Language: Persian

34 Animal Farms: Literary Translation and Copyright in Iran

Our Editor-at-Large Poupeh Missaghi on the peculiarity of copyright and translation in Iran

It’s safe to say that the Iranian book market has a strong interest in translation: it’s easy to find several translations of the same book in a single bookstore. Several reasons fuel this phenomenon, but the most important is rather banal: Iran’s glaring disregard for copyright laws—both internationally and domestically—mean that these kinds of retranslations run rampant.

Most literary publishers enter the translation and publication processes without securing the rights to the original foreign book. Or they can simply translate/publish a title already in print or well into the process of translation/publication by another publishing house.

Iran is not a signatory to the Copyright Treaty of the World Intellectual Property Organization (WIPO), though it joined WIPO in 2001. Neither does Iran take part in international conventions on the protection of literary and artistic works. Not legally bound in the way that organizations in other countries—such as many European countries and the United States—are, Iran’s public and/or private literary/artistic organizations do not often behave ethically toward their foreign counterparts. READ MORE…

Live from the NYPL: Tel Aviv and Tehran Noir

Honoring noir writing—and living—in two notoriously conflicted cities

It was a full house at the New York Public Library on Wednesday night, and I learned just how similar Iranians and Israelis are.

Rick Moody moderated a panel event for Live at NYPL, launching two new books from Akashic’s Noir Series: Tel Aviv Noir and Tehran Noir. Akashic Books’ Noir series includes over sixty anthologies of noir stories set in cities around the world. The panel guests included Tel Aviv Noir editors Assaf Gavron and Etgar Keret, Tehran Noir editor Salar Abdoh and Tehran Noir contributor Gina Nahai. Sitting in the audience, listening intently, I felt complicit.

I had translated eleven out of the fourteen stories in Tel Aviv Noir (two others were written originally in English, a third was translated from Spanish). I felt that where the book succeeded or failed, I shared some of the responsibility. I also felt simultaneously in and out of place: I’ve lived in Tel Aviv most of my life, but have never been to Tehran, though when I see pictures of its mountains I get that belly ache of longing.

These two facts are connected: as an Israeli Jew, much of that world is closed to me. READ MORE…

The Spell Chanted by Lambs by Reza Ghasemi

A book that began on a blog

Reza Ghasemi’s third novel, The Spell Chanted by Lambs, was initially published in installments under the title of Madman and the Moonpars Tower on the author’s personal blog in 2002 as a reaction to censorship, making Ghasemi the first Iranian writer to turn to the Internet in the face of artistic suppression. It took six years to be traditionally printed by the Paris-based Khavaran Publications, and still five more years to be translated into English by novice translator Erfan Mojib. Says Mojib:  “Ghasemi admits that he’s not aware of the existence of [online narrative] in other languages and is sure of [its] nonexistence in Persian literature, as he calls it the first Iranian ‘online novel’ and sarcastically labels the term as one of his own bastardizations.”

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