Posts filed under 'Cha'

Weekly Dispatches From the Frontlines of World Literature

The latest in letters from Hong Kong, Palestine, and Kenya.

This week, our editors are reporting on the intersection between literature and social movements. In Hong Kong, writers reflect on the June 4 protests at Tiananmen Square, in light of  the continual tensions between China and the island. In Palestine, a new podcast features writers orienting their own work within the \ body of Palestinian literature. And in Kenya, the country mourns the loss of revolutionary playwright Micere Mugo. 

Charlie Ng, Editor-at-Large, reporting from Hong Kong

Since the National Security Law in Hong Kong came into effect in June 2020, the annual candlelight vigil for commemorating the June Fourth Tiananmen Square protests have not been organized for four years; the event’s host, the Hong Kong Alliance in Support of Patriotic Democratic Movements of China, was also dissolved in September 2021. Additionally, the event’s traditional venue, the Victoria Park in Causeway Bay, was under renovation and not available to be booked this year.

Although public commemoration was forbidden, remembrance could still be possible through writing; Cha: An Asian Literary Journal called for short submissions of reflections written about June 4, 2023—which could be directly, indirectly, or even not related to the event. The project, “Just Another Day”, also welcomed written works accompanied with photos or artwork. Fifty-four submissions were published on Cha’s blog, presenting a wide range of reflections from local and overseas writers. Translator Lucas Klein contemplates on the protest culture in Hong Kong and what he witnessed outside of the Victoria Park in his post, while Hong Kong poet Jennifer Wong contributed a prose poem on the importance of memory. Asymptote’s assistant editor of fiction Michelle Suen interweaves childhood nostalgia and postcolonial politics in her reflection, and I also tell a brief story of my personal experience of June Fourth over the years. Varied as they are, the texts testify to the unstoppable impact of the historical event, in both people’s mind and reality.

Meanwhile, as issue 72 of local bilingual poetry magazine, Voice & Verse, was just published, the magazine is organizing a reading session in collaboration with Cha, a crossover that echoes the issue’s English section theme: “Crossings”. The reading session will take place on July 12, hosted by Tammy Ho and Matthew Cheng. Local and international contributors to both journals have been invited to read their works. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Xi Xi, Bianca Bellová, and Osamu Dazai. Have we got your attention? Read on.

The days are opening wide this season, like the pages of a new book: for most of us growing longer and fuller. It’s a good thing, because we’ve got a lot to catch you up on. This week, we’re bringing a full dosage of global literature news with achievements from Hong Kong, rolling publications by Czech talent, and literary commemorations gliding through the literal end of an era in Japan.

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

This spring has been a series of firsts for Hong Kong literature. Continuing from my previous dispatch in March on Xi Xi winning the Newman Prize for Chinese literature, historically awarded to writers from mainland China and Taiwan, World Literature Today is dedicating its first annual city issue to writing from Hong Kong. Sourcing contributions from writers, translators, and academics at the forefront of Hong Kong literature, the issue includes poetry, essays, and creative nonfiction with a focus on food and languages as well as a selection of recommended reading about the city. Xi Xi and Bei Dao are among the list of writers featured in the magazine, as is Wawa—recently showcased in Asymptote’s Winter 2019 issue in an interview with Poupeh Missaghi, our editor-at-large in Iran—and Chris Song, one of the winners of the Fifth Hai Zi Poetry Prize which announced its results a few weeks prior.

To celebrate the launch of the issue, Cha, Hong Kong’s resident online literary journal, is organizing an event on April 27 at Bleak House Books, where eight contributors will be reciting and discussing their works. Tammy Lai-Ming Ho, founding co-editor of Cha and the guest editor of World Literature Today’s Hong Kong feature, will also speak about the conception of the special edition.

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Weekly Dispatches from the Frontlines of World Literature

Join as us we celebrate indigenous writers, intercultural connection, and the importance of linguistic diversity.

This week, we return with three dispatches exploring multicultural and multilingual connection. We begin with a reflection on the work of Humberto Ak’abal, an influential Indigenous poet who wrote in both K’iche’ Maya and Spanish. We also explore the multilayered dialogue between China and New York in the Hong Kong literary scene, and get an exciting firsthand account of the recent Creative Multilingualism conference in the UK.

 Paul Worley and Kelsey Woodburn, Editors-at-Large, reporting from Guatemala

As declared by the United Nations, 2019 is the International Year of Indigenous Languages. According to their website, of the 7,000 languages currently spoken on the planet, over 2,500 are currently endangered. In Mexico, the rest of Latin America, and around the world, many hope this global recognition will lead to wider acceptance of Indigenous languages, as well as to increased opportunities for their oral and written expression.

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Weekly Dispatches from the Frontlines of World Literature

In these dispatches, we see efforts in world literature to feature underrepresented voices.

World literature will be inclusive only through a continuous effort of organizing against the dominant, listening to the underrepresented, and making space for the unheard to bloom. This week our Editors-at-Large report such efforts from Australia, Hong Kong, and Slovakia. Read on to find out how the voices of women, indigenous and local peoples are being amplified around the world.

Tiffany Tsao, Editor-At-Large, reporting from Australia:

As part of an effort to resist the colonial systems that are the Australian publishing industry, the Australian media and arts industries, and modern Australia itself, the literary quarterly The Lifted Brow made the decision to hand over the entire production of their December issue to an all-First-Nations team of writers, editors, and ancillary staff. “We at TLB are too white, in all senses of that term,” read the magazine’s official statement on the matter. “[I]t’s way past the time that this should’ve changed. Our job and responsibility now is to push back against these oppressive and harmful regimes-within-regimes, not because we can undo the past, but because we can make better the present and the future.”

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