Posts featuring Bernardo Esquinca

Weekly Dispatches From the Frontlines of World Literature

Our editors bring you the latest from India, Mexico, and Romanian letters.

A vital new project to resurrect the works of a great Romanian poet in the English language, a slew of ambitious and global-minded book festivals in India, and a fair to highlight Oaxacan writing and languages in Mexico—our editors are bringing you the latest from a literary landscape that continues to expand in richness, variety, and intercultural exange.

MARGENTO, Editor-at-Large, reporting from Romania

In 1889, Mihai Eminescu—the iconic late romantic/early modernist Romanian poet—died at the age of thirty-nine, leaving behind only one published collection but tens of thousands of unreleased manuscripts. As they were gradually unearthed and released over the decades following his death, the posthumous publications only increased Eminescu’s fame and critical acclaim. Despite this unparalleled stature in Romanian literary history, however, the poet is relatively unknown to English-language readers—an issue that paradoxically has nothing to do with a lack of translations. In fact, a sizeable portion of Romanian and Anglophone translators and writers have tried their hand at this hugely demanding task, but they’ve all largely failed in two essential respects (to smaller or larger extents): first, in rendering the oceanic vastness and depth of the oeuvre, and, second, in capturing the exquisite euphony to an extent by which a non-Romanian reader could sense the original’s inescapable fascination.

One of the most important recent events in Romanian letters has now set out to address both those shortcomings in a spectacular fashion; K.V. Twain (Diana Cârligeanu’s pen-name), a young poet, writer, and translator educated in the US and Japan, has undertaken the task of translating Eminescu’s collected poems in an eight-volume series to be published by Eikon Press, and the first instalment was launched in January under the aegis of the Romanian Literary Translators Association in Bucharest. The association’s director, multilingual poet and performer Peter Sragher, was the event’s enthusiastic host, while literary critics Christian Crăciun and Vianu Mureșan contributed generous praise for the project.  READ MORE…

Blog Editors’ Highlights: Summer 2019

Our editors have you covered with a lovingly picked selection from the Asymptote Summer 2019 issue!

If you have yet to fully traverse the sensational depths of Asymptote‘s Summer 2019 issue: “Dreams and Reality,” you can step out on the roadmap written by our blog editors, who have refined their selections—with considerable difficulty—to a handful of their favourite pieces. Between an erudite Arabic mystery, non-fiction from Romania’s foremost feminist writer and theorist, and a tumultuous psychological short story which delves into our perception of sanity, this reading list is a doorway into the vast cartography of this issue, unfurling into the rich imagination and profundity of the heights in world literature.

Something about summertime makes me want to read detective fiction, so I was excited to learn that Asymptote’s Summer 2019 issue, released this past Thursday, features a murder mystery. I was even more intrigued when I learned that the story in question, “Culprit Unknown” by Naguib Mahfouz, was originally written in Arabic. Don’t get me wrong—I enjoy Swedish mysteries just as much as you do—but I think we can all agree that the Scandinavians have had a monopoly on detective fiction in translation for far too long.

“Culprit Unknown,” translated by Emily Drumsta, follows Detective Muhsin ʿAbd al-Bari as he tries to solve a series of grisly murders. Muhsin does everything he can, but each killing is a perfect crime: the murderer leaves not a single trace behind, and as the deaths pile up, the tension in the neighborhood becomes unbearable. Besides pacing the story perfectly, Mahfouz infuses “Culprit Unknown” with light humor and unexpected (but welcome) philosophical musings, as in the exchange below:

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