Posts filed under 'India Special Feature'

Spotlight on Indian Languages: Part II

Do not sing sad songs, O wind

This is the second installment in a five-week spotlight on Indian languages, to complement the Indian Poetry Special Feature in the new Winter Issue of Asymptote. For the next few Thursdays, you can discover a spectrum of new voices translated from different regional languages. These writers, in many cases, have never been featured on the blog or in English before. This week’s poem is Kshetri Prem’s translation of Arambam O Memchoubi’s Manipuri text “O wind, do not sing sad songs”. 

 

O wind, do not sing sad songs

O wind, do not sing sad songs
Look at the falling leaves
One after another, scattered
On a distant
Straw-strewn Jhum field
Look at the deserted pigeon
Sitting alone, sitting in agony
On a branch of a leafless oak tree
Don’t you hear
The plaintive song
Of a lifeless ravine
And, the reddened morning sun
From a night spent in tears.
Do not sing sad songs, O wind,
Do not tell sad stories any more
Tell me instead
How you spent the dreadful night
How you resurrect yourself on your grave again.

From Tuiphai O Ningthibi, (2012)

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Spotlight on Indian Languages: Part I

The entire city was a river—impossible to find a shore.

We’re thrilled to present the first installment in a five-week spotlight on Indian languages, to compliment the Indian Poetry Special Feature in the new Winter Issue of Asymptote. For the next few Thursdays, you can discover a spectrum of new voices translated from different regional languages, which, in many cases, have never been featured on the blog or in English before. To kick things off, we have Niyati Bhat’s translation of Naseem Shafaie’s Kashmiri poem, “Tale of a City,” for you today. 

Tale of a City

Those who lived by the river Vyeth, now naked,
are drowning in their shame today.
They, who wrapped themselves in Shahtoosh and Pashmina
and wore silk brocades from head to toe everyday.
A delicate thread of that vanity
slowly came apart.
The skies, too, loosened the reins, a little.
King Nimrod would’ve fled
at the sight of this spectacle.
It took one moment, just one
to wipe out the entire city.
Those who lived by the river Vyeth, now naked,
were stupefied.
No pillar, no mud wall to hold on to,
No one lending their arms across the window sill for rescue,
No one at the doorway to quench their thirst.
They were flooded over their heads,
The entire city was a river—
impossible to find a shore.
They, with empty hands and empty pockets,
had no coins to pay the ferryman
to take them across.
Nor any murmurs to console each other.
Those who lived by the river Vyeth, now naked,
used to be rich until yesterday.
Those who lived by the river Vyeth, now naked,
lived in palaces until yesterday.

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