Language: Swedish

Translation Tuesday: شیرین و فه‌رهاد by Agri Ismaïl

"Chilly pastels that hung lower than she was used to seeing in a sky threatened to erupt in a glorious display of technicolor."

شیرین SHIRIN SHIREEN

 

The trees that stood guard on each side of the road that led to the house where شیرین  and Farhad now lived had in recent weeks been stripped of their green girth, pared down to their brown skeleton, their branches stretching up to the sky in a plea for the sun to reappear.

شیرین  left the house, immediately feeling her face grabbed  by the icy palms of late October, her breath emerging visible in smoke-signal bursts. The few remaining leaves that hadn’t already been reduced to a mushy paste were scattered like the victims of a great battle over the winding bicycle lanes, amputees crushed under her boots, boots more utilitarian than anything she had purchased in a decade. Soon it would snow, the air had that singular electricity to it. Chilly pastels that hung lower than she was used to seeing in a sky threatened to erupt in a glorious display of technicolor.

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Asymptote Spring 2014 Issue – Out Now!

…and it's packed with the most exciting new literary translations, critical pieces, and more from around the world.

What are you waiting for? Highlights from Asymptote’s Spring 2014 issue include new work by Nobel laureate Herta MüllerDavid Bellos (author of “Is that a Fish in Your Ear?”), and Prix Goncourt-winner Jonathan Littell. Plus, our annual English-language fiction feature spotlights Diasporic literature from Bosnia, China, India, Japan, and Singapore.

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How well do you know your neighbor?

"The linguistic closeness is a false cognate for cultural closeness. And for that, we can't blame the translators."

My chair is uncomfortable, I don’t understand Danish, and it smells like someone in my general vicinity had kippers for dinner. I’m at the Oslo Central Library’s panel discussion on “What is good Scandinavian literature?,” and it isn’t going well. READ MORE…

Pop Around The World: الأرنب الأبيض

Cover songs in American Hustle and The Wolf of Wall Street

There’s a great deal of music in American Hustle (originally and more appropriately called American Bullshit), no surprise for a period picture that takes great care with the costumes and especially the curls of its con-men characters. What is surprising is that a great deal of the admittedly great music chosen is a little rote, either in terms of sonic 70s shorthand (Donna Summer’s “I Feel Love” stands for disco and drugs) or through blunt lyrical parallels (Santana’s “Evil Ways” or Steely Dan’s “Dirty Work”). It’s not all that obvious, though, as on-set improvisation led director David O. Russell and Jennifer Lawrence to take Wings’ “Live and Let Die” and turn McCartney’s Bond tune into a villainous call to arms for Lawrence’s dangerously unbalanced character.

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Asymptote’s Top 10 in 2013

What went viral this year?

We give you the ten most popular articles published this year at Asymptote:

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Manolis’ Mopeds

A selection from the novella

From all of us at Asymptote, we’d like to wish you a happy holiday season, and to thank you for reading us this year. We look forward to 2014 where we will continue to publish new literature from around the world. Today, as promised, please enjoy a short excerpt from Jan Henrik Swahn’s novella Manolis’ Mopeds, translated from the original Swedish by the author himself.

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Writing an Austere Richness

On a writer's complicated career

Jan Henrik Swahn was born in 1959 in Lund. He grew up in Copenhagen and from 1970 on has lived in Malmö. His first novel, I Can Stop a Sea, about life in two gangster’s houses in a poor village in Normandie, was published in 1986 by Bonniers, the biggest publishing house in Sweden. The ten novels that followed were all published by Bonniers, and he was chief editor of Bonniers Literary Magazine from 1997-1999.

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