Place: Bangalore

What’s New with the Crew? (Aug 2023)

Find out what our staff members have been up to when we’re not editing your favorite literary journal!

Editor-at-Large for Palestine Carol Khoury will be the guest editor of a special issue of the Jerusalem Quarterly, titled “Write-Minded: Jerusalem in Literature”; check out her call for submissions here or email her for further details.

Newsletter Editor Cody Siler published an essay in the Los Angeles Review of Books about  the impact of the American suspense writer Patricia Highsmith’s diaries on her critical reputation.

Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania & Moldova, chaired in June the 5th edition of #GraphPoem at Digital Humanities Summer Institute, a “data commoning” hyper-platform performance involving hundreds of participants and watched by thousands of viewers online.

Nonfiction Editor Ian Ross Singleton translated four poems by Marina Eskina for Barzakh.

M.L. Martin has a new translation of the pre-10 c. Anglo-Saxon queer, feminist poet in the latest issue of Cordite.

Assistant Editor Megan Sungyoon‘s translation of The Cheapest France in Town by Korean poet Seo Jung Hak is scheduled to be published by World Poetry Books in October 2023.

Blog Editor Meghan Racklin’s essay on sore throats as illness and as metaphor was published in Full Stop and her review of The Light Room by Kate Zambreno was featured in The Brooklyn Rail.

Assistant Editor (Fiction) Michelle Chan Schmidt published a review of Owlish by Dorothy Tse, translated from the Chinese by Natascha Bruce, in Cha: An Asian Literary Journal.

Editor-at-Large for North Macedonia Sofija Popovska‘s Macedonian translation of the novella Im Kopf von Bruno Schulz by Maxim Biller was published in July by Makedonika Litera Press; additionally, “Thaumatropes”, a poetry collection she co-authored with Jonah Howell also appeared in July, published by Newcomer Press.

Copy Editor Urooj recently had two poems published in Gulmohur Quarterly‘s Issue 10, released in June 2023. They were also invited to share their poems at the Bangalore Poetry Festival, in Bangalore, India as one of four young, emerging poets in a panel called “Poems in Progress.”

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Interested in joining us behind the scenes? We’re still finalizing our mid-year recruitment drive—hurry and apply if you’d like to help power the world’s literature! 

A Fine Balance: An Interview with Keerti Ramachandra

Isn’t that true of so many Indians? We inhabit several languages simultaneously and travel between them easily and unselfconsciously.

Keerti Ramachandra is a Katha AK Ramanujan Award-winning translator who works out of Marathi, Kannada, and Hindi. She has translated Vishwas Patil’s Sahitya Akademi Award-winning novel Jhadajhadati (A Dirge for the Dammed), which was shortlisted for the Crossword Prize.

This interview was conducted in two parts. I first met Ms. Ramachandra in her house on Residency Road, Bangalore, where she talked about her journey into translation. We continued the conversation over email where she discussed the various books she’s worked with, the process of collaboration, how her work as an educator and editor seeps into translation, and the state of Indian publishing.

Suhasini Patni (SP): You’ve been translating for several years now. Can you talk about how you came into translation?

Keerti Ramachandra (KR): I come from a bilingual family and a multilingual society. Every day, I would come home from school and report to my mother the events of the day in Marathi. Then repeat it all for my grandparents in Kannada, and then argue vociferously about the veracity of my stories with my brothers in English. Every now and then, our nanny used to ask me in Dakhani (her variety of Hindi): “Kya hua, bibi? Humkobhi bolo tho!” (What happened, baby? Tell us also!). And I would. Isn’t that true of so many Indians? We inhabit several languages simultaneously and travel between them easily and unselfconsciously.

Formal translation happened much later. Until 1994, I was a complete Anglophile. With a background in English literature and the extensive use of English in everyday life, I claimed English was my mother tongue.

Though we spoke all the languages at home, I had never studied Marathi, my mother’s tongue. I could read and write Kannada, my father’s tongue, since it was compulsory until matriculation, but knew only the classic “textbook” inclusions. I had better acquaintance with Hindi because it was a compulsory subject in school and college. Therefore, it seems outrageous, foolhardy, or audacious for me to get into translating Marathi literature!

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What’s New in Translation? February 2017

Asymptote reviews some of the best new books from French, Kannada, and Danish.

 

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Pretending is Lying by Dominique Goblet, tr. Sophie Yanow, New York Review Books

Review: Sam Carter, Assistant Managing Editor

Dominique Goblet’s Pretending is Lying, translated by fellow cartoonist Sophie Yanow in collaboration with the author, immediately recalls the best work of those figures like Alison Bechdel, Adrian Tomine, and Chris Ware, who have done so much to insist on both the relevance and elegance of the graphic narrative form in the Anglophone world. Fortunately, New York Review Books is dedicated to showcasing the many voices contributing to an ongoing, worldwide comic conversation, and its latest contribution is this Belgian memoir. Originally titled Faire semblant c’est mentir, it centers on the experiences of Dominique—a fictionalized version of the author herself—as she navigates fraught relationships with her parents, including with her looming lush of a father. Also sketched out is a romantic relationship where Dominique attempts to grapple with that most fundamental question of heartbreak: why did he leave me?

A certified electrician and plumber, Goblet clearly understands a thing or two about the necessary connections running through structures to make them work, and her illustrations carry this skill into Pretending is Lying, her first work to appear in English. Image and text perform an intricate choreography, reveling in an aesthetic that frequently slips between the easily imitated and the utterly remarkable. If the easy analogy for reading comics is the process of examining a series of film stills—and even if we might be tempted to label parts of the construction of this work cinematic—I would instead suggest that Goblet offers something that more closely resembles a well curated series of photographs, each of which could easily stand on its own, given each frame’s clarity of vision and attention to detail.

In illustrations that move from Rothko-like explorations of pure color to nuanced collections of penmanship that gradually reveal a series of ethereal forms, the melancholia that we often find in other works emerges here as well—maybe there’s something about the form that lends itself well to expressions of such emotions in its ability to match words with alternatively visceral and measured strokes. The muted color palette of Pretending is Lying is also remarkably expressive. READ MORE…

November News from the Asymptote team

From erotica in translation to magazine launches, no rest for world literature!

Spanish Social Media Manager Arthur Dixon has helped to found Latin American Literature Today, a new online literary journal, with support from World Literature Today! He will serve as its Managing Editor when it launches on January 31, 2017.

Contributing Editor Ellen Elias-Bursać will be part of an evening of readings in translation at Berl’s Brooklyn Poetry Shop on December 17, 2016, presented by Harlequin Creature. Her translation of Dubravka Ugrešić’s brilliant address on receiving the Neustadt International Prize for Literature 2016 has been published on LitHub.

Slovakia Editor-at-Large Julia Sherwood‘s co-translation (with Peter Sherwood) of Uršuľa Kovalyk’s short story “Julia” was published in the latest issue of SAND, Berlin’s English literary journal.

Romania & Moldova Editor-at-Large, Chris Tanasescu, aka MARGENTO, will be launching an anthology of contemporary Romanian erotic poetry in New York together with past Asymptote contributor Martin Woodside.  Another contributor to the project is Ruxandra Cesereanu, the primary editor of Moods & Women & Men & Once Again Moods.

Editor-at-Large for India Poorna Swami‘s poetry reading in Bangalore was featured by The Hindu, Metro Plus. Her poem “River Letters” was published in Prelude, Volume 3. She also wrote a blog piece on the politics of social media friendship for The Huffington Post, India. She has been long-listed for the 2017 Toto Awards for Creative Writing (English).

English Social Media Manager Thea Hawlin‘s ‘five-point guide’ to avant-garde artist Yves Klein was published in AnOther magazine.

Chief Executive Assistant Theophilus Kwek  placed Second in the Stephen Spender Prize 2016 for poetry in translation, and his translation of Wong Yoon Wah’s poem, ‘Shadow Puppets’, was featured in The Guardian‘s Translation Tuesday series in collaboration with Asymptote. He was also part of recent poetry readings at the Woodstock Poetry Festival and the Pitt Rivers Museum in Oxford.

Indonesia Editor-at-Large Tiffany Tsao has had two translations and a short story published in BooksActually’s Gold Standard 2016—a “best of” anthology of short fiction by cult writers from East and Southeast Asia that aims to counter the tokenistic way Asian writing is often curated in the West.

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More Dispatches from the Asymptote Team:

Mid-autumn News from the Asymptote Team

From poetry to graph theory to dance, we've been keeping busy.

Poetry Editor Aditi Machado‘s poem ‘Route: Desert’ was recently published in Poor Claudia.

Drama Editor Caridad Svich‘s new play, Archipelagopremieres in the UK on 24th November at the Lighthouse in Poole, directed by Stephen Wrentmore. Her essay, ‘Six Hundred and Ninety-Two Million: On Art, Ethics and Activism’ recently appeared on Howlround.

Romania and Moldova Editor-at-Large Chris Tanasescu, aka MARGENTO, co-authored an academic article on artificial intelligence with Bryan Paget and Diana Inkpen that has recently been published in the Journal of the Association for the Advancement of Artificial Intelligence. This is part of an ongoing research project, The Graph Poem, led by MARGENTO that applies graph theory to poetry computational analysis and poetry composition or generation.

Contributing Editor Ellen Elias-Bursac‘s translation of Hotel Tito by Ivana Bodrožić will be published by Seven Stories Press. Read an exclusive excerpt in Asymptote‘s Spring Issue! She has also just been elected Vice-President of the American Literary Translators’ Association.

Assistant Editor K.T. Billey, who also edited Asymptote‘s recent Special Feature on Canadian Poetry, has three new poems in the latest issue of the Denver Quarterly

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