News

Weekly Dispatches From the Front Lines of World Literature

The latest news from Poland and Central America!

This week, our writers bring you news from Poland and Central America. In Poland, the life and work of the renowned poet Adam Zagajewski has been celebrated after he passed away, while Olga Tokarczuk has published a children’s book; and in Central America, a new literary magazine has been launched to feature LGBTQ+ voices. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from Poland

The literary community not just in Poland but around the world has been mourning the loss of  the great Polish poet and essayist Adam Zagajewski, who passed away in Kraków on 21 March, aged seventy-five. The winner of numerous literary awards, including the Neustadt International Prize for Literature (2004) and the Zhongkun International Poetry Prize (2014), Zagajewski was appointed a Chevalier of the French Legion of Honour in 2016. His 2002 poem “Try to Praise the Mutilated World” (translated by Clare Kavanagh) captured the sombre mood after 9/11. In his final interview, published last summer on culture.pl, he defined poetry as follows:

I’m partial to a very old definition articulated by an Italian Jesuit poet and philosopher at the turn of the 18th century: “Poetry is a dream made in the presence of reason.” I adore that, as it contains two elements—something wild connected to imagination and dreams, yet still kept in order by reason. A sort of dialogue with the imagination.

Although he had been mooted as a candidate for the Nobel Prize in Literature for many years, Zagajewski never received that accolade. Olga Tokarczuk, who won the prize in 2018, and has “always held that writers don’t really have biographies, and that the best way to find out about them is to read their books,” was nevertheless compelled to write a biographical essay, which has recently appeared on the Nobel Prize website (trans. Antonia Lloyd-Jones,) in which she tackles the subject with her customary warmth and originality.

Tokarczuk has also branched out into picture books with Lost Soul, a “meditation on the fullness of life,” illustrated by Joanna Concejo and also translated by Lloyd-Jones. The translator is also behind the English version of the delightful second outing of the matronly sleuth, Zofia Turbotynska, in Karolina and the Torn Curtain, a retro crime story set in the 1890s in Kraków, penned by Maryla Szymiczkowa, a.k.a. the writer-translator duo Jacek Dehnel and Piotr Tarczyński. For further details of these Polish books and more, due to appear in English 2021, look no further than this helpful list compiled by culture.pl.

The latest threats to freedom of expression in Poland are summed up in a report by constitutional lawyer and former journalist Anna Wójcik. They relate to a 1,700-page anthology on the extermination of Jews in Nazi Germany-occupied Poland during the Second World War, Night Without End. The Fate of Jews in Selected Counties of Occupied Poland, published in 2018. A Warsaw district court ruled in February that its authors, prominent Holocaust researchers Professor Jan Grabowski of the University of Ottawa and Professor Barbara Engelking, who heads the Polish Center for Holocaust Research of the Polish Academy of Sciences, must publicly apologize for statements alleging that the mayor of the village of Malinowo shared responsibility for the death of Jews there in 1943 at the hands of Nazi Germans and that he robbed a Jewish woman of her possessions.

To end on a positive note: in December 2020, writer, publisher, and head of the Pogranicze (Borderland) Foundation, Krzysztof Czyżewski, was awarded the Ambassador of New Europe prize by the European Solidarity Centre in Gdańsk and the Eastern European College in Wrocław for his book W stronę Xenopolis (Towards Xenopolis), while Szczepan Twardoch’s The King of Warsaw (trans. Sean Gasper Bye) was longlisted on 11 March for the European Bank for Reconstruction and Development Literature Prize 2021.

José García Escobar, Editor-at-Large, reporting from Central America

Last month saw the launch of a new arts, culture, and literary magazine in Central America: Revista Impronta, which will focus on the work and voices of the LGBTQ+ community in the region. Made possible by the effort of journalist Daniel Villatoro, Revista Impronta has since shared work by Central American artists such as rapper Rebeca Lane, writer David Ulloa, poet Roy G. Guzmán, fashion designer Manuel de la Cruz, and comic book artist Breena Núñez.

Additionally, authors, bookstores, and festivals across Latin America recently came together to honor the Guatemalan writer Augusto Monterroso, who would have turned 100 this year. Monterroso is most famous for books such as La oveja negra y demás fábulas (The Black Sheep and Other Fables), and for his story “El dinosaurio” (“The Dinosaur“). Augusto Monterroso was also awarded the Juan Rulfo Award in 1996, the Miguel Ángel Asturias National Prize in Literature in 1997, and the Prince of Asturias Award in Literature in 2000 and is regarded as one of Guatemala’s finest authors.

*****

Read more on the Asymptote blog:

Weekly Dispatches From the Front Lines of World Literature

The latest news from Hong Kong, Lebanon, and Taiwan!

This week, our writers bring you news from Hong Kong, Lebanon, and Taiwan. In Hong Kong, Voice & Verse Poetry Magazine is publishing a special section on Myanmar writing; in Lebanon, poet Zeina Hashem Beck’s second poetry collection will be published by Penguin; and in Taiwan, the 2021 Taipei Literary Festival has kicked off. Read on to find out more! 

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

In a show of solidarity to the resistance efforts in Myanmar, Voice & Verse Poetry Magazine is publishing an English-language section on Myanmar, to be edited by poet, writer, and academic Tammy Lai-Ming Ho. The magazine will accept submissions until March 30 and has already announced that it will include some works in translation. So far, Thiri Zune’s translation of Nay Thit’s “With the Teeth of a Mad Flower” and Ko Ko Thett’s translation of Aung Khin Myint’s poem “Spring” will be in the upcoming issue. Both are timely responses to the military coup which has killed well over 200 people, including poets Myint Myint Zin and K Za Win, and has caused countrywide Internet blackout and crackdowns on the media. While international condemnation of Myanmar’s military leaders is escalating, many in Hong Kong identify with the resistance from the onset, especially with the fresh memory of the city’s own protests.

In addition to its efforts for Myanmar, Voice & Verse held an event discussing the American poet Louise Glück, winner of the 2020 Nobel Prize in Literature, on World Poetry Day (March 21, 2021). Hosted by writer, poet, and critic Ian Pang in Cantonese, the event discussed Glück’s oeuvre, from her first poetry collection Firstborn (1968) to more recent works.

Works in translation also feature prominently in the forty-fifth Hong Kong International Film Festival, set to take place between April 1 and 12. With over 190 titles from fifty-eight countries and regions, the festival is proceeding in a hybrid format with in-theatre and online screenings as well as director discussions. This year’s showcase includes Wife of a Spy directed by Kurosawa Kiyoshi and Andrei Konchalovsky’s Dear Comrades!, which recently won Best Director and the Special Jury Prize respectively at the 2020 Venice International Film Festival; Golden Globes Best Foreign Language Film winner, Minari, by Korean-American director Lee Isaac Chung; and Japanese masterpieces in the event of Shokichu Cinema’s 100th anniversary. These already rich offerings are accompanied by a selection of newly restored classics from world and Chinese-language cinemas, recalling Parasite director Bong Joon-ho’s Golden Globe statement, that once one overcomes the one-inch barrier of subtitles, one gains access to many more amazing films and works of art.

MK Harb, Editor-at-Large, reporting from Lebanon

2022. Since the start of the pandemic and the global vaccine roll out, a number of hopes, projects, and “return to normal” discourse have been thrown onto that year. However, here at Asymptote, we are excited to hear that acclaimed Lebanese Poet Zeina Hashem Beck will debut a poetry collection with Penguin Books in the summer of 2022! Titled O, the collection will be a meditative reflection on the letter O and its numerous meanings. Hashem Beck previously won the 2016 May Sarton New Hampshire Poetry Prize for her book Louder than Hearts.

March is usually a generous month to us and we will share this generosity through some exciting Arab literature reading lists! The Arab lit Quarterly Spring issue is out with exciting writings and translations on the theme of “Song.” Guest edited by investigative journalist Karim Zidan, this issue has a far-reaching range from tenth-century poetry by the polymath Kushajim (in translation by Salma Harland) to a journey through Palestinian resistance folk music with Shaimaa Abulebda. Another reading list we are excited about is the Sheikh Zayed Book Award shortlist! Dominated by women authors from the Arab world, the list includes authors from Egyptian Iman Mersal to Lebanese Alawiya Sobh. Happy reading!

In translation highlights, acclaimed Lebanese author Hoda Barakat’s novel, which won the 2019 International Prize for Arabic Fiction, is out now with an English translation and a controversial title! Translated by another acclaimed translator, Marilyn Booth, the title of “Voices of the Lost” is seen by some as reductive to the devastating stories of migrants in the novel. Another work we are enamored with is the collection of short stories A Bed for the King’s Daughter written by Syrian author, Shahla Ujayli, whose past work was long listed for the International Prize for Arabic Fiction. The collection, translated by Sawad Hussain, with an important forward on biases in the literary market, uses surrealism and humor to address many of modernity’s malaises from alienation to the patriarchal gaze. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Belgium, Sweden, and Japan!

This week, our writers bring you the latest news from Belgium, Sweden, and Japan. In Belgium, the 2020 SACD and Scam prizes were awarded; in Sweden, Littfest is kicking off with a special emphasis on Sámi voices; and in Japan, two new thrillers and science fiction short stories are being translated into English. Read on to find out more! 

MARGENTO, Editor-at-Large, reporting from Belgium

In the mix of despair and sarcastic humor surrounding the Covid vaccine tragicomedy—pocked by the persiflage at the abundance of excessively well-paid officials of a small nation with . . . six governments and nine health ministers—Belgian literary and artistic life seems to have found its own path. Breaking news: the 2020 SACD and Scam prizes were awarded yesterday within a pandemic-adapted in-person ceremony whose online video version is already attracting numerous social media viewers. The literary prize goes this year to young poet Charline Lambert, author of 4 collections of poetry and 2017 winner of the Wallonia-Brussels Federation prize for her debut book Chanvre et lierre. The 2021 special format involved rewarding writers and artists for their long-standing contributions rather than a specific work, and previous editions have highlighted established poet, novelist, philosopher, and literary critic Véronique Bergen and prolific writer and translator Emmanuèle Sandron.

The in-person-and-online combination seems to have gained ground on a larger scale across the nation as the Royal Library of Belgium (KBR) is inviting visitors to enjoy a 600-year-old previously hidden treasure-trove (the library of the Dukes of Burgundy) while substantially boosting its collection digitizing and digital culture related initiatives. Among the latter, most notably, the cutting-edge Digital Research Lab facilitates text and data mining research on KBR’s diverse, multilingual digitised and born-digital collections, and co-organizes together with Camille and two universities—Université libre de Bruxelles and Ghent University—a widely mediatized Digital Heritage Seminar series. The library’s collaboration with Belgian universities goes in the field of literary translation as well, as a newly launched research initiative run jointly with KU Leuven and UCLouvain (BELTRANS) undertakes to tell the untold history of “literary translation flows” in Belgium between French and Dutch in the period 1970-2020. However gigantically active, KBR is still not the only cultural hub digitally adjusting to the ‘new normal’. PILEn (the book and digital publishing inter-professional partnership) has recently launched an online tool for browsing Belgian Francophone presses by subject and genre, and continues its long-standing hybrid writing series featuring cross-artform projects and multi-support poetry. READ MORE…

Translators Weigh In on the Amanda Gorman Controversy

The incident sparked industrywide conversation about who gets to translate.

On March 1, The Guardian reported that Amanda Gorman’s Dutch translator, Marieke Lucas Rijneveld, had quit. Amanda Gorman, the poet who catapulted onto the world stage after an astounding performance at U.S. President Joe Biden’s January inauguration, had approved Rijneveld, an acclaimed Dutch writer, themselves, but the announcement that Rijneveld would translate Gorman’s book The Hill We Climb provoked backlash. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Slovakia, Hungary, and Bulgaria!

This week, our writers bring you news from Slovakia, Bulgaria, and Hungary. In Slovakia, this year marks the centenary of the birth of renowned writer Ladislav Grosman, while Pavol Rankov has made history by winning the European Book Prize 2020; in Hungary, acclaimed poet Krisztina Tóth is being targeted after criticising some books on the country’s school curriculum; and in Bulgaria, George Orwell’s works being released to the public domain in 2021 has sparked a plethora of new translations. Read on to find out more! 

Julia Sherwood, Editor-at-large, reporting from Slovakia and Hungary

The beginning of the year marked 100 years since the birth and forty years since the death of Slovak-born writer Ladislav Grosman. Born in the eastern Slovak town of Humenné on 4 February 1921, he moved to Prague after the war where he made his mark as a writer in the 1960s and, following the Soviet-led invasion of Czechoslovakia in 1968, emigrated to Israel where he died on 25 January 1981. Grosman is primarily known for his novel The Shop on Main Street, which he later adapted into a screenplay for the film that won the foreign language Oscar in 1985. His other books, including Nevesta (The Bride) and the 1000-page-long novel Adam remain largely unknown.

With the European Book Prize 2020 for his novel It Happened on the First of September (Or Some Other Time), Pavol Rankov scored a hat trick, becoming the first Slovak recipient of three international prizes (the book won the European Union Prize for Literature in 2009 and the Polish Angelus Prize in 2011). This time a panel of thirteen journalists from the leading European media chose his book as a “a great contribution to researching the memory and consciousness not only of the people of the Eastern bloc but of all Europe.” Reacting to the news Rankov said: “I view the award as more of a recognition of the French translation than of the original Slovak text, which the jury never held in their hands.” Michel Chasteau’s French translation appeared in 2019, and the book is now also available in English, in Magdalena Mullek’s translation.

Slovakia’s literary scene is unthinkable without the colourful figure of publisher Koloman Kertész Bagala. Since founding his publishing house thirty years ago, Bagala has published 500 books by Slovak writers, organised twenty-five rounds of his short story competition Poviedka, and hundreds of discussions, readings and other events, as well as discovering many new Slovak writers. Bagala, sometimes referred to as the “unguided missile of Slovak literature,” has persevered despite several near-bankruptcies and nervous breakdowns. While some authors moved on to more mainstream houses, many have remained fiercely loyal. They include Balla, a past Asymptote contributor, who immortalised the maverick publisher in his novel Big Love. When his narrator bumps into Bagala in a seedy bar in Rotterdam, he observes: “This man looks perfectly at home wherever he is, as if he belongs wherever he happens to be . . . Dishevelled, unkempt, unshaven, frustrated, on the brink of bankruptcy and madness—but right where he belongs.”

And in the week when we celebrate International Women’s Day, we can’t ignore disturbing news from Slovakia‘s southern neighbour, Hungary: Krisztina Tóth, one of most acclaimed contemporary Hungarian poets and writers (and past Asymptote contributor) has become the target of a vicious media campaign after she criticized some of the books in the country’s school curricula for depicting women as passive and submissive (more information on Hungarian Literature Online). Taken out of context, these were presented as calls for the banning of literary classics and she has been subjected to horrendous harrassment, even having dog excrement pushed through her letter box. In an interview with the Czech writer Dora Kaprálová for the Slovak-Hungarian online journal dunszt.sk, Tóth said: “Power has no sense of humour, authoritarian regimes destroy the sense of playfulness and humour, since they assume a variety of points of view. My weapon is irony. But now my weapon has been destroyed and I am bleeding.” READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from the Vietnamese Diaspora, Taiwan, and the United States!

This week, our writers bring you the latest news from the Vietnamese Diaspora, Taiwan, and the United States. The diasporic Vietnamese community has been mourning renowned poet Nguyễn Lương Vỵ; in Taiwan, Leo Ou-fan Lee and Esther Yuk-ying have released their highly acclaimed co-authored memoir; and in the United States, PEN America has announced the Longlist for the 2021 PEN America Literary Awards. Read on to find out more! 

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

The diasporic Vietnamese community is mourning poet Nguyễn Lương Vỵ, who recently died of COVID-19 at aged sixty-eight. Tributes and essays devoted to his fruitful legacy have appeared online, with mentions of his March 3, 2021 funeral in Midway City, California.

Born in Quảng Nam, Central Vietnam—a hardscrabble terrain famous for its revolutionaries and poets—Nguyễn Lương Vỵ used onomatopoeic speech to create multivalent “compressions” of sound, image, and sense. Instructed in Chinese and Nôm scripts by his grandfather, Nguyễn Lương Vỵ gravitated toward Tang poetry, haiku, and Zen philosophy. These influences shaped his lifelong exploration of Âm, a Vietnamese homonymic concept that represents the motherlode of sound, voice, language, female, and night, overlapping with the Buddhist, Hinduist, and Jainist Om. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Palestine, Hong Kong, and Malaysia!

This week, our writers bring you news from Palestine, Hong Kong, and Malaysia. In Palestine, the world has been remembering the renowned writer Mourid Barghouti, who passed away this month; in Hong Kong, Dorothy Tse’s first novel to appear in English, Owlish, will be released by Fitzcarraldo Editions and Graywolf Press; and in Malaysia, two new anthologies celebrate Malaysian writing. Read on to find out more! 

Carol Khoury, Editor-at-Large, reporting from Palestine

If it weren’t for COVID-19, the narrow streets of Deir Ghassana would have been jammed with mourners on Valentine’s day. Just like many other villages around the world, Deir Ghassana—the small serene village to the north of Ramallah in the central hills of Palestine— usually celebrates Valentine’s day, but not this year: for Mourid Barghouti passed away.

Born on a hot day in July 1944 in one of the village’s old houses, Barghouti grew to become a beloved Palestinian poet, performer, public speaker, and memoirist, albeit living most of his life in exile. He wrote the popular memoir I Saw Ramallah, which chronicled his return to the West Bank in 1996 and was translated by novelist Ahdaf Soueif. He also wrote a follow-up memoir, I Was Born There, I Was Born Herewhich tells his story from 1998 to 2010, translated by Humphrey Davies. He published more than a dozen collections of poems, and a collection of his work, Midnight and Other Poemswas translated by his life partner, the great Egyptian novelist Radwa Ashour (1946–2014).

In his foreword to the English version of I Saw Ramallah, Edward Said wrote of Barghouti’s treatment of loss experienced in exile that, “it is Barghouti’s extended rebuttal and resistance against the reasons for that loss that endows his poetry with substance and gives this narrative its positive valence.” The loss of such a writer is great, but Barghouti will always be remembered. His legacy is extremely rich, not only because he was one of the most articulate defenders of the Palestinian cause, but because his writing has encapsulated the collective agony and sumoud (steadfastness) of the Palestinian people everywhere.

In his memoir, Mourid writes about the loss of his private days—his birthday and his anniversary—as author Ghassan Kanafani was assassinated on the date of the first, and cartoonist Naji al-Ali on the second. It seems life is only determined to keep the legacy alive. Sadly for Mourid and Radwa’s only son, the poet Tamim Barghouti (b. 1977), February 14 will be a different celebration from now on.

To get a taste of his writings, a collection of his translated works is published on ArabLit and a wide-ranging interview by Maya Jaggi, published in The Guardian (2008). READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Argentina, Sri Lanka, and Sweden!

This week, our writers bring you the latest news from Argentina, Sri Lanka, and Sweden. In Argentina, Betina González’s first novel to be translated into English, American Delirium, has been released; in Sri Lanka, renowned dramatist Asoka Handagama will premiere his new play in March; and in Sweden, the Swedish Arts Council has responded to the need for increased funding in the literary and culture sector. Read on to find out more! 

Allison Braden, Editor-at-Large, reporting from Argentina

On Tuesday, Argentine novelist Betina González made her English-language debut with the publication of American Delirium (Henry Holt and Co.). The book chronicles the chaos that ensues after a strange hallucinogen invades a fictional U.S. town, and the stories of three central characters—Beryl, Berenice, and Vik—diverge and collide in a narrative that plays with notions of utopia and dystopia. To kick off publicity events for the novel, bookstore Politics and Prose in Washington, D.C., hosted a virtual conversation between González and her translator, Heather Cleary.

Moderator Idra Novey, who is herself a novelist and award-winning translator, focused in part on issues of translation. González began writing the book, which is set in the U.S., while living in Pittsburgh, Pennsylvania. González described how English served as a “ghost structure” behind her writing in Spanish. That “special Spanish,” as she called it, was also shaped in part by the various Spanish dialects and tones she encountered while living in the U.S.; incorporating those regional differences into the fabric of the narrative contributed to its hallucinogenic, dreamlike atmosphere. “The language,” she said, “needed to collaborate” with the plot.

The translation process began, Cleary explained, with close reading and a conversation with González about the three characters’ voices. Berenice and Vik’s sections are both written in the third-person, but the narration evinces subtle differences that reflect their respective personalities. Vik hails from an invented island in the Caribbean, which experienced first Spanish, then British colonization. (González conducted extensive research to shape his origins. In total, the book took about seven years to write.) To help capture González’s careful nuance, Cleary infused Vik’s sections with Briticisms, which hint at his home’s colonial history. (Vik, Cleary pointed out, was difficult to translate in part because he’s “kind of an asshole,” who is “as resistant on the page as he is in real life.”) READ MORE…

What’s New with the Crew? (February 2021)

From writing columns to publishing translations, we’ve been keeping busy!

Assistant Editor (Fiction) Andreea Scridon will have a poetry pamphlet published in 2022 with Broken Sleep Books; in addition, she will be featured in Art and Letters’ anthology 14 International Younger Poets‚ forthcoming this summer.

Copy Editor Anna Aresi has begun writing a monthly column on children’s literature in translation for Italian kid lit blog Scaffale Basso.

Nonfiction Editor Bassam Sidiki published a poem in Counterlock Journal.

Chamini Kulathunga, Editor-at-Large for Sri Lanka, published her interview with Liyanage Amarakeerthi on Hopscotch Translation on February 9, 2021.

Jacqueline Leung, Editor-at-Large for Hong Kong, has joined Cicada, a new literary magazine featuring nuanced and inclusive writing; it also welcomes translations.

Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania & Moldova, has initiated an internationally funded project on digital literacy, DigiLiBeRo, spearheaded together with Ana Iolanda Voda and Roxana Patras.  READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Lebanon, Taiwan, and France!

This week, our writers bring you the latest news from Lebanon, Taiwan, and France. In Lebanon, translator Dr. Mona Kareem has won the National Endowment for the Arts Award and the Barjeel Poetry Prize winners have been announced; in Taiwan, the February issue of INK literary magazine presents work by sixteen Taiwanese authors on “A Memo for Literature of the Next Decade”; and in France, Vanessa Springora’s bestselling memoir about sexual abuse will be released in English translation. Read on to find out more! 

MK Harb, Editor-at-Large, reporting from Lebanon

In Lebanon, the cultural world and the literary sphere has been rocked by the news of the assassination of Lokman Slim. Slim was a prolific writer and intellectual, and was an influential member of the cultural and political community, opening his research and documentation practice UMAM in southern Beirut. A celebration of his life and work was held on February 11.

In translation news, Dr. Mona Kareem, translator of Octavia Butler’s Kindred into Arabic, won the National Endowment for the Arts Award. Her award supports the translation from the Arabic of the poetry collection Falcon with Sun Overheard by Ra’ad Abdulqadir, a pioneer of Iraqi poetry. Here is Dr. Kareem’s haunting translation of his poem “A Song for the Lightning Bird.” Interested in learning more about the Arabic prose poem? Then listen to author Huda J. Fakhreddine’s online talk about it at Dartmouth College!

In more thrilling translation news, Sawad Hussain’s translation from the Arabic of A Bed for the King’s Daughter is being published by University of Texas Press. Written by Syrian author Shahla Ujayli, whose past work was long-listed for the International Prize for Arabic Fiction, this collection of short stories is experimental, witty, and loaded with uncanny images dealing with modernity, alienation, and patriarchy.  READ MORE…

Section Editors’ Highlights: Winter 2021

Our section editors present their favorite works from our Winter 2021 issue!

Our Winter 2021 issue marks a decade of diving into the languages of the world (our archive now boasts 113 of them!) in all their incredible singularity and variegation. Spanning thirty-one countries, this milestone edition feels like a fitting way to honor a decade of hard work behind the scenes. After hearing from our blog editors last week, let’s pass the mic to the very editors who had a hand in putting together the issue itself.

Is it a Comedy? Is it a Tragedy?” Thomas Bernhard asks in our debut issue from January 2011. Ten years later, Brazilian author Adelice Souza’s fever-dream of a story (in Padma Viswanathan’s pitch-perfect translation) provides a direct enjoinder: “The play wasn’t a comedy, nor was it a tragedy . . . It was a drama very specifically for those two women.” Just as in Bernhard’s story, the point is not the play at all—we hardly know what the play is about, other than the fact that its two actresses play a lonely woman and her dog, and that tragedy ensues when one demands to switch roles with the other. In contrast to Bernhard, who focuses squarely on the theatre-goer, Souza makes it all about the two actresses whose eight years of traveling with the play to multiple cities have “put them through every type of relationship.” It’s not a story one imagines being plotted out; rather, the work feels like it has been ejected, like toothpaste from a tube, sentence by exhilarating sentence. In the “Brave New World Literature” Special Feature, we also come full circle but in a different way via the return of frequent contributor Jeremy Tiang, who debuted as a translator in our first issue. Combining pop-cultural references with theory, “The World Is Not Enough” is full of quotable gems, but nowhere is Tiang more on-point than when he muses, “Perhaps if the dominant anglophone culture actually acknowledged itself to be part of the world, rather than treating ‘world literature’ as a spice rack to save itself from total blandness, more than three percent of books published in the United States would be in translation?” Finally, anyone who is curious about the workings of a magazine of world literature other than our own will find plenty of food for thought in John Freeman’s riveting piece on how he remade Granta into a global publication.

—Lee Yew Leong, Fiction Editor and ”Brave New World Literature“ Special Feature Editor

Max Rojas is a constant enthusiasm of mine and so I was thrilled to showcase a pretty sizable excerpt from Zane Koss and Gerónimo Sarmiento Cruz’s translation—the very first in English—in all its shining, breathless glory. Even though it’s a mere sliver of a doorstop-sized poem, it’s an excellent sample of Rojas’ talent and an overdue introduction for the Anglosphere. The language of Bodies is both baroque and ephemeral, rugged and philosophical, and its tone swings between that of a theologico-political treatise and a declaration of war. It’s some of this last century’s densest and most sophisticated Spanish-language verse, and some of the most woefully unknown.

—Garrett Phelps, Poetry Editor READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Central America, Hong Kong, and France!

This week our writers bring you news from Central America, Hong Kong, and France. In Central America, renowned Guatemalan writer Eduardo Haldon has released his latest novel, Cancón, and Savladoran writer Claudia Hernández’s book Slash and Burn has been released in English translation by & Other Stories. In Hong Kong, literary journal the Voice & Verse Poetry Magazine has pertinently published a special feature about “Distance,” while in France, Italian writer Sandro Veronesi has won the Foreign Book Prize for Le Colibri, to be published in English translation in spring. Read on to find out more! 

José García Escobar, Editor-at-Large, reporting from Central America

Guatemalan poet Carmen Lucía Alvarado was recently nominated for the Rhysling Award for her poem El vacío se conjuga entre tus manos (The void blends in your hands), translated by Toshiya Kamei. Read the poem in English and Spanish here. Famed Guatemalan writer Eduardo Halfon released his new novel called Canción (Song). Published by Libros del Asteroide, his latest book tells a new chapter of the history of Halfon’s family, centering on his maternal grandfather and his kidnap during the Guatemalan Civil War (1960-1996). You can read an excerpt of Canción in English at The New York Review of Books site.

Also in Guatemala, the veteran poet and journalist Ana María Rodas released a new collection of short stories entitled Antigua para principiantes (Antigua for beginners). This new book includes several of Ana María’s most renowned short stories, plus other unpublished stories. This marks Ediciones del Pensativo’s first book of the year.

Additionally, in early January, & Other Stories published Slash and Burn, by the Salvadoran short story writer Claudia Hernández. The book was translated into English by Julia Sanches, who has translated the work of writers such as Daniel Galera (Brazil) and Noemi Jaffe (Brazil). READ MORE…

Blog Editors’ Highlights: Winter 2021

Dive into our wide-ranging tenth-anniversary issue with our blog editors.

In ten years of Asymptote, we’ve brought you a stunning array of texts, from writers familiar to those brought out newly into the light, words of conviction, ardor, invention, and precision have graced our pages, and our history-making Winter 2021 issue is no different. Featuring three new languages—Cebuano, Kahmiri, and Marathi—and deploying works from thirty-one countries in total, we are additionally featuring a curated selection of writings in our Brave New World Literature feature, which presents a myriad of talented voices navigating and graphing the changing landscape of world literature. Here, our blog editors are rounding up their selections of the pieces of the Winter 2021 edition that ignite and inspire.

The notion of a brave new world literature indicates—beyond the trepidations upon coming towards the unknown—the writer’s own, omnipresent fears about their own craft. In writing, one is always fighting against the futility of the word, how it falters to encompass even a single sensation, let alone the impatient fabric of the milieu. Each piece of writing is measured up against its time to determine its true subject, and the works included in our landmark Winter 2021 issue has to bear the comparison to a moment in history that comes close to being immeasurable, both in the frenzied proceedings of markable events, and in the psychic tracks it has carved across the globe, as each person was forced to consider—in distinctly unequal polarities of rumination or emergency—what it means to have lived through, to be living through, such a time.

This seamless interchange between writer, reader, and the present shared between them—the writing must level all three terrains while insulating its cargo of ideas. As I move through this marvelous gallery of texts that the latest issue of Asymptote gathers, I was struck by the various and telling constellations they formed with this precise moment.

In Jan Němec’s excerpts from Ways of Writing About Love, there’s a beguiling—and somewhat precious—self-conscious tone, rendered with grace by David Short, that runs through the three proses, almost as if the writer has already recognized that the bold display on the awning of the text—those two feared and wasted words, writing and love—has already pushed the language deeply into that murky deluge where only those two most indulgent peoples, writers and lovers, would willingly submerge themselves. But as the oral rhythm of the story taps itself out (Němec and Short are to be commended for their preternatural sense of how the voice paces itself), and the symphony of the mind conducts its singular cacophony, one comes to decipher its inner textures, in which writing and love are scrutinized for the particularly heightened quality one achieves during such occupations—attention to how time, and knowledge, and sensuality congregate. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Singapore and Malaysia!

This week, our writers bring you news from Singapore and Malaysia. In Singapore, the literary community has been remembering the achievements of eminent Chinese-language writer Yeng Pway Ngon after he passed away. While in Malaysia, a new anthology has been published, which has collected writing about the lockdown. Read on to find out more! 

Shawn Hoo, Editor-at-Large, reporting from Singapore

On January 10, the literary community in Singapore and abroad mourned the passing of eminent Chinese-language writer 英培安 Yeng Pway Ngon. Winner of the Cultural Medallion, SEA Write Award, and four Singapore Literature Prizes, Yeng’s writing spans poetry (his latest collection is 石头 Stone), novels (including award-winning 骚动 Unrest and 画室 Art Studio), radio plays, and essays in the manner of Lu Xun. To fully appreciate Yeng’s contribution to Singapore’s cultural landscape, one must also look to his role as a bookseller, having founded two iconic Chinese-language bookstores, Vanguard Books and Grassroots Book Room, that have indelibly shaped the reading culture. In an online literary memorial service on January 15, organised by Grassroots that was attended by more than 170 participants, former students, friends, writers, and cultural workers recited some of Yeng’s verses and looked back at his public and private life. The singularity of Yeng’s influence on Singapore literature has led the Chinese-language newspaper Lianhe Zaobao to pose the question of finding the next Yeng Pway Ngon. As we remember this acclaimed cultural figure, read a play by Yeng (translated by Jeremy Tiang) from the January 2014 issue of Asymptote.

In other news, the Epigram Books Fiction Prize 2021 announced its winners on January 16 in a virtual ceremony. For the first time in the prize’s five-year history, the prize has been awarded to not one but two novels. The winning manuscripts are Sebastian Sim’s And the Award Goes to Sally Bang! and Meihan Boey’s The Formidable Miss Cassidy. They each receive SGD$15,000 in prize money as well as publication. This comes as Epigram Books announced just days before that they will stop publishing in the United Kingdom and focus on their Singapore business. Setting up its London arm in 2016, founder Edmund Wee had initially hoped that the move would allow a Singapore title to get onto the longlist of the coveted Man Booker Prize. After more than thirty titles and four years of work, the effort has proved—at least for the time being—futile. The good news, on the other hand, is that the cost savings from discontinuing the UK endeavour will be redirected to prize money for expanding the Fiction Prize shortlist from four to six novels. READ MORE…