu, Henriette Yvonne Stahl, and Cella Serghi.

An impressive number of translators contributed to this literary tour de force—no less than sixteen—and the editors have structured the collection in a quite complex and polyvalent way. The subtitle reads Antología didáctica (course reference book), and indeed, in a Norton-anthology style, every section comes with a short introduction presenting each writer’s main stylistic features and contextualizing their contribution to the evolution of Romanian letters. Even more distinctively, at the back are quizzes addressing the writers’ style and language, as well as a rich “Further Reading” section providing more detailed bios, aesthetic commentary, and relevant historical background—plus comprehensive annotated bibliographies which act as a great resource for students but also scholars and literati, as they highlight the richness of relevant translations and criticism in both Romanian and Spanish (in Spain and Ibero-America). READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest literary news from Central America, France, and the United States!

This week, our team brings you literary news from around the world, including an experimental poetry reading and a festival celebrating comics! From cross-continental prize to a new exhibit at the Centre Pompidou, read on to find out more.

Alan Mendoza Sosa, Editor-at-Large, reporting from the United States

On February 7, I watched as the internationally-renowned Mexican poet and recent Asymptote contributor, Rocío Cerón presented a spellbinding performance at New York University’s KJC Center. Through sound, voice, and moving images, the performance expands on Cerón’s 2022 book Divisible corpóreo, a poetry collection that thematizes the relationship between language, poetry, and the body.

While Cerón read from the book, the screen behind her projected images featuring her bedroom and herself. These visuals were not static. Rather, they transformed in rhythmic syncopation along with Cerón’s voice. In addition, Cerón not only read the book out loud. She also brought her poems to a further experiential dimension through several resources grounded in her voice: she raised and lowered her pitch and volume, repeated words and phrases with different speeds, and sometimes elongated vowels and stuttered consonants. The effect was dreamlike. I was immediately thrown into a trance, a characteristic effect of Cerón’s awe-inspiring transmedia readings.

After the audience’s applause, Cerón was interviewed by Irma Gallo, a student in NYU’s Spanish MFA program. During this Q&A, Cerón reflected on her creative process and approach to live readings, noting that her performances often include improvisation, which makes each one of them a unique, ephemeral experience. She also talked about the feminist elements in her poetry, such as references to lineages of women writers and reflections on the mitochondrial DNA, only transmissible from mother to child. To conclude, she specified that the book Divisible corpóreo is the second installment of a trilogy that explores the connection between poetry and different senses. The other two books are Spectio (2019) and Simultáneo sucesivo (2023). Paraphrasing Cerón’s own words, these collections explore the interrelation between what we can observe and what we can hear. Each text establishes an intertextual dialogue with the other two “creating,” in Cerón’s words, “a network of signifiers and symbolic fields that touch and traverse one another.” READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Literary news from Central America, the Philippines, and the Romanian diaspora!

Join us this in this week of literary news from Central America, the Philippines, and the Romanian diaspora! From recent publications of women writers, to a collection of electronic-inspired poetry, to movements against the ongoing genocide in Gaza, read on to learn more.

José García Escobar, Editor-at-Large, reporting on Central America 

In December, Nicaraguan novelist and poet Gioconda Belli announced that Libros VISOR had just published a 900-page book collecting all her poetry books. Titled Toda la poesía (1974-2020), it includes a prologue written by Spanish poet Raquel Lanseros. This publication came only weeks after Belli won this year’s Premio Reina Sofía de Poesía Iberoamericana, one of the most prestigious awards given to poets of the Spanish language. 

Earlier, in late November, Alfaguara put out a book entitled Desde el centro de América, Miradas alternativas, which includes short stories by twenty one Central American women. The collection includes the likes of Nicté Sierra, Marta Sandoval, and Ixsu’m Antonieta Gonzáles Choc, from Guatemala; María Eugenia Ramos and Jessica Isla, from Honduras; and Madeline Mendienta and Carmen Ortega, from Nicaragua. The book was put together by writer and researcher Gloria Hernández, who, in 2022, received Guatemala’s highest literary honor: the Miguel Ángel Asturias National Prize in Literature. 

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Weekly Dispatches from the Frontlines of World Literature

Literary news from North Macedonia, Mexico, and Palestine!

This week, our editors around the world bring news as to how different literary initiatives and publications are help shaping the present. From writers who embody multiculturalism and unity, to works of solidarity and hope, read on to see how writers, readers, and artists are working to shed light on what matters.

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

“Rarely has any Macedonian poet attracted as much attention among theorists, literary historians, and philologists as [Kočo] Racin. Racin was . . . a pioneer in the artistic expression of the mother tongue, . . . an example of an ideal revolutionary and, in the end, a victim. He was the most honorable and most honored thing that the Macedonians had in the period between the two wars,” writes Goran Kalogjera, a prominent Croatian comparatist and scholar of Macedonian studies in his book, Pogled otstrana. Racin (1908 – 1943) (Side view. Racin (1908 – 1943)). Recently, this important biography was translated into Macedonian by Slavčo Koviloski, and published by Makedonika Litera Press.

Kosta Apostolov Solev is a canonical figure in Macedonian literature, hailed by some as the founder of modern Macedonian poetry. He is best known under his penname, Kočo Racin, which was derived from the name of his lover, Rahilka Firfova-Raca—a gesture indicative of his support for the socialist women’s movement. He himself was a political activist, participating in the translation of the Communist Manifesto into Macedonian, and acting as editor for several communist magazines. His political leanings had contributed to his mysterious and untimely death; mortally shot by a printing-house entrance guard in June 1943, some speculate that Racin had been purposefully targeted by the communist party, having fallen out of favor with them around 1940. However, his activism effectuated his ties to other cultures, enriching his literary oeuvre. Aside from his mother tongue, he wrote texts in Bulgarian and Serbian, and was published all over the Balkans. Kalogjera stresses this multilingual, multicultural aspect of Racin’s output in Pogled otstrana, noting his importance to Croatian culture. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Literary updates from The Philippines, Central America, and North Macedonia!

In this week of literary updates, our news range from recent award winners to support for incarcerated writers by PEN centres around the globe. Read further to catch up on the Guadalajara International Book fair, PEN Philippines’ statement on ‘The Day of the Imprisoned Writer,’ and a new contribution to Macedonian cultural studies!

Alton Melvar M Dapanas, Editor-at-Large, reporting from the Philippines

On ‘The Day of the Imprisoned Writer,’ commemorated annually November 15, PEN Philippines joined PEN centres across the globe in issuing a statement calling for the release of Filipino poets Amanda Socorro Lacaba Echanis, Adora Faye de Vera, and Benito C. Quilloy, children’s book author Eduardo Sarmiento, and journalist Frenchie Mae Cumpio—incarcerated writers who have been arrested on trumped-up charges and detained for years. “We continue to raise our voices to call for their release, and for the Philippine government to serve these detainees the justice that is due them under our system of laws—as is but right,” the statement declared. 

PEN centres globally have also demanded the release of Iryna Danylovych (Occupied Crimea), María Cristina Garrido Rodríguez (Cuba), Soulaimane Raissouni (Morocco), and Go Sherab Gyatso (Occupied Tibet). “PEN Philippines has been championing this cause for the past 65 years, and we continue to uphold that advocacy,” PEN Philippines furthers.

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Weekly Dispatches From the Frontlines of World Literature

The latest from Central America, Spain, and China!

This week, our Editors-at-Large bring us around the world for the latest of literary news! From a brilliant cast of Central American authors at Madrid’s upcoming literary festival, to an inside glimpse into Spain’s translation residencies, to a thought-provoking workshop at China’s aBC Art Book Fair, read on to learn more!

José García Escobar, Editor-at-Large, reporting for Central America

Central America’s brightest stars are about to come together yet again!

On September 18, the latest edition of the region’s most celebrated literary festival, Centro América Cuenta, will kick off in Madrid, Spain!

This time, Centro América Cuenta will gather regional talents such as Arnoldo Gálvez Suárez (Guatemala), Cindy Regidor (Nicaragua), Horacio Castellanos Moya (El Salvador), Mónica Albizúrez (Guatemala), Rodrigo Rey Rosa (Guatemala), and Sergio Ramírez (Nicaragua), next to Latin American and Spanish writers such as Mónica Ojeda (Ecuador) and Patricio Pron (Argentina). One high point of the festival will occur on September 18, when former president of Costa Rica, Luis Guillermo Solís, and former Guatemalan jurist living in exile, Thelma Aldana, will gather to discuss the current state of democracy in Central America.

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Weekly Dispatches From the Frontlines of World Literature

The latest from Spain and Central America!

In this week of literary news, we hear from our Editors-at-Large on Spanish-speaking countries around the world! From Spanish-Romanian literary intermingling in Spain, to recent award winners across Central America, to medium-bending poetry across sound and space in Mexico, read on to learn more!

MARGENTO, Editor-at-Large, reporting on Spain

As the summer season is kicking in and tourists are about to take over Spain—as is the usual for this time of the year—certain portions of the literary world are seeming to gain fresh momentum. That goes particularly for the transnational and translational endeavors. 

The latest issue of the Madrid-based literary journal Ágora – Papeles de Arte Gramático offers a rich overview of contemporary Spanish poetry while including a generous Catalan special feature. A substantive section on Romanian literature is also featured, with reviews of Encarnación García León’s recent anthology of Romanian fiction in Spanish translation and articles on Spanish translations of the legendary writer and internationally revered religion phenomenologist Mircea Eliade and the symbolist Ion Minulescu. 

Moreover, the issue opens with poems by past Asymptote contributor Felix Nicolau in Elisabeta Boțan’s Spanish translation and some of Fernando Pessoa’s celebrated poems in Dinu Flămând’s Romanian rendering. The journal has had a long-standing interest in Romanian-Spanish literary cross-pollinations, as a previous issue featured a sizeable section dedicated to the Romanian inter-war writer Max Blecher, who passed away at the age of 28 after spending a decade ill, confined to his bed, and writing literature that would later be widely translated. Blecher’s collected poems in Spanish translation, edited by Joaquín Garrigós, was a highlight of the issue. Ágora’s Editor-in-Chief Fulgencio Martínez warmly recommends to his readers the summer issue of another Madrid-based journal, Littera Nova, profuse with Romanian writing. 

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Weekly Dispatches From the Front Lines of World Literature

Literary News from Palestine, Central America, Romania, and Spain!

Join us this week with a new batch of literary dispatches covering a new Palestinian literary and culture magazine, the 2023 PEN Open Book Award longlist, and more. From a Palestinian literary festival to the birthday celebration for the “national poet” of Romania, read on to learn more!

Carol Khoury, Editor-at-Large, reporting from Palestine

A first is always exciting, always an event; in fact, it’s called “a first” even if a second never comes. And when there is a second time, it’s an opportunity to celebrate and to remember the first.

This week the Palestinian literary community is anticipating both a first and a second.

The Palestinian literary scene is witnessing the birth of Fikra Magazine, an online Palestinian cultural and literary magazine – writing and art by and for Palestinians. According to partners and co-founders Aisha and Kevin, Fikra is dedicated to “high-quality content that doesn’t conform to stereotypes and old-fashioned ideas about Palestine. It’s original, it’s inspiring, it’s bold.” What is exciting about this new publication is that every piece is professionally translated from Arabic to English—or vice versa. Since “Palestinians in the Diaspora often don’t read Arabic as their mother tongue,” the creators say in their promotional materials, “we want our writers to become part and parcel of the international writing-guild as well.” In Fikra, the creators promise, “you’ll find Palestinian writers and artists from all corners of the word – from Gaza, the West-Bank, East-Jerusalem, 48, and the diaspora.”

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Weekly Dispatches from the Front Lines of World Literature

Literary news from Argentina, Armenia, and Guatemala!

In this week’s round-up of global literary goings-on, our editors report on efforts to highlight queer Armenian literature, plurilingual Argentine writing, and a Guatemalan festival that seeks to redress fragmented memories through art and literature. Read on to find out more!

Josefina Massot, Editor-at-Large, reporting from Argentina

Last Thursday, New York-based writer and critic Sylvia Molloy passed away at the age of eighty-three. She was, among other things, a pioneer—the first woman to gain tenure at Princeton University back in the seventies, the first person to found a U.S. writing program in Spanish, and, perhaps most notably, the first Argentine author to really tackle LGBTTIQ+ culture in her work; her debut novel “En breve cárcel” (1981), an icon of queer literature, was written during the Argentine dictatorship and first published in Spain to avoid persecution.

Molloy established a fruitful link between queer themes and translation: “queer means twisted, weird, out of place, and if people think my texts deviate from the norm, so much the better,” she once said. “I’m interested in texts that take unusual turns, including those that go from one language to another. I’ve always had that sort of linguistic conflict, because I write in Spanish but will often explore phrases in other languages.”

Translation at large was central to Molloy, who grew up speaking Spanish, English, and French. Her short essay collection Vivir entre lenguas (Living Between Languages) is an attempt to portray this plurilingual experience. While her own English version of the work hasn’t been published in full, an excerpt did run in Asymptote’s Fall 2019 issue; meanwhile, her brilliant Desarticulaciones will be released by Charco Press in both Spanish and English.

As we bid adieu to one of our greats, we also welcome a newcomer—the latest press to sprout up in Argentina’s bustling indie ecosystem. Sergio Criscolo’s Híbrida has just published its first four titles, all by South American authors: Aspas by Belén Zavallo, El placer de abandonar by Schoë Blintsjia, El corazón adelante by press co-editor Humphrey Inzillo (all three of them, Argentines), and Elis Regina, una biografía musical by the Brazilian Arthur de Faria. The first is a book of poetry; the second, a debut novel; the third, a collection of journalistic columns; the fourth, a translation into rioplatense (rather than neutral) Spanish. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Despite setbacks and delays, literature around the world is still going strong.

This week, our writers bring you the latest literary news from Brazil, Central America, and Hong Kong. In Brazil, literary communities are still going strong via online events and livestreams; in Central America, journalists and writers have been reaching audiences through online videos; and in Hong Kong, universities have been putting lecture series online for the public. Read on to find out more!

Daniel Persia, Editor-at-Large, reporting from Brazil

In the midst of rising political tensions, presidential disregard for the ongoing pandemic, and increased social distancing measures at the local and state levels, writers and readers have come together to help shape a new virtual literary landscape in Brazil. Over the past few weeks, with travel restricted and residents urged to stay in their homes, I’ve tuned in via Facebook Live, Instagram Live, Youtube, Google Hangouts, Zoom, and more to engage with authors from across the country. With some livestreams reaching two thousand-plus users in a single session, one thing remains clear: the Brazilian literary community continues strong, with readers now more than ever searching for opportunities to engage in dialogue and debate. To stay connected, you can follow writers and publishers on social media; subscribe to email newsletters; and check out how your local bookstore might be engaged with virtual encounters! READ MORE…

Weekly Dispatches from the Front Lines of World Literature

From literary festivals to prize winners, this is the week in world literature.

This week, dispatches from Spain and Central America witness the rise of Spanish-language writers and events that support and promote the literatures of up-and-comers alongside established stars of the field. To celebrate the community of world literature is a necessary joy, and our editors are here with the revelry. 

Layla Benitez-James, Podcast Editor, reporting from Spain  

It was time for big celebrations in a tiny, trilingual bookshop located in the centre of Madrid on the night of May 10. Francesca Reece had been named winner of the second ever Desperate Literature Short Fiction Prize, and ten other writers were being honoured alongside her in the publication of Eleven Stories 2019, the shortlist for the competition which follows after the sold out original Eleven Stories from their inaugural 2018 contest.

The event celebrated the launch of the mini collection with readings from ten of the eleven shortlisted authors. The project is an international prize based out of the bookshop Desperate Literature in Madrid, but with partners in London, Paris, and New York, it has drastically evolved over just its first year. After feedback from the inaugural winner and shortlist, the founders decided to add a one week stay as the artist-in-residence at the Civitella Ranieri in Italy, and a consultation with a New York literary agent who works for Foundry Literary + Media. With the aim of giving as much support to emerging and non-traditional writers as possible, they sought to develop additional assistance alongside a cash prize and are looking to continue this line of development for next year’s iteration. This year they partnered with five literary journals: 3:AM, Structo Magazine, Helter Skelter, The London Magazine, and The Second Shelf (women only), who will publish stories from the shortlist throughout the year. They also added a collaboration with the Casa Ana in Andalucia, who selected Jay G Ying from the shortlist for another residency.

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The youth carry the fire and the rejection against tyrants in their blood: An Interview with Gioconda Belli

This new rebellion has been a spontaneous movement, organized by the social memory we, as Nicaraguans, have after fighting another dictatorship.

Since the late 1950’s people in Nicaragua began actively fighting and opposing the Somoza dictatorship—Anastasio Somoza took power for the first time in 1937. In the mid-1970’s the opposition grew stronger, and in 1979, the Sandinistas came together, and launched the People’s Revolution. Guerrillas, artists, rebels, and civilians united against the somocistas. And on July 19th, 1979, victory was announced. The Sandinista Revolution brought together people like the Cervantes Prize-Winning Author, Sergio Ramírez, the former Catholic priest and poet, Ernesto Cardenal, the poet and novelist Gioconda Belli, and the current Nicaraguan president, Daniel Ortega Saavedra.  

Ortega later came to power in 1979 for a four-year period and then again in 2007. He has since become a mirror image of Somoza; he has been in office for more than ten years and has recently silenced, threatened, and killed members of the opposition.

In mid-April of this year, thousands gathered on the streets of Nicaragua to show their discontent against the government of Daniel Ortega and Rosario Murillo, in particular for issues relating to environmental rights, corruption, public health, and lack of transparency. Four months later, the protests have not slowed down and neither has the repression coming from the Policía Nacional de Nicaragua and other orteguistas. Every day, images of bravery and brutality come from Nicaragua. El presidente, who was once part of the Sandinista revolution that ousted the Somoza dictatorship that shackled the country for more than thirty years, has now become a tyrant himself and has betrayed the ideals that he, alongside writers and activists like Claribel Alegría and Sergio Ramírez, fought so diligently for in the seventies and eighties. 

Gioconda Belli, one of Central America’s most beloved and important writers, has openly criticized Daniel Ortega and his government. In early August, the poet and novelist won the Hermann Kesten Prize for her outstanding efforts in support of persecuted writers, and she joined the ranks of other prominent writers and Human Rights advocates, such as Harold Pinter and Iryna Khalip.

Belli, who was one of the artists that walked alongside the Sandinista revolution, next to people like Ernesto Cardenal and Carlos Mejía Godoy, says she’s hopeful. “There is always hope,” she says. She also admits she trusts in the Nicaraguan youth that has bravely fought for a fairer society. The revolution, she argues, in the hands of the young men and women marching in Managua, in León, in Masaya, is alive and well. “Whenever you think of tyrants, such as Daniel Ortega, you must remember that their time will eventually come,” she adds. Finally, art, music, and literature, according to Belli, are the tool Nicaragua has to plan for a better future.

More than three hundred people have been killed by the hands of the orteguismo since the protests began, on April 18th. Daniel Ortega has been in power since 2007.

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In Conversation with Nicaraguan writer Sergio Ramírez

We mustn’t be allowed to be jailed by our own countries.

Last October, the Spanish publishing house Alfaguara put out Ya nadie llora por mí, the most recent novel from the acclaimed Nicaraguan writer, Sergio Ramírez and sequel to his 2009 novel, El cielo llora por mí (The Sky Cries for Me). A couple of weeks later, the Spanish Ministry of Culture announced that Sergio was the winner of the 2017 Miguel de Cervantes Prize, the most important literary award for Spanish-language writers. Other laureates include Jorge Luis Borges, Carlos Fuentes, and Mario Vargas Llosa. Sergio is the first Central American writer to receive this distinction. He has published around thirty books, two of which have been translated into English: Divine Punishment (McPherson & Company) and the 1998 Alfaguara Prize winning novel Margarita, How Beautiful the Sea (Curbstone Books).

Three months later, Sergio and I—his umpteenth interviewer since November—got together at a fancy hotel on the misty mountains of Guatemala City, hours before he presented Ya nadie llora por mí in SOPHOS bookstore. I imagined all the questions Sergio had answered during the past few months. What does it feel like to have won it? Where were you when you got the news? Can you give us a preview of your acceptance speech? I should ask him about his favorite Guatemalan dish, I thought, to shake things up.

Sergio is kind but equally incisive, serene, and voracious. He speaks with care and potency about Central American literature, being a writer, and Centro América Cuenta. Hosted in Nicaragua, this is the biggest literary festival of the region that seeks to strengthen Central American writers and bring them closer to the rest of Ibero-America. Sergio, with a cup of coffee in his hand, is also critical of the contaminated reality of his country. A reality from which his work often comes to life.

In Ya nadie llora por mí (Nobody cries for me anymore) inspector Dolores Morales has been discharged from the National Police, and he now works as a private investigator. He mostly handles cases about adultery for clients with no money. Then the disappearance of a millionaire’s daughter takes him out of his routine. In Sergio’s latest novel we also get to see how corruption and abuse of power underlie the revolutionary discourse of contemporary Nicaragua.

“As a citizen, I desire a different reality,” he says. “As a writer, I take advantage of it.”

Sergio is arguably the most important Central American writer today.

José García Escobar (JGE): What was it like to revisit detective Dolores Morales for your latest book? Did you have the story for Ya nadie llora por mí first, and then realized you needed Dolores to tell it? Or was it the other way around?

Sergio Ramírez (SR): I came up with the story first. I wanted to write about Nicaragua today, and for this, I needed a character like Dolores: a detective and former guerrilla. Noir fiction, or novela negra, as we call it, gives me the opportunity to look at the events I’m writing about from afar. With this distance I can add humor, irony. Also, given his background, this character helped work around that distance. Dolores is often bound by his ethic, a type of ethic he picked up from his years as a guerrillero; he uses that critical thought and critical distance for his work, but at the same time he’s always at risk of getting contaminated by that environment. He observes the situations as he would have in the past and is that moral nostalgia and critical distance that allows my character to lead the book.

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