Posts filed under 'Hong Kong poetry'

Liberatory Neutrality: On For now I am sitting here growing transparent by Yau Ching

In Yau’s poetry, even the body and voice are contested territory, as is language and its intersection with culture. . .

for now I am sitting here growing transparent by Yau Ching, translated from the Chinese by Chenxin Jiang, Zephyr Press, 2025

In the poems of Yau Ching’s For now I am sitting here growing transparent, there is a longing, on the part of the poet, to engage with literature for its own sake. She declares that: “I’ve always liked the idea of reading in bed, a life spent / falling asleep reading waking up / and reading more . . . / I only ever write on assignment / my life is ten cents per word no pay no words.” Exemplifying how Yau uses softness and vulnerability in the stead of impassioned critique, readers are likely to find themselves entranced by these poems, their fiercely gentle existence outside of social hierarchy. The resulting text is both relatable and transformative.

Translated from Chinese and published by Zephyr Press, For now I am sitting here growing transparent is Yau’s fifteenth book, and her first to be translated into English. Gathering work from Yau’s other collections, this text is a kind of mid-career retrospective, making Yau’s work accessible to English-speaking audiences while also curating the most resonant and crafted poems from her corpus. These poems have been gathered and treated with great care by translator Chenxin Jiang, whose introduction foregrounds the reader in both the social and political context of Yau’s subtle poems, as well as their linguistic deftness and adventurousness, showcasing the enduring relationship between these two creatives. Admitting that Yau’s poetry provides a challenge due to its “wordplay and playfulness with form,” Jiang nevertheless comes up with solutions that match the idiosyncrasy of the originals. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Hong Kong, India, and Kenya!

This week, our Editors-at-Large report on documentaries about poetry, award-winning short stories, and exciting translation fellowships. From novels shortlisted for big prizes to upcoming movie screenings, read on to find out more!

Charlie Ng, Editor-at-Large, reporting from Hong Kong

Taiwan’s 60th annual Golden Horse Awards will be held on November 25 and Hong Kong film director Ann Hui’s most recent documentary Elegies is nominated for the Best Documentary Feature. Elegies was already selected as the opening film for the Hong Kong International Film Festival earlier this year, which was a rare occasion as poetry—the subject of the documentary—used to be a niche literary interest in the city. The first part of Elegies presents a sketching of contemporary Hong Kong poetry through interviews of Hong Kong poets and archival materials of Xi Xi and Leung Ping-kwan. The second and third part of the documentary are dedicated to two Hong Kong poets, Huang Canran and Liu Wai-tong, respectively, who both have deep cultural roots with Hong Kong but choose to live elsewhere. Hui studied literature at university, and poetry had long been a subject matter that the director wished to explore through the medium of the moving picture. The film is her way of paying homage to local poetry and the city, as well as an elegy for a bygone era.

To celebrate the nomination and achievement of Elegies, M+ Museum has organised a few screening sessions of the documentary in November. The November 18 screening includes a post-screening dialogue with the director and the featured poets, moderated by M+ film curator Li Cheuk-to. Ann Hui will discuss her ideas about poetry and the implications of poetry for her film productions. The three artists will engage in conversations on the essence of poetry, as well as their own stories of poetry writing. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Literary news from India, Hong Kong, and Sweden!

In India, the country mourns the loss of Kerala’s groundbreaking tribal novelist. In Hong Kong, a genre-bending poet is being celebrated across the nation. And in Sweden, two talented writers have won the prestigious Klas de Vylder’s Grant Fund for Immigrant Writers. Read on to find out more!

Suhasini Patni, Editor-at-Large, reporting from India

On August 16, India’s first tribal novelist Narayan passed away in Kochi. Born in the Mala Araya tribe in Kerala, Narayan gained nationwide recognition for his book Kocharethi (1998), which won the Kerala Sahitya Akademi award. The book was a way to counter the misrepresentations of his community from outsiders, and Narayan struggled for ten years to find a publisher willing to release it; despite critical acclaim, many complained his work lacked literary merit. Translator Catherine Thankamma, who translated the text into English—winning the Crossword Book Award for it—wrote a tribute to him for Scroll.in. Her tribute honors the struggles and biases he faced in the literary world.

August has seen many new releases in translation. A significant one is Satya Vyas’s Banaras Talkies, translated from Hindi by Himadri Agarwal. A campus novel, the book is centered around three law students from Banaras Hindu University. The translation was facilitated by Ashoka Centre for Translation from Ashoka University, where Agarwal graduated from. According to Mohini Gupta’s review, “The Hindi novel seamlessly accesses Bhojpuri and English words and phrases and the translation captures these linguistic variations beautifully.”

Many translators in India are also turning to writing fiction. Aruna Chakravarti, winner of the Sahitya Akademi award for her translation of Sarat Chandra’s Srikanta, is known for her dedication to Bengali literature. Her first translation, Tagore: Songs Rendered into English, came out in 1984, and her critically acclaimed novels explore the lives of women in the household of Rabindranath Tagore. Her latest book, The Mendicant Prince, explores the Bhawal case—an extended court case from 1920-46 about a man claiming to be the prince of Bhawal. An excerpt of the book can be read here. READ MORE…