Posts filed under 'International Translation Day'

Happy International Translation Day!

Join us in celebrating the ”great art” of translation today!

Dear reader,

Happy International Translation Day! As opposed to National Translation Month, this UNESCO-designated day—also the day of the feast of St. Jerome aka the patron saint of translators—recognizes the truly international nature of translation and as such holds a special place in our hearts. Here are just five suggestions for how to commemorate this day:

Read Herta Muller: “Translation requires an inner urgency that will make that which is different as close to the original as possible. Finding this eye-to-eye contact is extremely difficult. It is a great art.”

Get lost in our world map: Did you know? You can explore all the work that we have published in our ten years (hailing from 127 countries and 113 languages) through an interactive world map that also allows you to filter by genre.

Sign up for our Book Club: Subscribers receive a surprise title in the mail, join our community of translation fans, and get special access to Zoom Q&As with the author and/or translator of each book—all from as little as USD15 a month!

Discover the deformation zone: Says Editor Johannes Göransson: “In the deformation zone of poetry, the ‘original’ and the translation are involved in an atmospheric dance: their relationship is not the conventional one of original-versus-debased-copy but something more dynamic, something like forces and patterns that rewrite each other. The American Meteorological Society tells us that a deformation zone is ‘a region of the atmosphere where the stretching or shearing deformation is large.’ I would add that the deformation zone is where the most exciting writing and translating is taking place. To open up such zones, we need translations.”

Become a supporter of Asymptote: Unapologetically international, Asymptote does not receive ongoing funding from any organization, let alone qualify for emergency relief grants that our American counterparts receive. That’s why we are hoping that readers like you can keep us going. If you’ve personally benefitted from our work these past ten years, please take a few minutes to sign up in support of our mission today. We can’t wait to welcome you to the family!

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Sponsored Post: Join ALTA for a German-English Translation Slam on September 30!

Take a peek inside the translation process—and the fact that different translations can be equally valid!

This International Translation Day, come join the American Literary Translators Association (ALTA) for a lively, interactive event, where translators and non-translators alike get a peek inside the translation process—and the fact that different translations can be equally valid. 

Two translators, Didem Uca and Jon Cho-Polizzi, will arrive having independently completed an English translation of the same German poem by Keça Filankes. They’ll read their translations, and then describe their choices, as well as cultural and linguistic aspects of the original poem. Which parts of each version will you prefer? Are there other possible translations that you might suggest? During the reading and conversation moderated by David Gramling, you’ll be invited to offer your own suggestions in the chat, and the event will conclude with a live Q&A.

Thursday, September 30  ⧫  10-11am Pacific Time

Register here

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This free, virtual event kicks off the 44th annual ALTA conference, ALTA44: Inflection Points. To watch and take part in the Translation Slam, register at InEvent, our online conference platform, where you can select a “Free – Special Event Access” ticket to watch this event for free. Or, join us for the entire conference, which is taking place online on October 15-17 and in-person in Tucson, Arizona on November 11-13, by purchasing a paid ticket.

This event is a collaboration between ALTA and SAND journal and is sponsored by Wunderbar Together. It is part of the Arizona Translates! series and is affiliated with the Tucson Humanities Festival at the University of Arizona.

Celebrate International Translation Day with your favorite magazine!

Get ready to spread word of the wonderful work of translators—and win an Asymptote Book Club subscription!

Dear reader,

Happy International Translation Day!

As David Mitchell put it, “Translators are jugglers, diplomats, nuance-ticklers, magistrates, word-nerds, self-testing lie detectors, and poets. Translators rock.” At Asymptote, every day is a good time to celebrate not only translators but also the editors and publishers who help move ideas across languages and cultural borders—but we suppose one official day will do for now.

Even so, you can make it a big day by joining us on Facebook and Twitter as we revisit our best articles about translation from our archive. From the why

“Translating beauty is an act of counterterror in this murderous world” (Nancy Kline)

and the how

“It takes courage to venture into that empty space” (Frederika Randall)

to the whom

“The best ones are accidents of migration and biography, who’ve come through the trauma of bilingualism” (Michael Hofmann)

we hope to use this occasion to advocate for the wonderful but often maligned art that is translation. To encourage as many of you as possible to join us on Twitter and Facebook, we’re giving away a three-month Asymptote Book Club subscription to one lucky winner who shares one of our #ITD2020 posts, sent out every hour today on social media.

Goethe once remarked that the work of translation “is and will always be one of the weightiest and worthiest undertakings in the general concerns of the world.” In our close to ten years, we’ve given away $13,500 in prizes to emerging translators, and advocated for a more inclusive world literature by seeking out and publishing the best work from 120 countries and 100 languages in our massive quarterly issues. But there’s more we can do—with your support.

If you would like to help us champion the art of translation, please consider making a one-time gift to Asymptote or becoming a sustaining member from as little as $5 USD/month. For a limited time only, new donors and subscribers will receive the above print-ready digital poster designed by Thai-Taiwanese artist Michael Laungjessadakun commissioned especially for Asymptote—a perfect gift for all your translator friends.

Thank you for being a vital member of our community!

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Weekly Dispatches from the Frontlines of World Literature

This week's literary news from the Nordic countries, the UK and Israel.

The week is nearly over, which not only means it’s the weekend but also that it’s time for our literary catch-up! For this edition, Blog Editor Hanna Heiskanen shares updates on the upcoming awards season, among other news from Scandinavia. Editor-at-Large Julia Sherwood then reports on literary happenings from the UK. Rounding it all up is our correspondent for Israel, Alma Beck, currently residing in New Orleans, where she teaches philosophy for children.

Obligatory reminder: After you’ve caught up with all the news, head over to our just-launched Fall 2016 issue here!

First up, Blog Editor Hanna Heiskanen has the latest from the Nordic countries:

Lars Huldén, the Swedish-speaking Finn poet, has passed away at the age of 90. Born in Pietarsaari, Finland, Huldén was a much loved and highly regarded writer, scholar, translator, and recipient of the Swedish Academy Nordic Prize in 2000. He grew up among a tradition of oral storytelling in the local Swedish dialect and worked tirelessly throughout his adult life, publishing a large collection of poetry, prose, plays, and sonnets, among other works. He also produced Swedish translations of Finnish and English classics, such as the Finns’ national epic, Kalevala, and Shakespearean texts.

Finnish Literature Exchange (FILI) is accepting applications for grants until November 1. If you are a publisher, translator, author, or event organizer interested in working with Finnish literature, FILI has a handy guide on their site to guide you through the options. FILI, founded in 1977, hands out approximately 700,000€ worth of grants annually, in addition to hosting translator residencies and maintaining a database of translations of Finnish literature.

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What’s New With the Asymptote Team

We've been keeping busy!

Contributing Editor Anthony Shugaar has been shortlisted for the American Literary Translators Association (ALTA)’s Italian Prose in Translation Award 2016. The winner will be announced at ALTA’s annual conference in Oakland from October 6 to October 9.

Contributing Editor Ellen Elias-Bursac’s new co-translation of Noemi Jaffe’s novel from the Portuguese, What Are The Blind Men Dreaming?, was published on September 20 by Deep Vellum and featured in Words Without Borders’ watch list for the month.

Criticism Editor Ellen Jones spoke at the British Library’s annual International Translation Day event. She and fellow panellists Simon Coffey, Elin Jones, and Fiona Sampson responded to the question, ‘What does multilingual creativity mean for translators?’ and Ellen discussed her experiences editing Asymptote’s Special Features on Multilingual Writing in 2015 and 2016, as well as her own research.

Commissioning Editor J.S. Tennant was interviewed for The Guardian’s recent feature on Fiction in Translation, on the state of world literature and translated book sales in the UK.

Editor-at-Large for Slovakia Julia Sherwood’s new co-translation of Uršuľa Kovalyk’s novel The Equestrienne will be launched on October 6 at Waterstones Piccadilly in London.

Editor-at-Large for the UK Megan Bradshaw, who organized Asymptote’s International Translation Day celebration in London last week, will be chairing a conversation with the prolific Japanese author and translator Mitsuyo Kakuta on October 26 at the Japan Foundation in London.

Assistant Managing Editor Sam Carter’s new translation of the Spanish poet Benito del Pliego’s collection Fábula/Fable (bilingual edition, Díaz Grey Editores) launched at a McNally Jackson event in New York on September 16.

Finally, Chief Executive Assistant Theophilus Kwek’s essay on writing about history and difference in poetry was published by The Lonely Crowd on September 25. Some of his poems were published in the latest issues of The London Magazine and The North.

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Read More News:

Looking Ahead to International Translation Day in London, with Jonathan Ruppin

Brexit has brought our relationships with other nations to the forefront of public debate, so some readers might seek to broaden their horizons.

Ahead of Asymptote’s celebration of world literature in the UK on September 29th at Waterstones Piccadilly, the founder of the English PEN Translated Literature Book Club—and our event’s chairman—reflects on the last year of reading and publishing literature in translation. Get all of the event details, RSVP to attend, and invite your friends here

Megan Bradshaw (MB): The title of a recent article from The New Statesman asks, “Translated fiction is not a genre. Why do bookshops tell us it is?” Would you say that giving translated fiction its own category—and a separate Man Booker prize—is counterproductive?

Jonathan Ruppin (JR): I don’t think this is true: it’s almost never shelved separately. But it’s certainly worth pulling out in regular promotions, because this boosts visibility and sales, and there are many readers who are drawn to translated fiction for the broader horizons it offers. The new Booker Prize is doing a wonderful job highlighting the importance and relevance of the novel as a global art form, something that matters a great deal given the safe and parochial nature of what is usually promoted in reviews and in shops.

MB: Last March, the English PEN Translated Literature Book Club tackled Pushkin Press’s reissue of a short story collection by the Russian writer Teffi: Subtly Worded. Many native Russian speakers forewarn that her signature wit will get lost in translation. How did the Book Club receive her?

JR: The book was definitely one of the best-received selections in our first year or so of existence, although everyone seemed to prefer a slightly different selection of the stories. But, more than any other book, we were aware that her intricate use of wordplay had to mean that a lot was lost in translation. But she’s still an extremely rewarding writer to read in English.

MB: A survey commissioned by the Man Booker International Prize found that translated fiction is outselling its English-language counterparts. The same survey also noted that UK sales of Korean books has increased, from 88 copies in 2001, to 10,191 in 2015—many of those sales were for Han Kang’s The Vegetarian, from Portobello. Is the rise of Korean literature here to stay?

JR: That depends almost entirely on whether publishers commit to it. Independent publishers are forging ahead with titles from outside Western Europe, but the bigger companies still rarely do so. And any greater interest in Korean books will come with greater exposure for translated literature overall, or perhaps Asian literature.

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Asymptote Celebrates International Translation Day in London

On September 29, join Asymptote in London for a special celebration of world literature.

Book lovers wary of what Brexit will mean for the arts and culture in the United Kingdom can take some small comfort: British readers are going international.

This year, a survey commissioned by the Man Booker International Prize found that literary fiction in translation is outselling its English-language counterparts. Right now, translation seems more important than ever—suddenly, it seems, world literature has taken root in this island nation, where fiction sales are stagnating overall. How did this happen? Is the movement permanent? Mindful of this year’s celebration of Women in Translation Month (#WITMonth), the release of the first Kurdish novel translated into English, and the globalization of Korean literature, how are publishers continuing to surface underrepresented voices?

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