Posts featuring Ellen Elias-Bursać

For the Reader Who Cannot Be Bought: On Dubravka Ugrešić’s A Muzzle for Witches

. . . her writing worked to unsettle, challenge, and dismantle—a process she called “a perestroika of literary values.”

A Muzzle for Witches by Dubravka Ugrešić, translated from the Croatian by Ellen Elias-Bursać, Open Letter, 2024

For thirty years, Dubravka Ugrešić lived in self-imposed exile as a cultural dissident and an enduring critic, challenging the prevailing orthodoxies that fueled anti-intellectualism, oppression, inequality, and nationalism. Her prolific writing—including both fiction and essays—took on topics ranging from the rise of virtual fandoms and the wars of Yugoslav dissolution, to cultural nostalgia and the state of the publishing industry.

A Muzzle for Witches, released this year by her longtime American publisher Open Letter, was Ugrešić’s final book before her death in March 2023. Translated from the Croatian by Ellen Elias-Bursać (the preeminent translator into English of Bosnian, Serbian, and Croatian authors, including David Albahari, Ivana Bodrožić, Slavenka Drakulić, Daša Drndić, and Robert Perišić), the book is a highly polished transcript of an interview between Ugrešić and literary critic Merima Omeragić.

The book is divided into seven sections, throughout which Ugrešić expounds upon many of the key themes and ideas she addressed in her life’s work. Loosely guided by Omeragić’s brief questions, she focuses on three subjects that are her greatest concerns: the resurgence of Croatian nationalism after the breakup of Yugoslavia; the marginalization of women’s voices, particularly in literature; and the dubious future of contemporary literature itself. Cumulatively, these three areas—in no small part responsible for her extended exile—suggest a grim outlook for the future.

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What’s New in Translation: September 2024

Ten translated titles that hit the shelves this month!

When we first started the What’s New in Translation column in 2015, it was to offer readers a look at the incredible work done by writers, translators, and publishers all around the world. Gathering some of the most exciting publications coming out each month, the column featured regular reviews from trusted critical voices, giving the spotlight over to this great wealth of literary work. A lot has changed in the last decade; though English still reigns, we’ve seen the advocates of literary translation win a lot of battles as they seek to make our reading landscape a more various, inclusive, and interconnected space. As such, we now feel the need to extend our purview to include more of these brilliant voices, more of this innovative work, more of the insights and wonders that they bring. We are delighted to announce that our monthly column will now feature a greater number of titles —but with the same incisive critical insight that we’ve always aimed to bring.

From Argentinian horror to the latest from a Hungarian master of form, an intergenerational Greek tale to haiku interpretations, read below for a list of the ten most exciting books out in September.

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Documentary Poetry by Heimrad Bäcker, translated from the German by Patrick Greaney, Winter Editions, 2024

Review by Fani Avramopoulou

Documentary Poetry compiles a selection of German poet Heimrad Bäcker’s documentary poems and photographs with his published interviews, lectures, and essays, offering a richly contextualized introduction to his many decades of work documenting and reflecting on the Holocaust. Bäcker does not conceal his relation to the Nazi Party; he was an avid member for about a year, joining at the age of eighteen. He then denounced the Nazi ideology in the wake of the Nuremberg trials, and spent the rest of his life meticulously chronicling the Third Reich’s atrocities through photography and a poetic method he described as his “transcript system.” The collection’s title essay introduces what feels like the conceptual seed of Bäcker’s work: a reflection on the Nazis’ use of ordinary language to conceal, sanitize, enable, and systematize the horrors of the Holocaust. His conceptualization of language as a participatory, covert administrative tool of the Nazi ideological agenda leads to this development of the transcript system as a form of intervention—a way of undressing such language and purging it of its duplicities.

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What’s New with the Crew? (Nov 2022)

In addition to editing your favorite literary journal, Asymptote staff have been busy with publications this past quarter!

Philippine Editor-at-Large Alton Melvar M Dapanas’s lyric collage is included in Our Stories To Tell (Texas: Folkways Press, 2022), an anthology of essays on mental health, out now.

Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania and Moldova, has recently contributed, jointly with Raluca Tanasescu, a chapter on “Literary Translation in Electronic Literature and Digital Humanities” to the Bloomsbury anthology Translation Beyond Translation Studies and an article on “#GraphPoem: Holisme analytique-créatif, le genre D(H) et la performance informatique subversive” to the special issue on transmediality and convergence in literature of the journal Recherches & Travaux.

An essay, “Humor in the Dark,” by Ellen Elias-Bursac, Contributing Editor, was published in the journal Translation Review. It explored some of the strategies Elias-Bursac used when translating Dubravka Ugresic’s counterpoint of humor and trauma in her book of essays The Age of Skin.

Incoming Visual Editor Heather Green moderated a panel on “Word + Image,” featuring translator Alta L. Price and artists Verónica Gerber Bicecci and Abdulrahman Naanseh at the Center for the Art of Translation’s Day of Translation conference. She also recently reviewed poetry titles by Iman Mersal (tr. Robyn Cresswell), Shuri Kido (tr. Tomoyuki Endo and Forrest Gander), and frequent contributor Eugene Ostashevsky for the Poetry Foundation’s Harriet Books.

Ian Ross Singleton, Nonfiction Editor, took part in a two-way interview with writer Kristina Gorcheva-Newberry for Punctured Lines, a blog on Post-Soviet literature. The two writers discussed their respective novels, Two Big Differences and The Orchard.

In September, José García Escobar, Editor-at-Large for the Central American region, published his translation of Solito, a memoir by Salvadoran-American poet Javier Zamora, with Penguin En Español. READ MORE…

What’s New with the Crew? (May 2022)

Despite a quarter marked by global upheaval, our team members continued to publish and organize literary events

Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania & Moldova, recently co-organized—jointly with Isabelle Gribomont—an international week-long event on Literature and Computation which he capped off with an intermedia computational performance titled Code Is Poetry.

Blog Editor Darren Huang reviewed Diana Abu-Jaber’s “Fencing with the King” for the Los Angeles Review of Books on April 1.

In March, Contributing Editor Ellen Elias-Bursac was asked by the ALTA board to come back as interim president, after Anne Fisher resigned as president following the invasion of Ukraine. Elias-Bursac will serve in this capacity until November 2023.

Editor-at-Large for Slovakia Julia Sherwood’s joint translation (with Peter Sherwood) of her mother’s memoirs My Seven Lives: Jana Juráňová  in Conversation with Agneša Kalinová, published by Purdue University Press last October, was launched at an event in London on  April 27.

Director of the Educational Arm Kent Kosack has a new braided essay out in The Rupture and a short story in The Baltimore Review.

Assistant Managing Editor Marina Dora Martino’s poem “Death with Three Left Feet” was published in POETRY’s April issue, Exophony, featuring poets who write in English as an additional language.

Assistant Managing Editor Michal Zechariah published a review of Maayan Eitan’s Love (tr. by the author) at 3:am magazine and a review of Elizabeth Clark’s Boy Parts at The Rumpus. READ MORE…

What’s New with the Crew? (May 2020)

From hypermedia performances to publications, Asymptote staff have been keeping busy—even under lockdown!

Communications Manager Alexander Dickow’s co-translation, with Sean T. Reynolds, of Gustave Roud’s “Air of Solitude” followed by “Requiem” is now out with Seagull Books.

Executive Assistant Austyn Wohlers, who has just been admitted into Notre Dame’s MFA program in Fiction, recently published a story, “Lila,” in Short Fiction.

Editor-at-large for Romania and Moldova Chris Tanasescu (aka MARGENTO) will be presenting in late May a Twitter-based (@GraphPoem) hypermedia performance preview of a computationally assembled Belgian poetry anthology he is editing in French and in English translation and in early June an interactive coding computational poetry performance at Digital Humanities Summer Institute 2020.

Contributing Editor Ellen Elias-Bursać’s translation of Robert Perišić’s novel No-Signal Area, out recently with Seven Stories Press, was reviewed by Ken Kalfus in The New York Times.  

Editor-at-large for Guatemala José García recently published the final instalment of a four-parter about the migrant caravan at The Evergreen Review. Click here, here, here, and here for the full series.

Editor-at-large for Slovakia Julia Sherwood recently translated an essay by Czech journalist Apolena Rychlíková for the anthology Europa28: Writing by Women on the Future of Europe published by Comma Press in March 2020.

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What’s New with the Crew? (Feb 2020)

We’re bursting out of the gate with publications galore!

Other than editing your favorite literary journal, what have Asymptote staff been up to in the New Year? Catch up with our talented team with this latest quarterly update.

Gustave Roud’s “Air of Solitude” followed by “Requiem,” is finally coming out with Seagull Press at the end of February 2020 in Communications Manager Alexander Dickow and Sean Reynolds’s English translation; it is already available for preorder here. Alexander also published the story, “Rican’s Tale of the Expedition to Perigonne,” in Big Echo Critical Science Fiction.

Assistant editor Andreea Scridon read excerpts of her translations from the Romanian at a poetry reading in Pembroke College, UK, on February 12.

The  TA First Translation Prize was announced on February 12, and the runner-up went  to People in the Room by Norah Lange, translated by Charlotte Whittle and edited by our new Copy editor Bella Bosworth.

Contributing editor Ellen Elias-Bursac published her translation of Croation author Kristian Novak’s Dark Mother Earth with Amazon Crossing on January 14.

Editor-at-large for Morocco Hodna Nuernberg‘s co-translation, with Patricia Hartland, of Raphael Confiant’s Madam St. Clair, Queen of Harlem was published by Lavender Ink / Diálogos in January 2020.

Editor-at-large for Iran Poupeh Missaghi published her debut novel trans(re)lating house one with Coffee House Press on February 4. READ MORE…

What’s New with the Crew? (Nov 2019)

From being appointed President of ALTA to launching new poetry collections, Asymptote staff have been dazzling the world!

Is Asymptote edited anonymously? That was what someone seemed to suggest recently on Twitter—as if we were a bunch of bots. As a matter of fact, our editor-in-chief—and only full-time team member—is based in Taipei (although he made an appearance in a London translation symposium recently, which you can read about below), where he collaborates with 90+ team members from around the globe. Being virtual means our team members are often active (and physically present) literary citizens in other arenas. For evidence, look no further than this quarterly update celebrating our staff’s recent accomplishments.

Chris Tanasescu (aka MARGENTO, editor-at-large for Romania & Moldova) jointly presented with Diana Inkpen a paper on “Poetry beyond Poetry: Applying GraphPoem Outcomes in DH, NLP, and Performance” at DH Benelux 2019.

Please join us in congratulating Ellen Elias-Bursać, contributing editor, appointed to President of the American Literary Translators Association on Nov 7.

Editor-at large for Slovakia Julia Sherwood‘s most recent co-translations with Peter Sherwood Big Love by Balla and The Night Circus and Other Stories by Ursula Kovalyk were recently reviewed in The London Magazine by assistant editor Andreea Scridon.

José García Escobar, editor-at-large for Central America, published the first installment in a four-part series about last year’s migrant caravan at the Evergreen Review on Oct 30. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Catch up on this week’s latest news in Hong Kong, Vietnam, and Romanian authors around the world.

This week, our reporters tell us about the literary response to the demonstrations in Hong Kong and the translation of protest poetry by The Bauhinia Project, book fairs in Vietnam, as well as guiding us through the many Romanian writers performing at the largest Central European literary festival, the Author’s Reading Month festival. 

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

The extradition bill demonstrations in Hong Kong have been ongoing for four months and show no signs of stopping. There has been countless speculation over the city’s standing as a financial and trading center, but what has happened for certain is the plethora of art created in response to the movement. In an interview on the subject of contemporary art, a museum curator placed her bets: “The greatest art is going to be produced in Hong Kong.”

The same could be said for its literature. Since June, Hong Kong’s literary scene has actively documented current happenings through poetry, fiction, and criticism. Numerous local literary magazines, including Fleur des lettres, Voice & Verse, and Formless, are running issues dedicated to the protests, and the activity is not restricted to within the city’s borders. In particular, there is an initiative to translate protest poetry from Hong Kong for an international audience. In July, The Bauhinia Project was launched by an anonymous Hong Kong poet in Berkeley, California. Named after the city’s flower emblem, the project gathers poetry submissions and testimonials in text or audio from anonymous sources. The submissions are then translated into English and made into postcards. So far, the postcards have been displayed in a series of exhibitions held in Germany as well as different cities in California. The Bauhinia Project is also curating events on the extradition bill movement. On September 25, a panel discussion on misinformation and misunderstanding surrounding the protests abroad were held at Moe’s Books in San Francisco and featured six speakers, among them Hong Kong poet Wawa, previously interviewed on Asymptote on her medium-pure poetry, and writer Henry Wei Leung.

I will also moderate a discussion on civil society and literature between writer Hon Lai Chu, who spoke about politics and literature at the Frankfurt Book Fair earlier this year, and playwright Yan Pat To, whose latest play, Happily Ever After Nuclear Explosion, premiered in German at Munich’s Residenz Theater and subsequently in Cantonese at Tai Kwun, an arts and heritage site in Hong Kong, and South Korea’s Asia Playwright Festival. The event is part of Goethe-Institut Hong Kong’s wider series on civil society and art, which previously covered independent films, LGBT, and moving images. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

On our itinerary are independent bookstores in Boston, a bistro on the Tripoli port, and the curious outskirts of Paris.

This week, we’ve come across a spoil of literary riches! Big international names come to show in eastern USA, cultural collectives take full advantage of the historic wonders of Lebanon, and, in France, the académie Goncourt is always up to something. Our editors at the front are here to share the treasures.

Nina Perrotta, Assistant Blog Editor, reporting from the USA:

New York may be the undisputed publishing capital of the US, but the nearby city of Boston, just a few hours away by car, is also home to a thriving literary scene. Birthplace of the 19th century American Transcendentalism movement (notable members include Henry David Thoreau, Ralph Waldo Emerson, and Louisa May Alcott), Boston boasts one of the country’s richest literary traditions, and it remains a hub for writers and independent booksellers today.

Early last year, one of the city’s most prominent bookstores, the Brookline Booksmith, launched the Transnational Literature Series in partnership with Words Without Borders and the Forum Network. The series “focuses on books concerned with migration, displacement, and exile, with particular emphasis on works in translation,” and hosts conversations between writers and their translators. Previous Transnational Literature Series events have featured Ivana Bodrožić with translator Ellen Elias-Bursać, Olga Tokarczuk with translator Jennifer Croft, and Luljeta Lleshanaku with translator Ani Gjika.

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What’s New with the Crew? A Monthly Update

Keep up with our staff's impressive literary news as the summer comes to a close!

As we celebrate Asymptote‘s 30 issues in September, join us in congratulating our team members who also kept themselves busy with spreading our love of translation and literature. Take a look at this list and see where else we are bringing you the latest and the best of the literary world.

Communications Manager Alexander Dickow has released a new collection of poetry, Appetites, with MadHat Press.

Drama Editor Caridad Svich received the 2018 Ellen Stewart Award for Career Achievement in Professional Theatre from ATHE (Association of Theatre in Higher Education), and she has also been awarded a Tanne Foundation Award.

Assistant Interviews Editor Claire Jacobson had her translation of a short story by Mortada Gzar published by Words Without Borders.

Contributing Editor Ellen Elias-Bursac will participate in the Boston Translators Group’s (aka Dolet’s) International Translation Day/Month on 27 September at Cambridge Public Library.

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What’s New With the Asymptote Team

From reading tours to new publications, here's what Asymptote staff have been up to recently!

Contributing Editor Adrian West launched his new book, The Aesthetics of Degradation, for the occasion of which former Asymptote Section Editor Matt Jakubowski conducted this interview in Berfrois.

Contributing Editor Ellen Elias-Bursać has been interviewed about her authors in Authors and Translators.

Assistant Managing Editor Justin Maki published a review of Jon-Michael Frank’s book of poem-comics, How’s Everything Going? Not Good. (Ohio Edit and Cuneiform Press) at The Small Press Book Review.

Editor-in-Chief Lee Yew Leong’s translation of ‘Next’, a poem by Taiwanese psychiatrist-poet Jing Xianghai, was featured on the Guardian Books Network as part of Asymptote‘s ongoing Translation Tuesday collaboration with The Guardian.

Editor-at-Large for Romania & Moldova MARGENTO (Chris Tanasescu) participated in the CROWD Omnibus Reading Tour, a tour involving 100 writers from 37 countries, starting at the Arctic Circle and ending at the Mediterranean Sea. On his way back, MARGENTO stopped by Bookfest (Bucharest’s International Book Fair) where he contributed to the launch of frACTalia, a Romanian-international consortium of literary journals, publishing companies, and online intermedial archives.

Social Media Manager Sohini Basak has poems published in two anthologies: three poems in 40 Under 40: an anthology of Post-Globalisation Poetry (Mumbai, Poetrywala) edited by Nabina Das and Semeen Ali; and a poem inspired by Han Kang’s The Vegetarian in Urban Myth and Legends (Birmingham, Emma Press) edited by Rachel Piercey and Emma Wright.

Chief Executive Assistant Theophilus Kwek’s new collection of poetry, Giving Ground, was launched in Oxford, and reviewed in the Oxonian ReviewHe is one of four winners of this year’s inaugural New Poets’ Prize, and has an interview and a new poem about ’Brexit’ in The Missing Slate.

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