Posts filed under 'hospital'

Translation Tuesday: “She-wolf” by Dieuwke van Turenhout

Only later, outside the city, when the meadows are staring at her, does she say, ‘Manouk is probably not going to make it.’

This Translation Tuesday, the spotlight is on an unflinching portrayal of bereavement from Dutch author Dieuwke van Turenhout, brought into the English by the award-winning translator Michele Hutchison.

Nicole’s young daughter is in hospital, hooked to machines that keep her alive. The prognosis is that she will soon die. Nicole is overwhelmed with a vicious grief, but a hospital is no place to voice the waves of anguish, panic and rage that churn and tear inside her. The blank pretence and sterile platitudes she must adopt serve only to heighten her desolation. But at her very lowest, a moment of connection with a fellow parent shows the beginning of a path forward. By cutting through suffocating politesse, she is able, finally, to confront the impending death of her child.

She passes the smokers, her fists clenched. Every afternoon, she makes her way through their fumes, dizzy from the hospital air and her faltering breath. Beyond the smokers, she sniffs disdainfully in disgust and then fills her lungs. She doesn’t give a damn that sometimes, walking with her eyes closed, she almost knocks over one of them. She doesn’t want to see them either, this good-natured puffing herd, choosing to smoke themselves to death, to wilfully destroy their organs.

Today had been a good day, as in ‘not so bad’—the nurse’s voice had sounded cheerful. And even though it could have just been the nurse’s mood, she dialled Hugo’s number right away in the stairwell.

As she says hello to Hugo, she looks up. She finds herself amid a group of people waiting around. The boy in the wheelchair is on his own. His blanket has slipped from his torso, he moves a hand slowly over the folded edge. She scans the smokers, no sign of the man with the drooping shoulders, the one she presumes is his father. Although she doesn’t want to, she makes eye contact with the boy. Now she knows he has no eyelashes or brows. Blue worms run across the boy’s hands, pointing to his skinny fingers.

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Translation Tuesday: from “And Death Shall Have No Dominion / Killing ‘The Mother’”

To More Deaths, more glasses raised in secret toasts.

This Translation Tuesday, we bring you an excerpt from Victoria Guerrero Peirano’s experimental novel Y la muerte no tendrá dominio, translated into English for the first time by Honora Spicer. In surreal and brutal fragments, Guerrero recounts the death of her mother in a state hospital, the two women alienated from each other not only by the physical process of death itself, but by the mediating force of medical bureaucracy. Elsewhere, Guerrero is pursued by thoughts of her pet rabbit, whose “half-dead brood” have similarly consumed her, the process of grief expanding even to overwhelm nonhuman life. Yet even at its most grim, Guerrero remains clinically attentive to the social and political forces that determine embodied experience, her oscillation between passion and restraint serving to heighten the eeriness of her prose. Read on!

7

Ever since she was admitted to the Emergency Room, I kept a sort of diary. I kept note of everything the attendants baldly said. Under duress, they barely opened their mouths to say, “I’m not the one in charge.”

From that day on, death buckles and becomes something nasty, dramatic, dreadful, defining. I thought about that whole troop in white, green, or plum scrubs who disconnected patients by night, failing to give medications on time, falling asleep or going to drink. About those messengers of mortal death who instead of preparing a smooth way, impose the stoniest. They made it all the more difficult: an emotional test, a test of lucidity and endurance.

To More Deaths, more glasses raised in secret toasts.

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Translation Tuesday: “The Results” by Bernard Comment

"Jealousy is always a weakness, an uncertainty, a lack of confidence, every other person is a competitor, a threat."

On a check-up at a health clinic, a father and husband’s interactions with doctors are punctuated by reminiscences of love and lust for his wife. Gradually, we learn of a chilling act of violence, which leads the protagonist to a twisted reckoning with his mental and physical condition. 

It’s cold. A cold that bores into you, that hasn’t let up for days, despite the big woollen jumper I never take off, even at night. Carlo tells me I should take it off for sleeping, and wrap myself up well in the blankets, so that when I get up I would add a garment to make up for the change in temperature, but one evening I tried this and my teeth chattered all night. The other men I see at lunchtime don’t seem to suffer, there’s even a guy who always walks around in a T-shirt, but admittedly he’s a burly fellow, well-padded against the cold.

The doctor made ​me go back to him this morning, after fasting, he wanted to do further tests, two whole syringes filled with blood, I asked to lie down because I’m always afraid of turning to look, and it’s much worse if you get to see it. The nurse smiled, although I couldn’t tell if it was from pity, sympathy, or scorn. She had difficulty finding the veins, it’s always the same, I begin to tense up, to sweat at the temples, I become dizzy and pale; when I was a teenager I passed out each time, and once I fell backwards and hit my head on a sink, was sent straight to hospital for a battery of tests, a lumbar puncture, and an idiot teacher spread it around that I’d taken an overdose, me who’s never touched the tiniest amount of an illegal substance, for fear of my reaction, and my scrupulous respect for the law.

When I had the first tests, eight months ago, the lady in the laboratory was very considerate, settling me into an armchair and telling me to look away, and to think of something pleasant; so I thought about the film I’d watched the night before, with Julie, her warm body, her breasts in my hands, her smell after making love. Then it was finished, and already I had a piece of cotton wool and then a sticking-plaster on top, whereas here everything is rougher, more brutal. I’ve been waiting for twenty minutes, standing in front of the grey door. They came to get me around six o’clock. Immediate appointment. Everything moved fast, then the iron door in the corridor clanged shut behind me, with a heavy ringing sound, and since then, nothing. The doctor must be on the telephone, I hear his voice at times, a powerful, raucous voice, but I don’t understand what he’s saying, the rooms are well insulated. I’d love to smoke a cigarette, it’s what I’ve been brooding about for a full five minutes, it’d do me good, would relax me, smoking a cigarette.

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