Language: Taiwanese

May 2024: Upcoming Opportunities in Translation

May 12, 2024  |  in News  |  by Kathryn Raver

From poetry readings to translation workshops—check out our compilation of some of this summer's latest opportunities in world literature.

SUBMISSIONS

THE VIEW FROM GAZA

The Massachusetts Review is calling for submissions for a special issue, The View From Gaza. Palestinian writers are encouraged to send their work—whether it be poetry, prose, essays, or art—for this special issue, which will commemorate those who have been lost in the genocide and celebrate the ongoing resistance and resilience in Gaza.

As Israel’s violence against Gaza continues, the Review “hope[s] to amplify the work of Palestinian writers that contributes to the theory and critique of Empire and settler colonialism.” Submissions in English, Arabic, and other languages are all eligible.

The deadline for submissions is June 15th. Submissions should be sent to themassreview@gmail.com.

EVENTS

2024 GRIFFIN POETRY PRIZE READINGS

On June 5th, 2024, the Griffin Poetry Prize invites you to join them for an evening of poetry and translation!

Awarded annually, the Griffin Poetry Prize is the world’s largest international prize for a book of poetry written (or translated into) English. At this celebratory event, this year’s shortlisted poets will read from their works at the Royal Conservatory of Music in Toronto before this year’s winner is revealed. Readings will also be performed by the Lifetime Recognition Award recipient and the 2024 Canadian First Book Prize winner.

Tune in to the the Griffin Poetry Prize’s Youtube channel to watch a livestream of the readings on June 5th at 7pm ET.

GRANTS & FUNDING

GLOBAL AFRICA TRANSLATION FELLOWSHIP

The Africa Institute is welcoming applications for their fourth annual Global Africa Translation Fellowship!

This fellowship aims to celebrate works from the African continent, as well as from the African diaspora. Translators from across the Global South can submit their works-in-progress or potential projects to be considered for a grant of up to $5,000. Translations of previously untranslated poetry, prose, and critical theory works, as well as retranslations of older texts, are eligible. Submissions should be translated into English or Arabic, although translations into some other languages may also be considered.

The deadline for applications is June 1st, 2024. Find more information on eligibility and how to apply here.

RESIDENCIES & WORKSHOPS

BCLT ADVANCED TRANSLATION WORKSHOPS

Since 2021, the British Centre for Literary Translation has run annual advanced translation workshops to support the craft of literary translators and to bring together those with common language pairs. This year’s workshop will center on translators of Taiwanese literature.

Workshop participants will have the opportunity to work with other attendees to hone a sample translation for their chosen project. By the end of the program, participants will have a polished sample, as well as a pitch, that is ready to send off to potential publishers. Accepted applicants will need to choose a book from the Taiwan Literature Awards for Books longlists and obtain permission to translate the work.

The deadline for applications is June 2nd, 2024, while the event itself will run online during the 7th, 22nd, and 23rd of November. Read more here.

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Our mission here at Asymptote is to elevate the incredible work that translators do to to share literature from around the world. Our “Upcoming Opportunities” initiative aims to provide those translators with the opportunity to improve their craft and share the projects they’ve put their hearts into. Have an opportunity that you’d like us to share in this monthly column? Check out our rates here, then drop us a line.

We’re working hard on our upcoming 52nd issue. If you’ve enjoyed the work we do—from our social media channels and blog to our newsletters and, of course, our quarterly issues—please consider supporting us as we continue to celebrate world literature and those that bring it to life. Any and all donations to support us on our mission are greatly appreciated. Thank you!

Read more on the Asymptote blog:

When Shadows Evade Shadows: Wen-chi Li on Ko-hua Chen and Taiwan’s Tongzhi Literature

July 17, 2023  |  in Interviews  |  by Alton Melvar M Dapanas

Queer Taiwanese literature has inherited the motives of escape and exile from its pioneer writers.

Historicising tongzhi wenxue, or gay literature, in Queer Taiwanese Literature (2021), Howard Chiang finds the origins of this political and literary movement in the “changing sexual configurations of the post-WWII era and the militancy and vibrancy of tongzhi 同志 activism in the 1990s.” Since its origins, the writers and texts of this subgenre have been prolific and varied, from avant-garde politico-cultural magazines such as Daoyu bianyuan (Isle Margin) to Qiu Miaojin’s Notes of a Crocodile, Tsao Li-chuan’s The Maiden’s Dance, and Chu Tien-wen’s Notes of a Desolate Man. But what can be considered as the movement’s foundational text is Decapitated Poetry by Ko-hua Chen, a writer, visual artist, and critic who came out of the closet in that historical decade, making him Taiwan’s first openly gay—or tongzhi—writer. With more than thirty books and a body of work that span from poetry, film criticism, novels, paintings, scripts, photographs, and song lyrics, he merges in writing the thematics of Buddhist philosophical thought, science fiction, and porous queer masculinities. Chen, like his tongzhi writer-contemporaries, is living proof of a literature that has been tested by time, fortified by the activism of its believers, and has withstood the police brutality of the state and the skewed conservatism of religious groups. Decapitated Poetry came out in its Chinese original in 1995, and was published last April by Seagull Books in English translation by Colin Bramwell and Taiwanese anthologist, poet, and scholar Wen-chi Li.

In this interview, I asked Wen-chi about the history of tongzhi literature, the diverse Sino-specific gendered identities of Taiwan, the dynamics of co-translating Chen’s poetry collection, and the post-Sinophone/Japanophone futures of contemporary Taiwanese literature.

Alton Melvar M Dapanas (AMMD): In the introduction to Decapitated Poetry, you and co-translator Colin Bramwell “felt that it was important to give a sense of the broadness of Chen’s output as a writer,” referring to the poet’s transcending beyond the corporeal-cerebral binary. Can you speak further about your experience in co-translating the aesthetic and thematic expanse of Chen’s oeuvre? How was the selection process of the poems in this collection? 

Wen-chi Li (WCL): When we submitted a translation sample to Seagull Books, we originally chose Chen’s work “Notes on a Planet,” which was composed from 1978 to 1980. One of the editors, Bishan Samaddar, replied to us that he was searching for “explicit poetry” for the Pride List series, and this queer sci-fi might be too lyrical and spiritual. I said to Colin that we could then instead directly focus on the works in Decapitated Poetry. The text was a milestone in queer Taiwanese literature, the first to intentionally expose homosexual lewdness and muscle love in Sinophone communities. We thought its English collection should provide a broad view of Chen’s eroticism, so later works like “Body Poems” were also included in the compilation—but we still could not forget the glamour of “Notes on a Planet,” which intertwines topics of gay exploration and posthumanism in the form of lyrical epic (something so unique in world literature). Colin also thought that putting “Notes on a Planet” in the last part of the English collection created an upward scale from concupiscence to otherworldliness, from corporeality to spirituality. The English collection harmoniously combines such opposite elements.   READ MORE…

Weekly Dispatches from the Front Lines of World Literature

November 12, 2021  |  in Dispatches, News, Weekly Roundup  |  by Darren Huang, Jovanka Kalaba, and Julia Sherwood

News this week from the Czech Republic, Taiwan, and Serbia!

This week, our editors are bringing news of their vigorously alive world literatures. From a celebration of Czech letters at the Warsaw Book Fair and the Prague MicroFestival, to a commemoration of iconic Taiwanese writer Li Qiao, to a push for Serbian women’s voices in a collection of short stories—the ongoing efforts of writers, presses, and translators around the world indicate always towards greater and greater realms of understanding.

Julia Sherwood, Editor-at-Large, reporting from the Czech Republic

Held from September 9 to 12, the Warsaw Book Fair was one of the first major industry events to make a comeback after the pandemic-enforced hiatus, with the Czech Republic as the guest of honour. The timing was quite fortuitous, since barely two months after the event, cases were again surging in these two countries, as well as in most of Europe.

Czech literature has been enjoying a real boom among Polish readers, and this was reflected in the strong contingent of leading Czech writers who came to Warsaw. They included Michal Ajvaz, Bianca Bellová, David Böhm, Petr Hruška, Alena Mornštajnová, Iva Procházková, Jaroslav Rudiš, Marek Šindelka, and Kateřina Tučková. Past Asymptote contributor Radka Denemarková—who drew the largest crowds—felt that “in recent times, it has been particularly important for us writers to show solidarity—especially with countries such as Poland and Hungary—creating a kind of enclave of humanism.”

Also popular with Polish readers was a meeting with Petra Hůlová, who presented the Polish translation of her 2018 novel Stručné dějiny hnutí (A Brief History of the Movement), a book she describes as “a feminist manifesto and critique of feminism rolled in one.” Her “provocative satire of a feminist future challenges and unsettles in equal parts” (Kirkus Reviews) has just been published by World Editions as The Movement, in Alex Zucker’s English translation. You can read an excerpt from the book here as well as in BODY.Literature, the Prague-based English-language literary journal whose fall issue also features poetry by Karel Šebek (trans. Ondřej Pazdírek) and Pavla Melková (trans. Joshua Mensch), as well as a chilling absurdist story by Vratislav Kadlec (trans. Graeme Dibble).

On October 18, Hůlová and Zucker read from and discussed The Movement in an event organized by Czech Centre New York. Their conversation (now available to watch on YouTube) also included the writer-translator pair Kateřina Tučková and Veronique Firkusny and the novel Gerta, published by AmazonCrossing earlier this year. On November 22, Firkusny will be featured again as part of European Literature Night, organized by the Czech Centre; she will appear with Elena Sokol, as their joint translation of the final part of past Asymptote contributor Daniela Hodrová’s trilogy, City of Torment, is soon to be published by Jantar Publishing. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

September 17, 2021  |  in Dispatches, News, Weekly Roundup  |  by Andriana Hamas, Darren Huang, and Thuy Dinh

The latest in literary news from Vietnam, Bulgaria, and Taiwan!

As Venice makes its cinema showcase and the MET spreads its red carpets for the lavishly dressed, literature also serves up September as a memorable month with plenty of international displays and showcases of both known favorites and new releases. This week, a vital Vietnamese poet is commemorated in film, a varied arts festival takes place on Bulgarian shores, and an eminent Taiwanese author makes his English-language debut. Read on to find out more!

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

Each year, on September 16, the village of Tiên Điền, in the province of Hà Tĩnh, commemorates the death anniversary of Nguyễn Du (1765-1820), its venerated native son and author of The Tale of Kiều—a 3,254-line epic poem unequivocally embraced as the Vietnamese soul. This year, to mark the 201st year of his passing, the three-hour biopic Đại Thi Hào Nguyễn Du (The Great Poet Nguyễn Du) will make its premiere at the XXII National Film Festival in Hue, Central Vietnam. The film’s original September release—meant to coincide with Nguyễn Du’s death anniversary—has now been rescheduled to November 2021, due to safety concerns related to Vietnam’s recent surge of COVID cases.

The Tale of Kiều, created during a time of warring loyalties and written in the Nôm (Southern) script with Chinese characters modified to reflect Vietnamese spoken vernacular, has been endlessly adapted into cải lương (“reformed” Southern Vietnamese folk opera), chèo (Northern Vietnamese musical theatre), Western-styled opera, and films. Since the idea of trinh 貞 (chastity/integrity/ faithfulness) in Nguyễn Du’s oeuvre represents both a conceptual and linguistic challenge, its complexity has inspired at least six English translations in recent decades. Huỳnh Sanh Thông’s Nguyễn Du, The Tale of Kieu–A Bilingual Edition (Yale University Press, 1983), while still considered the gold standard, employs unrhymed iambic pentameter that often lapses into wooden syntax. Vladislav Zhukov’s The Kim Vân Kiều of Nguyễn Du (Cornell University Press, 2013), in grafting iambic pentameter to lục bát (six-eight syllable Vietnamese rhyme scheme), results in obtuse renderings reminiscent of Nabokov’s eccentric translation of Eugene Onegin. Most recently, Timothy Allen’s The Song of Kieu: A New Lament (Penguin, 2019), while ebullient with vivid syntax, contains numerous errors and self-indulgent interpretations.

Nguyễn Du’s mistrust of chastity goes hand in hand with his concept of exile; his heroine wanders far-flung places and learns to survive by endless transformations—also a recurring theme in Kiều Chinh: Nghệ Sĩ Lưu Vong (Kiều Chinh: Artist in Exile) (Văn Học Press, 2021). Penned by veteran Vietnamese American actress Kiều Chinh, the memoir echoes Nguyễn Du’s art of story-telling “to beguile an hour or two of your long night.”[i] The Joy Luck Club actress—whose dramatic flight to freedom is recounted in Viet Thanh Nguyen’s The Sympathizer—will embark on a September-November book tour to Vietnamese diasporic communities in the U.S., sharing chapters from her own life that reflect the larger history of Vietnam.

[i]Huỳnh Sanh Thông’s English translation, The Tale of Kiều, line 3254, p. 167.

READ MORE…

Weekly Dispatches from the Front Lines of World Literature

August 27, 2021  |  in Dispatches, News, Weekly Roundup  |  by José García Escobar and Xiao Yue Shan

Catch up on literary news from our editors on the ground!

This week, our editors report on literary gatherings, from a Chinese organization that seeks to bridge the cultural divide between the mainland and Taiwan, and Central America’s biggest book fair, FILGUA. Read on to find out more!

Xiao Yue Shan, Blog Editor, reporting for China

The Taiwan Strait measures only 130 km at its narrowest point, but it is the other distance—the unphysical distance, imposed by human prescriptions—that defines it. Recently, with the US’s withdrawal from Afghanistan, Taiwan’s own future was placed into question, with many remarking that the island was due to become “the next Afghanistan,” and criticizing American foreign policy as a hasty manifestation of 始乱终弃—to play with and abandon as if with a toy. Whether or not the US will continue its disengagement of military intervention, the geopolitical tension has deepened the chasm between the island and the mainland—in history if not in nature—with the continual wear of weariness, suspicion, and speculation.

Yet in Pingtan, Fujian, from where Taiwan is vivid and impossibly near on the other side of the waters, there persists certain attempts of breaching the cultural distance, most recently by the Pingtan Cross-Strait Sinology Center, established in 2018. Regularly hosting forums and lectures on Chinese and Taiwanese scholarship and texts, the Center, on August 18, held a talk on Taiwanese women writers, and how they write about love.

As Taiwanese writer 余光中 Yu Guangzhong once remarked, it is the work of women writers that have contributed most significantly to the nation’s exceptional range of contemporary essays. The traditional memoirist 林海音 Lin Haiyin, the nomadic and impassioned diarist Sanmao 三毛, the erudite humanist 琦君 Chi Chun—the works of such women essayists both expanded and challenged the imagination and logics of Taiwanese letters, intervening in the traditional discourse with intelligent intimations of selfhood, voyage, and being. While delivering the lecture, professor Yuan Yonglin remarked on how writers such as 张晓风 Zhang Xiaofeng and 简媜 Jian Zheng impressed deeply in their works by giving personal insight as to how they defined their relationships with the men in their lives—the former with the letters written to her husband, and the latter with writings on her father. In the depiction of men as subjects of love, these texts identified passions, affections, and aestheticizations specific to the female experience, addressing their complexity and bringing them into public language. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

July 30, 2021  |  in Dispatches, News, Weekly Roundup  |  by Darren Huang, Nestor Gomez, and Thirangie Jayatilake

The latest literary news from Taiwan, El Salvador, and Sri Lanka.

This week, Asymptote team members report on a Taiwanese science-fiction novel that’s caught the attention of Japan’s literary establishment, a poetic commemoration of a 1975 tragedy in El Salvador, and a Sri Lankan press that promises to be the first of its kind. Discover the latest from around the world, then catch up on this week’s blog entries, including a review of Asymptote‘s July book club pick.

Darren Huang, Editor-at-Large, reporting from Taiwan

In July, Taiwanese novelist Li Kotomi (Li Qinfeng) was awarded one of Japan’s most prestigious literary prizes, the Akutagawa Prize, for her novel “Higanbana ga Saku Shima” (An Island Where Red Spider Lily Blooms). The novel, which incorporates elements of science fiction, concerns a girl narrator, Umi, who drifts to an imagined island between Taiwan and Japan. The island is governed by women who lead the religious ceremonies and political affairs, while men are excluded from government. The islanders speak a language called “nihon” and another called “female language,” which can only be learned by women over a certain age and is used to pass on the history of the island. Qinfeng has remarked that for thousands of years, patriarchal societies have written official history through the perspectives of men. In this novel, she reflects on the imbalance of history-making by imagining a community where women control the writing and inheritance of history. Qinfeng’s win is unique as she is the second writer whose native tongue is not Japanese to be awarded the prize. Her accomplishment was also well received in Taiwan, where she is considered one of the first Taiwanese writers to be recognized by the Japanese literary establishment. Previous winners of the award include Mieko Kawakami for Breasts and Eggs and Hiroko Oyamada for The Hole.

Despite the recent escalation of the pandemic in Taiwan, the cultural minister Lee Yung-te emphasized that the Taiwanese arts, especially in literature, illustration, and film, continue to flourish. Literature and art museums have continued their exhibitions with COVID precautions. Notably, the National Museum of Taiwan Literature is celebrating a century of progressive literature and thinking through its exhibition, “A Century of Heartfelt Sentiment,” which started on May 8. The show is organized into a series of love letters, or writings and works from authors, painters, and other artists, focusing on six essential intellectuals of the last century. The exhibition includes the manuscripts of the poet Lai Ho, the diary of the social activist Tsai Pei-huo, the artworks of the painter Tan Ting-pho, and works of music from the era of Japanese occupation.

READ MORE…

Weekly Dispatches From the Front Lines of World Literature

June 4, 2021  |  in Dispatches, News, Weekly Roundup  |  by David Boyd, MK Harb, and Vivian Szu-Chin Chih

The latest from Japan, Taiwan, and Lebanon!

As certain places are heating up with a flurry of events, others are remaining cautious and mindful. Still, the good thing about the page is that it remains steadfast, and our work remains something that we can always turn to, celebrate, and share in. This week, our editors are once again bringing you the latest in world literature news, with a new Japanese literary translation workshop centering on heritage speakers and people of colour, a newly virtual Taipei Literature Festival, and a new winner of the prestigious Sheikh Zayed Book Award. 

MK Harb, Editor-at-Large, reporting from Lebanon

Poet and academic Iman Mersal has won the prestigious Sheikh Zayed Book Award! Her creative non-fiction work, In the Footsteps of Enayat Al-Zayyat, is part journalistic excellence, part poetic elegy, all while maintaining the sensibility of writing in the life of a complex character. It traces chronicles the late Egyptian writer Enayat Al Zayat, her struggles with mental illness, and her tragic death in the 1960s.

What’s new in Arabic literature? Banipal Magazine’s Spring issue is out, and it’s dedicated to Jerusalem and the acclaimed Palestinian auteur, Mahmoud Shukair, who has penned over forty-five books and six television series. This comes at a time when the Arab literary scene has overwhelmingly expressed its solidarity with the Palestinian people. Also on the subject of Palestine—this spring, I interviewed Palestinian-French writer and researcher, Karim Kattan, over here at Asymptote where we discussed belonging, the craft of writing, and other curious things. Also, Palestinian-Chilean writer Lina Meruane has a new novel out; Nervous System, translated into English by Megan McDowell, deals with the daunting specter of writer’s block. Read a review of the acclaimed work right here on the Asymptote blog!

How about some Arab cabaret? Well-read academic and translator Raphael Cormack’s Midnight in Cairo: The Female Stars of Egypt’s Roaring 20’s is an engrossing retelling of vagabonds, feminists, and performers as they defied gender norms, transgressed class lines, and created iconic productions. Another beautiful and timely publication by Saqi Books is We Wrote in Symbols: Love and Lust by Arab Women Writers. Edited by British-Palestinian writer, Selma Dabbagh, the anthology celebrates and examines the tradition of erotic writing in Arabic literature and its many women pioneers. Lastly, yours truly has a short story out with The Bombay Review, dealing with censorship and artificial intelligence. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

May 14, 2021  |  in Dispatches, News, Weekly Roundup  |  by Charlie Ng, Eva Wissting, and Vivian Szu-Chin Chih

The latest news from Hong Kong, Taiwan, and Sweden!

This week, our writers bring you the latest news from Hong Kong, Taiwan, and Sweden. In Hong Kong, theatres are returning with performances of work by Martial Courcier and Harold Pinter; in Taiwan, novelist Gan Yao-ming talks about their latest work; and in Sweden, a new exhibition is opening at Junibacken, based on books by Tove Jansson. Read on to find out more!

Charlie Ng, Editor-at-Large, reporting from Hong Kong

Inter-disciplinary connections between literature and art are often a kind of inspiration that fascinates artists and engenders unique artworks. In late April, Jockey Club New Arts Power presented to the audience the exhibition, “Before a Passage,” which comprised “visual arts, interactive installations, soundscape, movement performance, site-specific writing and reading,” based on Hong Kong poet Leung Ping-kwan’s eponymous poem, “Before a Passage.” The exhibition took place at the North Point Pier, which was also the setting for Leung’s poem. In the exhibition, the audience could experience interactive installations that concerned themes such as awaiting, travelling, leaving, and the anxiety and struggle that come along with these to reflect on their own life experience of passage.

Theatrical performances are also returning to the theatre while the pandemic in Hong Kong eases down. As May comes, the annual French cultural and art festival, The French May, returns with a series of programmes, including a Cantonese performance of French writer Martial Courcier’s play, Larger Than Life. It will be staged from 13-15 May in Hong Kong City Hall. Theatre du Pif will perform Harold Pinter’s Old Times in early June in Cantonese as well. A play-reading and interactive commentary session was already organised in early April. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

April 30, 2021  |  in Dispatches, News, Weekly Roundup  |  by Darren Huang, Julia Sherwood, and Thuy Dinh

The latest news from the Vietnamese Diaspora, Taiwan, and the Czech Republic!

This week’s dispatches feature an extended report from the Vietnamese Diaspora in homage to the late Nguyễn Huy Thiệp, who passed away in Vietnam aged seventy. In addition, we bring you news of the publication of Nishikawa Mitsuru’s diary in Taiwan and a plethora of current online events celebrating literature from the Czech Republic. Read on to find out more! 

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

Nguyễn Huy Thiệp, who catapulted into international fame during Vietnam’s Đổi Mới (Renovation) period, died on 20 March in Thanh Xuân District, Hanoi, Vietnam. He was seventy.

Born on April 29, 1950, Thiệp graduated from Hanoi University of Education with a history degree in 1970 and was sent to Sơn La—Vietnam’s northwestern mountains—to teach communist cadres. While there, he absorbed local Hmong folklore, Vietnamese poetry, translated selections from modern and classical Chinese literature, Dostoyevsky, Gogol, Gorky, Camus, Goethe, Tagore, Neruda, and the Bible.

From 1986 to 1991, Nguyễn Huy Thiệp’s short stories were widely read and debated both in Vietnam and abroad for their startling break from social realism. His most controversial—which can be read as nesting narratives—were “Vàng Lửa” (Fired Gold), “Kiếm Sắc” (“Sharp Sword”), and “Phẩm Tiết” (“Chastity”). These stories employ decentralized, conflicting points-of-view, vernacular language, and spare dialogues to render complex portraits of established historical figures such as the poet Nguyễn Du, and Emperors Quang Trung and Gia Long. The works embody Thiệp’s signature themes: the relationship between the artist and the state, the porous border between trust and betrayal, and the concept of chastity as it relates to sexual power, ideological orthodoxy, and political expediency.

The era of open expression was short-lived. Thiệp’s ambiguous, scatological tales were considered too destabilizing to the Communist view of Vietnamese history. Accused of heresy, overnight Thiệp became a de-facto dissident. The editor Nguyên Ngọc, his literary mentor, was also fired from Văn Nghệ (Literature and Art) Magazine—where his works first received a nurturing reception. To sustain his livelihood, Thiệp made ceramic art and managed a restaurant serving wild game.

He kept a low profile but continued to write and publish short stories. His oeuvres at this juncture—a hybrid form of literary homage and Dadaist musings—were considered too insular to merit attention. “As The Crane Ascends It Gives a Startled Cry” (“Hạc Vừa Bay Vừa Kêu Thảng Thốt”) is an allegory about mortality, missed opportunity, and “the pale glimmer” of poetic fame. The protagonist in “A Vietnamese Lesson” (“Bài Học Tiếng Việt”) posits that the compound word tâm hồn (soul) in Vietnamese, coming from an impoverished lexicon, is sadly deprived of affiliations to sexual organs (forthrightness) and yellow traffic signal (moderation/doubt).

Thiệp was awarded the Chevalier Insignia of France’s “Ordre des Arts et des Lettres” in 2007, and the Premio Nonino Prize by the Italian government in 2008. At his death, his legacy consists of some fifty short stories, a novel, seven plays, and a collection of essays called A Net to Catch The Birds (Giăng Lưới Bắt Chim). READ MORE…

Weekly Dispatches From the Front Lines of World Literature

January 8, 2021  |  in Dispatches, News, Weekly Roundup  |  by Charlie Ng, Clémence Lucchini, and Darren Huang

2021's first roundup brings you news from Taiwan, Hong Kong, and the United States!

Asymptote‘s Weekly Roundup is back for 2021 and this week our editors bring you news of major prize events in Taiwan, an event honouring the renowned writer Xi Xi in Hong Kong, and a refreshing online poetry series in the United States. Read on to find out more! 

Darren Huang, Editor-at-Large, reporting from Taiwan   

On December 15, the winners of the 2021 Taipei International Book Exhibition (TiBE) Book Prizes and the 17th Golden Butterfly Awards for book design were announced by the Taipei Book Fair Foundation. Both awards are major events at the annual TiBE, which starts on January 26. The winners featured a variety of forms and themes by writers from China, Taiwan, and Hong Kong, whose works reflect the prize’s investment in the “freedom of expression and freedom of publication as well as the tolerance and openness of this land.” Fiction prize winners include Huang Chun-ming, whose fiction has been featured in Asymptote, Kuo Chiang-sheng, and Pam Pam Liu’s graphic novel, “A Trip to Asylum.” Kuo’s novel concerns a piano tuner who bonds with the widower of a dead pianist, while Liu’s work, the first graphic novel to win in the fiction category, describes the experiences of a man who is admitted and finally released from a psychiatric hospital. In the nonfiction category, Hong Kong writer Hon Lai-chu won for her essay collection, “Darkness Under the Sun,” in which the author reflects on Hong Kong’s 2019 democracy protests.

In late November 2019, President Tsai Ing-wen awarded a posthumous citation to the nativist poet Chao Tien-yi for his contributions to contemporary Taiwanese poetry and children’s literature. Chao was one of the founders of the Li Poetry Society, a collective of Taiwanese nativist poets. Chao worked in a realist mode, through which he lyrically portrayed Taiwan’s landscape and the everyday lives of the working-class in such poems as “Cape Eluanbi,” an ode to the Pacific Ocean, and “Song of the Light-Vented Bulbul,” a nostalgic portrait of his hometown of Taichung. In 1973, the poet suffered a disappointing setback in his career when he lost his position as acting director of National Taiwan University’s (NTU) Department of Philosophy due to false accusations of Communist sympathies. Chao transformed his despair into the poems, “Daddy Lost His Work” and “Don’t Cry, Child.” The Ministry of Culture cited Chao’s works as “both mirror and window for reflecting upon a particular era in Taiwan for generations to come.”

READ MORE…

Weekly Updates from the Front Lines of World Literature

November 20, 2020  |  in Dispatches, News, Weekly Roundup  |  by Darren Huang, Eva Wissting, and MK Harb

This week's latest news from Lebanon, Taiwan, and Sweden!

This week, our writers bring you news from Lebanon, Taiwan, and Sweden. In Lebanon, the three-day festival Electronic Literature Day will feature writers including Rabih Alameddine and Raafat Majzoub; in Taiwan, the writer Liu Wu-hsiung, known by his pen name, Qi Deng-sheng, is being mourned after passing away and a recent exhibition has featured the works of the late Taiwanese poets Yang Mu and Lo Fu; and in Sweden, writer Jonas Hassen Khemiri was in line for the National Book Award’s Translated Literature prize. Read on to find out more! 

MK Harb, Editor-at-Large, reporting from Lebanon

Fernweh! Or “a longing for far-off places, especially those not yet visited.” I recently learned the meaning of this German word on our newly developed “Untranslatable Words” column on Instagram (yes, that’s right we are on Instagram now!). To remedy this longing, which many of us are grappling with, check out this stellar lineup of writers on Electronic Literature Day, a three-day online literary festival featuring writers, thinkers, and practitioners in dynamic formats (November 24-26). The festival is co-organized by Barakunan, an independent publisher and art collective based in Beirut and Berlin. It will feature some of Lebanon’s finest, from acclaimed author Rabih Alameddine, writer and artist Raafat Majzoub, and cultural and social activist Dayna Ash.

This month, the translation news across the Arab region is abundant! Yasmine Seale won the 2020 Queen Mary Wasafiri New Writing Prize for poetry. We’ve previously highlighted Seale’s poetic and engrossing translation of Aladdin that came out with W. W. Norton in 2018. Sawad Hussain sat down with the Anglo-Omani society to discuss translating Arabic literature and the emotional mechanisms involved in bringing the texts “to life” in English. Hussain is the winner of two English PEN Translates awards and in the podcast, she discusses and contextualizes transgender narratives in Oman through the prism of translating The Shadow of Hermaphroditus by Badriyya al-Badri. Here at Asymptote, we are excited about Arabic children’s literature in translation! The English translation of Sonia Nimr’s Wondrous Journeys in Strange Lands from Interlink Books will debut on November 24! It is a feminist folktale unfolding through the journeys of a young Palestinian woman by the name of Qamar. Marcia Lynx Qualey, founder of Arablit Quarterly, worked on the translation. She previously gave an interview to Asymptote in 2017. Finally, on November 24 the shortlist for the 2020 Saif Ghobash Banipal Prize for Arabic Literary Translation will be announced. This year’s prize saw fourteen entries in fiction and poetry, with excellent nominees such as Ibtisam Azem’s The Book of Disappearance translated by Iraqi novelist and scholar, Sinan Antoon. READ MORE…

Weekly Updates from the Front Lines of World Literature

November 13, 2020  |  in Dispatches, News, Weekly Roundup  |  by Sarah Moore, Shawn Hoo, and Vivian Szu-Chin Chih

The latest news from Singapore, Taiwan, and the United Kingdom!

This week, our writers bring you the latest news from Singapore, Taiwan, and the United Kingdom. In Singapore, the Singapore Writers’ Festival hosted international writers, such as Liu Cixin, Teju Cole, and Sharon Olds, whilst the Cordite Poetry Review published a special feature on Singapore poetry; in Taiwan, Kishu An Forest of Literature centre has held a discussion about a new translation of Mary Shelley’s Frankenstein; and in the UK, Carcanet Press has launched Eavan Boland’s final collection, The Historians, whilst new books about renowned poets Seamus Heaney, Sylvia Plath, and Anne Sexton have been released. Read on to find out more! 

Shawn Hoo, Editor-at-Large, reporting from Singapore:

The beginning of November sees a deluge of new writing coming from a host of literary journals. Joshua Ip and Alvin Pang have guest edited a special feature on Singapore poetry in Cordite Poetry Review that gives us the rare pleasure of rethinking Singapore poetry through the art of transcreation. The editors commissioned thirty young poets (who write primarily in English) for the challenge of transcreating verse, not just from the official languages of Malay, Tamil, and Chinese, but also ‘minor’ languages such as Kristang, Bengali, and Tagalog that make up Singapore’s linguistic soundscape. Additionally, Mahogany Journal, a new online periodical on the scene for anglophone South Asian writers in Singapore, has just released their second issue, which is themed ‘Retellings.’ Finally, one of our longest-running online journals, the Quarterly Literary Review of Singapore, has launched its October issue. Lovers of Singapore literature have a huge array of choice.

Meanwhile, this year’s virtual Singapore Writers’ Festival (mentioned in my October dispatch) concluded last weekend. While festivalgoers did not experience the familiar ritual of queuing and squeezing into a room packed with fellow writers and readers, the online format delivered its own peculiarities. Liu Cixin, Teju Cole, and Sharon Olds were some of the international stars joining us from different time zones across our devices. Margaret Atwood, whose message to novelist Balli Kaur Jaswal was a hopeful “we will get through,” had many viewers sending questions through a live chat box asking the author of The Handmaid’s Tale what it means to write in these dystopian times. Instead of browsing the festival bookstore in between panels, I scrolled through the webstore run by Closetful of Books. Nifty videos were added to lure me to new book releases, booksellers curated a list of recommended reads, while readers craving connection left love notes to nobody in particular. The copy of Intimations I ordered arrived with a sweet touch: it came with a bookplate signed by Zadie Smith. With access to video on demand, rather than rushing from room to room, I found myself toggling between panels on Southeast Asian historical fiction and Korean horror without so much as lifting a finger. If I find myself unable to concentrate (as Zadie Smith said of our social media age: “I feel very bullied at the speed I am told to think daily”), I tune in to Poetry Bites to hear Marc Nair engage in ten-minute intimate chats with ten poets. Kudos to festival director Pooja Nansi and her team for this massively successful event. We are all already looking forward to what the next year’s edition of the festival brings. READ MORE…

Weekly Updates from the Front Lines of World Literature

October 23, 2020  |  in Dispatches, News, Weekly Roundup  |  by Darren Huang, Eva Wissting, and Rita Horanyi

This week’s latest news from Australia, Taiwan, and Sweden!

This week, our writers bring you the latest news from Australia, Taiwan, and Sweden. In Australia, the NT Writers Festival has celebrated Aboriginal writing and language; in Taiwan, registration has opened for the 2021 Taipei International Book Fair and the winners of the Golden Tripod Awards were announced; and in Sweden, the Nobel Prize in Literature announcement was made, awarding American poet Louise Glück. Read on to find out more! 

Rita Horanyi, Newsletter Editor, reporting from Australia

In Australia, like much of the rest of the world, literary events have been cancelled or moved online due to lockdowns and travel restrictions. Thus, it was especially exciting to see that the Northern Territory (NT) Writers Festival—held this year in the country’s tropical Top End in Darwin—was able to pull off a predominantly live event after having to postpone the festival from May to October.

The NT Writers Festival showcases local talent, alongside interstate and international guests, with a particular focus on South East Asian voices. Unfortunately, COVID-19 meant it was challenging to include writers from South East Asia this year, but, with the assistance of digital technology, acclaimed Indonesian poet Norman Erikson Pasaribu was able to join the festival to discuss “Translating Indonesia” with past Asymptote Editor-at-Large for Indonesia and translator Tiffany Tsao (the session is available to watch online here).

One of the ways the NT Writers Festival differs from many literary events in the country is in its strong emphasis on Aboriginal writing and language. This year’s festival included a panel with Meigim Kriol Strongbala (a group based in Ngukurr working to strengthen the place of Kriol), who discussed the process of translating the popular children’s book Too Many Cheeky Dogs (the session was held in both Kriol and English). Another special appearance was by the Gay’wu (Dilly Bag) group of women from Yirrkala in North East Arnhem Land. This group of women read from and discussed the writing of their Stella Prize longlisted book, Songspirals, which illuminates the role of women in the crying of Yolŋu songlines. Senior Yolŋu Elder Eunice Djerrkngu Yunupingu even keened milkarri (women’s songspirals) in front of festival audiences. In other sessions, a group of Arrernte poets from Mparntwe/Alice Springs read and discussed their new poetry collection, Arelhekenhe Angkentye: Women’s Talk, which interweaves poems in both English and Arrernte. READ MORE…

Weekly Updates from the Front Lines of World Literature

July 10, 2020  |  in Dispatches, News, Weekly Roundup  |  by Clémence Lucchini, Vivian Szu-Chin Chih, and Xiao Yue Shan

The latest literary developments from Taiwan, the US, and Japan!

The disparities of COVID-19’s grip over us is becoming gradually more apparent as certain countries celebrate recovery, while others continue to shelter in place. In Taiwan and Japan, processions are resuming after the interruption, with film festivals and award announcements taking over headlines, while in the US the situation remains somehow at once unpredictable and static. In Taiwan, reportage literature seeks to reset old injustices; in Japan, the prestigious Akutagawa Prize reveals its nominees; and in the US, a beloved literary event is put off for another year. Read our editors’ dispatches from the ground here!

Vivian Szu-Chin Chih, Editor-at-Large, reporting for Taiwan

The 2020 United Daily News Literary Prize has been awarded to the Malaysia-born Sinophone novelist, Chang Kuei-hsing (張貴興), who has been living in Taiwan for the last four decades. The prestigious award went to the author’s latest novel, 野豬渡河 (Wild Boar Crosses the River) which depicts his hometown in Malaysia, Sarawak—a city occupied by the Japanese in the 1940s. Asymptote has previously featured Chang’s “Siren Song” (translated by Anna Gustafson) in our Winter 2016 issue.

The Taiwanese author notable for his reportage literature, Lan Bozhou (藍博洲), will soon have new book published by Taipei’s INK Publishing in July: 尋找二二八失蹤的宋斐如 (Searching for the Missing Song Feiru in the February 28 Incident ). Consistent with Lan’s previous focus on giving a voice to the victims of Taiwan’s White Terror (1947-1987), this new work again inquires into the difficult question of the whereabouts of Song Feiru, a Taiwanese intellectual and founder of a newspaper criticizing the government in the 1940s. The namesake of the book was kidnapped by the Kuomintang and went missing after the outbreak of the infamous February 28 Incident in 1947.

Although the global situation of COVID-19 has been rapidly evolving with uncertainty, Taiwan has luckily arrived at a relatively safe status, and many local activities are resuming this summer as a result. The island-wide screenings of Xin Qi’s (辛奇, 1924-2010) films from mid-July to late-November, and the Golden Horse Classic Film Festival (with the theme of the beloved Italian director, Federico Fellini) from late-July to mid-August, are among the events leading this trend of recovery in Taipei. Xin Qi was one of the few prolific and prominent Taiwanese-language film directors in the 1960s, whose five cross-genre cinematic works have been digitally restored by the Taiwan Film and Audiovisual Institute, and will be screened around Taiwan’s theatres, both new and old, during the festival. As for the Golden Horse Classic Film Festival, it is a part of the global tribute to Fellini’s 100th birthday anniversary (“Fellini 100”), and will broadcast twenty-four of the director’s films, most of which are 4K versions, freshly restored.  READ MORE…