Place: Romania

Weekly Dispatches from the Front Lines of World Literature

February 7, 2020  |  in Dispatches, News, Weekly Roundup  |  by Charlie Ng and MARGENTO

This week's latest news from Hong Kong, Belgium, and Romania!

This week our editors bring you news of the effects of coronavirus on cultural events in Hong Kong, as well as news of the Romanian writers taking center stage at a Belgian arts festival, and new publications in Romania that address its troubled but intellectually rich past. Read on to find out more!  

Charlie Ng, Editor-at-Large, reporting from Hong Kong

As China’s coronavirus pneumonia epidemic shows no signs of slowing down, Hong Kong is now under the threat of the wide-spreading virus and the possibility of a community outbreak of the disease. While the Hong Kong government refuses to take decisive measures to close the border to ban visitors from the Mainland even in face of a strike from the medical workers, many art and cultural events have been cancelled due to the temporary closure of venues managed by the Leisure and Cultural Services Department, including the programs at the Hong Kong Arts Festival and Art Basel.

Meanwhile, local poetry publication Voice & Verse Poetry Magazine is calling for submissions for its special issue on “Virus,” which is going to address the recent virus panic from a poetic perspective. The deadline for submission is March 15, 2020. The magazine accepts both Chinese and English works. Moreover, Cha: An Asian Literary Journal is going to host a session on “Poetic Women in Translation” to explore how female sensibility is reflected in poetry and its translation. The event will feature translator Jennifer Feeley, Hong Kong poet Ng Mei-kwan, and Cha’s founder and editor Tammy Ho. READ MORE…

The Personal Apocalyptic Journey: On Liliana Ursu’s Clay and Star

December 19, 2019  |  in Reviews  |  by MARGENTO

Only long, silent, patient, and focused respites spent really close to things . . . will perhaps spawn such indelible images.

Clay and Star: Selected Poems of Liliana Ursu, translated from the Romanian by Mihaela Moscaliuc, Etruscan Press, 2019

With an impressive record of thirteen collections in Romanian and five collections in English translation, it is no wonder Liliana Ursu has now arrived with a generous (over seventy pages) collection of selected poetry, published by Etruscan Press in Mihaela Moscaliuc’s translation.

It is just that, unlike your usual (American) volume of selected poetry, the book does not divide the poems by their appearance in previous collections, but simply lists their titles in the contents, every now and then mentioning under their last line where and when they were written. Other poems mention the location in the very title—Văratec Monastery in northern Romania, for instance, is both frequently present and representative of the poetics, but Sibiu, Bucharest, Boston, and San Francisco also appear—while others are dedicated, in their epigraphs, to people met in those places. The book thus amounts to a sort of journey that, while capturing fleeting specifics of literal locales in snapshots, is most prevalently a progress of the soul.

The confessional therefore sets the tone, but is at the same time placed in multifaceted perspectives that render the speaker both observant and observed. The title of a poem meaningfully speaks—for instance—of the “poem composed while being watched by a bird.” The multiple angles are accompanied by a functional synaesthesia that brings together the senses and speech alike. READ MORE…

The Troubling Biography of Corneliu M. Popescu

November 21, 2019  |  in Essays  |  by Andreea Scridon

Rhyming “outblaze” with “always” suggests an intuitive understanding of the English language.

In 1977, a massive earthquake erupted from sinister pith of the Vrancea Mountains, with a magnitude of 7.2 on the Richter Scale. The city of Bucharest partially crumbled on top of itself. In weight of damage, that meant destruction to approximately 33,000 buildings, wounds to 11,300 people, and death to 1,578 people—including actors, singers, film directors, writers . . . and a nineteen-year-old translator named Corneliu M. Popescu.

Born at the end of the 1950s, a decade that represented the height of communist censorship, Corneliu Popescu was ultimately swept away by the violent waves of the era he lived in. The sporty and sociable son of a lawyer, “Cornel” was offered a good education: while most people studied Russian in school, Cornel studied English with Ion Kleanthe Gheorghiu, who had been Romania’s ambassador in London, shortly before being imprisoned for anti-communist activities. Much of the boy’s short life seemed governed by the power of the moment, polymorphous in its guise as coincidence or destiny: perhaps subconsciously aware of the importance of now, he was effectively a savant, translating Treasure Island into Romanian at age ten. At around sixteen, enamored with the foamy intensity of Mihai Eminescu’s poetry, he began translating the poet, something only his parents and teachers knew about. Agreeing to postpone publication so that he could fully dedicate himself to preparing for medical school (a scholarship at Humboldt University had been lined up for him), Cornel edited his manuscript up to the day of his death: March 4, 1977. As he had arrived home from a tutoring session earlier than expected, the earthquake caught up to him at home. He was found in the arms of his mother the next day, amidst the rubble.

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Weekly Dispatches from the Front Lines of World Literature

September 13, 2019  |  in Dispatches, News, Weekly Roundup  |  by Andreea Scridon and Barbara Halla

In Romania and Albania this week, literature abounds.

Any occasion to celebrate language is a happy one, as demonstrated in this week’s dispatches from Romania and Albania. With events honoring Romanian Language Day and an emphasis on Albanian literature in Italy, the forces propelling the continuation and evolution of literary language are well and alive. Read on for the news, reported from the ground by our committed editors.

Andreea Scridon, Assistant Editor, reporting from Romania

Romanian Language Day has officially been celebrated on August 31 since 2011. This year, I had the privilege of being in Romania to observe this holiday, more specifically to find myself in Cluj-Napoca, a city with a powerful literary scene thanks to its academic and historical tradition. The event dedicated to this occasion (held one day before, on August 30) was held in an interwar casino revamped into an art gallery in Cluj’s central park, and the general public ranged from the city’s literary elite to a group of kids in baseball caps.

Horia Bădescu, one of the representative literary figures of the 1960s (available in English and French translation) and historian and writer Ovidiu Pecican spoke on the history, significance, evolution, and particularities of the Romanian language, while professor of journalism and writer Ilie Rad and translator Gabriela Lungu (who has translated books like Giuseppe Tomasi di Lampedusa’s The Leopard and Alessandro Baricco’s Mr. Gwyn, among many others, from Italian to Romanian) discussed the originality, richness, and their own intimate perceptions of the Romanian language.

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The Multiple Worlds of the Writer: In Conversation with Margo Rejmer

August 22, 2019  |  in Interviews  |  by Filip Noubel

I feel that I live longer than I do in reality, because I have three parallel lives . . .

Margo Rejmer’s spare, exacting prose and illustrious methods have earned her widespread praise for both her meticulous reportage and her discerningly detailed narratives. From recollections garnered from the survivors of Communist Albania, to the stories collected from the varied and elaborate landscape of Bucharest, to the grappling of relationships in certain toxic fictional characters in Warsaw, the worlds depicted are all at once worn with secrecy, curious with hope, and bold with the human instinct for survival. In this following interview, Asymptote’s Filip Noubel speaks to Rejmer on subjects of writerly process, choice under totalitarianism, and individual freedoms.

Filip Noubel (FN): You have written two books on the experience and the consequences of dictatorial Communism in Ceauşescu’s Romania and Hoxha’s Albania. What drew you to those countries that, even within the context of then Communist Central Europe, have been generally perceived as economically underdeveloped, politically very conservative, and unattractive as destinations?

Margo Rejmer (MR): Both of the books, Bukareszt. Kurz i krew (Bucharest. Dust and Blood, 2013) and Błoto Słodsze Niż Miód. Głosy Komunistycznej Albanii (Mud Sweeter than Honey: Voices of Communist Albania, 2018) deal with problems of power, strategies of survival in the authoritarian system, and searching for spaces of freedom. Although, when I started working on them, I didn’t know where they would lead me, as it turns out, everyone has their own inner path that leads to the same point. My book about Albania was supposed to simply be a guide to the Albanian mentality for the Polish reader. In the end though, it turned out to be a story about an isolated Orwellian-Kafkaesque space where people are controlled and punished, yet try to look for happiness and for a substitute for freedom, at least internally.

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What’s New with the Crew? (Aug 2019)

August 14, 2019  |  in News  |  by Lee Yew Leong

We've been keeping busy!

What do Asymptote staff get up to when they’re not busy advocating for world literature? Answer: Quite a lot! For those interested in joining our team, please note that we have just completed the first phase of our recruitment drive and will conclude the second and final phase by the end of the month. It’s not too late to send in an application!

Communications Manager Alexander Dickow published two poems in Plume, in English and French versions.

Assistant editor Andreea Iulia Scridon‘s poem, Glossa, a re-writing of Mihai Eminescu’s Romanian poem of the same name, has been published by WildCourt.

Copy Editor Anna Aresi‘s Italian translation of Ewa Chrusciel’s Contraband of Hoopoe (Omnidawn, 2014) was released in May by Edizioni Ensemble. 

Chris Tanasescu (aka MARGENTO, editor-at-large for Romania and Moldova) has been featured in a Romanian poetry anthology in Italian translation, Sette poeti rumeni (Seven Romanian Poets) edited by Matteo Veronesi.

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Blog Editors’ Highlights: Summer 2019

July 22, 2019  |  in News  |  by Andrea Blatz, Nina Perrotta, and Xiao Yue Shan

Our editors have you covered with a lovingly picked selection from the Asymptote Summer 2019 issue!

If you have yet to fully traverse the sensational depths of Asymptote‘s Summer 2019 issue: “Dreams and Reality,” you can step out on the roadmap written by our blog editors, who have refined their selections—with considerable difficulty—to a handful of their favourite pieces. Between an erudite Arabic mystery, non-fiction from Romania’s foremost feminist writer and theorist, and a tumultuous psychological short story which delves into our perception of sanity, this reading list is a doorway into the vast cartography of this issue, unfurling into the rich imagination and profundity of the heights in world literature.

Something about summertime makes me want to read detective fiction, so I was excited to learn that Asymptote’s Summer 2019 issue, released this past Thursday, features a murder mystery. I was even more intrigued when I learned that the story in question, “Culprit Unknown” by Naguib Mahfouz, was originally written in Arabic. Don’t get me wrong—I enjoy Swedish mysteries just as much as you do—but I think we can all agree that the Scandinavians have had a monopoly on detective fiction in translation for far too long.

“Culprit Unknown,” translated by Emily Drumsta, follows Detective Muhsin ʿAbd al-Bari as he tries to solve a series of grisly murders. Muhsin does everything he can, but each killing is a perfect crime: the murderer leaves not a single trace behind, and as the deaths pile up, the tension in the neighborhood becomes unbearable. Besides pacing the story perfectly, Mahfouz infuses “Culprit Unknown” with light humor and unexpected (but welcome) philosophical musings, as in the exchange below:

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Weekly Dispatches from the Front Lines of World Literature

July 19, 2019  |  in Dispatches, News, Weekly Roundup  |  by Hodna Bentali Gharsallah Nuernberg, Vivian Szu-Chin Chih, and Xiao Yue Shan

This week, we’re talking about poetry in Transylvania, storytelling in Marrakech, and LGBT literature in Taipei.

It would be difficult for even the most hardened of cynics to bemoan the state of literature after having read the news coming from around the globe this week. Our editors report on a stunning international festival of poetry in Transylvania, the determined literary representation of an “unofficial” language in Morocco, and an abundance of musical, literary, and theatrical events taking place under the open skies of Taipei.

Xiao Yue Shan, Assistant Blog Editor, reporting from the Z9Festival in Sibiu, Romania

The forecast called for a 60 percent chance of rain, but the sun was still wispily gathered in the early evening, so rows were laid out in the courtyard and the fifth edition of Z9Festival, the young literature festival based in Sibiu, began.

Founded in 2015 and sponsored by the Lucian Blaga University of Sibiu, the festival gathers poets from nine countries around the world to share their work with the Romanian public; the name can be read as either New Zone or Zone Nine, in an ode to both its focus on writers under forty and its international reach. So it is that in mid-July 2019, writers from the UK, Poland, The Netherlands, Belgium, Germany, Italy, China, Russia, and Romania descended upon the picturesque landscape of Sibiu to join one another in a night celebrating poetry, and its inherent ability to dissipate borders.

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Weekly Dispatches from the Front Lines of World Literature

May 31, 2019  |  in Dispatches, News, Weekly Roundup  |  by Barbara Halla and MARGENTO

Bucharest makes waves and the Man Booker International hits headlines.

News of the Man Booker International winner has made its way around the senses of the literary-minded public around the world, but we are here with a personal take on its winner, and why this unprecedented win has earned its accolades and perhaps could also potentially earn a place on your shelf. Also on our list is the incredibly poetic nation of Romania, who presented a manifold of verse champions for Bucharest’s International Poetry Festival. Reporting from amongst the greats are our editors at the front.

Barbara Halla, Editor-at-Large, covering the Man Booker International 2019

I was many things the night of the Man Booker International announcement, but gracious wasn’t one of them. Before the announcement was made on May 21, I wrote for Asymptote about my thoughts on the longlist and (correctly) predicted that Celestial Bodies by Jokha Alharthi, translated from the Arabic by Marilyn Booth and published by Scottish indie Sandstone Press, would win it. Celestial Bodies represents many firsts in the prize’s history: it is the first book written in Arabic to win the prize, as well as the first book by an Omani author (in fact, Jokha Alharthi is the first female Omani author to ever be translated into English) and with a Scottish press to do so. Although its win was a bit of a surprise to others (being as it was surrounded by books receiving a lot more press and praise), the judges seemed quite taken with it. Talking to Five Books, and even during her announcement, chair of the judges, Bettany Hughes, highlighted one particular line from Celestial Bodies that she believed embodies the spirit of the prize itself: “We get to know ourselves better in new, strange places.”

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Our Shared World of Language: Reflections on “US” Poets Foreign Poets

May 30, 2019  |  in Essays  |  by Alan Sondheim, Brian Kim Stefans, Johanna Drucker, John Cayley, and MARGENTO

If I am a person, I make things with language. If I am a poet, I make art with language.

Today, as a sequel to this previous post, we are continuing to feature reflections on the computationally assembled poetry anthology “US” Poets Foreign Poets (ed. MARGENTO, frACTalia 2018) from some of the most outstanding contributors to the collection.

 “US” Poets Foreign Poets was launched in 2018 at the Electronic Literature Organization Conference and at Bookfest by the collective editor MARGENTO, featuring a line-up of Chris Tănăsescu, Diana Inkpen, Raluca Tănăsescu, Vaibhav Kesarwani, and Marius Surleac. The book won accolades from major theorists and practitioners in the genre such as Christopher Funkhouser, Maria Mencia, and David Jhave Johnston. It features both digital and page-based poets, represents and analyzes the resulting corpus as network graphs, and also includes an algorithm that expands the initial corpus by identifying poems that would “fit in,” that is, display certain stylistic features tracked down by computational analysis.

Regarding the previously mentioned way in which the anthology analyzes and expands its own contents, digital poet and critic Christopher Funkhouser has commented that, “I have never, in three decades of study, seen a literary anthology so determined to generate something out of itself, something beyond a 1:1 conversion, and then successfully do so. What an interesting idea, to both transcreate and more literally translate the contents of a collection of writing. Algorithmic, linguistic, and graphical expansion here grabs and holds onto my attention every time I delve into the book.”

In today’s feature, we choose to illustrate this “transcreation” Funkhouser speaks about as it goes even beyond the covers of the anthology, and continues in the digital or digitally inflected creative and/or critical work of four major names in contemporary electronic literature and digital humanities: John Cayley, Johanna Drucker, Alan Sondheim, and Brian Kim Stefans.

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What’s New with the Crew? (May 2019)

May 8, 2019  |  in News  |  by Lee Yew Leong

With new publications and festivals, Asymptote staff are being celebrated all around the world!

We have such an amazing collective of literary talent over here at Asymptote. Check out some of our news from the past quarter and stay tuned for more of the international literature you love! If you are interested in being a part of the team, please note that we will be extending our recruitment drive for two more weeks through May 21, out of consideration for those of you who are busy with end-of-semester work and graduation! 

Communications Manager Alexander Dickow published a long poem, The Song of Lisaine, at the journal X-Peri.

Copy Editor Anna Aresi recently ran her Italian translation of Pulitzer-winning Forrest Gander’s “On a Sentence by Fernanda Melchor” on Interno Poesia’s Blog.

Criticism Editor Ellen Jones had an excerpt of her translation of Nancy by Bruno Lloret—forthcoming from Giramondo Publishing in 2020—showcased in a feature on Chilean domestic life in Words Without Borders. Her review of Samanta Schweblin’s Mouthful of Birds was also printed in The Irish Times. READ MORE…

Translation Tuesday: “Grandpa’s Little Glove” by Ilka Papp-Zakor

April 2, 2019  |  in Translations  |  by Timea Balogh

So I waited there under the tree, and Grandpa was slowly absorbed by the fog, which drizzled and grew ever thicker.

During a routine mushroom-picking expedition in the forest, a wheelchair-bound child gets separated from her grandfather and is left to face the forces of nature on her own. In today’s Translation Tuesday, Ilka Papp-Zakor takes us on a fairy-tale adventure that comes to a surreal and haunting conclusion.

Grandpa’s beard was made of cotton, and his face of crinkled crepe paper. His hands shook, so he almost always spilled his tea, but his eyes were beautiful. I liked to watch him read his old books in the evenings, squinting by the light of the oil lamp—we didn’t have electricity in our shack—rocking back and forth in his rocking chair, the corners of his eyes smiling delicately from time to time, which is how I could tell where he was in his book. I knew all his books by heart. That’s how our evenings would pass. He’d rock in his chair, I’d stare at him, and sometimes, when I’d grow bored of staring, I’d roll around in my wheelchair. Grandpa didn’t like that, because the wheels made an ugly sound on the uneven plank floors. But he loved me anyway.

He said I’d be a beautiful girl if it weren’t for my distorted features, my underdeveloped legs and mangled hands, but I was happy there was something about me that he liked. I had long, curly, golden hair, a little reddish. Grandpa said the bridge of my nose was freckled, though I’d never seen it myself, because our shack didn’t have a mirror either, and I couldn’t lean so far out of my wheelchair over puddles to catch my reflection clearly. In any case, Grandpa said these features were my sex appeal, and that when I’d have kids, I should strive to pass onto them only these two features, because they wouldn’t get very far with the rest. At the time, it was difficult to imagine that I’d someday have a family, and kids of my own, because I didn’t know anyone else besides Grandpa.

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Finding Medical Precision in the Art of Translation: C.D. Zeletin

February 18, 2019  |  in Essays, Profile  |  by Andreea Scridon

Translation is nothing less than a discovery, the study of a microbe through a microscope's lens.

In today’s world, where the study of science and the humanities are considered as oppositional, the art of translation lies arguably somewhere in the middle. In this essay, Asymptote’s Andreea Scridon profiles Romanian writer and doctor C.D. Zeletin, who challenged this false dichotomy, and through his work in both medicine and literature, showed the possibilities of inter-disciplinary cross-pollination.

I first heard of C.D. Zeletin in my Translation Studies course in Bucharest. I was spending a month in the city, just catching the brutal beginning of winter among the greys and blues of its urban landscape, and, sheltered in the seminar room from the iciness of the rough wind that is known to blow over the region’s plains, this was one of the lessons that I was enjoying most.

C.D. Zeletin, my professor told me, was a doctor. As he rode the trolleybus to the Pediatric Hospital every day, he would translate Michelangelo’s sonnets mentally, from Italian to Romanian, presumably wearing his white coat and gazing out the window. Eventually, the written product of this passion would see the light of day, published several years after its conception as Poezii [Poems]. These translations are considered, in fact, elegant and successful. The collection won the 1965 Edinburgh Book Award and Gold Medal. It would have a reverberative effect for generations of readers and poets to come; rather than adhering to Renaissance models strictly, the translation resembles a more personal search, thus producing an inventive and original approach that speaks to twentieth and twenty-first-century readers.

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Weekly Dispatches from the Frontlines of World Literature

February 1, 2019  |  in Dispatches, News, Weekly Roundup  |  by Chloe Lim, MARGENTO, and Maria Snyder

In this week’s dispatches, literary highlights from Romania, Singapore, and the United States!

This week, join three Asymptote staff members as they report the latest in literary news from around the world. From the legacy of Romanian poet Emil Brumaru, to new releases of poetry, literary competitions, and the Iowa City Book Festival, there’s plenty to catch up and reflect on.

MARGENTO, Editor-at-Large for Romania and Moldova, reporting from Romania and Moldova

The most resounding recent piece of literary news in Romania is the passing of poet Emil Brumaru (born eighty years ago in Bessarabia, present-day Republic of Moldova), one of the greatest Romanian poets of the past fifty years. Superlative eulogies have inundated literary magazines and wide circulation newspapers alike, foregrounding both the vastness and the subtlety of the oeuvre, while also deploring the disappearance of a widely popular presence prolifically active in literary publications and even social media. Brumaru’s obsessively erotic verse, ranging from the profane and the pornographic to the angelic and the (still physically) mystical, comports a richness of nuances and a chameleonic craftsmanship that perhaps explain why such a huge voice remains for now largely unknown to the English-speaking world, except for a handful of poems translated in a couple of anthologies, graduate theses, or casual blogs.

While women are arguably the only—inextinguishable, nonetheless—subject of Brumaru’s poetry, women writers themselves are taking centre stage in Romanian letters as well. The first edition of the Sofia Nădejde literary awards—curated by poet and radio show host Elena Vlădăreanu—was in that respect a remarkable milestone. While doing justice to novels or collections by established writers such as Gabriela Adameșteanu and widely known young poets and critics like Teodora Coman, the judges also picked for the debut collection award a release significantly titled Kommos. A Hysterectomy Procession by Iuliana Lungu, an up-and-coming poet who has already won support and even accolades from living legends such as Angela Marinescu and Nora Iuga.

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