Posts filed under 'Sarajevo'
Graphic Novel in Translation: Karim Zaimović’s “The Invisible Man from Sarajevo,” Part V
Part V in Asymptote blog's first-ever graphic novel in translation
Graphic Novel in Translation: Karim Zaimović’s “The Invisible Man from Sarajevo,” Part IV
Part IV in Asymptote blog's first-ever graphic novel in translation
Click here for parts I, II, and III in this series.
Graphic Novel in Translation: Karim Zaimović’s “The Invisible Man from Sarajevo,” Part III
Part III in Asymptote blog's first-ever graphic novel in translation
Click here for Parts I and II in this series.
Graphic Novel in Translation: Karim Zaimović’s “The Invisible Man from Sarajevo”
Translating genre, language, text, and image—this is Asymptote blog's first graphic novel in translation
Making Narrative Witness: A Caracas-Sarajevo Collaboration
A revolutionary collaboration spanning countries, languages, and memories
THE SCENE
The scene is an online video meeting. (Does that qualify as a scene?) In it are several Venezuelan writers and photographers gathered in a classroom in Caracas (all men but one, though not everyone is present) and their counterparts in and around Sarajevo, Bosnia and Herzegovina, gathered mostly in twos and threes at laptops in apartments (all women but two; everyone is present).
A couple of Caracas photographers also tune in from what appear to be their flats. One Bosnian is in the town of Bihać. A Croatian writer from the Sarajevo group joins from Spain.
The Venezuelans in the classroom are having technical difficulties with their audio, and people move close to the room’s single computer to be heard. We make introductions. A few jokes. We lay out our plans. At least one Sarajevan, a redhead perched on a sofa, enjoys a cigarette.
Translation Tuesday: The Third Man
Bosnian short fiction from acclaimed writer Dario Džamonja, author of Letters from the Madhouse
From afar, judging by our gesticulations and the vehemence with which we’re defending our opinions, you’d think we were discussing the economy, the upcoming elections, pension funds, mortgages, the Hague Tribunal or some other inevitable aspect of our daily lives. Hell no! We’re trying to pose the dumbest question (and succeeding)! Meho is the reigning champion. He just keeps ’em coming: “What do you call a male turtle? What do you call a male squirrel? A male giraffe? A male seal? A male shark?” Someone counters, “A male shark is called ‘Jaws!’” Meho doesn’t let this phase him and on he goes, “If you have a goldfish in your aquarium, how can you tell if it’s male or female?”
“Well?” “You give it a bit of fish food: if he eats it, it’s male. If she eats it, it’s a female!” From zoology, we move on to physics: “How come you get circles on the water when you toss in a square brick?” The hot summer afternoon, dripping with alcohol, goes by in ostensible happiness and an easygoing atmosphere until it’s time to pay up—a bleak hour when dark clouds converge over everyone’s faces. Each of us has an overdue bill, a debt, an unpaid bar tab, a pair of shoes with worn-out soles, a car or a washing machine on the fritz… In the drunken stupor the conversation veers off to literature, as in a dream when images follow one another by some alien logic, and someone tells a story about Ivo Andrić. During his time as a consul in Rome, he met the Turkish consul, an exceptionally well-educated, wealthy, handsome man with a beautiful family who would regularly get wasted on cognac. Andrić asked him about it, and the man replied: “You know, Sir, as soon as I have a drink, I turn into another man—a ‘second man,’ if you will.” “So?” “Well, this second man then says, ‘I’d like a drink as well,’ and so it goes.” Meho interrupts the story, “If that’s the case, I’m the third man.” “How come? “I start off with a double!”