Posts filed under 'Nobel Prizewinner'

What’s New in Translation: October 2024

Discover new work from Turkey, Germany, Brazil, Argentina, Cameroon, Sweden, Chile, France, and Cuba!

In this month’s roundup of newly published translations, we introduce nine works from nine countries: Turkey, Germany, Brazil, Argentina, Cameroon, Sweden, Chile, France, and Cuba. From a politically tuned memoir embedded with a familial conscience to a series of poems that consider diasporic experience through the lens of spectatorship—read on to find out more! 

WaitingfortheFear

Waiting for the Fear by Oğuz Atay, translated from the Turkish by Ralph Hubbell, New York Review Books, 2024

Review by Christopher Higgs

The oft quoted line from Jean-Paul Sartre’s No Exit, “Hell is other people,” reverberates conceptually across Oğuz Atay’s Waiting For The Fear like a heavy skipping stone slumping across the surface of dark waters. Yet, in each of the collection’s eight stories, a confounding tension arises between the book’s Sartrean misanthropy and another seemingly competing desire: a strong craving to communicate, a yearning to connect. While Atay’s characters avoid human contact, holding deep disdain and even loathing for other people, they still thrum with a surreal pulse, a quivering mixture of rage and sadness in which their hatred comingles with a cry of the heart; they are desperate to embrace, to be accepted, to be acknowledged and valued, to be seen and heard by others. Six of the eight stories, for example, are epistolary, while the others rely on letters as plot devices. When the concept of written communication isn’t foregrounded, the narratives still hinge on concepts of storytelling, connecting, and sharing. READ MORE…

Our Top Ten Articles of 2022, as Chosen by You: #4 Envy by Elfriede Jelinek

Their most pathetic longings are laid bare with sadistic glee; there are conspiratorial asides, loopy digressions about the financial crash.

“The waistband of Brigitte’s pants is so tight already, I’m surprised she doesn’t have to saw herself in half to get undressed! Her blouse, not so much: everything in there went south ages ago, but then that’s the way of all flesh. Brigitte has gone from the big top to the big bottom: in the one-ring circus of life, she is a one-woman seesaw, a no-man band.”

Number 4 is a monster of a text from our Summer 2022 issue, an extract of Nobel Prizewinner Elfriede Jelinek’s Envy, translated from the German by her frequent collaborator Aaron Sayne. Envy is viscerally unhappy in the finest Jelinekian tradition. Weirdness, deep pessimism, and misery are the big tonal flavors here. We are captive to a sadistic narrator who rants and raves and betrays her characters at every turn. Asymptote’s Liam Sprod puts it perfectly: this is the quintessence of “Mitteleuropa miserablism”: festering nastiness and narrative complexity and gallows humor.

Our narrator possesses total knowledge of the inner lives of the characters who litter her monologue, (a middle-aged piano teacher; the eighteen year-old boy she lusts after; his divorced mother who works all day in the bank the next town over). Their most pathetic longings are laid bare with sadistic glee, there are conspiratorial asides, loopy digressions about the financial crash and cannibals, and awful, awful puns; after a while it dawns on you that the mockery is not only for her benefit, but also possibly for ours. You get the sense she might be trying to make us laugh—worse, she might be trying to impress us, to curry our favor, even. There’s a pervasive meta-awareness to all the scorn and mockery—these may well be repulsive gifts laid at our feet. Is she afraid of us? Should she be? Is she insane? Read and decide for yourself. It’s powerful, polarizing stuff—a narrator so finely poised between awareness and delusion—and it rewards rereading. This may well be why it climbed so high on this list.

Envy_538

DISCOVER OUR FOURTH MOST-READ ARTICLE OF 2022

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Our Top Ten Articles of 2022, As Chosen by You: #6 An interview with Maureen Freely

To translate [Pamuk] was to fall under a spell that took me several years to break.

2022 was a bumper year for fascinating interviews, and one of the best of the bunch, in this humble editor’s opinion, is also our sixth most read article of the year. For our Summer issue, Assistant Interview Editor Rose Bialer sat down with acclaimed translator Maureen Freely to discuss her upbringing in Istanbul, the craft of translation, and the state of literature in Turkey today.

It takes two to make an interview really work: Bialer has a knack for perceptive questions, and Freely is lyrically articulate about her unusual upbringing. Unsurprisingly, the conversation is full of gems, such as when she talks about working with Nobel laureate Orhan Pamuk as the English translator of his novels. Their relationship is complex, delicate, respectful, and as Pamuk’s star rises, it grows increasingly strained. The two are “exact contemporaries” and grew up in similar parts of Istanbul, and when he writes about his childhood in the city, his memories, so different from her own, start to crowd out hers:

I love that chapter he wrote about hüzün, and the black and white city that it veiled so hauntingly. To read it is to go into a trance. To translate it was to fall under a spell that took me several years to break. I could no longer see the golden Istanbul I’d known as a child. As for the campus where I’d grown up and he’d gone to school, he passed over it in just a few paragraphs. He wrote about the library, and he wrote about skiving. When we were going through that part of my translation, I pointed to the gap between two of those paragraphs, and I told him that my whole life had vanished into that blank space.

If you’re curious about some of Freely’s output, read Irmak Ertuna Howison’s review of her translation of Sevgi Soysal’s Dawn from the Asymptote Blog.

And if her interview piques your interest in Turkish literature, don’t forget that our twelve-year digital archive is a veritable treasure trove of gems waiting to be discovered.

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