Posts filed under 'podcasts'

Weekly Dispatches From the Front Lines of World Literature

The latest literary news from Poland, the UK, and Palestine!

This week, our intrepid team members report from around the globe as Poland honors one of the country’s greatest poets, UK independent publishers reckon with new tax regulations, and a Palestinian podcast kicks off with a special video presentation, which also serves as an introduction to some of the brightest lights in Arabic poetry. Dive in!

Julia Sherwood, Editor-at-Large, reporting from Poland

Long snubbed by Polish literary critics as popular literature, the satirical novel The Career of Nicodemus Dyzma (1932), about the accidental rise of an opportunistic swindler, by the political journalist Tadeusz Dołęga-Mostowicz (1898–1939) remained inaccessible to English-language readers until 2020, when Northwestern University Press brought it out in a translation by Ewa Małachowska-Pasek and Megan Thomas. Their commitment and excellent rendering of the book’s universality made the translator duo worthy recipients of the 2021 Found in Translation Award. Explaining the book’s importance and enduring relevance, Ursula Phillips notes in her #Riveting Review that its “resonance extends well beyond the Poland of 1932: in our age of misinformation, post-truth, fake news, the discrediting of expert knowledge and widespread conspiracy theories, it is not hard to recognise other Dyzmas.”

Modern Poetry in Translation has teamed up with the Polish Book Institute to mark the two hundredth birthday of Cyprian Kamil Norwid (1821–1883). Now recognized as one of Poland’s greatest poets, the visionary romantic spent most of his life in exile and died virtually unpublished, deaf and destitute, in Paris. Hoping to “ignite the gentle curiosity of the imagination of the viewer towards the legacy that this man left in writing and in art that was simply never validated in his lifetime,” animation supremos Brothers Quay have created Vade Mecum, a short visual tribute taking its title from Norwid’s poetry collection. On 21 June MPT released a special digital issue featuring Adam Czerniawski’s translation of Norwid’s last play, Pure Love at Sea-Side Bathing. Set by the French seaside, the play “anticipates Maurice Maetelinck’s Pelléas et Mélisande and Henry James’s late novels,” says Czerniawski, introducing this work by a “master of the implied, the half-said, the unsaid.” And the journal’s summer 2021 issue will present new commissions from poets Wayne Holloway Smith and Malika Booker, writing in response to Norwid. Back in Poland, as the Cyprian Norwid Prize celebrates its own twentieth birthday, Józef Hen, author of over thirty books, many film scripts and plays, as well as four TV series, has been named winner of the “Award for Lifetime Achievement”. Prizes in the remaining categories—literature, music, visual art and drama—will be announced in September.

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Weekly Updates from the Front Lines of World Literature

This week’s latest news from Slovakia and the United Kingdom!

This week, our writers bring you the latest news from Slovakia, where European Literature Night took place online, and the United Kingdom, where festivals such as the Big Book Weekend and Hay Festival have begun. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from Slovakia

Readers of the literary journal Knižná revue voted, unusually, for a scholarly non-fiction title as their Book of the Year. Juraj Drábik’s Fašismus traces the history of fascism, offering a clear definition of the term and clarifying misunderstandings that lead to the label being overused and/or misused. The surprising success of this book with general readers might be explained by the rising popularity of a Slovak neo-Nazi party before the general election earlier this year, raising widespread concern that it might end up in government, which fortunately did not happen.

Like the rest of the world, Slovakia too has been grappling with the impact of the coronavirus pandemic. The authorities responded early by imposing a comprehensive and strict lockdown. As a result, Slovakia has had one of the lowest death tolls in Europe and the country has started cautiously reopening. While bookshops were closed, one of the biggest online booksellers invited buyers to waive the online discount in favour of struggling publishers in an initiative called “Tip your publisher.” And as soon as they reopened, the country’s president Zuzana Čaputová visited the Bratislava branch of leading independent bookstore Artfórum and encouraged her Facebook followers to keep buying books.

Although many cultural events were cancelled, others managed to reinvent themselves digitally. Unlike elsewhere in Europe, where European Literature Night—a series of readings held for the past twelve years—has been postponed until autumn, the event’s Slovak organisers have pressed on with their ten-day programme of readings, swapping the planned venues for Facebook and all the participating actors wearing face masks. The series kicked off on May 13 with an excerpt from Ivana Dobrakovová’s Matky a kamionisti (Mothers and Truckers), a winner of the 2019 European Union Prize for Literature, followed the next day by Hodiny z olova (Hours of Lead) by Asymptote contributor Radka Denemarková, and on consecutive evenings by readings from works by Timur Vermes, Domenico Starnone, Lars Saabye Christensen, Gaël Faye, Miroslava Svolikova, David Grossman, Ryszard Kapuściński, and Fikry El Azzouzi. The entire series will be available on the Czech Centre’s YouTube channel from May 25. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

Our latest dispatches from Sweden, United States, and Iran!

This week our writers bring you the latest news from Sweden, the United States, and Iran. In Sweden, Nordic Noir finds a new form in a popular podcast, whilst mounting tension between the United States and Iran sparks debate over the politics of language and the sociopolitical responsibility of artists. Read on to find out more!

Eva Wissting, Editor-at-Large, reporting from Sweden

Take Nordic Noir and True Crime, mixed with the possibilities—and sometimes blurry legal framework—of new technologies for storytelling, and what you end up with is a podcast called Mordpodden (“The Murder Podcast”) that promises the listener to be able to “dig into creepy, true, and really thrilling murder cases.” Since most documents from Swedish trials are easily accessible, the popular podcast with over 250,000 weekly listeners, has no shortage of source material. There has, however, been complaints about lack of ethical considerations when relatives of murder victims have found themselves encountering the very witness statements and traumatic experiences they thought they had left behind. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

On Terezín, censorship in Iran, thrilling new Uzbek titles, and the long-awaited Nobel Prize for Literature announcement.

This week is an exciting one in the world of literature, and our editors are bringing you dispatches from the ground. Xiao Yue Shan discusses the winners of the 2018 and 2019 Nobel Prize in Literature. Julia Sherwood reports on a march from Prague to Terezín, a concentration camp established by the Nazis during their occupation of the Czech Republic. Poupeh Missaghi gives an account of literary podcasts in Iran, as well as the government’s role in quality control and censorship. Filip Noubel brings us an introduction of several new titles from the established authors of Uzbekistan. 

Xiao Yue Shan, Assistant Blog Editor, reporting on the Nobel Prize for Literature

The long-awaited Nobel Prize in Literature announcement of 2019 was prefaced by the usual barrage of news and predictionssome cynical, some vaguely hopeful, and most of which hedged their bets on women writers and/or authors who did not write predominantly in English. After the controversy of last year’s award (or the lack thereof), it followed a natural trajectory that our current politics lead us to search for brilliant literary representation that breaches the limits of our accepted canon of well-celebrated white men, and the Swedish Academy had seemed eager to prove themselves to be advocates for social progress, as they once again took on the role of alighting the flames of literary luminaries that will forever be enshrined as embodiments of success in the world of letters.

In a case of half-fulfillment, the 2018 Nobel Prize in Literature went to Asymptote contributor Olga Tokarczuk, and the 2019 Prize was awarded to the prolific Austrian writer Peter Handke. The latter aroused quite the maelstrom of negative responses, even with most still acknowledging his significant contributions and his fearlessly bold oeuvre, while the former is being hailed as a well-deserving, original, feminist voice, standing in the exact spot of where the spotlight should be shone.

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