Posts filed under 'Sergio Chejfec'

Weekly News Roundup, 8th August 2014: Slang-xplaining, Winning Prizes and Judging Them

This week's literary highlights from across the world

Prescriptive grammarians may enjoy this, even if it destabilizes their strict sense of right and wrong: Slate has detailed the 250-year-long grammatical quibble over the correct use of “hopefully,” that ever-present eye twitch of incorrect adverbial usage. Also related: the same website explains why certain adjectives just sound right in one way, and not the other. If your eyes aren’t tearing up with that twitch yet, take a look at io9′s ambitious compilation of the most disastrous typos in Western history.

Meanwhile, in the same spirit of chronological grammar-mapping, The Atlantic has compiled a web app history of the New York Times’ stiff slang explanations (example: “Diss, or a perceived act of disrespect”). And the game-side disputes can finally end: Scrabble has added over five thousand new terms to its updated player dictionary, including such witticisms as “sudoku” (shouldn’t that be a proper noun?), “buzzkill,” and “vlog.”

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July Issue Spotlight: Sergio Chejfec’s “The Witness”

A close look at Sergio Chejfec's masterful not-quite fiction, non-quite essay, "The Witness"

Patty: The phrase “of-the-moment” is so annoyingly trite, but for lack of a better expression, Sergio Chejfec is perhaps one of today’s most of-the-moment writers, and the short fiction/systematic essay-musing “The Witness”—translated by Steve Dolph and published in Asymptote’s July issue as part of our Latin American feature—proves beyond a shadow of a doubt just why that is.

They say, more or less, that anyone who’s made the mistake of leaving can’t make the mistake of returning. READ MORE…