Posts filed under 'translation events'

Weekly Dispatches From the Frontlines of World Literature

The latest from Mexico, North Macedonia, and the Philippines!

In this week’s round-up of literary news from around the world, our editors report on an exciting translation-centric colloquium in Mexico, a prestigious award going to a new translation of one of North Macedonia’s most canonical novels, and the Frankfurt Book Fair’s spotlighting of the Philippines in its 2025 edition—a choice that has met resistance from local publishers due to the fair’s Zionist sympathies.

René Esaú Sánchez, Editor-at-Large, reporting for Mexico

They say that no matter what you do, there is always a saint from which you can ask for help. In the case of translators, that is Saint Jerome, who translated the Bible into Latin. Following the Council of Trent, his translation became the official Latin Bible in the western hemisphere.

With this in mind, the fourth Coloquio de Traducción Literaria San Jerónimo (Saint Jerome Literary Translation Colloquium) took place last week in Veracruz, Mexico. The event was dedicated to fully immersing participants in the art of translation and fostering discussions on what it truly means to translate. It was organized by the Culture Office of Veracruz and the independent publishing company Aquelarre Ediciones, which also sponsors a prize dedicated to literary translation.

Among the participants were notable figures such as Fabián Espejel, the recent winner of the Bellas Artes Margarita Michelena Literary Translation Award; Mario Murguía, who won the same prize last year; José Miguel Barajas, the translator of Mallarmé into Spanish; and José Luis Rivas, a poet who has translated works by Derek Walcott, John Donne, Ezra Pound, William Shakespeare, and T.S. Eliot. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Argentina, Japan, and Palestine!

This week our writers bring you exciting news from Argentina, Japan, and Palestine! In Argentina, the legalization of abortion has been celebrated and supported by many, including renowned feminist writer Nora Domínguez; in Japan, leading women writers and their translators will be in conversation for the Japan Foundation New York, whilst translator Yukiko Konosu shared her recommended new reads from Japan, including Rin Usami; and in Palestine, four great new works of Palestine literature are soon to be published in English. Read on to find out more! 

Allison Braden, Editor-at-Large, reporting from Argentina 

Two days before 2020 slid into history and memory, an anxious crowd gathered outside Argentina’s Congress in Buenos Aires. They watched the Senate debate on big screens and the summer heat dissipated as day turned into night, Tuesday turned into Wednesday. Many—though not all—of those who stood outside wore green scarves, the symbol of a yearlong movement to legalize abortion in the historically conservative country. In the small hours of Wednesday morning, after a long and suspenseful Senate session, they found out that their work had paid off: Congress legalized voluntary abortion through the fourteenth week of pregnancy.

Several of the pro-choice activists who advocated for this major legislation were writers. The day before the senators took up the bill, a collection of Argentina’s most notable writers, including Claudia Piñeiro, Florencia Abbate, Agustina Bazterrica, and Gabriela Saidon, released a statement and video expressing their support. “The green wave puts an end to hypocrisies, inequalities, injustices and replaces a long dark violence with dignity,” they wrote. “Like the deep and living heartbeat of the sea, it instills in us a pulse to continue fighting.”

Nora Domínguez was among the writers who endorsed the statement. She’s one of three directors of an ambitious project to publish the history of Argentina’s literature through a feminist lens. The first of six volumes, En la intemperie: poéticas de la fragilidad y la revuelta (In the Open: Poetics of Fragility and Revolt) was published by Eduvim late last year, but it’s chronologically the last in the series, focusing on the period between 1990 and 2019. The work features a collection of analysis and criticism from Argentina’s leading feminist thinkers—part of the project’s larger effort to give form to “certain absences, not to build a counter-canon but rather to provoke detours, scandalous stops, fissures, divisions, and contradictions” in the existing canon. In a December interview, Domínguez confirmed that Argentina has experienced a boom in recent years of new voices in the country’s literature, not just women but trans writers and young people as well. This century’s feminism is a culmination of both feminist and literary genealogies. The work to interrogate and revise a patriarchal canon and the work to advocate for laws that respect women’s autonomy go hand in hand. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Literary awards and festivals abound in this week's news from Argentina, Sweden, and the UK.

This week our reporters bring you news of Sweden’s reaction to last week’s Nobel Prize in Literature announcement by the Swedish Academy, the FILBA international festival in Buenos Aires, as well as the surprise of the Booker Prize winner(s!) in the UK.

Eva Wissting, Editor-at-Large, reporting from Sweden

Since the announcement of the 2018 and 2019 Laureates of the Nobel Prize in Literature last week, the subsequent debate shows no sign of receding. Before the announcement, literary Nobel Prize discussions within Sweden focused on whether awarding a 2018 prize was good for the world of literature or bad because it would smooth over the Swedish Academy’s connection to misconducts.

After the announcement of Polish Olga Tokarczuk (“Flights”) and Austrian Peter Handke as the two most recent literary Nobel Prize Laureates, however, the pros and cons of announcing a 2018 laureate has waned in the shadow of the controversial choice of Handke. The disagreement in Sweden centers on whether Handke’s political standpoint is misunderstood—if he has simply been naive and used by others, if he is an apologist of war crimes—or if awarding Handke is correct on solely literary merits and that disregarding politics is possible. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

This just in! The latest literary scoop from Austria, Mexico, Guatemala and Canada

This week we bring you a generous helping of news from Flora Brandl, our contributor in Austria, reporting on the rich array of literary festivals and cultural events that took place in April and are coming up in May; Paul M. Worley and Kelsey Woodburn, our Editors-at-Large Mexico, take a look at one Guatemalan Maya writer’s highly original work, but also record the brutal continuation of violence against journalists in Mexico just last month; last but not least, our very own grant writer Catherine Belshaw writes on the hope for greater diversity in Canada’s literary scenes.

Contributor Flora Brandl gives us the round-up from Austria:

Despite winter being rather stubborn (only last week there was still some snow), the Austrian literary and cultural scene has witnessed a so-called Frühlingserwachen, a spring awakening, with numerous events, publications and national and international festivals taking place across the country.

At the end of April, the Literasee Wortfestival was hosted in Bad Aussee, a rural community and historical literary getaway for writers such as Arthur Schnitzler and Hugo von Hofmannsthal. This year, six German and Austrian writers, including Franzobel, Walter Grond and Clemens Meyer, were featured during the three-day festival.

However, it is not only German-language art that is currently being showcased in Austria: the Festival Europa der Muttersprachen (Europe of Mother Tongues) invited Ukrainian filmmakers, photographers, musicians and writers—amongst whom was the highly celebrated author Jurij Andruchowytsch—to the Literaturhaus Salzburg. Earlier in April, more international artists and audiences had frequented the city for the Osterfestspiele, the Easter feature of the internationally renowned Salzburg festival for classical music and drama.

READ MORE…