Posts filed under 'Mayan literature'

Ways of Seeing: On Humberto Ak’abal’s If Today Were Tomorrow

What do they think, those who we believe don’t think at all?

If Today Were Tomorrow by Humberto Ak’abal, translated from the K’iche’ and Spanish by Michael Bazzett, Milkweed Press, 2024

To read Humberto Ak’abal is to be transported: first to the Western Highlands of Guatemala, full of mountainous forests and ravines where corn grows amid the mist, and then through the natural world and toward everything it encompasses—the elements, their sounds, and even their language. In a world where the sun eats the mist, butterflies kiss the earth, and peach trees weep, the boundaries of the conscious world expand to envision a new, shared world. 

Humberto Ak’abal was a K’iche’ Maya poet from Guatemala. His book Guardián de la caída de agua (Guardian of the Waterfall) was named Book of the Year by the Association of Guatemalan Journalists, and he was awarded the Golden Quetzal award in 1993. A world-renowned Guatemalan poet, Ak’abal oscillated between writing in K’iche’—his mother tongue—and Spanish, the official language of Guatemala. This new collection, published by Milkweed Press in June, spans five sections, each delving into a different facet of the poet’s oeuvre, while always retaining his essence, humor, and care for the natural world. 

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Weekly Dispatches From the Front Lines of World Literature

The latest of literary news from Guatemala, China, and Japan!

In this week of literary updates, we discuss the blend of technology and literature around the globe—from a virtual imagining of the Popul Vuh in Guatemala, to the use of ChatGPT by the winner of a prestigious literary award in Japan, to an interactive exhibition of Wisława Szymborska’s poetry in Shanghai.

Xiao Yue Shan, Blog Editor, reporting for China

Despite having famously said, in an interview with Edward Hirsch, that “it isn’t possible to save mankind”, Wisława Szymborska displayed no shortage of compassion towards humanity and its messes, surging always towards a more enriched penetration into people, the layered fabric of their histories, and the immense variegations of their natures. In China, funnily enough, most people likely became aware of the Polish poet through a celebrated graphic novel by the Taiwanese artist Jimmy Liao;《往左走,往右走》(published in English as A Chance of Sunshine) is a story about destiny and its aloneness—depicting two individuals who walk separate paths but are unified by the same experiences. In it, Liao borrows the following lines from Szymborska’s “Love at First Sight”:

They’re both convinced
that a sudden passion joined them.
Such certainty is beautiful,
but uncertainty is more beautiful still.

That same tension between unity and undeniable difference is consistently offered through Szymborska’s corpus, and is central to a new exhibit in Shanghai centred around her works, held at Qiantan L+Plaza from April 1 to May 15. Composed of interactive installations, performances, and graphic poetic representations,  “我偏爱“ (I prefer) is a valiant effort to iterate the complexity of the poet’s exquisite awareness, and aspires towards both a sense of communion and a defense of individuality. True to its vision of dialogic action, as well as honouring literature’s confessional and communicative capacities, there are surveys to fill out, votes to cast, letters to open, and a telephone to pick up. READ MORE…