Posts filed under 'Will Evans'

On the Dearth of South Asian Translations in the U.S. (Part III)

We can't just blame the publishers when there's a glaring lack of institutional support.

 

Read all posts in Mahmud Rahman’s investigation here.

It would be exciting if an academic publisher steps forward with a contemporary South Asian literature list. Until that day comes, what might be more realistic are initiatives from small publishers. In recent years, besides old stalwarts like NYRB, New Directions, and Dalkey Archive, we’ve seen the emergence of translation-focused publishers like Archipelago, Open Letter, and now, Deep Vellum.

I had a few exchanges with Will Evans, founder of Deep Vellum. As a new kid on the block based in Dallas, Texas, Evans is effervescent about Deep Vellum’s mission. Starting out with a list of five impressive titles translated from French, Russian, Spanish, and Icelandic, their initial plan is to publish ten books a year. In a recent interview with this blog, Evans confidently declared, “Deep Vellum is going to publish translations of literature from every language.”

My conversation with him about South Asian translations revealed that visibility is a problem. Larger publishers may have resources to scout out interesting titles (though one doesn’t see this go beyond certain languages and regions). But smaller publishers rely on information channels that are already in place. READ MORE…

Publisher Profile: Will Evans of Deep Vellum

“Translation needs to be brought out of the ghetto that it’s in… we talk about translation as if it is separate from literature”

The contagiously enthusiastic Will Evans views literature as an international art form. His passion for world literature was the inspiration behind his brand new publishing venture, Deep Vellum, based in Dallas, Texas. Dedicated to quality literature in translation, Deep Vellum’s first titles are slated for release later this year.

Book Expo America attendees (or anyone else in NYC this week!) can check out Deep Vellum at the Translation Happy Hour Event Wednesday, May 28th, co-sponsored by Asymptote in celebration of the BEA’s Translation Market Focus.

Frances Riddle: What gap in the publishing landscape does Deep Vellum aim to fill?

Will Evans: I started Deep Vellum with a threefold mission to fill in the pieces that I feel are lacking in the literary landscape. Deep Vellum is going to publish translations of literature from every language and an unspoken part of that is I want to publish a lot of Mexican and Latin American literature. Based in Texas, we have strong ties to our neighbors south of the border.

I’m committed to publishing equal numbers of men and women authors. I’m very committed to publishing a diversity of authors from different styles, different viewpoints, different lifestyles, cultural backgrounds. The second part of Deep Vellum’s mission is to promote the art of translation, the more creative writing side of literary translation. And the third part of my mission is to promote literature as a part of the larger arts community in our country. If you look at the funding for the arts in America, literature is not considered the arts. So we need to get literature included in a discussion of the arts and the vital role that the literary community can play in this country.

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