Posts filed under 'Familial themes'

Manaschi, A Modernist Novel Inspired by Central Asia’s Oldest Epic, the Manas

Manaschi is a powerful book that lies at the nexus between the individual and the culture they are born into.

Manaschi by Hamid Ismailov, translated from the Uzbek by Donald Rayfield, Tilted Axis, 2021

Despite being home to incredibly rich and ancient traditions of both spoken and written word, little of Central Asian literatures is known to English-language readers. Such is what is being spectacularly rectified in Hamid Ismailov’s latest novel to appear in English—Manaschi. The text, artfully translated from Uzbek to English by the meticulous Donald Rayfield, is an ode to the deeply rooted tradition of storytelling that crosses boundaries of ethnicity, gender, age, and time, taking truly epic proportions in Ismailov’s riveting prose.

A manaschi, in Kyrgyz tradition, is the person—usually a man, young or old—who performs the recitation of the epic poetry Manas, a body of narratives that contains up to 900,000 verses, and transmitted only orally before given a written form in the late nineteenth century. Reciting the Manas is an act of shamanism; it involves phenomenal memory, years of training, musical talent, and inspiration kin to a trance state. For some, the act even enables in the performer the ability to interpret dreams or foretell the future. Learning and performing the Manas embodies a lifetime’s dedication to one of the longest oral texts known to humanity, and the sacred practice prevails to this day, as new generations—now including women—continue to be trained.

The story takes place on the contemporary Kyrgyz-Tajik border in Chekbel, a mountainous village inhabited by mixed populations of nomadic Kyrgyz and sedentary Tajiks. Bekesh, the main character, is a radio journalist who lives in an urban part of Kyrgyzstan. Upon receiving the news that his uncle Baisal—a reputed manaschi—has died, he returns to his ancestral village to attend the funeral. This visit, initially conceived as a temporary break from his modern routine, turns into a life-changing experience, opening formidable questions regarding his familial and cultural duties, his unequivocal choices on identity, and his moral responsibilities to his call as a manaschi.

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My 2019: Barbara Halla

Much is made of relatability in fiction, but it’s not something that I really think about.

As December winds to a close, we at Asymptote are once again reflecting and reminiscing on a year spent with books, those that have spoken to us, accompanied us, and in their own discreet way, carved their paths in the tracks of time alongside us. So today, in lieu of our weekly roundup, we return to our annual series with the following recap of Assistant Editor Barbara Halla’s literary year, filled with character-driven titles that range from the intimate to the epic. 

I had this strange impulse, as I sat down to write my “Year in Reading”, to scrap my outline and do something different: write not about the books that have stayed with me because of how good they were, but focus instead on the books I did not like. A “year in books that made me wish I didn’t know how to read” meditation, so to speak. And that would certainly be fun. Unsurprisingly, I seem to have a lot more to say about the books that made me miserable than the ones I loved, but I fought the impulse. What good would that do, just more misery (and free publicity) to spread in the world. So, back to my outline, and the more traditional rundown of some of the books that meant a lot to me this year.

I am going to start in reverse-chronological order. Much is made of relatability in fiction, but it’s not something that I really think about, unless someone tells me that a specific book is supposed to be particularly relatable to someone of my age/gender/nationality, in which case my brain takes this as a challenge to actively dislike it. While reviewers certainly mentioned its style (Joycean!) and its girth (a brick!), I don’t remember anyone specifically telling me that I should read Ducks, Newburyport because I would find myself in its pages. Lucy Ellmann’s opus, where an American housewife from Ohio spends her day making pies and thinking about everything from the challenges of motherhood to the climate crisis, is certainly a book of our time. But I didn’t expect that my overwhelming reaction to it would be a sense of “if someone could scan my brain this is exactly what I’d imagine it to look like!” As for relatable, this is the only book I have read in my life that shows some pity for tortoise-owners like me, and the fact that our care and attention are treated with complete indifference by the subject of our affection. There is a lesson in there somewhere about love and letting go. READ MORE…

Spotlight on Indian Languages: Part V

trying to befriend the strange / waiting for time to pass / to get ourselves to come to terms with it

In our penultimate iteration of this special feature on Indian poetry, we bring you the beautifully spare yet charged verse of Gurpreet, from the northern-most region of India, translated from the Punjabi by Monika Kumar. 

The sold out house and that sparrow

In our sold out house
we are here for the last quarter of our stay

Why was this house sold
how come it was sold
it has to be explained to everyone

My wife, sister and younger brother
were packing things
and that’s how my mother is rather packing us all including herself
in a fist of courage

Father is getting the things loaded
affectionately
arranging things in a row
attentively
stretching his wisdom
to rise up to the need of the moment
that’s how he saves our heart
that’s how he saves his own heart
from the heartbreak

I give up on the clichéd reasoning
and mother’s wet eyes
father’s rambling heart
wife’s false smile
the flabbergasted face of my son
I try to console everyone including myself
no idea where I muster courage from

Bidding farewell to the sold out house
I discovered
the places, walls, doors and windows breathe too
I was reminded of the sparrow
the sparrow I wove many stories around
to narrate to my son Sukhan

It is the first time
we are living in a rented house
trying to befriend the strange
waiting for time to pass
to get ourselves to come to terms with it

Parents think of taking a dip in holy waters
to pray for clemency
I bow my head before the doorstep of Muse

And there is chirping
the sparrow
The same sparrow

Listen to the poem in Punjabi:  The_sold_out_house_and_that_sparrow

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