Posts filed under 'natasha wimmer'

Asymptote Podcast: Highlights from our New York Event

A new episode goes live!

Asymptote‘s fifth anniversary celebration in New York brought together top literary translators Ann Goldstein (translator of Elena Ferrante’s Neapolitan tetralogy) and Natasha Wimmer (translator of seven Roberto Bolaño novels including The Savage Detectives and 2666) for an evening of conversation moderated by acclaimed fiction writer Frederic Tuten. Whether you couldn’t join us in NYC or just want to revisit this fun and informative discussion, this month’s Asymptote Podcast gives you a front-row seat! Podcast Editor Daniel Goulden brings you the highlights from the New School panel, which includes introductions by Poorna Swami, our own Editor-at-Large for India, and several terrific questions brought forward by audience members during the Q&A. Download your copy now. It’s almost as good as being there in person!

This event was co-sponsored by the Liberal Studies Department, New School for Social Research.

Join Asymptote in New York City!

Here's what's what for Asymptote's fifth birthday party in the Big Apple!

This March 3rd in New York City, we’re thrilled to be holding an event to celebrate our fifth anniversary, where we’ll be joined by two multi-award winning superstars of translation: Natasha Wimmer and Ann Goldstein. Between them, these women have brought some of the biggest names in contemporary literature to English-language readers. In anticipation of our event, here’s everything you need to know about our extraordinary guests and host, Frederic Tuten.

Award-winning translator Natasha Wimmer is best known for her translations from Spanish to English of the work of Chilean novelist Roberto Bolaño, who was described by the New York Times as  “the most significant Latin American literary voice of his generation.”

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Translator’s Profile: Natasha Wimmer

Q&A with Roberto Bolaño-translator Natasha Wimmer.

Natasha Wimmer‘s translations include The Savage Detectives and 2666by Roberto Bolaño. She lives in New York City. 

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Who are you? What do you translate?

In an attempt to avoid the obvious, I’ll borrow the 25-things-people-don’t-know-about-you meme from years ago. Except let’s make it five, and keep it translation-specific.

1) The first word I ever spoke in Spanish was ”hola”—except that I pronounced it ”olé.” 2) I learned lots of Spanish from watching dubbed versions of Highway to Heaven (Autopista hacia el cielo) and Murder She Wrote (Asesinato Escribió). 3) My first translation project was Pedro Juan Gutiérrez’s Dirty Havana Trilogy, which stretched my skills to the breaking point with its Bukowskian cool and scatological sex scenes. 4) I was once given the wrong draft of a novel and had to go back over every word of the translation to make sure it matched the proper version. 5) My working title for the translation of The Savage Detectives was The Wild Detectives.  6) (bonus point) I was convinced that American readers would respond better to The Savage Detectives than to 2666—the popular success of 2666 in the U.S. was a total surprise (to me, at least).

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How Literary Translation Upgraded my MFA

Our new blog editor Katrine explains how literary translation transformed her creative writing MFA & writing practice overall.

First, I did it for the money. I used to work as a freelance journalist, and to support myself on the side I translated tv-shows, computer games, websites, you name it.  It paid well. So when I came to Columbia University to pursue an MFA in Creative Writing, I thought: hey, I’ll just do a double-concentration in fiction and literary translation so I can support myself as a translator of books while trying to make it as a writer. Ha! Ha.

I remember the writing program hosted a mingle with drinks on the first evening of our intro week, and halfway through the event I was already drunk on a) wine, b) nerves, and c) an incredibly long conversation with poet Timothy Donnelly about the great Danish poet Inger Christensen and Buffy the Vampire Slayer. READ MORE…

Weekly News Roundup, 5th September 2014: Nobel Bets, Italian Talent Galore

This week's literary highlights from across the world

Happy September, translation friends! ’Tis the season for fall, or spring, depending on your relation to the equator (in any case, happily changing foliage awaits).

We often lament that non-English-language authors go unfairly un-translated, while their anglophone counterparts enjoy worldwide fame. Not this time: celebrated British author Martin Amis’s latest World War II novel, The Zone of Interest, will likely not appear in French or German translation. But Japanese heavyweight and writing machine Haruki Murakami is slated to publish yet another novel this coming December, hot on the heels of his latest release (at only 96 pages, this one is no IQ84). And other publishers just have to compete: here’s news of book publishers attempting to successfully pull off the ol’ “Murakami One-Two,” including Norwegian Karl Ove Knausgaard (My Struggle 3.5, thanks to Archipelago Books), and a fresh release of Chilean mastermind Roberto Bolaño’s earlier work through New Directions Press. Meanwhile, here’s an appreciation of an author I’m personally thrilled to have read in translation: Argentine all-around genius Julio Cortázar, who would be one hundred years old this month, but doesn’t read a day over yesterday. And finally, none other than Newsweek has decided to profile the hardworking and far-too-invisible people who facilitate global reading: the translators. The article features an interview with translational superstars like Edith Grossman and Natasha Wimmer.

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