The Violin with Human Strings and Other Tales of Musical Madness by Antonio Ghislanzoni, translated from the Italian by Brendan and Anna Connell, Snuggly Books, 2024

Bach, Liszt, Paganini, Beethoven. . . these virtuosos have been immortalized in western societies—but what about the supremely talented musicians who clawed their path toward the zenith, only to ultimately fall short? In The Violin with Human Strings: And Other Tales of Musical Madness, written in Italian by Antonio Ghislanzoni and translated by Brendan and Anna Connell, the author paints the journey of four such less fortunate individuals. Throughout the collection, a recurring motif seems to ask: Is musical renown attained via wits and ambition, or via preternatural gift? Whatever the answer to the perennial debate on nature versus nurture in musical talent, the four stories here testify that a destructive impulse for mastery will eventually lead to madness.

A contemporary of revolutionaries such as Giuseppe Mazzini and Giuseppe Garibaldi, Antonio Ghislanzoni (1824-1893) was a multi-talented Lombard who began his career as a musician (principally as a vocalist), but turned to devote the latter half of his life to writing, resulting in a prolific corpus of articles, novels, short stories, and some eighty librettos. He was also an important member of the Scapigliatura movement, a loose-knit group of artists in Milan who gathered after the 1860 Unification of Italy. An Italian counterpart to the French Bohèmi, the group idealized patriotism, anti-conformism, and intellectual independence, with its writers being receptive to international writers such as Mary Shelley and Edgar Allen Poe—an influence that shows in Ghislanzoni’s fiction. READ MORE…