Weekly Roundup

Weekly Dispatches from the Front Lines of World Literature

New festivals, publications, and films from Slovakia, Palestine, and Kazakhstan!

This winter, festivals and events across the globe introduce new literature in translation, while literary magazines and film festival screenings amplify underrepresented voices. In Slovakia, recent works explore sexual identity, the weight of twentieth-century history, and trauma. From Palestine, Arablit and Arablit Quarterly launched its first “In Focus” section, spotlighting Iraqi literature. In Kazakhstan, the film Akyn highlights the political power of writing, acquiring greater significance in the context of recent governmental restrictions on free speech. Read on to find out more!

Julia Sherwood, Editor-at-Large, reporting on Slovakia

In October 2021, Barbora Hrínová was declared the winner of Slovakia’s most prestigious literary prize, the Anasoft Litera. The jury praised her remarkable debut collection Jednorožce (Unicorns) for writing “about otherness without exoticizing or exploiting it, thus enabling us to accept different ways of life or the search for identity.” As the author herself put in a recent interview: “Otherness in Unicorns occurs on two levels; one is literal, where the characters from the LGBTI+ community belong by definition, and the other is universal, all-human; after all, every person is a minority in their own right. I didn’t want to emphasize the element of sexual identity or outward difference in the characters, because I think that such people are part of everyday life and no different from the majority in any essential way. Rather, I was interested in and irritated by the way they are perceived by society, which often reacts very dismissively and critically to even a minor deviation from the norm. I wanted to create a space in the stories where we could also look at the ‘different characters,’ or a variety of shortcomings in a somewhat more human way.” The fact that Hrínová’s collection also won the 2021 René Prize, chosen by secondary school students, testifies to the author’s empathetic handling of a sensitive subject.

November 2021 marked the centennial of the passing of Slovakia’s national poet, Pavol Országh Hviezdoslav. This brief video, recorded for the Slovak consulate in New York City by Columbia University professor Christopher W. Harwood, is a great primer for anyone not familiar with Hviezdoslav’s work. Literature scholar Charles Sabatos gave a captivating Zoom talk on Gejza Vámoš (1901–1956), another Slovak writer not yet widely known in the English-speaking world. Sabatos, who is translating Vámos’s seminal Atómy boha (God’s Atoms), published in 1928 and 1933, focused on issues of language and identity in this book, summed up by one critic as “a novel of heroism and syphilis.”

While this translation awaits publication, two recent works by contemporary Slovak writers appeared in October, inaugurating Seagull Books‘s Slovak list: Boat Number Five by Monika Kompaníková (translated by Janet Livingstone) and Necklace/Choker by Jana Bodnárová (translated by Jonathan Gresty). TranslatorsAloud features excerpts from both books: a bilingual reading by the author and translator in one case and a reading by the translator in the other, while an interview with Jana Bodnárová is available on Trafika Europa Radio.

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Weekly Dispatches from the Front Lines of World Literature

From Scheherazade to Avicii, the literary news of the week spans new looks at pivotal figures.

From book fairs to bestsellers, the world of international letters knows no rest. In Qatar, the 31st Doha International Book Fair has launched with an in-person schedule. In Japan, a new project aiming to promote Southeast Asian and Indian literature has published an impressive roster of short fiction, and in Sweden, two beloved figures are immortalized in text. Read on to find out more!

MK Harb, Editor-at-Large, reporting from Lebanon

Happy New Year from the world of Arabic literature! With Omicron, media frenzies, and restrictions around the world, we could all use some escape. Travel might be limited, but how about an escape to the fantasy world of Arabian Nights? The iconic collection that has inspired countless others around the world, from the Brothers Grimm to Naguib Mafhouz, has received a fresh new translation by Yasmine Seale—known for her riveting new translation of Aladdin. Enter the world of ghouls, mystics, and enchantresses, and enjoy your COVID-free time travel (it has some brilliant images!).

The theme of time travel continues with the launch of the Winter issue of Arab Lit Quarterly! Responding to the theme of folk and featuring great writers such as Palestinian author Sonia Nimr, this issue promises to “cover stories, songs, and poetry from the last millennium, from Andalusia to Yemen, with stops across the cities in between!” You can get your copy here.

That being said, the world is not entirely being relegated to the virtual, as Qatar launches the 31st Doha International Book Fair for the year of 2022, under the theme of “light is knowledge.” Finally, we will visit our first in-person book fair in years, which will host renowned Arabic book distributors such as Samarkand Books from Qatar and Antoine Cachet from Lebanon! READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest from India, Central America, and Palestine!

Despite the pandemic, literary festivals and magazines around the world continue to highlight important voices, both emerging and established. In India, the Bangalore Literature Festival presented a series of literary conversations, while the Sahitya Akademi announced the winners of its various awards. In Guatemala, the literary community mourned the loss of the beloved writer and editor, Julio Calvo Drago. In Palestine, the first-ever edition of Granta in Arabic was published. Read on to find out more!

Suhasini Patni, Editor-at-Large, reporting from India

Despite the restrictions COVID imposed, 2021 was a successful year for literature in India, with many virtual festivals and award ceremonies.

In Bangalore, the tenth edition of the Bangalore Literature Festival commenced in a hybrid form at the Bangalore International Center. Featuring authors such as Chitra Divakaruni, Dolly Kikon, Jahnavi Barua, Vivek Shanbhag, and Rijula Das, the festival was spread over two days. In one conversation, sociologist Arshia Sattar and filmmaker Anmol Tikoo introduced a new literary podcast on the life of Kannada playwright Girish Karnad. Titled “The River Has No Fear of Memories,” a line taken from the English translation of the play Hayavadana, the podcast follows the life of Karnad, including his work, inspirations, and personal life.

Sahitya Akademi also announced the winners of its prestigious awards: the Sahitya Akademi Award, Yuva Puraskar, and Bal Sahitya Puraskar 2021 on December 30. Twenty authors writing in different Indian languages were awarded the Sahitya Akademi Award. The award for the Sahitya Akademi in the Tamil language was given to Ambai for her short story collection Sivappu Kazhuththudan Oru Pachai Paravai (A Red-Necked Green Bird). Born in 1944 in Coimbatore, Ambai is only the fourth woman to win the award in her category, in the sixty-six years of the award’s history.

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Weekly Dispatches from the Front Lines of World Literature

The latest from Mexico, Bulgaria, Belgium, and Romania!

Though Asymptote is winding down with the year, literary events and going-ons continue to thrive around the globe. In Mexico, the Guadalajara International Book Fair presents its impressive line-up, and Polish female poets are celebrated in a new collection. In Bulgaria, the Christmas Book Fair returns to delight the locals. and in Romania, the Gaudeamus Book Fair features over one hundred exciting events. Read on to find out more!

Alan Mendoza Sosa, Editor-at-Large, reporting from Mexico

On December 10, Mexican editor, poet, and translator Isabel Zapata presented Dentro del bosque, an English-Spanish translation of the autobiographical essay Into the Woods by American author Emily Gould. The essay reflects on contemporary capitalist precarity through Gould’s personal experience as a young woman trying to make a living as a writer in New York City. Originally published in 2014, its translation into Spanish is part of the Editor’s Collection from Gris Tormenta, an independent publisher based in Querétaro, a rapidly growing state three hours north of Mexico City. Gris Tormenta has published several Asymptote contributors in the past, including Yuri Herrera, Tedi López Mills, and Thomas Bernhard.

On December 4, Mexican poet Rocío Cerón and Polish poet Marta Eloy Cichocka presented Luz que fue sombra, a Polish-Spanish bilingual collection of seventeen Polish female poets born between 1963 and 1981, translated by Abel Murcia and Gerardo Beltrán. The book was published in the Spanish independent press Vaso Roto, which has published Spanish translations of important authors such as Anne Carson, John Ashbery, and Ocean Vuong. It includes poems by Justyna Bargielska, Barbara Klicka, Krystyna Dąbrowska, and Urszula Zajączkowska. Julia Fiedorczuk, whose book Oxygen was reviewed for Asymptote by Elisa González, is one of the most renowned authors in the collection. The event took place in Talleres de Arte Contemporáneo (TACO), a cultural centre south of Mexico City dedicated to promoting and teaching contemporary art.

The 35th edition of the Guadalajara International Book Fair took place in Guadalajara, one of Mexico’s largest cities, between November 27 and December 5. It is considered one of the most important book festivals in Latin America. This year, the guest of honor was Peru, from where several important authors and artists travelled to Mexico to present their work, lead workshops, and host panels. Among them was Asymptote contributor Victoria Guerrero. Importantly, the events featuring Peru offered significant representation of literature written in indigenous languages, including books by Dina Ananco Ahuananchi, Gabriel Pacheco, Cha’ska Ninawaman, and Washington Córdova. The fair also featured both emerging and established authors from all over the world. Many of them have previously appeared in Asymptote, such as Ana Luísa Amaral, Georgi Gospodinov, Abdellah Taïa, Marieke Lucas Rijneveld, and Alejandro Zambra.

Andriana Hamas, Editor-at-Large, reporting from Bulgaria

Bulgaria has, for a long time now, been in the grips of mass paranoia, an all-encompassing misinformation campaign, and political turmoil. The health situation also not looking up; according to official statistics, the COVID-19 deaths are, sadly, approaching the chilling number of 30 000 since the beginning of the pandemic—a figure that definitely cannot be trivialised given the overall population. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

News this week from Sweden and Central Europe!

This week, we bring you news from Sweden and Central Europe! In Sweden, Eva Wissting reports on the annual Stockholm literature fair and recent acclaim for writer Merete Mazzarella, while Julia Sherwood highlights lively readings across Central Europe from the 2021 European Literature Days and Visegrad Café program. Read on to find out more!

Eva Wissting, Editor-at-Large, reporting from Sweden

The annual literary fair, Stockholms Litteraturmässa, was held last weekend, for the fourth time, after having been cancelled two years in a row due to renovations two years ago and last year because of COVID restrictions. The fair, which is a single day event with no entrance fee, is meant to highlight the diversity of Swedish publishers. This year, it included an exhibit of around fifty publishers and magazines. There were also author talks and lectures on subjects ranging from democracy, climate, translation ethics, to literature about real events, as well as storytime events for the younger visitors and poetry readings. The theme of “the printed book” was meant to reflect current affairs in the publishing industry and was chosen because it can no longer be taken for granted that literature is read in its conventional printed book form.

Last week, the Swedish Academy announced that it is awarding Merete Mazzarella the 2021 Finlandspris (Finland Prize), which amounts to just over ten thousand US dollars, for her work in the Swedish-speaking cultural life of Finland. Swedish is the first language of about five percent of the Finnish population and one of the two official languages in the country. Mazzarella, who was born in 1945 in Helsinki, is a literary scholar and a writer who has published over thirty books since her debut in 1979. Her most recent book, Från höst till höst (From autumn to autumn), is an essayistic journal about living as an elderly person through the pandemic and its restrictions. Her books have been translated to Finnish, Danish, and German. Previous recipients of the award include author and journalist Kjell Westö (The Wednesday Club).

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Weekly Dispatches from the Front Lines of World Literature

Workshops, festivals, and plenty of new publications and announcements to celebrate in this week's round of literary news.

The “great moon of December” leads us into the final starts of 2021, though the literary world shows no signs of winding down. Let our editors introduce you to classical poetry reawakened, Arab literature awards, star-studded literary events in Tokyo, the latest from the European Literature Festival, and much more!

Carol Khoury, Editor-at-Large, reporting from Palestine

Once upon a time, the so-called ‘women’s magazines’ of today had a completely different form (though they were never truly intended for women per se). Back in the tenth century, there was a celebrated Shiʻite Muslim Arab court poet, master chef, and polymath called Kushājim; originally from Ramla in Palestine—near contemporary Tel Aviv—Kushājim lived during the turbulent war-ridden period of the Middle and Late Abbasid Caliphates, which led him to move between Jerusalem, Damascus, Baghdad, and Cairo before finally settling in Aleppo. During his lifetime, Kushājim was considered the epitome of excellence in literature, and was highly commended by the literary critics of his time, both for his poetic works and intellectual faculties. His canon “vividly chronicles culinary, social, and intellectual aspects of court life [. . .], detailing numerous native and exotic foodstuffs and recipes; the social etiquettes of sharing wine and food; the various musical instruments used at the time to entertain the caliphs and their guests; the harem with its cross-dressing male and female dancers, concubines, and odalisques; the wide variety of plants and geometric designs found in courtly gardens; indoor pastimes and outdoor sports; the art of gift-giving; and the traits of coveted courtiers and boon companions.” What does this resemble but the contemporary women’s magazine?

Ancient Exchanges, an online journal at the University of Iowa devoted to literary translations of ancient texts, has recently published four gastronomic poems by Kushājim—on asparagus, mushabbak, khushkanaj (both desserts), and pomegranates. Translated from classical Arabic by Salma Harland, the four poems are run bilingually, accompanied with art by ArabLit Quarterly art director Hassân Al Mohtasib.

In her translator’s note (which includes a teaching guide), Harland explains that “although the original poems were written in accordance with the fixed feet and rhyme schemes often used in classical Arabic poetry, I have chosen to prioritize aesthetic grace and readability over meter without completely eliminating musicality.”

One is invited to take a seat at Kushājim’s table, set by Harland, and to take in a feast by a master who “not only details the preparation methods and ingredients needed for certain dishes but also the impact that their elegant presentation has on the banquet guests. Mouths water and eager hands cannot keep their distance”; even “[a] sedulous ascetic would break his fast / and yield before such a repast.” READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest news from India and Hong Kong!

This week, we bring you news from India and Hong Kong! In India, Suhasini Patni reports on recent controversies in the treatment of translators, while in Hong Kong, Charlie Ng highlights the opening of a politically charged museum for visual culture and the release of a new cross-genre poetry collection. Read on to find out more!  

Suhasini Patni, Editor-at-Large, reporting from India

Translated literature has been enjoying a boom in India ever since the launch of the JCB Literary Prize. This year, the winning novel is Delhi: A Soliloquy, written by M. Mukundan and translated from Malayalam by Fathima E.V. and Nandakumar K. Although the JCB Prize is committed to honoring translated literature, many noted that the translators were not called onstage to receive the award with the author. Fathima E.V. tweeted: “Frankly, I expected to be called onstage, in keeping with the JCB foundation’s stated commitment towards translated literature. It would have been fitting finale for a graciously organised function in which all the authors and translators were well taken care of throughout.” This incident feeds into the larger question of how translators are treated globally and recent demands for fairer wages and due recognition.

Sanjoy Roy, of Teamwork, the company that organizes the Jaipur Literature Festival across the world, also noted: “Translations earlier were not necessarily good ones, they’re excellent now. The JCB Prize has brought that out,” when discussing the festival for 2022. The festival will return to the city in a hybrid mode, with online and in-person events, and the venue will change from Diggi Palace to Hotel Clarks Amer.

Certainly, translations have gained wider popularity in India during recent years. One of the most anticipated novels of the year was Resolve by Tamil writer Perumal Murugan. Translated by Aniruddhan Vasudevan, Resolve is about how marriage is turned into a social contract. Marimuthu, the protagonist, is on the quest to look for a wife. But he constantly must reevaluate his marital prospects when faced with rejections. The novel explores the challenges in a society afflicted by patriarchy and caste.

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Weekly Dispatches from the Front Lines of World Literature

The latest news from Thailand and Central America!

This week, our editors around the world report on the exciting developments in publishing and journalism. From expressions of the free press to Nobel laureates, read on for the latest from the ground  in world literature!

Peera Songkünnatham, Editor-at-Large, reporting from Thailand

Launching this week, the web publication series Justice in Translation brings together urgent works from Southeast Asian languages; its first releases include an incendiary poem about children’s rights translated from Malay, a short story about how to write about dispossession translated from Filipino, and essays on legal reform and educational equity translated from Indonesian. Part of a five-year initiative on Social Justice in Southeast Asia at the University of Wisconsin-Madison, the series brings the institutional capacity of the academy in sustaining the practice of translation as advocacy in the region, giving both international exposure and small honorariums.

What “international exposure” looks like is being reconfigured through digital academy-fueled efforts like this one. As the anti-dictatorship three-finger salute drawn from The Hunger Games has spilled over Thai borders to Myanmar and other countries, so has the “broad” English-speaking audience for domestic issues, which increasingly includes people in one’s neighboring countries.

And as the “Milk Tea Alliance” spreads beyond East Asia, a sense of transregional solidarity has also pervaded public works of scholarship. Last week, the Southeast Asia-focused academic blog New Mandala, hosted by the Australian National University’s Coral Bell School of Asia Pacific Affairs, announced a partnership with the Indo-Pacific-focused independent platform 9DashLine. One can hope to see more transregional essays such as this recent one by Show Ying Xin about literary translation in plurilingual Malaysia and Singapore, which troubles the distinction between translating “within” and translating “out.” READ MORE…

Weekly Dispatches from the Front Lines of World Literature

News this week from the Czech Republic, Taiwan, and Serbia!

This week, our editors are bringing news of their vigorously alive world literatures. From a celebration of Czech letters at the Warsaw Book Fair and the Prague MicroFestival, to a commemoration of iconic Taiwanese writer Li Qiao, to a push for Serbian women’s voices in a collection of short stories—the ongoing efforts of writers, presses, and translators around the world indicate always towards greater and greater realms of understanding.

Julia Sherwood, Editor-at-Large, reporting from the Czech Republic

Held from September 9 to 12, the Warsaw Book Fair was one of the first major industry events to make a comeback after the pandemic-enforced hiatus, with the Czech Republic as the guest of honour. The timing was quite fortuitous, since barely two months after the event, cases were again surging in these two countries, as well as in most of Europe.

Czech literature has been enjoying a real boom among Polish readers, and this was reflected in the strong contingent of leading Czech writers who came to Warsaw. They included Michal Ajvaz, Bianca Bellová, David Böhm, Petr Hruška, Alena Mornštajnová, Iva Procházková, Jaroslav Rudiš, Marek Šindelka, and Kateřina Tučková. Past Asymptote contributor Radka Denemarková—who drew the largest crowds—felt that “in recent times, it has been particularly important for us writers to show solidarity—especially with countries such as Poland and Hungary—creating a kind of enclave of humanism.”

Also popular with Polish readers was a meeting with Petra Hůlová, who presented the Polish translation of her 2018 novel Stručné dějiny hnutí (A Brief History of the Movement), a book she describes as “a feminist manifesto and critique of feminism rolled in one.” Her “provocative satire of a feminist future challenges and unsettles in equal parts” (Kirkus Reviews) has just been published by World Editions as The Movement, in Alex Zucker’s English translation. You can read an excerpt from the book here as well as in BODY.Literature, the Prague-based English-language literary journal whose fall issue also features poetry by Karel Šebek (trans. Ondřej Pazdírek) and Pavla Melková (trans. Joshua Mensch), as well as a chilling absurdist story by Vratislav Kadlec (trans. Graeme Dibble).

On October 18, Hůlová and Zucker read from and discussed The Movement in an event organized by Czech Centre New York. Their conversation (now available to watch on YouTube) also included the writer-translator pair Kateřina Tučková and Veronique Firkusny and the novel Gerta, published by AmazonCrossing earlier this year. On November 22, Firkusny will be featured again as part of European Literature Night, organized by the Czech Centre; she will appear with Elena Sokol, as their joint translation of the final part of past Asymptote contributor Daniela Hodrová’s trilogy, City of Torment, is soon to be published by Jantar Publishing. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest news from Bulgaria and Hong Kong!

This week we bring you news from Bulgaria and Hong Kong! In Bulgaria, Andriana Hamas recalls the brilliant life of poet and journalist Marin Bodakov, a significant contributor to Bulgarian letters, after his sudden death; Jacqueline Leung highlights the long-awaited return of the Hong Kong International Literary Festival and new book releases centered on personal and social struggles in Hong Kong. Read on to find out more!

Andriana Hamas, Editor-at-Large, reporting from Bulgaria

These past few weeks in Bulgaria have been marked by the sudden demise of the poet, literary critic, and journalist Marin Bodakov at age fifty. Born on April 28, 1971, in the picturesque city of Veliko Tarnovo, Bodakov studied Bulgarian Philology at Sofia University “St. Kliment Ohridski,” where he eventually earned his Ph.D. with a dissertation entitled “Policies of presentation of Bulgarian literature in the print media of the 1990s. Problems of Critical Autoreflection.” Moreover, he was an assistant professor at the Press Journalism Department, as well as a passionate advocate of the path towards a meaningful academic career. His talents were versatile, spanning such different spheres that it comes as no surprise that he also managed to maintain the weekly column, Ходене по буквите (Walking through the letters), published by the renowned Kultura newspaper. His original texts highlighting the best of both local and world literature would come out, without fail, even after the editorial team of Kultura dissolved and reunited shortly afterward as K Weekly. In recent years, Bodakov found a suitable writing platform in the independent outlet, Toest.

His first poetry collection, Девство (Virginhood), was followed by seven others, the latest published in 2018. Another prominent work he authored was Преведе от . . . (Translated from the original . . .), an enchanting volume that comprises of conversations with several Bulgarian translators. The interviews provide an invaluable glimpse into the profession and its “invisibility.” They equip the reader with a better understanding of the social and cultural trends that often play a decisive role by steering the literary scene in unforeseen directions. A year after the book was published, Bodakov received the Knight of the Book Award, granted to journalists and other prominent personalities who have contributed to the publication and promotion of books in Bulgaria.

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Weekly Dispatches from the Front Lines of World Literature

The latest news from Sweden, Mexico, and Hong Kong!

This week we bring you news from Sweden and Hong Kong, as well as news from our brand new Editor-at-Large, Alan Mendoza Sosa, in Mexico! In Sweden, Eva Wissting provides an update on the nominees for the prestigious August Prize; in Mexico, Alan Mendoza Sosa gives us an insight into the 41st edition of Oaxaca’s International Book Fair; and in Hong Kong, Charlie Ng takes us through the Poetics of Home Festival and an important new database including works of Hong Kong literature. Read on to find out more! 

Eva Wissting, Editor-at-Large, reporting from Sweden

Autumn is the season of literary awards in Sweden! Last week, the nominees of the August Prize, the most prestigious literary award of Swedish literature, were announced. There are six nominees each in three categories: fiction, nonfiction, and children’s literature. Named after the internationally acclaimed modernist playwright August Strindberg, the award was established in 1989 by the Swedish Publishers’ Association. In the fiction category, the nominees include, among other titles, Elin Cullhed’s Euforia—a fictionalized depiction of Sylvia Plath during her final year, which Canongate plans to publish in 2023 in English translation by Jennifer Hayashida. Also nominated is Maxim Grigoriev’s Europa—a novel about an immigrant experience of exile, which has already won the EU Prize for Literature. Grigoriev is also a literary translator from Russian into Swedish and has translated works by Nick Perumov, Olga Slavnikova, and Venedikt Yerofeyev. The nonfiction category includes literary scholar and translator Anders Cullhed’s Dante—an illustrated biography, published in time for the 700th anniversary of the passing of the Italian author—and publisher and literary translator Nils Håkanson’s Dolda gudar (Hidden Gods)—a book about literary translation that emphasizes the central role of the translator. The winners will be announced on November 22 at a live broadcast gala.

Another literary award in the Nordic region is the Nordic Council Literature Prize. This year, fourteen books from Denmark, Finland, the Faroe Islands, Greenland, Iceland, Norway, the Sami language area, Sweden, and Åland have been nominated, with the winners due to be announced on November 2. The two Swedish nominees are Johanne Lykke Holm for the novel Strega, and Andrzej Tichý for the short story collection Renheten (Purity). Lykke Holm is a writer, creative writing teacher, and literary translator from Danish to Swedish, who has translated Josefine Klougart and Yahya Hassan. Tichý has published several novels, short stories, nonfiction, and criticism, as well as being nominated for the August Prize in 2016. Last year’s Summer issue of Asymptote includes a review of Tichý’s novel Wretchedness from 2020 in English translation by Nichola Smalley.

Alan Mendoza Sosa, Editor-at-Large, reporting from Mexico

Between October 15-24 the 41st edition of Oaxaca’s International Book Fair took place, in Oaxaca, a state in the south of Mexico that is synonymous with culture, history, and social activism. The lively attendance by both writers and readers reflected a rekindled enthusiasm among members of the literary community after lockdown. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest news from Poland and Thailand !

This week our writers bring you the latest news from Poland and Thailand! In Poland, Julia Sherwood takes us through the Conrad Festival, the 2021 winner of the prestigious NIKE Prize, and the launch of the first ecopoetics course in the country. In Thailand, Peera Songkünnatham explains how an innovative series of illustrated children’s books have risked censorship for their depiction of government protests. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from Poland

Tomorrow, 24 October, is the closing day of the 13th edition of the Conrad Festival that started in Kraków on 18 October headlined “The Nature of the Future”, which has sought to “imagine the shape of our near and distant future, all while thinking about the changes that we are going to witness in the natural environment”, as well as highlighting themes of feminism. International literary heavyweights—Han Kang, Rebecca Solnit, Marieke Lucas Rijneveld, Valeria Luiselli, Helena Janeczek, Elias Khoury, Lisa Appignanesi, Behrouz Boochani, Brandon Hobson, George Saunders and Petra Hůlová—as well as acclaimed Polish writers such as Julia Fiedorczuk, Mikołaj Grynberg and Dorota Masłowska have been taking part in discussions and presentations, held mostly online (the recordings can be watched on the festival’s YouTube channel.)

2021 NIKE Prize, Poland’s most prestigious literary award went to Kajś, Opowieść o Górnym Śląsku (Somewhere,  A Tale of Upper Silesia), in which its author, Zbigniew Rokita, searches for his Silesian roots and grapples with his own ambivalent feelings about his native region. The decision to shortlist only one work of fiction while all the other books, including the winning title, represented nonfiction, caused some controversy. However, this is hardly surprising given the strong position of literary reportage in contemporary Polish literature. The genre even has its own award, the Kapuściński Prize (this year it went to Jessica Bruder’s Nomadland , translated into Polish by Martyna Tomczak) and its own teaching institution, the Warsaw Institute of Reportage whose founders and teachers include the most celebrated reportage authors Mariusz Szczygieł, Paweł Goźliński, and Wojciech Tochman. 

Last year Filip Springer, one of the Institute’s teachers launched a new course, The School of Ecopoetics, the first of its kind in Poland. Feeling the need  to explore what individuals and writers can do to prevent an ecological disaster, Springer, a writer and photographer (and past Asymptote contributor), approached the poet, translator, and literary critic Julia Fiedorczuk who is a leading exponent of ecopoetics in Poland (and also a past Asymptote contributor) to design the programme. Although the course was aimed at writers, poets, journalists, and critics, the organizers stressed that the School of Ecopoetics “is not a school of writing”. Instead, “its goal is to help the students develop ecocritical reflection, to change their way of thinking by drawing attention to the relations between human beings and non-human nature.”  Judging by the enthusiastic responses shared by some of the first twenty graduates on the School’s Facebook page, the mix of traditional lectures and fieldwork (hiking through forests, sleeping in tents and discussions around the campfire) held from June 2020 to October 2021, was a resounding success. Recruitment for next year’s course starts in November.   READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest in global literary news from India to Palestine!

This week, our editors on the ground report news of book fairs, award winners, and recognition of presses publishing translated literature. Suhasini Patni highlights recent Indian fiction receiving acclaim, while Carol Khoury introduces us to an award named after Jabra Ibrahim Jabra, a prolific Palestinian writer, artist, and translator. Read on to find out more!  

Suhasini Patni, Editor-at-Large, reporting from India

The JCB Prize announced its longlist on October 4, 2021. Two out of the three translations have made it into the shortlist (Delhi: A Soliloquy and Anti-Clock). The winner of the Rs 25 lakh prize—with an additional Rs 10 lakh for the translator if it is a translated title—will be revealed on November 13. A longer discussion on the JCB Literary Prize is available here.

Naveen Kishore, founder of Seagull Books, won the 2021 Words Without Borders Ottaway Award for the Promotion of International Literature. Seagull Books was founded in 1982 and began with translating works by Indian regional dramatists into English. For his contribution to publishing, Kishore was made a Chevalier de l’ordre des Arts et des Lettres by the government of France in 2014 and received the Goethe Medal from the Federal Republic of Germany in 2013. Seagull Books has published English translations of fiction and non-fiction by major African, European, Asian, and Latin American writers with over 500 books and authors such as Ngũgĩ wa Thiong’o, Mahasweta Devi, and Hélène Cixous. Seagull author Mo Yan was also awarded the Nobel Prize in Literature. Kishore published “Notes from a Journal I could have kept [But failed to. Keep]” on Words Without Borders Daily.

GQ released their list of best Indian Fiction of 2021. In this list, they feature The Thinnai by Ari Gautier. Translated from the French by Blake Smith, the book gives a glimpse into the working-class quarters of Pondicherry. A Frenchman chases after a mysterious diamond named after Goddess Sita and explores the social history of the former French colony. An excerpt of the book is available to read here.

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Weekly Dispatches from the Front Lines of World Literature

The latest in global literary news from Ukraine, Guatemala, and Belgium!

The naming of Abdulrazak Gurnah as our latest Nobel laureate in Literature is what’s topping headlines around the world this week, but there’s plenty more happening outside of the Swedish Academy. Our editors on the ground is bringing news of multi-media literary festivals, architecturally transformative contemporary art, Ukrainian translation forums, and the passing of a beloved Guatemalan writer. Read on to find out more.

MARGENTO, Editor-at-Large, reporting from Brussels

Brussels Planetarium Poetry Fest was hardly over when another literature festival was announced in Europe’s capital: Les Voix en Ville (Voices in the City), organized by Lettres en Voix. This year’s edition featured mostly collaborative projects involving writers, musicians, and filmmakers presenting concerts, readings, workshops, and “cinematic poems.” The venues were as diverse as cathedrals, museums, theaters, pubs, and public squares, while the works presented were more often than not site-specific. Maud Vanhauwaert, for instance, after recently receiving ovations at Planetarium Poetry Fest, participated by reading an “Ode to the Socio-cultural Worker” at the legendary literary cafe La Fleur en Papier Doré. The poem culminated in a work that went beyond the text per se, resulting in a video of the reading which featured images of the venue and a music soundtrack—an illustration in and of itself of the many “workers” who had contributed from behind the scenes.

In the meantime, Brussels’ literary and arts scene is frantically resurfacing from the lockdown. Among the 300 exhibiting artists, 150 workshops, 100 animations, and “concerts, live, dance, street art, performance, and literature” events inundating Ixelles (the arts quarter of Brussels), there was also a “coup de coeur” (heartthrob, sudden crush) exhibition at the animated Demeuldre art gallery. Among the highlights was Bert Mertens, a senior artist with a fresh eye for estranging details and collaged panoramas who mesmerized the visitors from the moment they entered with the hyperrealist light radiating from his paintings. The diversity of forms and approaches of other artists—ranging from graphic art to photography to sculpture to installations to comic strips—also succeeding captivating one’s attention. Still, what really overwhelmed the audience and kept visitors wandering the upper floors and attic of the 19th-century china shop for hours on end was the Talk C.E.C. exhibition, which reunited dozens of artists from France, Belgium, Italy, and elsewhere in a joint project converting the place—its architecture, its interior and exterior walls, the literal holes in the walls, the cafe, kitchen, and even the bathrooms—into a powerful collective manifesto revisiting and fusing sacred traditions, unorthodox spiritualism, and transgressive eroticism from an urgently environmentalist and culturally inclusive perspective.

Kristina Tatarian, Editor-at-Large, reporting from Ukraine

As summer ended festively with the thirtieth annual Independence day in Ukraine, a succession of literary events showcased new national literatures and opened up conversations about the changing trends in translation. Not long ago, the Ukrainian Book Institute established Translate Ukraine, the first translation initiative of its kind to be sponsored by the government, and which has helped literary festivals turn their focus towards an international audience. As a result, a record number of Ukrainian titles were translated into English in the past five years. M any Ukrainian publishers have noted that international literary festivals are not the only places to showcase the wealth of contemporary literature available in the country, stressing the importance of supporting local literary forums to better promote Ukrainian letters globally. Earlier this year, the famous literary festival Kyiv Book Arsenal hosted publisher B2B meetings to facilitate international translation deals and pitch the best of Ukrainian literature to publishers. READ MORE…