Posts filed under 'deception'

Announcing our April Book Club Selection: Anomaly by Andrej Nikolaidis

Nikolaidis’ very literal rendition of the Book of Revelation is unflinching, darkly humorous, and relentless in its pursuit. . .

In Andrej Nikolaidis’ Anomaly, no one is safe. Not only is the world ending, but everything is being unearthed up along with it—every confidence, every disgrace, every deception. With his signature blend of rapturous imagery and indomitable intellect, Nikolaidis forces humanity to face its horrors while still allowing us some potential for redemption, a characteristically penetrating move for an author who is also an outspoken activist against war and corruption. Just last month, Nikolaidis faced intimidation and public harassment for his bold political work in Montenegro, underlining the necessity and urgency of his dissent. We are proud to announce this exemplary title as our Book Club title for the month. It’s a hell of a ride, literally.

The Asymptote Book Club aspires to bring the best in translated fiction every month to readers around the world. You can sign up to receive next month’s selection on our website for as little as USD20 per book; once you’re a member, join our Facebook group for exclusive book club discussions and receive invitations to our members-only Zoom interviews with the author or the translator of each title. 

Anomaly by Andrej Nikolaidis, translated from the Montenegrin by Will Firth, Peirene Press, 2024

I am an Apocalyptist. I believe that Good will win out in the end, and when it does, the world as we know it will be abolished—it will no longer exist. So, once that world is gone, Good will prevail. If the concept of the Apocalypse isn’t the ultimate irony, I don’t know what is.

—Andrej Nikolaidis

Andrej Nikolaidis’ Anomaly, published in Will Firth’s translation, begins with a verdict: “The human race owes its history, as well as its future, to the fact that we’ve always been able to turn our backsides to the graves of those we maltreated, and then seek absolution.” Though this has been the case for millennia, the novel insists that human censorship will not be able to preserve its euphemized retellings for much longer. After a freak incident involving “a machine that would give each of us . . . all of the possible scenarios and outcomes of our lives”, past and present begin to merge: a mammoth falls and crushes a man brooding on a quay in Chile; a cruise ship collides with three women contemplating shop windows on Ferhadija Street; a man haunted by an incestuous affair is killed by a cannonball fired in 1805 by Napoleon’s fleet, while praying in the Kotor Cathedral. The truth of never-ending human cruelty—“one drop” of which is “enough to destroy the world”—finally refuses the revisionism afforded to us by the present, and becomes unignorable by physically unfolding everywhere, all at once. Nikolaidis’ very literal rendition of the Book of Revelation is unflinching, darkly humorous, and relentless in its pursuit of the uncomfortable details we tend to suppress.

In 1992, Nikolaidis and his parents fled to Montenegro from his native Sarajevo to escape the mounting ethnic strife that would soon erupt into the Bosnian War; the author, then, is no stranger to the tumultuous experiences at the core of Anomaly. Decidedly anti-war and anti-nationalist, Nikolaidis is also fearless in voicing his views. When his 2006 novel, Sin, was awarded the 2011 European Union Prize of Literature, the announcement detailed how his public defense of “victims of police torture. . . resulted in his receiving many threats, including a death threat during a live radio appearance”. His insistence on “freedom of speech [as] the basis of freedom” is obvious in his literary and journalistic work—and the way he implements this freedom is equally noteworthy. READ MORE…

Translation Tuesday: [Not the truth] by Riccardo Benzina

I never told you. / Now I let the trap speak / for me.

For Translation Tuesday, Italian poet Riccardo Benzina shows us the psychic toll of lies upon the liar in this haggard confessional. His lines, slowed nearly to a slurring by ragged breaks and repetitions, and translated with care by Marco Malena, evoke the sort of exhaustion that only prolonged deception can cause. “Worn out is the idea,” indeed.

Not the truth. That’s why I’m telling you
I’d like to rest.
Worn out is the idea.

Yes I’d like to, I’d like to
if I can because
later on the doldrums will turn into a giant strut, almost
an entire world and I will be
entirely taken, you will be
entirely taken, we will be taken.

I’d like to rest my self as well, my self
you leave in the closet every time
burning a merciless cross
on the wall of your chest. The distance
unsewn, a desperate kiss on the windows.

I never told you.

Now I let the trap speak
for me. You’ll see
that I’ve read and not replied, that you don’t receive, you haven’t
received anything. READ MORE…

Translation Tuesday: “Glass Apples” by Lidmila Kábrtová

So I leaned against him, resting my head on his chest, and looked up. But the sky was like burnt porridge.

A game of magical thinking leads to a teen’s traumatic coming-of-age in Lidmila Kábrtová’s short story “Glass Apples,” this week’s Translation Tuesday selection. Decay and growth surround our speaker as she pursues a crush, though her excitement and anticipation betray her as she discovers a sinister and predatory side to young love. Of note is the speaker’s voice, initially full of hyperbole and youthful naiveté. A first-person narrative of meandering thoughts segues into a moment of subtle disembodiment (CW: sexual assault) as the speaker refers to “the body” instead of “my body,” and all the while rotting “forbidden” fruit provides a literal background to our protagonist’s fear and disillusionment.

It’s pitch black. Even though I’m being very careful, I can still feel myself standing on apples. There are so many that it’s impossible to avoid them, so I don’t. They crunch underfoot, turning into a sticky, sour-smelling mush. They are summer apples, but Gran, who I’m staying with over the summer holidays, calls them glass apples because they have such fine white skins that they almost look like they’re made of glass. They bruise easily—in fact, all you have to do is handle them a bit roughly and almost at once horrid marks appear on their soft apple skin and quickly turn brown. These apples don’t even taste very nice: at first they’re hard, bitter and tart, and then almost instantly they become floury and not nearly as sweet as, say Holovousy or reinettes, so they’re no good for anything except strudel. Gran bakes strudel with them regularly, twice a week. Even with the bashed and rotten ones. Which is just about all of them. The two of us always have a lot of coring to do. Gran even knows how to core the really, really bad ones. But not even Gran could make anything out of these ones.

My skin is really delicate too. Like glass. Gran says it’s like those apples. She says it all the time. I liked her saying it to me when I was ten, but now that I’m sixteen it’s really annoying. It’s also annoying how she’s always checking up on where I’m going, who with, and what time I’ll be back. I’m sixteen and I don’t want my Gran on my back all the time!

Last year I could still talk to her about a lot of things. But now I don’t want to talk to her about anything. Not about apples and certainly not about Štěpán. Definitely not him. Or anything to do with tonight. I just want to get home quietly so Gran doesn’t hear me. I’ll have to wash my shoes too, as they’ll be filthy from all of the apple mush.

I know I promised Gran I wouldn’t go to the dance. And then I climbed out my bedroom window. It’s on the ground floor, so you don’t have to jump from very high up. I’ve never tricked Gran before—well, at least never this much. But I just had to. Going out was a matter of life and death. Gran wouldn’t have understood. She would have said: Tereza, there’ll be other dances. In a year or two when you’re older and more responsible . . .

But how could Gran know what it was like not to see Štěpán, when it was obvious he’d be at the party? How could I lie under the duvet and try to close my eyes when all I could see going round my head were all the girls around him squealing, just so he’d notice them?

I didn’t have to squeal. He whistled over to me this afternoon when I was in the garden: “Are you coming, Tereza? It’s just a stupid dance, but better than nothing . . .” And he had his head tilted to one side in a really cute way and was kicking a stone on the ground.

Štěpán, the best-looking boy in the village. All of the girls were after him. Of course I was aware of him too, but the past two years he had acted as if I meant less than nothing to him. As if he didn’t register me. As if I didn’t exist.

“Yeah, I’ll come.”

“See you at nine then,” he said and disappeared. READ MORE…