Posts filed under 'Adarna Publishing House'

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Palestine, Kenya, and the Philippines!

This week, our Editors-at-Large offer a fond remembrance of a recently-departed literary icon, and report on book fairs and BTS. From books on boats and boy bands to the changing texture of Ramallah mornings, read on to find out more.

Carol Khoury, Editor-at-Large, reporting from Palestine

Early mornings in Ramallah are varied, except for one scene: an older man, back almost fully straight, all-white head lowered, walking slowly towards one specific coffee house in the old city. A serene smile below a deep gaze, the man would sit in his friends’ company, not for long—just enough to empty his coffee cup, and his head from the thoughts that weighed him down on his way.

Since last week, the beloved older man has not appeared in the streets. Zakaria Mohammed, a celebrated poet and a Palestinian literary icon, now resides in his admirers’ hearts. At the age of seventy-three, Zakaria’s body was lowered to rest, but his soul will continue to visit Ramallah, reminding everyone that:

There is no death
There is only a tiny cloud that passes and covers your eyes
Like a friend who comes from behind and blindfolds you with his hands
There is no death
There is a black goat and a tattooed hand milking an udder
White milk fills your mouth and flows in your eyes
Again, there is no death
There is a Raspberry tree
It holds your shoulder and hurts you
because it wants to open the way for turtles
There is no death
There isn’t
at all

Read more of Zakaria’s poems, translated here by Sinan Anton.

Zakaria Mohammed - Apr 2023 - photo by Ahmad Odeh READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in letters from Ireland and the Philippines!

This week, our editors-at-large bring us the latest in arts festivals, awards, and innovative adaptations across the literary landscape! From new spins on James Joyce’s Ulysses for its hundredth anniversary to a thriving theatre festival in the Philippines, read on to learn more!

MARGENTO, Editor-at-Large, Reporting from Ireland 

It is festival time across Europe, and Galway, Ireland’s West Coast pearl, is gearing up for its International Arts Festival (GIAF), to kick off in 3 days and go on through July 30. The “balmy, bohemian” city (as ireland.com poetically describes it) is already buzzing with the vibe as events ranging from special-effect-rich theatrical, musical, and circus performances to public conversations with awarded war-covering journalists and writers are boisterously advertised on seafront billboards, dedicated websites, local TV and radio stations, and even on announcement screens on greyhounds across the country. 

On the literary front, James Joyce’s spirit looms as large as ever—and particularly so on the hundredth anniversary of Ireland’s most notorious book ever, Ulysses—only now in more playful and cross-artform shades. Ulysses 2.2, a collaborative project between ANU, Landmark Productions, and Museum of Literature Ireland, will be featured with two independent acts. The first one will be You’ll See, an obvious word-play on, and homophone of, Joyce’s title, produced by Branar, one of Ireland’s leading theatre companies for children. You’ll See has been announced as a mix of “live performance, intricate paper design, an original score, and Joyce’s odyssey” that will enchant prior fans as well as all those who haven’t read the book yet.

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