Place: Hong Kong

Weekly Dispatches From the Front Lines of World Literature

The latest news from Hong Kong, Taiwan, and Sweden!

This week, our writers bring you the latest news from Hong Kong, Taiwan, and Sweden. In Hong Kong, theatres are returning with performances of work by Martial Courcier and Harold Pinter; in Taiwan, novelist Gan Yao-ming talks about their latest work; and in Sweden, a new exhibition is opening at Junibacken, based on books by Tove Jansson. Read on to find out more!

Charlie Ng, Editor-at-Large, reporting from Hong Kong

Inter-disciplinary connections between literature and art are often a kind of inspiration that fascinates artists and engenders unique artworks. In late April, Jockey Club New Arts Power presented to the audience the exhibition, “Before a Passage,” which comprised “visual arts, interactive installations, soundscape, movement performance, site-specific writing and reading,” based on Hong Kong poet Leung Ping-kwan’s eponymous poem, “Before a Passage.” The exhibition took place at the North Point Pier, which was also the setting for Leung’s poem. In the exhibition, the audience could experience interactive installations that concerned themes such as awaiting, travelling, leaving, and the anxiety and struggle that come along with these to reflect on their own life experience of passage.

Theatrical performances are also returning to the theatre while the pandemic in Hong Kong eases down. As May comes, the annual French cultural and art festival, The French May, returns with a series of programmes, including a Cantonese performance of French writer Martial Courcier’s play, Larger Than Life. It will be staged from 13-15 May in Hong Kong City Hall. Theatre du Pif will perform Harold Pinter’s Old Times in early June in Cantonese as well. A play-reading and interactive commentary session was already organised in early April. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Hong Kong, Sweden, and Malaysia!

This week, our writers bring you the latest news from Hong Kong, Sweden, and Malaysia. In Hong Kong, a commemoration of the 700th anniversary of Dante’s death and Voice & Verse Poetry Magazine talks are some of the live events that have started taking place again; in Sweden, Axel Lindén was awarded the Aftonbladet annual literary award; and in Malaysia, Catherine Menon’s debut novel, Fragile Monsters, has been released in English translation, while the Malaysian Poetry Writing Fortnight (MPWF) has been launched. Read on to find out more! 

Charlie Ng, Editor-at-Large, reporting from Hong Kong

As the fourth wave of the COVID-19 outbreak slows in Hong Kong, cultural and literary activities have begun to return to live venues. Local bilingual poetry magazine Voice & Verse Poetry Magazine organised a poetry talk on the theme of wine, titled “If Our Poetry is Wine” on April 10 in Lai Chi Kok. Poet Chan Li-choi and translator Ko Chung-man were invited to share their views on poetry and wine. Participants could enjoy wine together with the guests to celebrate the inspirations endowed by Dionysus.

Hong Kong’s Dante Alighieri Society hosted three sessions of “Dante Alighieri Flash Readings” to commemorate the 700th anniversary of the death of the great Italian poet. Italian actress Nicole Garbellini and local actor Marc Ngan were invited to give lectures on Dante’s The Divine Comedy, covering the three cantiche: Paradiso, Purgatorio, and Inferno. The events took place at landmarks of the Central and Western District, and Causeway Bay to engage the public in the appreciation of the famous medieval poet.

From March 2 to April 14 artist Michael Leung’s exhibition “Publishing (To Find Each Other)” was open to the public at the Floating Projects in Wong Chuk Hang. The interdisciplinary exhibition explores the themes of publication and storytelling. Throughout March, Michael Leung also hosted sessions to discuss his experience of hybrid publishing with the audience. Workshops were held by the artist to produce zines with participants.

As well as face-to-face events, going online is still a popular way to stay connected with the public however. Local arts centre MILL6 Foundation is organising an online discussion forum, “Poetic Emergences: Organisation through Textile and Code,” to explore cross-boundary aspects of textile and weaving, including technology, art-making, and social mediation.

Eva Wissting, Editor-at-Large, reporting from Sweden

Swedish newspaper Aftonbladet has announced that its annual literary award will go to Axel Lindén this year. Lindén’s first book, Fårdagboken, was published in 2017 and translated into English by Frank Perry as Counting Sheep: Reflections and Observations of a Swedish Shepherd in 2018 (Atria Books). It was followed up in 2020 by Tillstånd, with the English title Every Other Pine, Every Other Fir. The jury’s motivation is that Lindén’s authorship “takes on the largest questions of our time by turning away from the center and all literary salons, towards the rural areas, the animals, the forest, and the self-doubt.” READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Hong Kong, Lebanon, and Taiwan!

This week, our writers bring you news from Hong Kong, Lebanon, and Taiwan. In Hong Kong, Voice & Verse Poetry Magazine is publishing a special section on Myanmar writing; in Lebanon, poet Zeina Hashem Beck’s second poetry collection will be published by Penguin; and in Taiwan, the 2021 Taipei Literary Festival has kicked off. Read on to find out more! 

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

In a show of solidarity to the resistance efforts in Myanmar, Voice & Verse Poetry Magazine is publishing an English-language section on Myanmar, to be edited by poet, writer, and academic Tammy Lai-Ming Ho. The magazine will accept submissions until March 30 and has already announced that it will include some works in translation. So far, Thiri Zune’s translation of Nay Thit’s “With the Teeth of a Mad Flower” and Ko Ko Thett’s translation of Aung Khin Myint’s poem “Spring” will be in the upcoming issue. Both are timely responses to the military coup which has killed well over 200 people, including poets Myint Myint Zin and K Za Win, and has caused countrywide Internet blackout and crackdowns on the media. While international condemnation of Myanmar’s military leaders is escalating, many in Hong Kong identify with the resistance from the onset, especially with the fresh memory of the city’s own protests.

In addition to its efforts for Myanmar, Voice & Verse held an event discussing the American poet Louise Glück, winner of the 2020 Nobel Prize in Literature, on World Poetry Day (March 21, 2021). Hosted by writer, poet, and critic Ian Pang in Cantonese, the event discussed Glück’s oeuvre, from her first poetry collection Firstborn (1968) to more recent works.

Works in translation also feature prominently in the forty-fifth Hong Kong International Film Festival, set to take place between April 1 and 12. With over 190 titles from fifty-eight countries and regions, the festival is proceeding in a hybrid format with in-theatre and online screenings as well as director discussions. This year’s showcase includes Wife of a Spy directed by Kurosawa Kiyoshi and Andrei Konchalovsky’s Dear Comrades!, which recently won Best Director and the Special Jury Prize respectively at the 2020 Venice International Film Festival; Golden Globes Best Foreign Language Film winner, Minari, by Korean-American director Lee Isaac Chung; and Japanese masterpieces in the event of Shokichu Cinema’s 100th anniversary. These already rich offerings are accompanied by a selection of newly restored classics from world and Chinese-language cinemas, recalling Parasite director Bong Joon-ho’s Golden Globe statement, that once one overcomes the one-inch barrier of subtitles, one gains access to many more amazing films and works of art.

MK Harb, Editor-at-Large, reporting from Lebanon

2022. Since the start of the pandemic and the global vaccine roll out, a number of hopes, projects, and “return to normal” discourse have been thrown onto that year. However, here at Asymptote, we are excited to hear that acclaimed Lebanese Poet Zeina Hashem Beck will debut a poetry collection with Penguin Books in the summer of 2022! Titled O, the collection will be a meditative reflection on the letter O and its numerous meanings. Hashem Beck previously won the 2016 May Sarton New Hampshire Poetry Prize for her book Louder than Hearts.

March is usually a generous month to us and we will share this generosity through some exciting Arab literature reading lists! The Arab lit Quarterly Spring issue is out with exciting writings and translations on the theme of “Song.” Guest edited by investigative journalist Karim Zidan, this issue has a far-reaching range from tenth-century poetry by the polymath Kushajim (in translation by Salma Harland) to a journey through Palestinian resistance folk music with Shaimaa Abulebda. Another reading list we are excited about is the Sheikh Zayed Book Award shortlist! Dominated by women authors from the Arab world, the list includes authors from Egyptian Iman Mersal to Lebanese Alawiya Sobh. Happy reading!

In translation highlights, acclaimed Lebanese author Hoda Barakat’s novel, which won the 2019 International Prize for Arabic Fiction, is out now with an English translation and a controversial title! Translated by another acclaimed translator, Marilyn Booth, the title of “Voices of the Lost” is seen by some as reductive to the devastating stories of migrants in the novel. Another work we are enamored with is the collection of short stories A Bed for the King’s Daughter written by Syrian author, Shahla Ujayli, whose past work was long listed for the International Prize for Arabic Fiction. The collection, translated by Sawad Hussain, with an important forward on biases in the literary market, uses surrealism and humor to address many of modernity’s malaises from alienation to the patriarchal gaze. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Palestine, Hong Kong, and Malaysia!

This week, our writers bring you news from Palestine, Hong Kong, and Malaysia. In Palestine, the world has been remembering the renowned writer Mourid Barghouti, who passed away this month; in Hong Kong, Dorothy Tse’s first novel to appear in English, Owlish, will be released by Fitzcarraldo Editions and Graywolf Press; and in Malaysia, two new anthologies celebrate Malaysian writing. Read on to find out more! 

Carol Khoury, Editor-at-Large, reporting from Palestine

If it weren’t for COVID-19, the narrow streets of Deir Ghassana would have been jammed with mourners on Valentine’s day. Just like many other villages around the world, Deir Ghassana—the small serene village to the north of Ramallah in the central hills of Palestine— usually celebrates Valentine’s day, but not this year: for Mourid Barghouti passed away.

Born on a hot day in July 1944 in one of the village’s old houses, Barghouti grew to become a beloved Palestinian poet, performer, public speaker, and memoirist, albeit living most of his life in exile. He wrote the popular memoir I Saw Ramallah, which chronicled his return to the West Bank in 1996 and was translated by novelist Ahdaf Soueif. He also wrote a follow-up memoir, I Was Born There, I Was Born Herewhich tells his story from 1998 to 2010, translated by Humphrey Davies. He published more than a dozen collections of poems, and a collection of his work, Midnight and Other Poemswas translated by his life partner, the great Egyptian novelist Radwa Ashour (1946–2014).

In his foreword to the English version of I Saw Ramallah, Edward Said wrote of Barghouti’s treatment of loss experienced in exile that, “it is Barghouti’s extended rebuttal and resistance against the reasons for that loss that endows his poetry with substance and gives this narrative its positive valence.” The loss of such a writer is great, but Barghouti will always be remembered. His legacy is extremely rich, not only because he was one of the most articulate defenders of the Palestinian cause, but because his writing has encapsulated the collective agony and sumoud (steadfastness) of the Palestinian people everywhere.

In his memoir, Mourid writes about the loss of his private days—his birthday and his anniversary—as author Ghassan Kanafani was assassinated on the date of the first, and cartoonist Naji al-Ali on the second. It seems life is only determined to keep the legacy alive. Sadly for Mourid and Radwa’s only son, the poet Tamim Barghouti (b. 1977), February 14 will be a different celebration from now on.

To get a taste of his writings, a collection of his translated works is published on ArabLit and a wide-ranging interview by Maya Jaggi, published in The Guardian (2008). READ MORE…

What’s New with the Crew? (February 2021)

From writing columns to publishing translations, we’ve been keeping busy!

Assistant Editor (Fiction) Andreea Scridon will have a poetry pamphlet published in 2022 with Broken Sleep Books; in addition, she will be featured in Art and Letters’ anthology 14 International Younger Poets‚ forthcoming this summer.

Copy Editor Anna Aresi has begun writing a monthly column on children’s literature in translation for Italian kid lit blog Scaffale Basso.

Nonfiction Editor Bassam Sidiki published a poem in Counterlock Journal.

Chamini Kulathunga, Editor-at-Large for Sri Lanka, published her interview with Liyanage Amarakeerthi on Hopscotch Translation on February 9, 2021.

Jacqueline Leung, Editor-at-Large for Hong Kong, has joined Cicada, a new literary magazine featuring nuanced and inclusive writing; it also welcomes translations.

Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania & Moldova, has initiated an internationally funded project on digital literacy, DigiLiBeRo, spearheaded together with Ana Iolanda Voda and Roxana Patras.  READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Central America, Hong Kong, and France!

This week our writers bring you news from Central America, Hong Kong, and France. In Central America, renowned Guatemalan writer Eduardo Haldon has released his latest novel, Cancón, and Savladoran writer Claudia Hernández’s book Slash and Burn has been released in English translation by & Other Stories. In Hong Kong, literary journal the Voice & Verse Poetry Magazine has pertinently published a special feature about “Distance,” while in France, Italian writer Sandro Veronesi has won the Foreign Book Prize for Le Colibri, to be published in English translation in spring. Read on to find out more! 

José García Escobar, Editor-at-Large, reporting from Central America

Guatemalan poet Carmen Lucía Alvarado was recently nominated for the Rhysling Award for her poem El vacío se conjuga entre tus manos (The void blends in your hands), translated by Toshiya Kamei. Read the poem in English and Spanish here. Famed Guatemalan writer Eduardo Halfon released his new novel called Canción (Song). Published by Libros del Asteroide, his latest book tells a new chapter of the history of Halfon’s family, centering on his maternal grandfather and his kidnap during the Guatemalan Civil War (1960-1996). You can read an excerpt of Canción in English at The New York Review of Books site.

Also in Guatemala, the veteran poet and journalist Ana María Rodas released a new collection of short stories entitled Antigua para principiantes (Antigua for beginners). This new book includes several of Ana María’s most renowned short stories, plus other unpublished stories. This marks Ediciones del Pensativo’s first book of the year.

Additionally, in early January, & Other Stories published Slash and Burn, by the Salvadoran short story writer Claudia Hernández. The book was translated into English by Julia Sanches, who has translated the work of writers such as Daniel Galera (Brazil) and Noemi Jaffe (Brazil). READ MORE…

Weekly Dispatches From the Front Lines of World Literature

2021's first roundup brings you news from Taiwan, Hong Kong, and the United States!

Asymptote‘s Weekly Roundup is back for 2021 and this week our editors bring you news of major prize events in Taiwan, an event honouring the renowned writer Xi Xi in Hong Kong, and a refreshing online poetry series in the United States. Read on to find out more! 

Darren Huang, Editor-at-Large, reporting from Taiwan   

On December 15, the winners of the 2021 Taipei International Book Exhibition (TiBE) Book Prizes and the 17th Golden Butterfly Awards for book design were announced by the Taipei Book Fair Foundation. Both awards are major events at the annual TiBE, which starts on January 26. The winners featured a variety of forms and themes by writers from China, Taiwan, and Hong Kong, whose works reflect the prize’s investment in the “freedom of expression and freedom of publication as well as the tolerance and openness of this land.” Fiction prize winners include Huang Chun-ming, whose fiction has been featured in Asymptote, Kuo Chiang-sheng, and Pam Pam Liu’s graphic novel, “A Trip to Asylum.” Kuo’s novel concerns a piano tuner who bonds with the widower of a dead pianist, while Liu’s work, the first graphic novel to win in the fiction category, describes the experiences of a man who is admitted and finally released from a psychiatric hospital. In the nonfiction category, Hong Kong writer Hon Lai-chu won for her essay collection, “Darkness Under the Sun,” in which the author reflects on Hong Kong’s 2019 democracy protests.

In late November 2019, President Tsai Ing-wen awarded a posthumous citation to the nativist poet Chao Tien-yi for his contributions to contemporary Taiwanese poetry and children’s literature. Chao was one of the founders of the Li Poetry Society, a collective of Taiwanese nativist poets. Chao worked in a realist mode, through which he lyrically portrayed Taiwan’s landscape and the everyday lives of the working-class in such poems as “Cape Eluanbi,” an ode to the Pacific Ocean, and “Song of the Light-Vented Bulbul,” a nostalgic portrait of his hometown of Taichung. In 1973, the poet suffered a disappointing setback in his career when he lost his position as acting director of National Taiwan University’s (NTU) Department of Philosophy due to false accusations of Communist sympathies. Chao transformed his despair into the poems, “Daddy Lost His Work” and “Don’t Cry, Child.” The Ministry of Culture cited Chao’s works as “both mirror and window for reflecting upon a particular era in Taiwan for generations to come.”

READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest news from Poland, Hong Kong, and Serbia!

This week our editors bring you the latest literary news from Poland, Hong Kong, and Serbia. In Poland, high-profile authors including Olga Tokarczuk have been vocally supporting women’s rights and an exciting, newly discovered Bruno Schulz story has been published; in Hong Kong, authors have spoken out against claims of a dearth of writing in Hong Kong to attest to its thriving literary scene, just as the Hong Kong International Literary Festival kicks off; and in Serbia, a new biography of Ivo Andrić, the only Yugoslav Nobel Prize winner for literature, has sparked debate. Read on to find out more!  

Julia Sherwood, Editor-at-Large, reporting from Poland

As if having to cope with two waves of the coronavirus pandemic was not enough, Poland has been swept by two major waves of social unrest. The summer months were dominated by protests against the rising tide of homophobia, which prompted an open letter from the world’s leading writers, directors, and actors, including Margaret Atwood, Pedro Almodóvar, and Olga Tokarczuk. And since October 22 people have been out on the streets in their thousands protesting against the decision to further tighten the country’s abortion law, already one of the most restrictive in the world. Members of the LGBT+ community and people from all walks of life, including miners and farmers on tractors, joined women in marches up and down the country. Olga Tokarczuk summed up the sentiment in a tweet:

“Let us not deceive ourselves—this system will cynically exploit every moment of crisis, war, and epidemic, to return women to the kitchen, the church, and the cradle. Women’s rights are not given once and for all. We have to safeguard them, like every other achievement broadening the range of civil rights and human dignity. As of today, all of us are women warriors.”

Many other renowned writers—women including Wioletta Grzegorzewska, Agnieszka Taborska, and Anna Janko, as well as men, such as Zygmunt Miłoszewski, Mariusz Szczygieł, Jacek Dehnel, Szczepan Twardoch, Ziemowit Szczerek, and Aleksander Kaczorowski, have expressed their support for the women’s strike and their right to voice their anger in very strong language. Marta Frej, whose in-your-face feminist posters and memes have been empowering women and LGBT+ people for years now (here is her cover for a recent issue of the weekly Polityka) was joined by a number of renowned illustrators (see a selection featured in Calvert Journal).

Moving on to more strictly literary news, the online journal Notes from Poland has come up with a minor sensation: a translation of “Undula,” a newly discovered story, almost certainly written by Bruno Schulz, more than a decade before the writer’s first known works appeared. The story “follows the masochistic sexual imaginings of a sick man confined to his bed in a room inhabited by whispering shadows and cockroaches” and was published in an obscure Polish oil industry newspaper in 1922 under the name Marceli Weron. The Ukrainian researcher Lesya Khomych, who found it in an archive in Lviv, immediately suspected that this was a pseudonym and that the story could only have been written by Bruno Schulz. The story has now been translated and is introduced by Stanley Bill of the University of Cambridge and editor-at-large at Notes from Poland. READ MORE…

Bangkok, City of Mirrors: Reading Veeraporn Nitiprabha’s Lake of Tears

In addition to warning against societal amnesia, the novel is, at its heart, about empowering young people to trust their potential.

Earlier this month, thousands of demonstrators flocked to Bangkok’s iconic Ratchaprasong intersection to demand dictator Prayut Chanocha’s resignation. Thailand is no stranger to such uprisings, but this one’s a little different: it is part of a recent movement led almost exclusively by the young. In this brief but deliciously meaty essay, translator Noh Anothai draws thoughtful parallels between the current political scene and Lake of Tears, Thai powerhouse Veeraporn Nitiprabha’s first YA novel. Set in a dystopian city with near-blind, oblivious adults, it stars two courageous children who set out to face the past—which is, of course, the only way to change the future.

Whenever Yiwa watched the news on TV, murderers who harmed even small children, terrorists, and generals who slew people by the droves—none of these looked different from other people in their savagery. But if there was one thing that set them apart from everyone else—it was their indifference, their cool disinterest in the face of either good or evil . . .

The publication of Lake of Tears (ทะเลสาบน้ำตา), Thai author Veeraporn Nitiprabha’s third novel (and the first intended for a YA audience), comes at a strangely apt moment in Thai history. For at least the past year, a new political movement has been fomenting against the current junta led by Prayudh Chanocha, who seized power in a 2014 coup. What sets this movement apart, in a country that is no stranger to mass civilian uprisings, is age: it has been largely portrayed as a youth, or even a children’s, movement. While the pro-democracy demonstrations of the 1960s were embodied in the figure of the university student (“naive in spotless white school uniform,” to quote a poem from the time), and those of the early 2000s conjure up competing stages in yellow and red, today’s movement is characterized by millennials and Generation Zers coming of age in a political climate they deem no longer tenable to democratic ideas and freedom of expression. There have even been discussions within primary schools regarding what—if anything—should be done about children refusing to honor the national anthem, showing instead the three-fingered salute that has become today’s call to action. Indeed, one popular meme shows a secondary school student, his face blurred out, studying a geometry worksheet laid out on the asphalt at one of the many outdoor sit-ins taking place around Bangkok. The caption reads: “When you have homework but still gotta drive out the dictator.” READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest news from Lebanon, Singapore, and Hong Kong!

This week, our writers bring you the latest news from Lebanon, Singapore, and Hong Kong. In Lebanon, ArabLit Quarterly’s new issue is brimming with new writing based on the symbol of the cat, whilst the literary world in Beirut has been mourning the loss of pioneering writer and publisher Riyad Al Rayes. In Singapore, the Singapore Writers Festival is featuring workshops, discussions, and an exhibition on three notable Tamil writers. In Hong Kong, this year’s Hong Kong Literary Season has kicked off with a series of events and the International Writers’ Workshop has welcomed prize-winning author Helen Oyeyemi in discussion with PEN Hong Kong president, Tammy Ho Lai-ming. Read on to find out more!

MK Harb, Editor-at-Large, reporting from Lebanon

Purr! A furry week for Arabic literature in translation. ArabLit Quarterly released its Fall 2020 issue dedicated to the inextricable house pet, the cat! In it, the feline creature takes on an amorphous quality and takes on various meanings. In some pages, the cat is the forlorn lover of political writers; in other pages, the cat symbolizes urban misery and violence, such as in Layla Baalbaki’s story. The acclaimed Syrian author Ghada Al-Samman contributed to the issue, contextualizing the cat as an agent of patriarchy. In her short story, “Beheading the Cat,” a man must decapitate a cat in order to prove he is worthy of dominating his wife. Marcia Lynx Qualey, founder of Arablit Quarterly, who gave an interview to Asymptote in 2017, tells us that the inspiration for Al-Samman’s story comes from the Persian maxim “One should kill the cat at the nuptial chamber.” Some of the translators who worked on this issue include award-winning Lebanese journalist Zahra Hankir, who edited Our Women on the Ground: Essays by Arab Women Reporting from the Arab World—a highly coveted anthology.

In Beirut, the literary world grieves over the loss of Riyad Al Rayes, a formidable writer, publisher, and editor. Al Rayes, a Syrian-Lebanese vagabond, founded the first Arab newspaper in Europe, Al-Manar, which he set up in London. His eponymous publishing house, which he operated out of Beirut, has published over a thousand books and is known for representing new voices in literature and critique. One of his accolades includes publishing the late and acclaimed Palestinian poet Mahmoud Darwish’s Memory for Forgetfulness, which was translated into multiple languages from Arabic.

READ MORE…

Weekly Updates from the Front Lines of World Literature

This week's latest news from France, Hong Kong, and Sri Lanka!

Our writers bring you news this week from France, Hong Kong, and Sri Lanka. In France, a government official’s attempt to silence Pauline Harmange’s defence of misandry has turned her book Moi les hommes, je les déteste (I Hate Men) into an overnight bestseller; in Hong Kong, Chenxin Jiang was one of four winners of the Words Without Borders Poems in Translation Contest for her translation of poet Yau Ching; and in Sri Lanka, the Colombo International Book Fair is taking place, with the announcement of major literary awards such as the Svarna Pustaka Award. Read on to find out more! 

Barbara Halla, Assistant Editor, reporting from France

In the beginning there were only 400. That was the initial print run that the French indie publisher Monstrograph had planned for Pauline Harmange’s Moi les hommes, je les déteste (I Hate Men) when it was released in late August. As its provocative title belies, this ninety-six-page volume is essentially a defence of misandry, of women’s right not to like men. Harmange purportedly argues that in the face of thousands of years of subjugation and violence, women have not simply the right to hate men, but should also focus on building a life that decentres them. I say purportedly because I have not read the book yet. By the time I tried to get my hands on a copy, it wasn’t simply out of stock: the publisher had stopped publishing it altogether, unable to keep up with demand.

From those who have read it, I Hate Men has received mostly positive reviews, but it became a phenomenon thanks to a failed attempt to silence it. In a perfect example of situational irony, Ralph Zurmély, a French government official working, funnily enough, for the French ministry of gender equality, requested that the book be banned for inciting violence. He even threatened the publisher with legal action. Alas, thanks to him, the book has now become an overnight success, drawing plenty of international attention and depleting the original publisher’s resources. A few days ago, I Hate Men was acquired by Éditions du Seuil, a more established publishing house, whose head, Hugues Jallon, will be following the project personally. No word yet as to how long readers will have to wait for their copies. READ MORE…

Weekly Updates from the Front Lines of World Literature

This week's latest news from Lebanon, Japan, Romania, and Hong Kong!

Our writers bring you the latest literary news this week from Lebanon, where writers have been responding in the aftermath of the devastating port explosion. In Japan, literary journals have published essays centred upon literature and illness, responding to the ongoing pandemic. Romanian literature has been thriving in European literary initiatives and in Hong Kong, faced with a third wave of COVID-19, the city’s open mic nights and reading series have been taking place online. Read on to find out more! 

MK Harb, Editor-at-Large, reporting from Lebanon

This week, as French President, Emmanuel Macron, began his Lebanon tour by meeting the iconic Lebanese diva, Fairuz, the literary world continued to grieve for Beirut in the aftermath of the explosion. Author Nasri Atallah, writing for GQ Magazine, recounts the cataclysmic impact of “Beirut’s Broken Heart.” Writer and translator Lina Mounzer and writer, Mirene Arsanios, exchanged a series of letters to each other for Lithub, talking about the anguish of distance and the pain of witnessing tragedy.Writer Reem Joudi also wrote an intimate essay exclusively for Asymptote, reflecting on her experience of the explosion and the uncertain future that Beirut now faces. Naji Bakhti, a young Lebanese writer, made his literary debut with Between Beirut and the Moon. Published on August 27 with Influx Press, the book is a sardonic coming of age story in post-civil-war Beirut (1975-1990). While Bakhti was chronicling the past, reading it now feels eerily relevant.

In translation news, writer and transgender activist, Veronica Esposito, interviewed Yasmine Seale about her upcoming translation of the Thousand and One Nights. Seale, whose English translation of Aladdin is beautiful in the most transgressive sense, will be the first woman to translate the Thousand and One Nights into English. In the interview, she discusses the colonial and class legacy of translating classics and the wild possibility of re-translating and re-imagining many Arabic classics. Lastly, here at Asymptote, we are excited about acclaimed Egyptian author, Mansoura Ez-Eldin’s new novel, Basateen Al-Basra from Dar El-Shourouk publishing house. Her previous novel, Beyond Paradise, was shortlisted for the International Prize for Arabic Fiction in 2010. We eagerly await its translation from Arabic!

David Boyd, Editor-at-Large, reporting from Japan

This month, Japan’s major literary journals continue to showcase writing that deals with illness. The September issue of Subaru features several essays on the intersection between literature and illness, including “Masuku no sekai wo ikiru” (Living in the World of the Masque), in which Ujitaka Ito connects Sayaka Murata’s Convenience Store Woman to the current pandemic. READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest literary news from Hong Kong, Argentina, and Iran!

Whilst coronavirus remains a concern for countries around the world, our weekly dispatches are a testament that world literature continues to thrive, with our writers reporting on new literary journal initiatives, publishing fairs, audio books, and newly released novels. In Hong Kong, writers are advocating Cantonese literature and boldly responding to the ongoing protests by launching two new literary journals, Resonate and Hong Kong Protesting. Lovers of Argentine literature will be excited by the release of English audio books from the Centro Cultural Kirchner, featuring authors such as César Aira and Hebe Uhart, and available for free. In Iran, the literary community mourns the passing of prominent linguistic scholar Badr al-Zaman Qarib but has also celebrated the new release by the renowned novelist and Man Asian Literary Prize nominee Mahmoud Dowlatabadi. Read on to find out more! 

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

Two weeks ago, University of Edinburgh student Andrew Yu tweeted that one of the journal reviewers of his academic paper claimed that the name of Hong Kong is inappropriately “foreign” and needs to be amended to appear alongside its Chinese equivalent (香港) and its Mandarin romanization (Xianggang). Despite its roots in British colonialism, “Hong Kong” has been used for at least 180 years and is a closer romanization of the city’s name in Cantonese, its local language. What the reviewer proposed is unnatural, but it is also reflective of the city’s larger struggles as it tries to maintain its own identity amid political pressure and the sweeping national security law.

There have been recent initiatives to better protect Hong Kong’s unique culture and literature. Launched in June, Resonate is the world’s first literary journal written completely in Cantonese, which is seen mainly as a spoken language and is rarely written out in formal or literary contexts. Featuring fiction and criticism, the journal also publishes articles about the language itself, debunking myths long believed by its speakers—like the idea that Cantonese was spoken during the Tang dynasty. In fact, it is a modern variety of Middle Chinese, used from the Northern and Southern dynasties to the Song dynasty (roughly, from around A.D. 600  to A.D. 1200). Mandarin and Shanghainese also developed from Middle Chinese.

Cha, Hong Kong’s English-language literary journal, has also initiated a new project amassing writing about the Hong Kong protests, recently stifled by mass arrests of pro-democracy figures and the disqualification of lawmakers and election hopefuls. Hong Kong Protesting is a growing collection of original and translated poetry, essays, criticism, and art from various contributors. In particular, several translations of works by Hong Kong poets are available, including poems by Cao Shuying (trans. Andrea Lingenfelter), Derek Chung (trans. Tammy Lai-Ming Ho), Liu Waitong (trans. Lucas Klein), and Jacky Yuen (trans. Nicky Admussen). Many of the works evoke the start of the movement last summer when two million people marched peacefully, and when violating incidents, such as the attacks on journalists and citizens, became more frequent, altering the city once and for all. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week's latest news from Brazil, Hong Kong, and Central America!

This week, our writers bring you news of what’s happening around the world. In Brazil, a newly published collection draws together international voices discussing their experience during quarantine; in Hong Kong, tightened lockdown measures have meant book fairs and events moving online; and in Central America, the Autores en cuarentena event series is taking place online, whilst Carlos Wyld Espina’s essential political essay El Autócrata has been reissued. 

Daniel Persia, Editor-at-Large, reporting from Brazil

The ongoing coronavirus pandemic has no doubt weighed heavily on writers, altering not only their physical workspaces and subject matter, but also their orientation to the art itself. In Brazil, the Instituto Moreira Salles (IMS) has invited 126 individuals and collectives to reflect on their experiences during quarantine, featuring multimedia work from writers, visual artists, and musicians, among others. Meanwhile, reflections have gone global with Para além da quarentena: reflexões sobre crise e pandemia, which showcases critical discussions from Brazil, Italy, France, Portugal, the United States, and Uruguay. The collection, released in June, is available in free pdf and e-book formats through mórula editorial.

Another new release, Pandemônio: nove narrativas entre São Paulo—Berlim [Pandemonium: Nine Narratives Bridging São Paulo—Berlin], takes a more in-depth look from two of the world’s major literary hubs: São Paulo and Berlin. Organized by Cristina Judar and Fred Di Giacomo, Pandemônio touches on the pandemic, the ongoing economic crisis, and the advance of authoritarianism, highlighting similarities and differences between São Paulo and Berlin. Featured authors include Aline Bei, Cristina Judar, Jorge Ialanji Filholini and Raimundo Neto (representing São Paulo) and Carola Saavedra, Fred Di Giacomo, Alexandre Ribeiro, Karin Hueck, and Carsten Regel (representing Berlin). Pandemônio illustrates the strength of collective testimony, highlighting how stories have the power to bridge experiences from distant corners of the globe. The book is available for free online at www.pandemonioantologia.com, and through Amazon. A full English translation will be released in August. READ MORE…