Place: Ramallah

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Palestine, Kenya, and the Philippines!

This week, our Editors-at-Large offer a fond remembrance of a recently-departed literary icon, and report on book fairs and BTS. From books on boats and boy bands to the changing texture of Ramallah mornings, read on to find out more.

Carol Khoury, Editor-at-Large, reporting from Palestine

Early mornings in Ramallah are varied, except for one scene: an older man, back almost fully straight, all-white head lowered, walking slowly towards one specific coffee house in the old city. A serene smile below a deep gaze, the man would sit in his friends’ company, not for long—just enough to empty his coffee cup, and his head from the thoughts that weighed him down on his way.

Since last week, the beloved older man has not appeared in the streets. Zakaria Mohammed, a celebrated poet and a Palestinian literary icon, now resides in his admirers’ hearts. At the age of seventy-three, Zakaria’s body was lowered to rest, but his soul will continue to visit Ramallah, reminding everyone that:

There is no death
There is only a tiny cloud that passes and covers your eyes
Like a friend who comes from behind and blindfolds you with his hands
There is no death
There is a black goat and a tattooed hand milking an udder
White milk fills your mouth and flows in your eyes
Again, there is no death
There is a Raspberry tree
It holds your shoulder and hurts you
because it wants to open the way for turtles
There is no death
There isn’t
at all

Read more of Zakaria’s poems, translated here by Sinan Anton.

Zakaria Mohammed - Apr 2023 - photo by Ahmad Odeh READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest from Palestine, Sweden, and Macedonia!

In this batch of literary dispatches from around the world at Asymptote, we cover literary conferences, recent publications, and rankings of writers in translation! From a gathering dedicated to the late iconic Palestinian poet Mahmoud Darwish, a new Disney+ series revolving around the life of a boy in Scandinavia, and a collection of contemporary women’s poetry in Macedonia, read on to learn more!

Carol Khoury, Editor-at-Large for Palestine and the Palestinians, reporting from Palestine

Last weekend, the A. M. Qattan Foundation and its partners revived the memory of the late iconic Palestinian poet Mahmoud Darwish with more fervor than anyone has done since his death and burial in 2008. In collaboration with Chaire Mahmoud Darwich, Bozar, and Mahmoud Darwish Foundation, a three-day conference titled “Mahmoud Darwish: The Narrative of the Past and the Present,” was held in Ramallah and on Zoom, with twenty speakers discussing nearly as many topics related to the poet’s works and life. 

It was indeed a very interactive conference, as many of the speakers and a majority of the audience knew Darwish personally. With lots of biographical anecdotes shared by panellists and attendants alike, Darwish’s designation as iconic was undoubtedly attested. It felt as if every single person knew every single detail of Darwish’s works and life. I wondered how long Darwish’s ‘response’ would have been if he were to attend the conference! He probably would have needed another three days to dot the i’s and cross the t’s! But, that wouldn’t have been too troublesome for Darwish; the relationship between him and his audience had always been one of tension. People loved him, his poems, and particularly his orations and readings. But it was such an overwhelming and imposing love that he himself had to write in 1969, “Save Us from this Cruel Love!

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