Weekly Roundup

Weekly Dispatches From the Front Lines of World Literature

Literary news from Guatemala, Ireland, and Kenya!

This week, our editors are bringing news of book launches, emerging talents, one of the biggest literary awards in the world. Read on to find out more!

Rubén López, Editor-at-Large, reporting from Guatemala

Last December, Argentinian author Dolores Reyes visited Guatemala to discuss her latest novel Miseria (Misery) and the process of creating it. It was the author’s second time in the country, her first visit being the occasion of the literature festival Centroamérica Cuenta (Central America Narrates) in 2021.

I arrived early at Catafixia, an independent bookstore in Guatemala City downtown—the only one with its own editorial house. There was a small group, perhaps thirty enthusiastic people, waiting for the author to arrive. Carmen Lucía Alvarado and Luis Mendez Salinas—Catafixia’s founders, editors, and trusted libreros (booksellers)—arranged golden plastic chairs for the public and created a welcoming stage for Dolores.

When Dolores arrived, the audience was enraptured, viewing the beautifully hand-curated collection of books. People were quick to find their seats; some had to stand in the back because space was limited.

Dolores and Carmen then discussed how her novels Eartheater and Miseria portray the flagellum of missing persons in Argentina—in particular of abducted women. This issue is something that is terribly close to home in Guatemala, since during the process of state terrorism in the second half of the 20th century, more than 45,000 people were disappeared by State operators. Most of their families are still looking for them. Cometierra (the titular Eartheater), her main character, is a teenager with an ability to eat earth, in order to talk to the dead and find missing people. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Mexico and Bulgaria!

This week, our Editors-at-Large take us to bi-national experimental poetry festivals and a community for children’s literature. From prize-winning novels to poetry that spans genres and mediums, read on to find out more!

Alan Mendoza Sosa, Editor-at-Large, reporting from Mexico

On Monday, January 15, Mexican poet Rocío Cerón launched the online series of panels “Diálogos Bifrontes” (Bifrontal Dialogues), alongside digital artist and poet Carlos Ramírez Kobra. Their conversation was the first of several upcoming chats about experimental, transmedial, and expanded poetry, a genre of literature that combines sounds, performance, and visual elements with poetic writing. They talked about how the transformation of poetry into different artistic and sonic registers entails a process of thinking, reflection, and attention that dissolves traditional boundaries between genre, media, and performance. They also reflected on their creative processes, highlighting how their works consist of — paraphrasing Cerón — an infinite codifying and re-codifying of language and symbols.

These Dialogues complement last year’s special, celebratory 13th anniversary edition of Enclave, an annual festival of expanded poetry founded by Cerón, which ran between November 23 and 25. As a bi-national event, Enclave 2023 was co-sponsored by several Mexican cultural institutions and the Goldsmiths University of London, and co-curated by Cerón and the German-British sound artist Iris Garrelfs. It invited collaborations between Mexican and British artists and poets exploring intersections between poetry, sound, music, and visual art.

Diálogos Bifrontes builds on Enclave’s mission of bringing together poets, artists, and musicians. Like the festival itself, the series will feature conversations by cutting-edge poets from Mexico and the U.K. who are redefining what poetry can mean. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Literary news from Central America, the Philippines, and the Romanian diaspora!

Join us this in this week of literary news from Central America, the Philippines, and the Romanian diaspora! From recent publications of women writers, to a collection of electronic-inspired poetry, to movements against the ongoing genocide in Gaza, read on to learn more.

José García Escobar, Editor-at-Large, reporting on Central America 

In December, Nicaraguan novelist and poet Gioconda Belli announced that Libros VISOR had just published a 900-page book collecting all her poetry books. Titled Toda la poesía (1974-2020), it includes a prologue written by Spanish poet Raquel Lanseros. This publication came only weeks after Belli won this year’s Premio Reina Sofía de Poesía Iberoamericana, one of the most prestigious awards given to poets of the Spanish language. 

Earlier, in late November, Alfaguara put out a book entitled Desde el centro de América, Miradas alternativas, which includes short stories by twenty one Central American women. The collection includes the likes of Nicté Sierra, Marta Sandoval, and Ixsu’m Antonieta Gonzáles Choc, from Guatemala; María Eugenia Ramos and Jessica Isla, from Honduras; and Madeline Mendienta and Carmen Ortega, from Nicaragua. The book was put together by writer and researcher Gloria Hernández, who, in 2022, received Guatemala’s highest literary honor: the Miguel Ángel Asturias National Prize in Literature. 

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Weekly Dispatches from the Frontlines of World Literature

Literary news from North Macedonia, Mexico, and Palestine!

This week, our editors around the world bring news as to how different literary initiatives and publications are help shaping the present. From writers who embody multiculturalism and unity, to works of solidarity and hope, read on to see how writers, readers, and artists are working to shed light on what matters.

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

“Rarely has any Macedonian poet attracted as much attention among theorists, literary historians, and philologists as [Kočo] Racin. Racin was . . . a pioneer in the artistic expression of the mother tongue, . . . an example of an ideal revolutionary and, in the end, a victim. He was the most honorable and most honored thing that the Macedonians had in the period between the two wars,” writes Goran Kalogjera, a prominent Croatian comparatist and scholar of Macedonian studies in his book, Pogled otstrana. Racin (1908 – 1943) (Side view. Racin (1908 – 1943)). Recently, this important biography was translated into Macedonian by Slavčo Koviloski, and published by Makedonika Litera Press.

Kosta Apostolov Solev is a canonical figure in Macedonian literature, hailed by some as the founder of modern Macedonian poetry. He is best known under his penname, Kočo Racin, which was derived from the name of his lover, Rahilka Firfova-Raca—a gesture indicative of his support for the socialist women’s movement. He himself was a political activist, participating in the translation of the Communist Manifesto into Macedonian, and acting as editor for several communist magazines. His political leanings had contributed to his mysterious and untimely death; mortally shot by a printing-house entrance guard in June 1943, some speculate that Racin had been purposefully targeted by the communist party, having fallen out of favor with them around 1940. However, his activism effectuated his ties to other cultures, enriching his literary oeuvre. Aside from his mother tongue, he wrote texts in Bulgarian and Serbian, and was published all over the Balkans. Kalogjera stresses this multilingual, multicultural aspect of Racin’s output in Pogled otstrana, noting his importance to Croatian culture. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Bulgaria and Egypt!

This week, our editors-at-large report from Bulgaria and Egypt, taking us to book fairs and prize ceremonies. From the passing of a giant of Egyptian children’s literature to the arrival of literary stars in Bulgaria, read on to find out more!

Andriana Hamas, Editor-at-Large, Reporting from Bulgaria

The fiftieth anniversary edition of the Sofia International Book Fair graced the beginning of December. It took place over five days in the National Palace of Culture and saw the participation of approximately 160 publishing houses. Its motto was, quite fittingly, “We create stories. We create history.”

In an interview for the Nova News channel, Veselin Todorov, former longtime chairman of the Bulgarian Book Association revealed some intriguing details about the fair’s conception: “We began this tradition fifty-five years ago. However, we are celebrating our golden jubilee only now because on several occasions during socialist times, it was decided for the fair to be held every other year instead of every year. It all started back in 1968, in the Universiada Hall. Todor Zhivkov [former de facto leader of Bulgaria] inaugurated the event—a pompous and noisy affair. He even claimed it was one of the biggest such fairs in Eastern Europe.”

Literary critic Amelia Licheva also commented on the festival in her opening-day interview for the independent media platform Toest: “The boldest ambition of the team in charge of the cultural program (both Daria Karapetkova and I are part of it this year) is to attract real stars. Bulgaria is a small market with a bad image abroad and it is rather difficult, but we do not give up easily. Actually, our efforts finally paid off. The Bulgarian public will be able to meet with Franco Moretti, Leïla Slimani, Dacia Maraini, Stefan Hertmans, Ia Genberg, and Agustina Bazterrica. We are hoping to cultivate a taste in the audience for the issues of global importance and get more people to attend these discussions. This would mean a success not only for the festival but also for the role of literature in the present day.”

What better way to end 2023 than with hope for the literary future of 2024?

Ibrahim Fawzy, Editor-at-Large, reporting from Egypt READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Literary updates from The Philippines, Central America, and North Macedonia!

In this week of literary updates, our news range from recent award winners to support for incarcerated writers by PEN centres around the globe. Read further to catch up on the Guadalajara International Book fair, PEN Philippines’ statement on ‘The Day of the Imprisoned Writer,’ and a new contribution to Macedonian cultural studies!

Alton Melvar M Dapanas, Editor-at-Large, reporting from the Philippines

On ‘The Day of the Imprisoned Writer,’ commemorated annually November 15, PEN Philippines joined PEN centres across the globe in issuing a statement calling for the release of Filipino poets Amanda Socorro Lacaba Echanis, Adora Faye de Vera, and Benito C. Quilloy, children’s book author Eduardo Sarmiento, and journalist Frenchie Mae Cumpio—incarcerated writers who have been arrested on trumped-up charges and detained for years. “We continue to raise our voices to call for their release, and for the Philippine government to serve these detainees the justice that is due them under our system of laws—as is but right,” the statement declared. 

PEN centres globally have also demanded the release of Iryna Danylovych (Occupied Crimea), María Cristina Garrido Rodríguez (Cuba), Soulaimane Raissouni (Morocco), and Go Sherab Gyatso (Occupied Tibet). “PEN Philippines has been championing this cause for the past 65 years, and we continue to uphold that advocacy,” PEN Philippines furthers.

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Weekly Dispatches from the Frontlines of World Literature

Literary updates from Greece, Palestine, the UK, and Spain!

The week, we bring more updates from writers around the globe as they continue to commemorate, resist, show solidarity, and contemplate our present moment. In Greece, the literary world remembers the historic Athens Polytechnic Uprising; in the UK, the prestigious Warwick Prize for Women in Translation is awarded; in Spain, an exciting young literary festival brings together some of the best names in Spanish-language writing today, to talk about that eternal subject—time; and lastly, our editor from Palestine expresses gratitude for those around the world who have continued to stand up and show support.

Christina Chatzitheodorou, Editor-at-Large, reporting for Greece

The book Speak, Bird, Speak Again: Palestinian Arab Folktales was recently translated from English into Greek by Dimitris Koufontinas and published by Monopati Editions. In the collection, editors Ibrahim Muhawi and Sharif Kanaana have gathered and selected stories from Palestine that best exemplify the Palestinian Arab folk oral tradition, and the translation represents an important addition for Palestinian and Arab literature in the Greek language.

Recently, on the fiftieth anniversary of the Athens Polytechnic Uprising (1973), Giorgos Perantonakis wrote an article for Book Press, highlighting the continual legacy that this demonstration—and the dictatorship, the Regime of the Colonels (1967-1974), that it protested—has left on Greek literature, citing important works from poetry and novels to personal memoirs. However, Perantonakis omitted one of the most important anti-dictatorial titles: Ta Dekaokto Kimena (The Eighteen Texts), a collective volume of eighteen writers (including Georgios Seferis, Manolis Anagnostakis, and Stratis Tsirkas) and their political works, which was published in July 1970 by Kedros Publications. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from North Macedonia, Latin America, and the Philippines!

This week, our Editors-at-Large take us to book fairs, awards ceremonies, and book launches. From celebrated poets and dearly departed essayists to up-and-coming novelists and prize-winning translators, read on to find out more!

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

The recent publication of The Long Coming of the Fire, a collection of poems by Aco Šopov, translated from the Macedonian by Rawley Grau and Christina E. Kramer, was met with interest and celebration from Macedonian literary critics, journalists, and laymen alike. The book features a total of seventy-four poems, selected by Jasmina Šopova—daughter of the poet and established connoisseur of his work. A selection of Šopov’s poems in Kramer and Grau’s translation was featured in the Winter 2023 issue of Asymptote Journal.

Aco Šopov’s literary output is significant beyond its stylistic excellence and thematic range—it also marks the beginning of the modernist period in Macedonian culture. “His work,” writes N.M. for Nova Makedonija (New Macedonia), “is essential to a poetic movement that freed poetry from the grasp of both the folk oral tradition and the short-lived socialist-realist style, thus directing the [still] tenuous poetic tradition of authors writing in the newly minted Macedonian language towards the expansive spaces of modern European songmaking.” This swift evolution, propelled onwards by the “long strides” of Šopov’s visionary lyric, was the reason Macedonian literature managed to catch up with the still-relevant themes and styles of its European counterpart.

Now, 100 years after Šopov’s birth, the public at large can experience his unforgettable voice through The Long Coming of the Fire, a bilingual Macedonian-English edition published by Deep Vellum Press. In an unusual but successful move, the edition was translated via the synergy of three translators. In an interview organized by the Macedonian Academy of Sciences & Arts, Kramer explains that this translation resulted from the synergy of three unique approaches and skillsets: “Rawley [Grau], who translates poetry very well but doesn’t know Macedonian, me, who knows the Macedonian language very well but not how to translate poetry, and Jasmina, who weaved the threads together in a way that resulted in the creation of a team of translators.” Although, being a linguist, she would’ve “been more comfortable discussing Šopov’s use of nouns and verbs than his poetics”, Kramer notes that his images, recurrent within his poems, “subtly bind” the author’s inner workings to the outside world, creating poetry that is “simultaneously personal and universally human”. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

News from Latin America, Greece, and Spain!

Join us this week with a new batch of literary dispatches covering a wide range of news from Latin America, Greece, and Spain; from censorship and literary awards to a slew of literary festivals, read on to learn more!

Miranda Mazariegos, Editor-at-Large, reporting from Latin America

In Colombia, Laura Ardila Arrieta’s book La Costa Nostra was pulled from publication days before going to print by Editorial Planeta, one of the most influential publishers in the Spanish-speaking world. Ardila Arrieta’s book investigates one of the most powerful families in Colombia and was pulled due to “three legal opinions that proved to us that the text contained significant risks that, as a company, we did not want to take on,” according to Planeta’s official statement. Ardila Arrieta was signed by Indent Literary Agency a few days later, and her book has instead been published by Rey Naranjo, an independent Colombian publisher who stated that the publishing of the book represents “the desire to contribute so that the future of our democratic system improves and that education and reading empowers us as a society.” 

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Weekly Dispatches from the Frontlines of World Literature

News from Ireland, Bulgaria, the Philippines, and Egypt!

This week, our editors report around the world on the widely varied achievements and explored potentialities of literature. From book fairs in the UAE to Filipino songs, from Bulgarian “Enlighteners” to Dublin’s Book Festival, read on to find out more!

Ibrahim Sayed Fawzy Elsayed, Editor-at-Large, reporting from Egypt 

Amidst the chaos and confusion engulfing the world lately, it’s been hard to tear one’s eyes away from the news. We’re deeply saddened by the heartbreaking photos coming from Gaza, which remains under attack. One can only hope that the violence is ceased immediately and light and peace prevail soon. In this dispatch, I’ll share a glimmer of hope from across the Arab World.

Egyptian literature continues to shine both in the East and the West; Ashraf El-Ashmawi’s الجمعية السرية للمواطنين (The Secret Society of Citizens), published by Al-Dar Al-Masriah Al-Lubnaniah, and Rasha Adly’s أنت تشرق، أنت تضيء (You Shine, You Light Up), published by Dar El-Shorouk, have won the ninth edition of the Katara Prize for Arabic Novels.

Meanwhile, Rania Bedda’s  حلق مريم (Maryam’s Earring), illustrated by Aya Khamis and published by Nahdet Misr Group, won the Etisalat Award for Arabic Children’s Literature in the Young Adult category. The story takes readers on a transformative journey with Maryam as she seeks identity and purpose through the art of Nubian jewelry design. Also, sixteen titles from eleven languages have been longlisted for the prestigious Warwick Prize for Women in Translation; among them is author-translator Deena Mohamed’s debut graphic novel, Your Wish is My Command, published by Granta. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Hong Kong, India, and Kenya!

This week, our Editors-at-Large report on documentaries about poetry, award-winning short stories, and exciting translation fellowships. From novels shortlisted for big prizes to upcoming movie screenings, read on to find out more!

Charlie Ng, Editor-at-Large, reporting from Hong Kong

Taiwan’s 60th annual Golden Horse Awards will be held on November 25 and Hong Kong film director Ann Hui’s most recent documentary Elegies is nominated for the Best Documentary Feature. Elegies was already selected as the opening film for the Hong Kong International Film Festival earlier this year, which was a rare occasion as poetry—the subject of the documentary—used to be a niche literary interest in the city. The first part of Elegies presents a sketching of contemporary Hong Kong poetry through interviews of Hong Kong poets and archival materials of Xi Xi and Leung Ping-kwan. The second and third part of the documentary are dedicated to two Hong Kong poets, Huang Canran and Liu Wai-tong, respectively, who both have deep cultural roots with Hong Kong but choose to live elsewhere. Hui studied literature at university, and poetry had long been a subject matter that the director wished to explore through the medium of the moving picture. The film is her way of paying homage to local poetry and the city, as well as an elegy for a bygone era.

To celebrate the nomination and achievement of Elegies, M+ Museum has organised a few screening sessions of the documentary in November. The November 18 screening includes a post-screening dialogue with the director and the featured poets, moderated by M+ film curator Li Cheuk-to. Ann Hui will discuss her ideas about poetry and the implications of poetry for her film productions. The three artists will engage in conversations on the essence of poetry, as well as their own stories of poetry writing. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary news from Guatemala, Costa Rica, and the Vietnamese diaspora!

This week in world literature, we hear from our Editors-at-Large reporting on the latest in literary developments! In Guatemala, we’re covering the literary community’s response to threats to the electoral process, as well as the country’s most recent award-winning authors. From the Vietnamese diaspora, we take a dive into two authors’ recent publications. Read on to learn more!

Rubén López, Editor-at-Large, Reporting on Guatemala

On August 31, sixty-two Guatemalan writers, editors, and artists signed a statement calling for the resignation of María Consuelo Porras, Head of the Public Prosecutor’s Office. Ms. Porras, who was included in the Engels List of 2023 for obstructing investigations against corrupt political allies, has been the main actor in the attempt to sabotage the Guatemalan electoral process of this year. 

On June 25, the progressive presidential ticket composed of Bernardo Arévalo and Karin Herrera surprisingly made it to the second round of the election. This started a series of legalistic arbitrariness from Ms. Porras in an effort to prevent the duly elected candidates from taking office democratically on January 14. 

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Weekly Dispatches From the Frontlines of World Literature

The latest in literary news from India, Sweden, Spain, and Denmark.

This week, our editors bring news of commendations, intercultural exchanges, and champions of free speech that highlight the need for bold voices and acts of solidarity. 

Zohra Salih, Editor-at-Large, reporting from India

Winter is here—not just in the air outside, but within our hearts. One finds it hard to write about literature and culture with genuine excitement in times like these, when Gaza, already deeply wounded, is bleeding again with little hope in sight. It feels anachronistic to mention the many literary festivals and prizes that are scheduled for this winter, as if one is inhabiting two distinct worlds: one with cause for celebration, another for mourning. At the very least, it seems right to acknowledge this disparity, and to consider the very real responsibility of all literary enthusiasts in bridging this divide, in keeping our eyes and ears open, and in being willing to allow for other truths and realities to be translated as part of our own.

On that note, the JCB Prize for Literature has announced its longlist for 2023, featuring four works in translation. Simsim by Geet Chaturvedi, translated by Anita Gopalan, and I Named My Sister Silence by Manoj Rupda, translated by Hansda Sowvendra Shekhar (who was himself longlisted for the prize previously), are both written originally in Hindi; The Nemesis, Manoranjan Byapari’s latest work, is translated from Bengali by V Ramaswamy, and it is also worth noting that this is the third time that the fiery writer has been featured on the longlist.

Perumal Murugan’s Fire Bird is also on the longlist, and was translated from the original Tamil into English by Janani Kannan. A professor of Tamil literature, Murugan’s works have garnered critical acclaim through translations, including Madhorubhagan (One Part Woman), his best-known work, which won the prestigious ILF Samanvay Bhasha Samman in 2015, and caused massive uproar amidst conservatives because of its bold and feminist themes—leading to the author briefly declaring that he was ‘dead’ and retired from writing until the Madras high court judgment unequivocally upheld his artistic freedom. Murugan’s profound and incisive explorations of caste and its entanglement in every rubric of Indian society have also rightly led to his book, Pyre, being longlisted for the International Booker Prize this year, as well as his receiving a Lifetime Achievement Award at the seventh edition of the Ooty Literary Festival, which wrapped up this October. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Palestine, the United States, and the Philippines

This week, one of our editors-at-large reports from Palestine, amidst the outbreak of war. Our editors also report on new publications from the Philippines and literary festivals in New York. 

Carol Khoury, Editor-at-Large, reporting from Palestine

In a normal world, you would expect me to write my dispatch this week about the latest version of Palestine International Book Fair, or about Raja Shehadeh making the 2023 National Book Awards finalists list, or the just-concluded Palestine Writes Festival. But this week, Palestine is far from normal, although what we are living now is also déjà vu.

My last dispatch was about Gaza, but it was pleasant news. Little did I know what the following month would hold when I wrote “Each morning, as the sun timidly broke through the horizon, Mosab Abu Toha’s words flowed like a river, weaving tales of resilience and hope from the depths of despair.”

I will give the floor to Mosab this dispatch too:

Picture1 READ MORE…