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The Making of Rude Girl

Priscilla Layne’s story, Birgit Weyhe’s graphic novel, an unexpected collaboration – and an English translation

Imagine translating a book based on your own life… That’s exactly what Priscilla Layne did with Birgit Weyhe’s German graphic novel Rude Girl, published in English by V&Q Books.

 Faced with accusations of cultural appropriation for her comics depicting Black characters’ stories, Weyhe was looking for a new approach when she met Priscilla Layne. A Chapel Hill professor of German and African Diaspora Studies, Layne grew up in Chicago with Bajan and Jamaican parents and learned German after watching Indiana Jones as a child – that’s what she’d need to fight Nazis, after all. Later, a fascination with Kafka and May Ayim fueled that enthusiasm even more.

 This time around, the author and her subject collaborated closely. First Priscilla told her life story, then Birgit drew a chapter and sent it to her. Priscilla gave feedback – “not using skin color in the drawings implies a ‘post-racial’ society; I prefer it when you combine two colors, like in your earlier comics,” for instance – and Birgit picked that up and adapted the way she worked as she went along. Each chapter is followed by a separate section detailing Priscilla’s comments and explanations.

 The book came out in German in 2022 and was promptly shortlisted for the prestigious Leipzig Book Fair Prize – the first graphic novel ever to be nominated. Berlin-based imprint V&Q Books had previously published Birgit Weyhe’s Madgermanes, a comic about Mozambican contract workers in the GDR. And publisher Katy Derbyshire not only shares Priscilla Layne’s love of German literature… they’re also both big fans of punk, ska and reggae. In fact, their paths presumably crossed at gigs in Berlin during Priscilla’s time as an exchange student there. It’s the rude girl culture of the title that provided her with a sense of community among anti-racist skinheads, and the book features great stylized drawings of album covers that shaped her life at various stages – something Derbyshire very much related to.

 So it was a no-brainer to publish Rude Girl in English, and it was clear who’d have to translate it. Priscilla Layne had previously worked on writing by Feridun Zaimoglu and Olivia Wenzel, but Rude Girl posed new challenges. As she writes in her translator’s note, “having your life displayed on the page requires a degree of vulnerability.” The graphic novel explores personal and political hurdles she has faced and doesn’t shy away from depictions of difficult experiences, though they’re not always literal; Birgit Weyhe has a special gift for apt metaphors in illustration form.

In the end, the book is a beacon for a great many readers. As Priscilla Layne writes: “If you are a Black nerd, any other nerd of Color, or even just a femme-identifying nerd, you don’t necessarily see any (positive) representation of yourself. I’m glad Rude Girl is helping to contribute to these representations and that it is now available in English.”

Find out more about Rude Girl here.

This is a sponsored post.

Sponsored Post: Join ALTA for a German-English Translation Slam on September 30!

Take a peek inside the translation process—and the fact that different translations can be equally valid!

This International Translation Day, come join the American Literary Translators Association (ALTA) for a lively, interactive event, where translators and non-translators alike get a peek inside the translation process—and the fact that different translations can be equally valid. 

Two translators, Didem Uca and Jon Cho-Polizzi, will arrive having independently completed an English translation of the same German poem by Keça Filankes. They’ll read their translations, and then describe their choices, as well as cultural and linguistic aspects of the original poem. Which parts of each version will you prefer? Are there other possible translations that you might suggest? During the reading and conversation moderated by David Gramling, you’ll be invited to offer your own suggestions in the chat, and the event will conclude with a live Q&A.

Thursday, September 30  ⧫  10-11am Pacific Time

Register here

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This free, virtual event kicks off the 44th annual ALTA conference, ALTA44: Inflection Points. To watch and take part in the Translation Slam, register at InEvent, our online conference platform, where you can select a “Free – Special Event Access” ticket to watch this event for free. Or, join us for the entire conference, which is taking place online on October 15-17 and in-person in Tucson, Arizona on November 11-13, by purchasing a paid ticket.

This event is a collaboration between ALTA and SAND journal and is sponsored by Wunderbar Together. It is part of the Arizona Translates! series and is affiliated with the Tucson Humanities Festival at the University of Arizona.