Posts filed under 'workshops'

June 2024: Upcoming Opportunities in Translation

We've collected some of this summer's latest opportunities in translation—from submission opportunities to workshops, check out our list!

SUBMISSIONS

ALCHEMY

Alchemy is currently open to submissions for their Summer 2024 issue! Centered around the theme ‘Speculative Worlds’, this issue is seeking works of translation that “rethink what our everyday lives could look like, hope towards new forms of liberation and survival, and look to new languages, codes, images, objects, patterns, and ways of being.”

Student translators, emerging translators, and professional translators who have not yet published a full-length book are encouraged to submit their works of poetry, prose, non-fiction, and visual art. The deadline for submissions is June 30, 2024. You can find additional information here.

Alchemy is a translation journal based out of the University of California, San Diego that seeks to promote up-and-coming translators and their works.

TWO LINES PRESS

The award-winning Two Lines Press is currently accepting submissions for translations of novels, story collections, and literary non-fiction by African authors. Translations from any non-English languages will be accepted, but works from African languages and/or underrepresented communities are especially encouraged.

Two Lines Press is committed to publishing original works from a vast range of creatives, especially those who have not often been given the space to share their work in the English-centric publishing industry.

The deadline for submissions is Sunday, June 30. Find more information on how to submit here. READ MORE…

May 2024: Upcoming Opportunities in Translation

From poetry readings to translation workshops—check out our compilation of some of this summer's latest opportunities in world literature.

SUBMISSIONS

THE VIEW FROM GAZA

The Massachusetts Review is calling for submissions for a special issue, The View From Gaza. Palestinian writers are encouraged to send their workwhether it be poetry, prose, essays, or artfor this special issue, which will commemorate those who have been lost in the genocide and celebrate the ongoing resistance and resilience in Gaza.

As Israel’s violence against Gaza continues, the Review “hope[s] to amplify the work of Palestinian writers that contributes to the theory and critique of Empire and settler colonialism.” Submissions in English, Arabic, and other languages are all eligible.

The deadline for submissions is June 15th. Submissions should be sent to themassreview@gmail.com.

EVENTS

2024 GRIFFIN POETRY PRIZE READINGS

On June 5th, 2024, the Griffin Poetry Prize invites you to join them for an evening of poetry and translation!

Awarded annually, the Griffin Poetry Prize is the world’s largest international prize for a book of poetry written (or translated into) English. At this celebratory event, this year’s shortlisted poets will read from their works at the Royal Conservatory of Music in Toronto before this year’s winner is revealed. Readings will also be performed by the Lifetime Recognition Award recipient and the 2024 Canadian First Book Prize winner.

Tune in to the the Griffin Poetry Prize’s Youtube channel to watch a livestream of the readings on June 5th at 7pm ET.

GRANTS & FUNDING

GLOBAL AFRICA TRANSLATION FELLOWSHIP

The Africa Institute is welcoming applications for their fourth annual Global Africa Translation Fellowship!

This fellowship aims to celebrate works from the African continent, as well as from the African diaspora. Translators from across the Global South can submit their works-in-progress or potential projects to be considered for a grant of up to $5,000. Translations of previously untranslated poetry, prose, and critical theory works, as well as retranslations of older texts, are eligible. Submissions should be translated into English or Arabic, although translations into some other languages may also be considered.

The deadline for applications is June 1st, 2024. Find more information on eligibility and how to apply here.

RESIDENCIES & WORKSHOPS

BCLT ADVANCED TRANSLATION WORKSHOPS

Since 2021, the British Centre for Literary Translation has run annual advanced translation workshops to support the craft of literary translators and to bring together those with common language pairs. This year’s workshop will center on translators of Taiwanese literature.

Workshop participants will have the opportunity to work with other attendees to hone a sample translation for their chosen project. By the end of the program, participants will have a polished sample, as well as a pitch, that is ready to send off to potential publishers. Accepted applicants will need to choose a book from the Taiwan Literature Awards for Books longlists and obtain permission to translate the work.

The deadline for applications is June 2nd, 2024, while the event itself will run online during the 7th, 22nd, and 23rd of November. Read more here.

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Our mission here at Asymptote is to elevate the incredible work that translators do to to share literature from around the world. Our “Upcoming Opportunities” initiative aims to provide those translators with the opportunity to improve their craft and share the projects they’ve put their hearts into. Have an opportunity that you’d like us to share in this monthly column? Check out our rates here, then drop us a line.

We’re working hard on our upcoming 52nd issue. If you’ve enjoyed the work we do—from our social media channels and blog to our newsletters and, of course, our quarterly issues—please consider supporting us as we continue to celebrate world literature and those that bring it to life. Any and all donations to support us on our mission are greatly appreciated. Thank you!

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Weekly Dispatches From the Frontlines of World Literature

The latest from Central America, Spain, and China!

This week, our Editors-at-Large bring us around the world for the latest of literary news! From a brilliant cast of Central American authors at Madrid’s upcoming literary festival, to an inside glimpse into Spain’s translation residencies, to a thought-provoking workshop at China’s aBC Art Book Fair, read on to learn more!

José García Escobar, Editor-at-Large, reporting for Central America

Central America’s brightest stars are about to come together yet again!

On September 18, the latest edition of the region’s most celebrated literary festival, Centro América Cuenta, will kick off in Madrid, Spain!

This time, Centro América Cuenta will gather regional talents such as Arnoldo Gálvez Suárez (Guatemala), Cindy Regidor (Nicaragua), Horacio Castellanos Moya (El Salvador), Mónica Albizúrez (Guatemala), Rodrigo Rey Rosa (Guatemala), and Sergio Ramírez (Nicaragua), next to Latin American and Spanish writers such as Mónica Ojeda (Ecuador) and Patricio Pron (Argentina). One high point of the festival will occur on September 18, when former president of Costa Rica, Luis Guillermo Solís, and former Guatemalan jurist living in exile, Thelma Aldana, will gather to discuss the current state of democracy in Central America.

READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week in literary news, we recognize the ones who created the world we live in.

We are out for justice this week on “Around the World with Asymptote.” From Brazil, a question of diversity is in the spotlight of contemporary literature. In China, the hundred-year-old May Fourth Movement continues to captivate with its relevance. And over in the UK, the fight for the Man Booker is on. We’re taking you around the world to the major literary events and publications of today, and it’s pretty clear: there are still plenty of us out there fighting the good fight.

Daniel Persia, Editor-at-Large, reporting from Brazil

It’s been a controversial few weeks here in Brazil, as the Instituto Moreira Salles (IMS) canceled one of its upcoming events in Rio de Janeiro, scheduled to take place from May 7-9. The workshop, Oficina Irritada (Poetas Falam), received heavy backlash for the lineup’s lack of diversity; though the program claimed to represent “different generations” and “diverse trajectories,” not a single one of the eighteen poets invited was an author of color. Writers, readers and critics alike took to social media to comment—both on the event, and more broadly on the state of literary affairs in Brazil. In contrast, a successful twelfth iteration of FestiPoa Literária, in Porto Alegre, took on the theme of Afro-Brazilian literature, paying homage to writer and philosopher Sueli Carneiro.  

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Weekly Dispatches from the Frontlines of World Literature

This week, our Editors-At-Large from Nigeria and Indonesia tell us more about the latest in literary news.

 Join our Editors-at-Large as they reflect on this week’s most important literary news—and look ahead to exciting upcoming events! From Nigeria, Olufunke Ogundimu reports on festivals in Lagos and beyond. Norman Erikson Pasaribu, writing from Indonesia, discusses a renowned Toba Batak author and a promising young translator.

Olufunke Ogundimu, Editor-At-Large, reporting from Nigeria:

Autumn is the season of literary festivals in Nigeria, beginning in September with the Kaduna Book and Arts Festival, which aims to celebrate and increase access to arts and literature in northern Nigeria. October ushers in the Aké Arts and Book Festival and the Lagos International Poetry Festival, and the season ends in November with the Lagos Book and Arts Festival.

The theme of this year’s Aké Arts and Book Festival was “Fantastical Futures.” From October 25-28, visitors attended events, exhibitions, and conversations that focused largely on a re-imagined African future. The first two days of the festival were devoted to Project Inspire, an initiative that involved featured authors visiting schools to read to pupils and talk to them about books, reading, and careers in writing. The festival also hosted two panels in Yoruba and Igbo languages for the first time; in the past, panels were held in English only. The “Divinity and Spirituality in Igbo Tradition” panel discussed the demonization and criminalization of traditional practices in Igboland, while the Yoruba panel focused on “Entertainment, Education and Technology in the Mother Tongue.”

READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Your weekly report on the latest in the world of literature.

Following on the heels of exciting news about our recently-launched Book Club and amidst end-of-year lists highlighting the best of 2017, we are back with another round of literary news from around the world! First up, Sarah Moses brings us the latest on literary festivals and awards as well as updates on children’s literature. Sergio Sarano is up next with a preview of the Guadalajara International Book Fair.

Sarah Moses, Editor-at-Large, reporting from Argentina and Uruguay:

In early November, Argentinian author, essayist and literary critic, Silvia Molloy, returned to her native Buenos Aires for a series of talks and workshops around the topic of language and translation, held at the Latin American Art Museum of Buenos Aires (MALBA), and then at the Goethe-Institut, where she was interviewed during the Buenos Aires Literary Translator Club’s final get-together of the year. At the latter, Molloy discussed her recent book, Vivir entre lenguas (Eterna Cadencia, 2016), which weaves together anecdotes, memories and stories on multilingualism.

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In Conversation: Natasha Wimmer on Teaching Translation

Teaching translation feels like I’ve been lifting weights, and then I go to my own translation and it's like, whoa, these weights are so light!

What does it mean to teach translation? Many translators are self-taught, having honed their skills in careers as writers or editors, academics or language experts. But some universities in the United States also offer seminars in the craft of translation. The teacher-translator, then, takes on the unique challenge of developing new pedagogy for a field in flux, one that exists at the intersection of language study, theory, and the instructor’s own experiences in the creative practice of translation.

Today, translator Natasha Wimmer sits down with her former student and Asymptote Editor-at-Large in Brazil, Lara Norgaard, to discuss her approach to teaching translation. 

Lara Norgaard (LN): How did you begin teaching translation? What made you interested in education?

Natasha Wimmer (NW): Princeton approached me, actually. I had never taught a class. Not only that, but I also only have an undergraduate degree, so I had never even taken a graduate class. I was a little bit nervous about taking the job. A few years later I started at Columbia. In that case, I did a panel discussion with the other Bolaño translator, Chris Andrews, and the department heads enjoyed the discussion, so they asked me to teach.

LN: Was there a particular class you took or text you read that influenced the way you approached teaching for the first time?

NW: I actually imagined the course as the class I wish I’d taken before I became a translator. I had no formal education in translation at all. I had never taken a translation class and, in fact, I hadn’t even read anything about translation until about eight years into my translation career. When I was asked to give a talk about translation, I realized I had avoided reading about translation because I was afraid that I would discover that I had been doing it wrong, or that maybe I would mess with the instinctive approach that had somehow been successful so far. But then I found reading about translation really stimulating. I discovered that, not surprisingly, there was a conversation about the questions I had and about the things that I hadn’t articulated but had been working through as a translator.

I worked really hard the first year I taught the Princeton class. I spent a few months just reading translation theory and translation essays for material that I thought was interesting and put together a reading list. The first semester I taught at Princeton was very experimental. In retrospect, I’m surprised I survived. The format of the class changed a lot from the first year to the second.

READ MORE…

Asymptote Podcast

The Translator's Craft

In this week’s all new Asymptote podcast we’re getting crafty! We’ll be hearing from translator Roland Glasser about how he uses technology in his work, as well as getting sage advice from Susanna Basso who is featured in our new Spring Issue. We’ve also got a special dispatch from poet Suzannah V. Evans from the StAnza Poetry Festival in St Andrews, where she sat down with writers and artists Aurélia Lassaque and Tessa Berring to get the scoop on their translation workshop. Get ready to untangle a lot of French feelings: fear, dread, horror, terror, and finding out how marigolds inspire very different moods in standard French versus Occitan—and what exactly all this has to do with a giant fish.

Podcast Editor and Host: Layla Benitez-James

Audio Editor: Mirza Puric