Posts filed under 'grammar'

Translation Tuesday: “I Wonder Whether” by Anita Harag

I don’t know whether I’m in love. I do know where these words must appear in a sentence.

For this week’s Translation Tuesday, we bring you a captivating short piece by Anita Harag, translated from the Hungarian by Walter Burgess and Marietta Morry. Although our narrator is immersed in the bliss of romance, she finds herself relentlessly questioning the foundation of her happiness. Does her partner truly love her, though he appears to be drawn to other women? Does she genuinely love him in return? More fundamentally, how can she even be certain of her own feelings? Her efforts to impose a logical structure on the messy, unpredictable nature of love disrupt the lushly intimate moments she shares with her lover. With its playful linguistic twists and staccato rhythms, “I Wonder Whether” masterfully captures the sensation of being both within and without, suffused with pleasure and unease.

His hands are warm, my thighs cold; I’m chilly. It’s autumn, the AC is on. The cinema is full, I’m sitting on the aisle; the cool air is blowing on me. He asks me whether we should switch seats. I like to sit on the aisle; I don’t want to switch. I would like his palm to be bigger, to warm a bigger area of my cold thighs. I like it when he doesn’t only touch my thigh, but my shoulder and my behind, too. When he takes my hand on the street, in a store or on the bus. He takes my hand anywhere and at any time. Mine is cold; he warms it. His is always warm, mine always cold. At the bus stop he breathes on my neck, so that I won’t be cold. Women stare at him. When I look at them; they turn their eyes away.  

There are handsome men. This sentence is declarative. “Handsome” is the adjective attached to men. Not to all men, that would be “men are handsome”. Not all men are handsome; for me only the ones with prominent noses and muscular calves. In this I differ from my girlfriend, who likes men with strong arms and blue eyes. Those are also handsome; yet I don’t like them. I should say: I like some men, and some I don’t. The ones I don’t like, my girlfriend might. It’s also possible that we both like the same man, with blue eyes and muscular calves; that’s a problem.  Fortunately, my girlfriend doesn’t like men with prominent noses. They repel her; I think the reason for this is to make sure we won’t end up liking the same man, even by accident. Sometimes, I find a man with blue eyes and strong arms attractive. That makes me feel bad, and I try to find fault with him. Some of them can look at me with those blue eyes and make me forget to speak. Him, too, he hasn’t got a prominent nose nor muscular calves, yet I like him. He likes women with brown hair and brown eyes, like me. He also likes women with green or blue eyes, with large or small breasts. He finds something pretty in each of them. I can see myself falling in love with several women at the same time, he says. This is a declarative sentence. It doesn’t contain “perhaps” nor “maybe”, nor anything conditional. “Perhaps” and “maybe” are modifiers expressing uncertainty and possibility. Perhaps I could fall in love with several women, at the same time.  

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Weekly News Roundup, 10th October 2014: The Nobel Prize, Pick-and-Choose Grammar

This week's literary highlights from across the world

First things first: here at the Roundup, we’ve been speculating about the Nobel Prize in literature for weeks—at one point or another, we had pitted Japanese surrealist Haruki Murakami and Kenyan author Ngũgĩ wa Thiong’o as the two heaviest hitters—but the 2014 Nobel Prize is an upset (isn’t it always?), going to French writer Patrick Modiano. The committee cited Modiano’s “art of memory with which he has evoked the most ungraspable human destinies and uncovered the life-world of the occupation.”

Not even in the discussion this year was American standby Philip Roth, who seems to have resigned himself to perennial snubbing: “I wonder if I had called ‘Portnoy’s Complaint’ ‘The Orgasm Under Rapacious Capitalism,’ I would thereby have earned the favor of the Swedish Academy.” Hah. This sort of snub comes as no surprise, as a famous Nobel judge claims that Western literature is being laid to waste by the big business of creative writing courses and the general tendency toward “professionalization” in literature. 

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