Posts filed under 'darkness'

Translation Tuesday: Two Poems by Hagiwara Sakutaro

A wretched thieving dog / is howling at the decaying wharf’s moon.

This Translation Tuesday, we deliver distinctive poetry from Hagiwara Sakutaro. In simple, colloquial free verse, sensitively preserved by translator John Newton Webb, Death of a frog and Sad moonlight capture the ominous tonality and unsettling imagery that pervade this singular writer’s repertoire. Tread forward for an introduction to Sakutaro’s dark world then turn back for an insightful special feature from the Spring 2014 issue.

Death of a frog

A frog was killed,
the children circled round and raised their hands,
all of them together,
they raised their adorable,
blood-caked hands,
the moon came out;
a person is standing on the top of a hill.
Under his hat, a face. READ MORE…

Translation Tuesday: “Another Biography of the Lunar Phases” by Amarji

from my creaking nocturnal crib / i saw the white and luminous beak of the kite / lacerate the pink skin of dawn

In this week’s Translation Tuesday, Syrian poet Amarji chronicles the cycle of the moon with visceral surreality in “Another Biography of the Lunar Phases.” Through the imagery of growth and decay, our speaker takes us through nine phases, each new phase unleashing a barrage of dreamlike (or perhaps nightmarish) scenes. We begin with the “nourishment” of a milk that stains the world, and we return to this bodily metaphor as it tarnishes the speaker’s very being. There are shades of Celan’s sublime and terrifying beauty; here the ‘black milk’ is persistent, its repetition adding a dizzying mantra-like meditation on death and the consumability of the body.

1. New Moon

black milk drizzles on the windows. it trickles on the northern forest. first on the sharp needles of the cedar and those blunt on the fir, and then on the other lesser kinds. black milk trickles on all of the families and all of the species. [nothing vanishes in front of the vanished white eye of the exposed black milk] as you see, as you don’t, the black milk makes everything tremble. one drop makes a blue roller tremble. one drop makes a cotoneaster tremble. one drop makes a squirrel tremble. one drop makes a blue rock thrush tremble. one drop makes a blue tit tremble. one drop makes an ash leaf tremble. one drop makes a maple leaf tremble. one drop makes a checker leaf tremble. one drop makes a thread of lichen tremble.
a black, black, black milk.
on the barbary nut iris: black milk. on the prostrate cherry tree: black milk. on the peony
flowers: black milk.
black milk that spreads and coagulates on everything.
black milk that coagulates on the bones of a dead lynx. black milk that coagulates on the skin
of a dying roebuck.
black milk on the corners of my mouth, on my Adam’s apple, and on my chest.
black milk that spills on all of the world, on all of my body:
as i, with my mouth, i pull towards the window and i suck
the black nipple of the night. READ MORE…

Translation Tuesday: Two Poems by Du Ya

He recalls darkness: changes in earth over hundreds of millions of years / It astounds him: black, plummeting, set in motion eons ago

This week’s Translation Tuesday features two labour-centric poems by Du Ya. “The Coal Miner” could be construed as a multivalent metaphor aligning the work of a coal miner with an unbearable lack of clarity regarding one’s position in the world. On another register, however, “The Coal Miner” shows how one’s occupation and environment can be written on and in the body, as well as the mind. “Copper” looks at the quality of the sub-strata itself. It is an homage to the hidden beauties and forms that underpin all that happens upon a surface. Copper’s stability, its cycles, and their accumulations might be related to translation itself, a conceptual attitude that recalls the archaeological cultural exercises of Walter Benjamin and the re-working of source materials to gain new insight or expression. Time can be read in the changes in striation and the different iterations of copper, constantly moving beneath the surface and in the hands of artisans, as a poem or thought too changes—and stays the same—as it moves.

The Coal Miner

He means to tell people about the light
but each part of his body revolts
disobeys the center, speaks only of darkness

Having gnawed so long on that mighty seam, he has no idea
that his lungs, liver, and intestines are now made of coal
The textbooks teach this: “change in quantity leads to change in quality”

His body is such a fitting exhibit, it needs no explanation
It wears pitch black shadowless silk
like a government official donning a tailored uniform

Yet he still speaks of light—and for light
he daily lowers himself underground (and time flows unchanging)
Not even the nightfish has seen such darkness

Sometimes, in the subterranean depths, he is frightened
He recalls darkness: changes in earth over hundreds of millions of years
It astounds him: black, plummeting, set in motion eons ago

READ MORE…