Posts filed under 'Macondo Literary Festival'

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Egypt, Vietnam, and Kenya!

This week, our Editors-at-Large report on beloved literary figures and emerging talents from their respective regions. From personal tributes to literary luminaries to fan meetups, read on to find out more!

Ibrahim Fawzy, Editor-at-Large reporting from Egypt

In this dispatch, I won’t be reporting on literary festivals and book fairs, as usual. But I will share some good news that personally brought me happiness and gratitude in troubled, gloomy days: Literary translator and cultural worker Nariman Youssef was named head of the Poetry Translation Center (PTC), and Nashwa Nasreldine has joined the PTC team as editor. Excitingly, two Arabic translators have taken over the PTC though they were recruited through totally separate processes. Let this lovely takeover begin and stay tuned for all the amazing work they will bring into the world alongside the PTC’s already brilliant team.

When I praise the new leadership of the PTC, I speak from experience. One day in 2021, I stumbled upon a lifeline: a pay-what-you-want online workshop at PTC. This workshop, led by the extraordinary Nariman Youssef, laid the foundational bricks for my journey as a literary translator. Translating Mustafa Ibrahim’s “Nothing of Note” under her patient, quiet, and profoundly insightful guidance was a revelation. It was as if she was born to lead, with an innate ability to listen, to nurture, and to inspire.

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Weekly Dispatches From the Front Lines of World Literature

The latest in literary developments from Palestine, Sweden, and Kenya!

This week, our editors report on the rebirth of theatre in Palestine, the best Swedish crime novels, and the Kenyan Readathon Challenge from September. From the Palestine National Theatre Festival to the Nairobi International Book Fair, read on to learn more!

Carol Khoury, Editor-at-Large for Palestine and the Palestinians, reporting from Palestine

In Palestine, there is a generation of people who don’t really know what a theatre is! This might sound like an exaggeration, but sadly, that’s reality—or at least, that’s how it looks on the surface. 

When the first Intifada broke out in late 1987, all theatres and cinemas were closed and most did not reopen or regain momentum until the late nineties. With simple arithmetic, we can see that the chances are low today of finding high-caliber theatre actors or actresses, let alone directors, aged in their thirties and forties. 

With that in mind, I must admit I wasn’t too enthusiastic to attend the third Palestine National Theatre Festival running in the last week of October. Little did I know! All that was needed to get fully hooked was one play. 

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