Posts filed under 'Poetry'

Asymptote Summer 2014 Issue – Out Now!

Three cheers for great literature!

Hot off the e-press: Asymptote’s July issue is now live! The star-studded issue reads like a cool glass of water, and with good reason: the cold-as-ice cover is inspired by Latin America, currently in the dead of winter and the subject of this issue’s special feature.

Highlights in this Latin-American edition include writerly tributes to Osvaldo Lamborghini (by César Aira), Julio Cortázar (by Sergio Chejfec), and Gabriel García Márquez (by the legend’s very own Portuguese translator Eric Nepomuceno), alongside poetry from Chilean prizewinner Rául Zurita and fiction by Uruguayan author Cristina Peri Rossi. We’ve even got a video trailer for them!

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Translation Tuesday: Selections from Anna Akhmatova’s “Requiem”

A new translation by John Gallas

“You cannot leave your mother an orphan.” Joyce

 

Not some other country’s sky,

Not some other’s housing wings –

I was there, with them, my them,

my own misfortunates.

 

An Other Introduction

In the ghastly years of the Yezhov Terror, I passed seventeen months standing, waiting in line outside a Leningrad prison. One day, somehow, someone “identified” me. And a woman behind me, her mouth blue with cold, who, of course, had never heard of me, started out of her numb and shared distraction, and said to me, quite close (we all whispered, there) :

Ah, can you write this ?

And I said, Yes.

And something nearly a smile slipped across her face, and made it one again.

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Translation Tuesday: Poetry by Nala Arung, translated by Tiffany Tsao

"Who would have guessed that love would collide / Into the wall that is FPI."

Efpei I’m in Love by Nala Arung

The cover of Efpei I’m in Love, a poetry collection by Indonesian writer Nala Arung, announces that it is “a book of tasteless poetry.” And it is apparent from the outset that its tastelessness operates on multiple levels.

Its title is deliberately lowbrow—a take on the title of the wildly popular teenage chick-lit novel, Eiffel … I’m in Love, published in 2001 and adapted for film as a romantic comedy of the same name two years later.

The Efpei that has displaced the original Eiffel refers to the FPI, or Islamic Defenders’ Front. A hard-line Islamic vigilante organization, FPI has gained national notoriety for using violence to enforce their interpretation of Islamic law. Its members often patrol areas for signs of un-Islamic activity, destroying property and beating up offenders. The organization has also attacked religious minorities, including Buddhists, Christians, and Ahmadi Muslims, whom they consider a heretical sect. FPI is certainly no laughing matter and hardly the stuff love poems are made of—or so it would seem until one reads the titular poem “FPI, I’m in Love.”     READ MORE…

Torquemada Paxman and the Poet-Heretics of the Catholic-Readers’ Church

"An educated amateur could judge a fiction contest and raise no eyebrows." Why isn't this true for poets?

“I think poetry has really rather connived at its own irrelevance and that shouldn’t happen, because it’s the most delightful thing,” said Paxman. “It seems to me very often that poets now seem to be talking to other poets and that is not talking to people as a whole.”

Jeremy Paxman has touched a nerve with his proposal to drag poets before a new Torquemada. But inquisitors toss accusations as predictably as tomatoes hurled by audiences. We poets learned long ago to perform behind thick glass barriers.

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Five poems by Darko Cvijetic

Translated by Mirza Purić

SORTIE AT DAYBREAK

You can hear the dreaming of a bird
The close-eyed water

Every moment a sound
A soundlet
Leaves the heart

The lamp dissolves the skin of someone’s shadow
By the chair leg

And you’re the eye of a calf

God may approach you

The Cantos inhabits
Ezra
Dead men have no mothers

(I’m feeling uncountable
relax relax darling
after all these years)

I’m pregnant she says

There is more
Soil in me than usual READ MORE…

Translation Tuesday: from ALMA VENUS by Pere Gimferrer

The poem, a mosaic of voices: / All poems are a single voice / That murmurs words wearing makeup

Alma Venus, a long poem in two parts by Spanish and Catalan writer Pere Gimferrer, translated by Adrian West, is now available from Antilever Press. Gimferrer’s creative work appeared in English translation for the first time in Asymptote’s January 2013 issue, after which Adrian West began translating Alma Venus. Gimferrer’s work has been awarded the National Prize of Spanish Letters (1998), the Reina Sofia Prize for Iberoamerican Poetry (2000), and the Octavio Paz International Poetry and Essay Prize (2006).

From Alma Venus, First Book

Every poem has a single theme:

How the word says something else.

The sparrow hawk lives blind and serene

In the murk of the final words.

I walked on these streets in the years

When my youth was a dead she-wolf,

But they were unreal, not drawn out

Yet, or drawn out and entombed.

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Dispatch from Scotland’s International Poetry Festival

Editor-at-large Jasmine Heydari tackles Welsh poetry, language and war, and a Haggis breakfast in her dispatch from StAnza

Earlier this spring I attended StAnza, one of Scotland’s major international poetry festivals. After an early flight from Stockholm to Edinburgh, I boarded a bus taking me to the east coast of Scotland. The bus made its way through twisty and narrow roads, overlooking green hills on one side, while the other faced long, golden sand dunes and black rocks coated in seaweed. Two hours later, I arrived at the city of St. Andrews, or as the Scots say it, Saunt Aundraes, the home of the festival.

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Translation Tuesday: Short Prose by Oleg Yuriev

"Suddenly, the cow moaned like a door."

A sunny winter in Florence. 

Early morning—blue and gold, and

the black Florentine air—eeny meeny miney moe—has completely vanished from the city: and is now wrapping up and flowing down the hills that are more orbital than surrounding.

Above the hills—the still-white night sky slowly turns blue. And between the hills, red Tuscan brushwood burns, which will soon become gold…

The conjoined sky.

The mooing hills.

The well-defined valleys.

The cypresses are like folded umbrellas,

and the stone pines—unfolded.

Under the stone pines and cypresses, Italians brushed the drips from their gray hair in the rear-view mirrors of their own and others’ motor scooters and sang sweetly with voices as hoarse as though they had an Italian three-day stubble.

 

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Hebrew Poetry from Ron Dahan’s Collection “Youth”

Dahan's portrayals of war and daily life in Israel are stirring: precise yet deftly ambiguous, casual yet anguished

A soda machine burns outside a grocery store

and all the Pepsi and the Coke (diet, too) and the Sprite

Explode in all directions like grenades.

The village of Markabe is burnt and bombed like in a war movie.

And like in a war movie

there’s the guy who carries a heavy jerrycan on his back

and the guy with the cigarette between his teeth

and the guy called Nir

and the guy who’s going to die and doesn’t know it so he allows himself to reminisce about that time when

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Interview with Alex Cigale: Part II

Featuring poetry by neo-futurist poets Serge Segay and Rea Nikonova!

In Part I of Asymptote blog’s interview with Alex Cigale, Cigale discussed the roots of Russian Futurism, its modern inheritors, and politics at play in Russian poetry. Now he discusses his poetry and translations of Russian neo-futurist poets Serge Segay and Rea Nikonova. Read on for new poems by Segay and Nikonova, and to find out about Cigale’s Kickstarter campaign to finish exoDICKERING: Compositions 1963-1985, translated poetry by Serge Segay.

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Interview with Alex Cigale: Part I

"As is true for many of my current projects, for the first fifteen years of reading him, my feeling was: Untranslatable."

Asymptote editor-at-large and accomplished poet and translator Alex Cigale is hard at work on a forthcoming book of translations of neo-futurist Serge Segay’s poetry titled exoDICKERING: Compositions 1963-1985, and recently set up a Kickstarter campaign to help him finish his work. In part one of a conversation with Asymptote Blog, Cigale talks about the roots of Russian Futurism and its modern inheritors, politics at play in Russian poetry, and the unique challenge of translating a linguistic system that associates every letter of the alphabet with a feeling-sense (and a color!).

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Translation Tuesday: Poems by John Smelcer

Featuring work by John Smelcer, who can read and write in Ahtna, one of the world's most endangered languages

 

Recipe for a Reztini

Two parts cheap gin or vodka

One part of your youth

Garnish with a strip of dried salmon or jerky

Shake it in the backseat of a Pontiac

doing 70 mph on Dead Man’s Curve

***

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Asymptote’s 3rd Anniversary Celebrations in March and April (Plus: our New Events Page, with Multimedia!)

Check out highlights from our past celebrations in London and New York, and don't miss our upcoming events!

We’re thrilled to announce that Asymptote’s globetrotting third anniversary party, which kicked off in London and New York in January, will continue across five continents over the next month—watch our brand-new video trailer below for a taste, and don’t forget to RSVP at our Shanghai (March 29), Philadelphia (March 29), Berlin (April 3), and Sydney (April 11) Facebook Event pages, already live.

In case you can’t make it, don’t fret: we’ve launched a new Events page, where you can find photos, podcasts, videos, and dispatches of all the events we’ve ever organized, as well as an up-to-date pulse for all upcoming events!

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In Review: “Word by Word”

"Saroyan’s comparison of his grandmother’s mustache to Stalin’s had to be blacked out by the editor in the whole print run."

Czechoslovak history is closely connected to language and culture; it follows that translation, in particular, is a mighty revolutionary tool in times of oppression…

The twenty-seven interviews with the oldest generation of Czech translators collected in Word by Word (With Translators on Translating) reveal the personal histories of the people who, for more than half a century, were the arbiters of the literary masterworks available to thousands of Czech and Slovak readers.

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