Place: Hong Kong

Weekly Dispatches from the Frontlines of World Literature

In these dispatches, we see efforts in world literature to feature underrepresented voices.

World literature will be inclusive only through a continuous effort of organizing against the dominant, listening to the underrepresented, and making space for the unheard to bloom. This week our Editors-at-Large report such efforts from Australia, Hong Kong, and Slovakia. Read on to find out how the voices of women, indigenous and local peoples are being amplified around the world.

Tiffany Tsao, Editor-At-Large, reporting from Australia:

As part of an effort to resist the colonial systems that are the Australian publishing industry, the Australian media and arts industries, and modern Australia itself, the literary quarterly The Lifted Brow made the decision to hand over the entire production of their December issue to an all-First-Nations team of writers, editors, and ancillary staff. “We at TLB are too white, in all senses of that term,” read the magazine’s official statement on the matter. “[I]t’s way past the time that this should’ve changed. Our job and responsibility now is to push back against these oppressive and harmful regimes-within-regimes, not because we can undo the past, but because we can make better the present and the future.”

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Fall 2015: Taking the Spaceship Back

Time, the fourth dimension of our existence, threads through the whole Fall 2015 issue as its unifying motif.

The third quarter of 2015 is thorny with developments. On July 31, we announce the second edition of our international translation contest judged by Michael Hofmann (Poetry), Ottilie Mulzet (Fiction), and Margaret Jull Costa (Nonfiction—a new category), this time awarding a total of $4,500 in prizes. Technical Manager József Szabo (also one of the editors behind the fabulous Tumblr blog Writers No One Reads) completes a laborious site migration that has taken almost two years. Our website is now both adaptable to mobile devices and optimized for search engines. On October 1, I receive an invitation from The Guardian initiating a partnership that would see Asymptote simultaneously running our blog’s Translation Tuesday articles on their site for 76 weeks, starting from October 27. (Of the 11 Guardian Books Network Members announced on October 21, we are the only magazine dedicated to translation and also—I can’t help noting—the only one from Asia.) This turns out to be the first of three partnerships that we formalize in October (the other two being with PEN America and Lithub), all three of which we announce proudly via our first-ever Fortnightly Airmail, launched on October 29, thanks to then Communications Manager Matthew Phipps and then Graphic Designer Berny Tan (who valiantly turns around a new newsletter design within 24 hours after I veto the first). This inaugural newsletter doesn’t yet spotlight PEN/Heim grant winners (the first boatload of these would arrive on November 13). Instead, it carries Jennifer Croft’s essay “When the Author You Translate [i.e., Olga Tokarczuk] Gets Death Threats,” which Lithub republishes on their website on November 2. (We would also go on to be the first to excerpt Olga Tokarczuk’s 2018 International Man Booker Prizewinning Flights in our Winter 2016 edition before it hit bookstores anywhere.) October 2015 also ushers in our first-ever virtual event featuring Mexican author Albert Chimal’s “The Time-Traveller.” Originally composed in Spanish as a series of tweets, the English translation by George Henson, which also respects Twitter’s character limit of 140, is published twice: first, as a headliner in our Fall 2015 issue, and then via our English Twitter channel as a long string of tweets pushed out (by then Marketing Manager David Maclean) to the world over a span of 40 hours. If you were there for the tweetathon, thank you for being a part of the work. Here to introduce our Fall 2015 issue is Hong Kong editor-at-large Charlie Ng Chak Kwan.

If I were able to travel back to 2013 and meet my younger self, I would enthusiastically tell her that she was about to become part of a community devoted to breaking cultural and linguistic borders in the literary world and that she would never regret joining a journal whose mission was translating and publishing works written by people far and wide. It is unbelievable that I have now been a Hong Kong Editor-at-Large for Asymptote for more than five years. The many issues of Asymptote have seen me face a few life hurdles—graduating from my Ph.D., securing my first job as a translator, and becoming a full-time university teacher—and still I stay with Asymptote. Time definitely changes a lot of things—for good or for bad—but the ever-expanding archive of Asymptote tells me there are some things that remain constant, like the journal’s perseverance.

Time, the fourth dimension of our existence, threads through the whole Fall 2015 issue as its unifying motif. The issue’s pieces transport us to a wide range of times, from the Armenian genocide in Gostan Zarian’s “The Traveler and His Road” to the forensic anthropological investigation of the dead in Leila Guerriero’s “The Trace in the Bones”. We are not restricted by conventional time frames that confine our experience as words allow us to exist in the past, the present and the future simultaneously. The first line of Alberto Chimal’s “The Time Traveller” actually says it all: “Good morning, afternoon, evening, says the Time Traveller when his machine is moody and doesn’t ask him where (or to when) he’s going.” The Time Traveller’s trouble, in other words, is not where to go but rather the lack of a good temporal compass. Chimal’s story—comprised of a series of the Time Traveller’s wild and witty Tweets—portrays a compassionate titular character with ample knowledge of history and literature. Although its protagonist is no Gulliver—he is much more sophisticated than that 18th century traveller—Chimal’s story amuses and fascinates as much as Swift’s, even as it avoids the latter’s satiric bitterness. READ MORE…

Summer 2012: A Funny Thing Happened On My Way To Editing a Journal of World Literature

I had no interest in replacing a perfectly serviceable translation with a bad one.

“World literature” often gets a lot of attention in the months leading up to each year’s Nobel Prize announcement, but what do we really mean by it? Is it simply all the literatures of the world? Is it a status that applies to texts that circulate in a certain way? As the editor-in-chief of an international journal, I see “world literature” as a shifting aggregate of the literatures that have been translated into any given language. It’s clear to me, writing from Taipei, that an English “world literature” is vastly different from a Chinese one. Upon his passing in June 2012, for example, I discovered that Ray Bradbury had never been translated into Chinese — an omission made more perverse by the fact that translations make up an impressive 50% of all books published in Taiwan, compared to the woeful 3% in the United States. And if Taiwanese readers had been denied the genius of so well-loved an author, one can only imagine what American readers are missing out on.

This asymmetry was what motivated me in May 2012 to initiate a translation project that would introduce to Anglophone readers the newest crop of Chinese writers—a “20 Under 40,” if you will, of the Chinese-speaking world. Such a feature, modeled after Granta’s “Best British Novelists,” consisting of 20 medium-length essays introducing 20 of the most promising authors not only from China — but also from Hong Kong, Taiwan and Malaysia — had just been published that month by the leading Taiwanese journal Unitas and I thought Asymptote would be uniquely positioned to showcase it in English. Leveraging a connection, I made a few enquiries; the response from Unitas was positive. Tapping volunteer translators from the And Other Stories Chinese Reading Group and, crucially, proceeding with Unitas’ assurance that we would have free rein in editing the texts, my team and I decided to commit to turning the translation project around in five months: the first ten essays would appear in our Summer 2012 issue, followed by the other ten in the Fall 2012 issue. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Central America, Albania, and Hong Kong.

We are a week out from the launch of our Summer 2018 issue of Asymptote and we could not be happier about the reading we have enjoyed and the positive response we have received from readers. As we get ready for the weekend, we bring you the latest news from around the world. José García Escobar reports from Central America, Barbara Halla from Albania, and Jacqueline Leung from Hong Kong. Happy reading!

José García Escobar, Editor-at-Large, reporting from Central America:

Guatemala has just closed its annual book fair, the Feria del Libro de Guatemala (Filgua), which hosted some of the most important publications and announcements of the year.

First, it was announced on Thursday, July 19 that the latest winner of the prestigious Premio Luis Cardoza y Aragón (Luis Cardoza and Aragón Prize) for Mesoamerican poetry was the Mexican writer, René Morales Hernández, with his book, Luz silenciosa descendiendo de las colinas de Chiapas. Born in Chiapas, René Morales joins the ranks of well-known and critically acclaimed writers such as David Cruz from Costa Rica, Maurice Echeverría from Guatemala, and the Garífuna poet, Wingston González, featured in Asymptote’s Summer 2018 Issue.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Hong Kong, Poland, and Spain.

Another week has flown by and we’re back again with the most exciting news in world literature! This time our editors focus on Hong Kong, Poland, and Spain. 

Charlie Ng, Editor-at-Large, reporting from Hong Kong:

This year’s Hong Kong Muse Fest ran from June 23 to July 8. Themed “Museum Is Typing . . .”, the event presented an array of exhibitions and activities that took place across public museums in Hong Kong. It aimed to explore Hong Kong’s cultural heritage, history, arts and science, providing a variety of new and interactive experience to reshape the audience’s conception of the museum. Besides museum exhibitions, the programmes also included literary elements, such as the special programme, “Human Library” (part of “Sparkle! Counting the Days”), which invited members of different communities to share their life stories with readers. In the “Crossing Border” Special Talk Series, “Extraordinary Intrinsic Quality of Grandmasters—Bruce Lee vs Jin Yong”, speakers shared their views on the achievements of Chinese martial arts actor, Bruce Lee, and martial arts fiction writer, Jin Yong.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to the Czech Republic, Hong Kong, Singapore, and Tunisia.

It is literary prize season and recent news that the Nobel Prize for Literature will not be awarded this year along with growing excitement for forthcoming award announcements have kept the literary community on our toes! This week we bring you the latest news from the Czech Republic, Hong Kong, Singapore, and Tunisia. Enjoy!

Julia Sherwood, Editor-at-large, reporting from the Czech Republic:

April 4 saw the announcement of the winners of the most celebrated Czech literary prize, the Magnesia Litera. For the first time in four years the title “book of the year” went not to a work of fiction but to an analysis of contemporary Czech politics against the backdrop of recent history, Opuštěná společnost (The Abandoned Society) by journalist Erik Tabery. The fiction prize was awarded to Jaroslav Pánek for his novel Láska v době globálních klimatických změn (Love in the Time of Global Climate Change), the story of a scientist  forced to confront his own prejudices while attending a conference in Bangalore.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Albania, Hong Kong, and Brazil.

Spring is creeping in and we have just launched a very special and very exciting new issue full of amazing literary voices from around the world, including Jon FosseDubravka Ugrešić, and Lee Chang-dong. Check out the Spring 2018 issue here! In the meantime, we are here with the latest literary news from around the world. This week we report from Albania, Hong Kong, and Brazil.

Barbara Halla, Editor-at-Large, reporting from Albania:

Classic and contemporary Albanian literature is heavily focused on male authors and the male experience, a status-quo challenged recently by “Literature and the City.” Throughout April and May, journalists Beti Njuma and Alda Bardhyli will organize the second installment of this event consisting of a series of discussions and interviews exploring trends in contemporary Albanian literature. This year the encounters will highlight the work and world of Albanian women, through discussions with authors including Flutura Açka, Lindita Arapi, Ardian Vehbiu, Edmond Tupe, and Fatos Lubonja. A particularly exciting event was the conversation conducted with Ornela Vorpsi, a prolific author who writes in French and Italian but who remains virtually unknown in the Anglophone sphere. So far, only one of her books has been translated into English by Robert Elsie and Janice Mathie-Heck: The Country Where No One Ever Dies.

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Weekly Dispatches from the Frontlines of World Literature

The most exciting world literature news—all in one place.

It’s Friday and that can only mean one thing at Asymptote: reports of exciting developments in the world of literature. This week our focus falls on a diverse set of countries, including Tunisia, Hungary, and Hong Kong. 

Jessie Stoolman, Editor-at-Large, reporting from Tunisia: 

In just a few short weeks, the 34th edition of Tunis’s annual Book Fair will begin, where numerous prize winners will be announced, including the winner of the newly created Prize for Literary and Intellectual Creativity, or prix de la créativité littéraire et intellectuelle.

However, if you’re itching for activity now, don’t fret, there are numerous literary events taking place throughout Tunisia in the meantime, with a special focus on young writers and readers. Specifically, the 10th annual Festival of Storytelling, organized by the Tahar Haddad Cultural Association in Tunis, has already begun and will continue until March 25th. The festival is dedicated to preserving Tunisian oral traditions, as each day it presents a storyteller, or حكاوتي, who brings to life tales taken from regional oral literature. Similarly, the literary association “Above the Wall” (فوق السور), created for young writers, will host its 10th annual assembly on March 20th and 21st in Benzart, one of the northernmost cities in Tunisia.

Further south, in Sousse, on April 1st, the Book Lovers Association of Sousse will hold a discussion at Le Paradoxe, a local cultural café, to discuss the Tunisian writer and poet Shafiq Tariqi’s award-winning novel, Lavazza (لافازا,) which questions the full realization of the Tunisian revolution. In 2015, the novel was awarded a monetary prize for creativity by the journal, Culture Dubai (دبي الثقافة). READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Morocco, Hong Kong, and the United States.

We are back with the latest from around the world! This week we hear about Morocco, Hong Kong, and the United States. Enjoy!

Hodna Nuernberg, Editor-at-Large, reporting from Morocco

Some seven hundred exhibitors from Morocco and around the world descended on Casablanca for the Salon international de l’edition et du livre, which took place from February 9-18. Half open-air souk (rumor had it that one of the ambulatory vendors went so far as to offer women’s panties for sale!), half oasis of high culture, the book fair counted over 125,000 titles from forty-five different countries. Egypt, this year’s guest of honor, accounted for nearly fifteen percent of the titles on offer alone, and managed to ruffle more than a few feathers when an Egyptian publisher was allegedly caught displaying a book (A Brief History of Africa) whose cover featured a map of the continent depicting a “mutilated” Morocco—the disputed territory of the Western Sahara appearing as an independent nation under the Polisario flag. The presence of the book was firmly denied by the Ministry of Culture.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of the world's literary news brings us to Central America and Hong Kong.

You know the drill—time for another weekly update on literary happenings the world over. This week, we learn of the passing of several cherished Central American poets, as well as some recent developments in Hong Kong. 

José García Escobar, Editor-at-Large, reporting from Central America

Claribel Alegría, one of Central America’s most beloved poets, recently passed away at age ninety-three. Mere months after Alegría became the second Nicaraguan to receive the Reina Sofía Prize for Iberoamerican Poetry, only after Ernesto Cardenal, Claribel died last Thursday, January 25. Claribel is one of the cornerstones of Nicaraguan poetry and was the author of dozens of books of poetry, fiction, and non-fiction.

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Weekly Dispatches from the Frontlines of World Literature

The most important literary news from Hong Kong, Romania, Moldova, and the UK.

It’s Friday and that means we are back with the latest literary news from around the world! From Hong Kong, Editor-at-Large Charlie Ng brings us the latest on theater, literary festivals, and poetry readings. MARGENTO brings us exciting news about past Asymptote-contributors and other brilliant writers from Romania and Moldova. Finally, our own assistant blog editor, Stefan Kielbasiewicz shares news about poetry in the UK. 

Charlie Ng, Editor-at-Large, Hong Kong

November is a month filled with vibrant literary performances and festivals in Hong Kong. On stage from late October to early November, a Cantonese version of The Father (Le Père) by French playwright, Florian Zeller, winner of the Molière Award for Best Play, is brought to Hong Kong audiences by the Hong Kong Repertory Theatre for the first time.

The seventeenth Hong Kong International Literary Festival kicked off on November 3 with a grand dinner with Scotland’s well-loved crime fiction writer, Ian Rankin, who also attended two other sessions as a guest speaker: Mysterious Cities: the Perfect Crime Novel and 30 Years of Rebus with Ian Rankin. Carol Ann Duffy was another Scottish writer featured in this year’s Festival. The British Poet Laureate read her poetry with musician John Sampson’s music accompaniment on November 9. The dazzling Festival programme includes both international authors such as Hiromi Kawakami, Amy Tan, Min Jin Lee, Ruth Ware, Hideo Yokoyama, and local writers and translators such as Xu Xi, Louise Ho, Dung Kai-cheung, Nicholas Wong, Tammy Ho, and Chris Song.

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Weekly Dispatches from the Frontlines of World Literature

Music, art and linguistics have been knocking on literature's door around the world this week. Asymptote members bring you the scoop.

Literature is interdisciplinary by nature, and the world showed us how this week. From visual art exhibitions and a reading of the Universal Declaration of Human Rights in Hong Kong to a music festival infiltrated by writers in Slovakia and a commemoration of the late sociolinguist Jesús Tuson in Catalan, there is much to catch up on the literary world’s doings this week.

Hong Kong Editor-at-Large Charlie Ng Chak-Kwan brings us up to speed:

Themed “Fictional Happiness,” the third edition of Hong Kong Literary Season ran from June to late August. The annual event is organised by one of the most important Hong Kong literary organisations, the House of Hong Kong literature. This year the event featured an opening talk by Hong Kong novelist Dung Kai-cheung and Taiwanese writer Luo Yijun, a writing competition, an interdisciplinary visual arts exhibition, and a series of talks, workshops and film screenings. Five visual artists were invited to create installations inspired by five important works of Hong Kong fiction in response to the exhibition title, “Fictional Reality: Literature, Visual Arts, and the Remaking of Hong Kong History.”

Interdisciplinary collaboration has been a hot trend in the Hong Kong literary scene recently. Led and curated by visual artist Angela Su, Dark Fluid: a Science Fiction Experiment, is the latest collection of sci-fi short stories written by seven Hong Kong artists and writers. The book launch on September 2 took place at the base of Hong Kong arts organisation, “Things that Can Happen,” in Sham Shui Po. The experimental project was initiated as an artistic effort to reflect on recent social turmoils through scientific imagination and dystopian visions. The book launch also presented a dramatic audio adaptation of one of the stories, “Epidemic Investigation,” from the collection.

On September 6, PEN Hong Kong hosted a bilingual reading session (Cantonese and English) as part of the International Literature Festival Berlin (ILB) at Art and Culture Outreach (ACO) in Wan Chai. About twelve Hong Kong writers, journalists, and academics participated in “The Worldwide Reading of the Universal Declaration of Human Rights” by reading excerpts of their choice from works that deal with issues of human rights.

Amid the literary and artistic attention to Hong Kong social issues and history, local literary magazine, Fleur de Lettre, will take readers on a literary sketching day-trip in Ma On Shan on September 9. During the event named “August and On Shan,” participants will visit a former iron mine in Ma On Shan to imagine its industrial past through folk tales and historical relics. READ MORE…

Reading Resolutions from the Asymptote Team (Part III)

More reading resolutions for 2017

Anna Aresi, Educational Arm Assistant

At the cost of sounding corny, I will say that my reading resolution for 2017 is more than partly informed by the prospect of becoming a mother this forthcoming June. As our baby will grow up in a trilingual environment, with Italian and Cantonese spoken at home and English everywhere else, doing research on trilingualism has intensified my awareness of the absolute need of being global citizens and global readers of the world, not only for one’s own benefit, but also as a major responsibility towards future generations.

To begin with, then, I wish to fill my own embarrassing lack of knowledge of Chinese literature —my husband’s from Hong Kong—perhaps beginning with Tong Xian Zhu’s play The Peony Pavillion, my father-in-law’s all time favorite, and moving on to Tong Xian Zhu’s Not Written Words, which figures in World Literature Today’s list of notable translations of 2016. Xi Xi’s work has been characterized as a portrayal of the “constantly shifting urban space of Hong Kong—between tradition and modernity—as well as the multilingual zones created by its Mandarin and Cantonese speakers;” I can’t wait for literature to do its magic and transport me to a land that I haven’t, so far, visited in person but to which I already feel deeply connected.

anna

Moving from my family’s terrain to the world at large, but staying in Asia, Korean literature will also be a protagonist of my 2017: if reading Han Kang’s The Vegetarian was a defining existential experience of my 2016 and Jung Young Su’s Aficionados, featured in the Autumn 2016 issue of Asymptote, made me laugh my belly off, I can only expect good things from Korea, perhaps beginning with poetry. The anthology Brother Enemy, curated by Ji-moon Suh, is a collection of poems written by twenty-one authors during and following the Korean War, attractive and promising by virtue of its very humane title: what could change if we recognized the enemy as our brother? I hope to find some illuminating words in this volume.

Finally, I wish to follow Daniel Hahn’s appeal and read more children’s book in translation (again, also in preparation for future evenings of bedtime adventures). A simple peek at Pushkin Press’s Children Books page, to name but one, opens up a whole new world; in this case I let my inner child pick the book by its cover and my attention was caught by Tomiko Inui’s The Secret of the Blue Glass (another Asian book! I promise I didn’t do it on purpose!). The scene opens in a dusty library in a Tokyo suburb…what beginning could be more auspicious?

*****

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Dispatch from PEN Hong Kong: In Conversation with Jason Y. Ng

Hopelessness is not constructive—it plays into the hands of the oppressor.

PEN Hong Kong was officially re-launched on 13 November, as Asymptote noted recently. Originally established in the 1980s by expatriate writers in Hong Kong, the organisation later became inactive as key members left the city. A group of professionals working in the field of the written word revived the organisation in September in response to the increasingly hostile environment for free expression in Hong Kong.

Numerous incidents have indicated that freedom of speech in Hong Kong is declining after the handover. PEN America released two reports on the issue, in 2015 and 2016, to explore the deterioration of press freedoms and free expression in the city, as reflected in the increasing economic and political pressures targeted at pro-democracy mass media. The appalling abduction of five Hong Kong booksellers by Chinese authorities that was exposed earlier this year drew further attention to the issue. Self-censorship is also aggravating publishers, media, bookshops, and even academia. PEN Hong Kong’s members take up the mission of celebrating and promoting free, creative expression to guard against political suppression and censorship by uniting advocates who believe in the power of words in Hong Kong and China.

Asymptote’s Hong Kong Editor-at-Large recently interviewed PEN Hong Kong’s President, Jason Y. Ng, who tells us about the establishment of the organisation, its recent activities, future goals, and challenges.

Charlie Ng (CN): Defending freedom of speech in Hong Kong is definitely urgent and necessary in today’s political climate. Could you please introduce the current network of PEN Hong Kong members to us? What is your vision for developing that network in order to achieve the missions of the organisation?

Jason Y. Ng (JN): We’re very fortunate to have a number of prominent authors, academics, and journalists serving on our executive committee. They also represent a good balance between local Chinese writers and expatriates working and living in Hong Kong.

We encourage anyone interested in PEN Hong Kong to check out their bios at our website and to find out how to join us. An organization is only as good as its members, and we’re eager to recruit members of the literary community who are committed to promoting literature – in both Chinese and English – and defending free expression in Hong Kong.

CN: Would you like to tell us about PEN Hong Kong’s participation in the 82th PEN Congress?

JN: We sent three delegates – award-winning poet Nicholas Wong, seasoned journalist Kris Cheng, and human rights advocate Patrick Poon – to the Galicia Congress this past October. All three are founding members of PEN Hong Kong. They participated in several panel discussions, announcing the revival of our chapter and giving updates on the freedom of expression situation in Hong Kong. We were heartened to see that there was a lot of interest among the global audiences in the missing booksellers controversy and Beijing’s tightening grip on civil liberties in Hong Kong.

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