Posts filed under 'literature'

Weekly News Roundup, 24th April 2015: Don’t Do This Title

This week's literary highlights from across the world

Happy Friday, Asymptote readers! We say this every week, but perhaps some new vocabulary might spice up your reading experience. We can certainly say that for short stories—steer clear from these overused titles (I’ve certainly read at least five pieces titled “Hunger”).

So many of us battle with the canon—or struggle against it. At the Millions, a piece about reading (and not-exactly re-reading) Russian behemoth’s epic literary tome, War and Peace (wonder what translation she was using?). In present tense, Joseph Brodsky is still making waves: here’s a look at his bestselling biography. And finally, if contemporary Russian literature’s more your thing, be sure to check out this bloggin’ run-down of recent Russian book prizes. READ MORE…

Weekly News Roundup, 10th April 2015: BTBA vs. VIDA vs. IFFP?

This week's literary highlights from across the world

Happy Friday! The time has finally arrived for the Best Translated Book Award longlist… After weeks of blog- and social-media hype, both the fiction and poetry longlists have been announced, and we can’t say we aren’t impressed! The lineup includes, among others, several Asymptote friends, like Faces in the Crowd author and blog contributor, Mexican writer Valeria Luiselli, blog interviewee and Translation Tuesday featurette Danish author Naja Marie Aidt, deceased Czech writer Bohumil Hrabal (featured in another Translation Tuesday dedication), Chinese interviewee and Nobel-deserving Can Xue, and many, many more. It’s definitely worth taking a peek through the list—I’ve no idea how the judges managed to narrow it down (at Three Percent, Chad Post laments the books he thought would make it—but didn’t), nor how they’ll be able to pick a winner from such a strong group.  READ MORE…

The Return of the Flood: How ISIS is Destroying Iraq’s Literary Heritage

Paul M.M. Cooper assesses the damage done to Iraqi literature and heritage by ISIS’s destruction of thousands of undeciphered cuneiform tablets.

ISIS continues to shock the world with calculated acts of cultural vandalism: taking sledgehammers and electric drills to the millennia-old pieces of art held at Mosul Museum, bulldozing the archaeological sites of Nimrud and Dur-Sharrukin, and most recently releasing a video showing the destruction of artefacts at Hatra. While the predictable images of gleeful vandalism circulate on social media, archaeologists took stock of the antiquities destroyed: statues of the kings of Hatra that form “the finest of all the sculptures unearthed” in the region, several enormous winged bulls with human heads known as lamassu, and assorted irreplaceable relics of the Babylonian, Persian and Roman Empires.

ISIS’s goals are clear: to destroy anything that hints at the region’s pluralistic past, and to strike a blow full of impotent cruelty against the Iraqi government and international organisations such as the UN and UNESCO. Against this backdrop and coupled with the stunning callousness of the group’s ongoing humanitarian atrocities, it has been easy to overlook another loss, one felt particularly acutely by lovers of international literature the world over: that of the still-undeciphered cuneiform tablets caught up in ISIS’s frenzy of destruction. READ MORE…

Is Complex Literature More Rewarding? A Dispatch

A dispatch from the Beijing Bookworm

Fish, fungi, kittens, and cockroaches mirror the protagonists in Mexican author Guadalupe Nettel’s psychologically incisive tales. In the fictional world of Hong Kong’s Dorothy Tse, brutal violence unfolds according to the incomprehensible but irrefutable logic of nightmares. Xi Ni Er preserves slices of a changing Singapore in his condensed, dialogue-driven micro-narratives.

“Complex literature” is not an unreasonable description for the work of any of these writers, but it is an awkwardly nebulous pretext for putting them on a stage together. At the beginning of the event, they sometimes seemed burdened by the duty to engage with the topic and valiantly attempt to define what complex literature might or might not be. READ MORE…

Hunger and the Artist: Interviewing Windham Campbell Prizewinner Helon Habila

An interview with Nigerian author Helon Habila, winner of a 2015 Windham Campbell Prize in Fiction

The Windham Campbell Prize, launched just two years ago, has quickly become one of the most sought-after literary awards in the world, offering recipients the financial freedom to write with a $150,000 no-strings-attached grant. This year, Nigeria-born Helon Habila, author of the novels Waiting for an Angel (Norton, 2002), Measuring Time (Norton, 2007), and Oil on Water (Norton, 2010), received a Windham Campbell Prize in the Fiction category. Established by Donald Windham and Sandy M. Campbell, who were artists themselves, the prize recognizes writers writing in English from anywhere in the world.

Nicole Idar: The Windham Campbell Prize was inspired by Donald Windham’s own experiences as a young writer struggling to support himself, and in your own work you’ve written about young writers faced with this very struggle—Diaz, the narrator and aspiring journalist in “The Hotel Malogo,” for example. When you were first starting out as a writer, you worked as an editor for several years in Lagos. How has this struggle to balance art with financial security shaped you as a writer?

Helon Habila: Hunger, both metaphorical and literal, is always good for the artist. It sharpens your focus and drives you on. There’s a beautiful essay by Ben Okri on this subject, published in the British Council’s New Writing anthology a long time ago. It is based on his own experiences as a struggling writer in London. He describes how hunger would literally wake you up at night and drive you to the writing desk. But of course the best work on this subject for me is Orwell’s Down and Out in Paris and London. Yet, when the hunger becomes too much, it becomes a burden, not a helper. You might, for instance, find yourself writing about food for no discernible reason. I wrote my first book mostly hungry, with no computer, and by candle light because our electricity wasn’t working. This was in Lagos. I had to go to work at 7 am, and get home at around 7 pm, rest for a few hours and start writing by candle light till around 3 am. Then rest and go to work at 7 am. It was tough, but it shaped me in so many ways. I am glad that book worked out, it went on to win the Caine Prize and got me my first book deal with Penguin and Norton. It would have been devastating if it didn’t. READ MORE…

Weekly News Roundup, 27 March 2015: The Knausgaard/Ferrante Personality Test, Leo’d Be Proud

This week's literary highlights from around the world

Whoop, whoop, blog fiends—it’s Friday! You’ve probably already partaken in your fair share of literary personality quizzes (they provide a cheap alternative to psychoanalysis when your insurance goes bad, and it’s always heartening to read you’re more of a Dumbledore than a Malfoy), but the New Yorker‘s article contrasting Italian recluse Elena Ferrante with Norwegian road-tripper Karl Ove Knausgaard is of particular interest to those of us interested in more international literary trends. (Meanwhile, if you’re excited for the English-language release of Book 4 of Knausgaard’s My Struggle, you can read an exclusive excerpt here).  READ MORE…

The Tiff: Is the Translator Responsible for Political Problem Texts?

Yardenne Greenspan and Marcia Lynx Qualey on the choices we translators can make

M. Lynx Qualey: The most important decision a translator must make is: Will I translate this text?

Being an essentially freelance profession, translation has a mountain of drawbacks, but it does make a bit more allowance for choice. The injunction to “translate only what you love” works—as long as you have a stable income outside of translating. I prefer Samah Selim’s version: “Never translate a book you don’t like unless you have to.” Or my own: “Never translate a text you think you’ll regret (unless creditors are outside the window).”

Yet what makes for a “politically problematic” text may have less to do with the text itself and more to do with context. Propagandists thrive on selective translation. The MEMRI “media monitoring organization,” described by Guardian reporter Brian Whitaker, is perhaps the largest ongoing Arabic-English translation project. Some of the individual news and cultural texts that MEMRI translates might be innocuous, but the project as a whole furthers a political agenda.

READ MORE…

Weekly News Roundup, 20th March 2015: London Nominees, PEN Nominees!

This week's literary highlights from across the world

Yay, it’s Friday! Here at Asymptote we are especially giddy this weekend because of a gosh-wow shortlist nomination from the London Book Fair—alongside two other notable organizations, Asymptote journal is nominated for an International Excellence Award, for Initiative in International Translation. Keep your fingers crossed for us!—but really, it is such an honor to be recognized for the hard literary work we do. And the PEN Awards longlists have been announced—of special interest to us, of course, are the poetry in translation and fiction in translation categories (we’re happy to note that Danish writer Naja Marie Aidt, blog interviewee, has been nominated—read a selection of Baboon, featured on Translation Tuesday, here)!

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Asymptote Blog Wants YOU!

We're on the hunt for new contributors!

It’s that time of year again, dear readers—we at Asymptote blog are on the hunt for the freshest, funniest, most clever and on-the-pulse writing you’ve got, related to literature, translation, and the way words shape our world.

Like our journal, we are committed to publishing creative, original, and knife-sharp pieces in conversation with world literature, translation, and global culture—which means we love to read and publish original pieces and translations by writers, thinkers, and artists like you. So if you have something to say, read on—and get in touch!

Asymptote blog looks for voice, depth, and topicality in its postings. We welcome regular and one-time contributors, and publish essays, dispatches from literary events, interviews, book reviews, in-depth examinations of the world-at-literature and the world-at-large, as well as weekly new translations of poetry, fiction, nonfiction, and drama!

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Highlights from the blog’s recent past include:

Nina Sparling takes an up-close look at food, translation, and literature—how do we read “terroir,” Emile Zola’s Les Halles, and Colette’s kicked fish? 

Florian Duijsens’s “Pop Around the World” column examines House of the Rising Sun,” well, around the world. 

In The Tiff, a new recurring column, leading translators debate some of the field’s most pressing current issues. 

Matthew Spencer’s on-the-edge column The Orbital Library teases out the intersections of the sci-fi genre and translation.

A conversation between two legends of Russian-to-English literary translation is uncovered—picking bones over a Russian restaurant menu, of all things.

Josh Billings discusses the often-fascinating histories behind the wheeling-and-dealing ghosts of world literature—its translators!

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If you’d like to contribute, but don’t quite know where to start, here are a few simple ways you can join the list of blog contributors:

1. We’re looking for reviewers to write about new translated or translation-related books. In your e-mail, talk about a few works you would like to review and why.

2. We’re also looking for translations, published every Tuesday in an ongoing series (predictably dubbed Translation Tuesday). In your e-mail, let us know your translation ideas, as well as your connections with authors or specific works. Permission and rights are necessary prior to publishing.

3. We’re looking for general musings related to translation, poetics, writing, the industry, current events, politics, visual arts, film—whatever fits your fancy! We’re amenable to all sorts of different writing

Variety is our bread-and-butter, so if you have something new you’re itching to say, we might just be the platform for you! Please send us a proposal with some information about you, how you’d like to contribute, and a writing or translation sample at blog@asymptotejournal.com. Rolling deadline.

Poems by Icelandic Poet Gerður Kristný

Translated by Spenser Santos

Öxnadalur

 

Fog drowns the dale

so the ridgepeaks

no longer show

 

From Hraunslake

gasps carry in

crackling silence

 *

Summereve in Gotland

 

Pier

stretches its tail

out in silvery waves

 

The sun strokes

a lightbow

over seaplain

 

Heavens

get to play

dusksong

 *

India

 

Man

goes to sleep

on a traffic island

 

Newsprint his down

 

Little room

for sleepwalking

 

in the seashallows

shines ironskin

of coldeyed sharks

***

Gerður Kristný’s poetry has charmed readers the world over. They have won her, among other honors, the Icelandic Literary Prize and nominations for the Nordic Council Literature Prize. Her most recent book of poetry, Drápa, tells the unsettling story of the night the mircus comes to town.

Spenser Santos is an MFA candidate in literary translation and Ph.D. candidate in English at the University of Iowa. He translates from Spanish, Old English, and Icelandic. His translation thesis is a translation of the Old English Illustrated Hexateuch translation of the Book of Exodus. He holds a Bachelor of Arts from Winona State University, where he majored in English, Spanish, and Writing.

Life in Grinding Years: Latvia in Transition and Translation

A conversation with Amanda Aizpuriete, Latvian poet and translator

Amanda Aizpuriete is a mystical poet. In conversation this past fall, she told me she writes “about places I haven’t been, lives I haven’t lived.” We met in Jurmala, a place whose name literally means “seashore” and which comprises a string of resort towns halfway between Riga and Kaugari, where Aizpuriete has lived all her life. Her mother was entitled to military housing there. Her children went to the same school she attended as a child. “I have lived through the most dramatic changes,” Aizpuriete says, who was born in 1956 and has published collections of poetry while Latvia was under Soviet control to the present.

“There was only one publisher at the start, and an ‘inside’ review was of the greatest importance.” She explained this meant a critique and recommendation of a prospective book by a well-known writer.

Aizpuriete studied philology and philosophy at the Latvian State University from 1974-1979, as well as at the M. Gorky Literature Institute’s Translation Seminary in Moscow from 1980-1984. Through this time, she met translators from Ukraine and Azerbaijan and discovered what she describes as “great writings,” just opening up to publishing in the mid-eighties when Gorbachev entered power. First to translate this work into Latvian, she interviewed Josef Brodsky a couple of years after he’d won the Nobel Prize, and translated his play Demokratija into Latvian with his collaboration. “This was a beautiful episode, done through relationships,” Aizpuriete says. As poetry editor for the magazine Avots (Wellspring) in the mid-eighties, Aizpuriete was able to see the debut of banned Latvians, those it was not possible to publish earlier. READ MORE…

In Review: “Rabbit Back Literature Society”

On a meta-writerly thriller from Finland: "Jääskeläinen’s exploration of the magpie habit of a writer is thorough and complex."

The fictional Finnish town of Rabbit Back is the setting for Pasi Ilmari Jääskeläinen’s The Rabbit Back Literature Society (tr. Lola Rogers), a strange chimera of snow-bound noir and creeping surrealism that reveals itself with the unassuming gestures of a children’s book.

Rabbit Back is the home of the bestselling (and reclusive) children’s book author Laura White. White’s Creatureville books, widely lauded for their striking treatment of local myths, have brought worldwide recognition to the town and to the coterie of nine protégés she hand-selected at an early age to be the members of her Rabbit Back Literature Society—young men and women who have, by the time of the events in the book, matured into the upper ranks of the Finnish literary scene. READ MORE…

Weekly News Roundup, 6 February 2015: Dear Diary, What Are You Comprised Of?

This week's literary highlights from across the world

Happy Friday, translation friends and fiends! Do you keep a diary? Literary journaling is a genre of its own—arguably the juiciest way to find the real-life parallels in our favorite novels—and Russian behemoth Leo Tolstoy’s work is no exception, though his struggles to narrate the self are arguably more insightful than my teenaged angst. Maybe perennial Nobel-favorite and Japanese author Haruki Murakami might like my tween journals a bit more, as he’s penning an advice column (available in English translation!).

READ MORE…

Our 48hr Liveblogging Begins NOW!

We now have 48hrs left to raise $7,799 and hit our goal! Please keep your fingers crossed for it to happen. First up, let's hear from Mexico editor-at-large, Sophie Hughes.

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Sophie Hughes (editor-at-large, Mexico): The grim truth is that most auto-fiction written by contemporary writers who have grown up and live in Mexico is likely to disturb international readers who haven’t themselves experienced endemic violence at a local level. But Julián Herbert’s Tomb Song (a remembered and fictionalized account of his childhood spent drifting through Mexico with his prostitute mother), excerpted in our 2014 Latin American special feature, possesses a warmth, wicked sense of humour and acuity which rightly upends the reductive association of narcolit with purely harrowing-lit.

READ MORE…