Posts featuring Alberto Ruy-Sánchez

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Kenya, India, and México!

This week, our editors-at-large take us to India, Kenya, and México. From a cross-cultural poetry retreat to a crime writer’s conference, read on to find out more!

Réne Esaú Sánchez, Editor-at-Large, reporting from México

Not so long ago, I was talking with some friends about the Guadalajara International Book Fair and how, for many locals, an event like that was actually their only chance to find certain books, meet certain authors and even reflect upon their literary activities. Despite the importance of the Fair, literary circulation remains centralized in Mexico City, while book commercialization in other places like Guadalajara, Monterrey, or Oaxaca is always secondary.

This is why I find it important to celebrate events like the Yucatán International Reading Fair (FILEY), which will conclude this Sunday, March 30. This year, it has hosted important authors including Cristina Rivera Garza, Verónica Murguía, Brenda Lozano, Jorge Comensal, and Xita Rubert. At the Fair, the 2025 José Emilio Pacheco Award for Excellence in Literature was presented to Alberto Ruy Sánchez, a prolific novelist who, in his unique style, shared the reasons behind his writing:

I write to know, to explore vast dimensions of reality that only literature can penetrate. I also write to remember, but no less, I write to forget. I write to extend my body, my senses, to experience the sensuality of the world day after day. I write for pleasure, for desire, for rage. To expose the falsification of icons, the abuse of public power. I write to be hated and to be loved, more so, to be desired. I write to propose new spaces in this world, to create places.

As its name suggests, FILEY has also been a space to reflect on why, how, and from where we read, something essential if we want to address the problem of cultural centralization. As María Teresa Mézquita, the Fair’s director, said in her opening remarks at the festival, beyond numbers and sales, the event is driven by a desire to foster personal growth, learning, and a cultural environment enriched precisely through reading.

It is good, as Ruy Sánchez’s remarks suggest, to know why we write; just as important is knowing why we read.

Wambua Muindi, Editor-at-Large reporting from Kenya READ MORE…

Translation Tuesday: The Scent of a Dream by Alberto Ruy-Sanchez

The unorthodox torment of Don Marcelino Menéndez y Pelayo

The feelings of guilt and uncertainty that dominate this stand-alone addendum to Alberto Ruy-Sanchez’s 1987 novel, Los demonios de la lengua, wrestle with the tension between religion and eroticism that was central to the author’s Jesuit upbringing. The story’s prose-poetry style prioritises diction and imagery over narrative, making for a complex and rewarding read.

Among Apples

Not words but serpents emerged from his mouth. And some of these vipers had the heads of goats, of iguanas, salamanders, toads; they were eagles without wings, fish without rivers, tongues without saliva. One tongue divided in two, in three, in ten, in six times one hundred and eleven nightmares. And the odor that emanated from these tongues, reminiscent of the rotten fish that serve as a delicacy in Sweden and an omen of tragedy in Denmark, was so dense as to be visible—and it looked back at us. It was a cloud with eyes, horns, jaws, a bristly beard and pointed ears. It looked like Satan on the verge of unleashing his fury, but it was only the scent of Don Marcelino’s breath as he dozed at midday.

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Revisiting Our 2014 Contest Winners: Poetics of Wonder: Passage to Mogador by Alberto Ruy-Sánchez

They became tinged with burning desire for each other, and finally one of them made a colorful confession: "Your voice makes me feel saffronized."

Happy Sunday! Today, we continue with our spotlight on our Close Approximations contest by showcasing the first edition’s winners. If you’re interested or know someone who might be interested, bear in mind that we’ll be awarding $4,500 total in prize money to six emerging translators, and our deadline closes in just sixteen days. Visit our contest page for full details.

The second of our two runners-up in the fiction category, Rhonda Dahl Buchanan, gives us this prize-winning translation of an excerpt from Mexican author Alberto Ruy-Sánchez’s Poetics of Wonder: Passage to Mogador.

What a thrill it was to see a sample of my translation from Poetics of Wonder: Passage to Mogador by the Mexican writer Alberto Ruy Sánchez, published in the January 2014 edition of Asymptote—complete with the beautiful Arabic calligraphy created by Caterina Camastra for the English translation of Nueve veces el asombro and an excerpt of the author reading a passage from the novel in the original Spanish.

I believe this recognition helped Dennis Maloney, editor of White Pine Press, secure a PROTRAD grant from the Fondo Nacional para la Cultura y las Artes (FONCA). With funds from FONCA’s Program of Support for Translation, Poetics of Wonder  was published in July 2014 in the “Companions for the Journey” series of White Pine Press. In September 2014, Alberto Ruy Sánchez and I were invited to Washington, D.C. by the Mexican Cultural Institute to present a bilingual reading of the novel, and we’ve been invited back to D.C. by the Mexican Embassy for an encore book presentation this March.

Shortly before Christmas 2014, Texas Tech University Press published my translation of the Argentine writer Perla Suez’s novel La pasajera in their Americas Series, titled Dreaming of the Delta. I hope that being selected as a winner of the Close Approximations Competition will help me secure grants and publishers for future translation projects. I am truly grateful to Howard Goldblatt, Lee Yew Leong, and the Asymptote editors for this honor that truly has been the gift that keeps on giving!

—Rhonda Dahl Buchanan, Runner-up in the fiction category, Close Approximations

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