Language: Czech

Weekly Dispatches from the Front Lines of World Literature

May 27, 2022  |  in Dispatches, News, Weekly Roundup  |  by Alan Mendoza Sosa and Julia Sherwood

The latest news from the Czech Republic and Mexico!

This week, our editors from around the globe report on new translations of Czech poetry, as well as books fairs and celebrations of acclaimed writers in Mexico. Read on to find out more!

Julia Sherwood, Editor-at-Large, reporting on the Czech Republic

On 19 May, Bianca Bellová launched the English translation of her award-winning novel The Lake at the Czech Centre in London. “Whether The Lake is better described as dystopian or realistic depends, I suppose, on one’s opinion about the state of the world and what can be done about it,” said the book’s translator Alex Zucker. For him, the book “stands out for the incisiveness of its style and the evocativeness of its setting,” he told Alexandra Büchler in an interview published as part of Parthian Books’ Talking Translation series.

Meanwhile, Büchler’s own translation of the poetry collection Dream of a Journey by Kateřina Rudčenková has been longlisted for the coveted Oxford Weidenfeld Prize. You can read a tribute to Büchler, a tireless advocate for the translation of literature from Wales in both English and Welsh into languages across Europe through her role at Literature Across Frontiers. Those in the UK can catch Rudčenková and her fellow Czech poet Milan Děžinský at the Kendal Poetry Festival on 25 June, while poets Stephan Delbos and Tereza Riedlbauchová will be reading translations of each other’s poetry in Prague on 26 May.

There is more Czech poetry just out from Karolinum Press as part of its Modern Czech Classics series: The Lesser Histories by Jan Zábrana (1931-1984). In the words of its translator Justin Quinn, the collection “at times resembles a loose, shifting congregation of voices, some talking clearly, others muttering indistinctly, on occasion shifting from one language to another.” Quinn’s foreword, excerpted in LARB, provides a great introduction for Anglophone readers to Zábrana, a towering figure in Czech literature who, in addition to being a poet, was an outstanding translator from Russian and English, as well as a diarist whose “thousand pages or so of selected diaries bear witness to a splendid, if bitter, solitude.”

READ MORE…

A Thousand Lives: Staff Reads from Around the World

May 12, 2022  |  in News  |  by Eva Wissting and Julia Sherwood

A selection of our latest staff reads

From a newly translated work of Czech dystopian literature to a Swedish nonfiction chronicling the violence of European colonialism, here are our staff’s latest recommended reads. Sign up for our newsletter to get these recommendations delivered right to your inbox.

lak

Since its publication in 2016, The Lake, the multiple award-winning dystopian novel by the Czech writer and translator Bianca Bellová, has been translated into 20 languages and is now finally available in Alex Zucker’s English version. Comprising four chapters whose titles echo the stages of the evolution of an insect, it is a coming-of-age story of Nami, a boy who grows up in a small, Russian-occupied town dominated by the statue of “The Statesman”, situated on the shore of the ever-shrinking and heavily polluted lake. Its dwindling stock of fish provides the locals with their only source of income and is home to a baleful Lake Spirit whom they try to appease with sinister burying rituals. Brought up by his grandma, the teenage Nami sets out for the city in search of his long-lost mother and, after experiencing horrendous exploitation and violence, returns to his home town to find a redemption of sorts by diving into the lake. Clearly inspired by the author’s experience of growing up under Soviet occupation and possibly also by the Russian annexation of the Crimea, this bleakly powerful portrayal of a downtrodden society under Russian occupation has acquired a new resonance in early 2022.

—Julia Sherwood, Editor-at-Large for Slovakia

unnamed(1)

“It is not knowledge that we lack. What is missing is the courage to understand what we know and draw conclusions.” In his best-known book, Exterminate All the Brutes (tr. Joan Tate), Swedish writer Sven Lindqvist travels from El Menia in Algeria to Zinder in Niger, constantly struggling with sand that reaches every corner of his eyes, his luggage, and his floppy disks—the original book is from 1992, with many re-prints since. His journey through the Sahara also becomes a journey into Europe’s colonial history, with parallels to the Polish-British writer and seaman Joseph Conrad. As a horrified witness to colonial brutality, Conrad wrote Heart of Darkness as a commentary to an ongoing debate, where European colonial violence almost invariably is excused, glossed over, and even justified. Lindqvist’s book shows how Nazism wasn’t an anomaly in an otherwise peaceful and democratic Europe—all ideas and methods applied by the Nazis had already been developed before them by Europeans of different nationalities. Still as relevant today as when Lindqvist’s book first was published, it inspired Raoul Peck’s HBO documentary of the same name from 2021.

—Eva Wissting, Editor-at-Large for Sweden

*****

Read more on the Asymptote blog:

Translation Tuesday: Excerpt from Lucky Beny by Simona Bohatá

May 10, 2022  |  in Translations  |  by Alžběta Belánová

“You’re gonna be a famous photographer . . . you’ve got an eye for it, you see 'it,’ dude, they can’t teach you that at no school.”

This Translation Tuesday, we feature an excerpt from Simona Bohatá’s novel that offers the reader a kaleidoscopic perspective on a slice of the working class in 1980s Czechoslovakia. With prose reminiscent of Bohumil Hrabal, the novel was nominated for the Magnesia Litera Prize in the Czech Republic where the jury praised Bohatá’s characters as “so full-blooded that we can almost feel their pulse.” As you glimpse into this fascinating novel of the everyday, hear from translator Alžběta Belánová on the intricacies of representing the Prague slang. 

“The novel offers an up-close-and-personal look at the grimy, crumbling world of workers’ settlements, pubs and salvage yards in 1980s Czechoslovakia, and the lively assortment of bizarre characters who inhabit it. Young Beny leaves home to escape a violent and abusive father to find refuge at a scrapyard run by someone they call the Fabrikant. Together with Hany who is handicapped, a drifter called Julča and Beny’s brother Vítek, they form a quirky new family. While the author certainly shows the dark and disturbing reality of this era—Beny and the others were certainly dealt a hard hand in life—the book doesn’t just serve up misery as the real time storyline moves in an almost optimistic direction. Beny is truly lucky, as he manages to find a better job and ends up having more time for his one passion, which is photography. As with other Simona Bohatá’s works, the biggest challenge for the translator is capturing the atmosphere of the novel, which the author achieves through the use of heavy working-class Prague slang, what is more, spoken by teenagers. Linguistically, I found a parallel with The Basketball Diaries memoir (and similar such works), which achieves the same effect through the use of heavy New York slang and a disarmingly familial tone of the various journal entries. I found this quite inspiring for my translation and was able to draw on that to find the right voice for Beny and the others.”

—Alžběta Belánová 

Beny 

He was mad as hell as he walked up the street, angry with himself for letting it get to him even after all these years. He ran into them stupidly on the corner right by the ice cream parlour. They were laughing but stopped when they caught sight of him. Two, maybe three of them said “hey,” while the others bent their heads down in embarrassment. Beny was ten times more embarrassed though because they split the embarrassment up among themselves but he had to go at it alone. 

Classmates, he thought and smirked to himself. They were thick as thieves all of year eight including Jana and Bingo whose grades were just as shitty as Beny’s. But Bingo’s mom came down hard on him, forced him to start cramming and managed to get him through to ninth grade. No one came down hard on Beny though, so he had to go off to trade school right out of eighth grade while Bingo went on to ninth grade with all the others and then on to grammar school. 

He was a leper to them ever since. It only took one time when he met up with them after summer vacation to figure that out. He was sitting with them outside the Bookworm restaurant and it was as though he was invisible to them. They wouldn’t look him in the eye. Jana was latched on to Bingo who was telling idiotic stories. The very same Jana who was telling him how much she loved him only half a year ago. They didn’t even notice when he left. He didn’t see them for more than four years after that and now he had to go and run into them all together like that.

He wanted to go home but felt all out of sorts so he headed to the scrapyard.

“Fuck them, dude . . . they’re just spoiled brats.” Fabri handed him an opened bottle and Beny took a big gulp to wash the anger down. Fabri went on with his philosophizing.

“Where the hell would they be without their filthy rich fathers? Bullshit, rich brats . . . with parents in high places . . .” He shot a side glance at Beny and was glad to see him smile.  READ MORE…

Weekly Dispatches From the Front Lines of World Literature

March 25, 2022  |  in Dispatches, News, Weekly Roundup  |  by José García Escobar, Mary Hillis, and Nestor Gomez

Translation competitions, new publications, and poetry readings from Japan, Guatemala, and El Salvador!

This week, our editors from around the globe report on a translation competition and an event to support Ukraine in Japan, the publication of a harrowing new memoir from Guatemala, and a celebration of women poets in El Salvador. Read on to find out more!

Mary Hillis, Educational Arm Assistant, reporting from Japan

Give Artists a Voice was held on March 15 at the Goethe-Institut in Tokyo and live-streamed on social media. Organized by EUNIC Japan and E.U. member cultural institutions and cultural departments in Japan, artists expressed their support of Ukraine through music, film, poetry, dance, and talks. Joining from Kharkiv, contemporary artist Olia Fedorova read text in Ukrainian documenting life during the war. Poet Marie Iljašenko read “Five poems from collection St. Outdoor” in Czech and Yoko Tawada read “Auszeit von Menschheit” (“Timeout from Humanity”) in German. Michal Hvorecký, author of the novel Troll (published in Slovak in 2017), delivered a message on disinformation and literary translation as a vehicle for deeper understanding.

Earlier in the month, at Bungaku Days Spring 2022, the award winners of the JLPP (Japanese Literature Publishing Project) sixth International Translation Competition were recognized: English grand prize winner Grant Lloyd and Spanish grand prize winner Eduardo López Herrero. Contestants translated two texts, “Namiuchigiwa made” by Maki Kashimada in the fiction category and “Ojigi” by Kuniko Mukōda in the criticism and essay category. The original texts and winning translations can be read on the JLPP website.

Designed to both recognize and provide support for emerging translators of contemporary Japanese literature, the event began with a prerecorded video showcasing comments from the judges and messages from the top three awardees in English and Spanish respectively. Former contest winners Polly Barton and Sam Bett joined this year’s winner, Grant Lloyd, for a symposium on the topic of becoming a translator, moderated by Yoshio Hitomi of Waseda University. They discussed Lloyd’s prize-winning translations and also analyzed the challenges of working with stories, novels, and essays from Japanese, while revisiting steps on their journeys to becoming literary translators. The publishing panel was moderated by Allison Markin Powell and included Anne Meadows (Granta Books), Yuka Igarashi (Graywolf Press), and Tynan Kogane (New Directions), who discussed their points of view on pitching, the acquisition process, and barriers to publishing literature in English translation. The seventh edition of the competition is now in progress and entries are being accepted in English and French.

READ MORE…

Weekly Dispatches from the Front Lines of World Literature

February 18, 2022  |  in Dispatches, News, Weekly Roundup  |  by Alan Mendoza Sosa, Julia Sherwood, and Kristina Tatarian

Literary festivals, translation contests, and more from Mexico, Armenia, and the Czech Republic!

This month has seen the publication of new essays in Mexico highlighting the importance of editors, literary festivals in the Armenian capital, and the screening of restored screen adaptations of Czech literary classics. Read on to find out more!

Alan Mendoza Sosa, Editor-at-Large, reporting from Mexico

The literary community has not been discouraged by the global pandemic. February is already blooming with a host of literary events and new publications, some of which—announced early to build excitement—will reach readers later in the year.

On February 4 and 5, the fourth edition of the Kerouac International Festival took place. The event featured poetry readings and performances, showcasing work that disturbs traditional boundaries between visual art, music, and literary creation. The festival takes place every year in Vigo, New York, and Mexico City. This year, the lineup included several nationally and internationally recognized poets. Among them was Hubert Matiúwàa, who has been translated by Paul M. Worley for Asymptote. Poet Rocío Cerón also participated in the festival, presenting performances that blurred the lines between digital art and poetry. Shortly after the Kerouac Festival, she also kicked off a solo video art and poetry exhibition called Potenciales Evocados (Evoked Potentials), hosted in the convent where Early Modern poet Sor Juana Inés de la Cruz lived.

Four hours north of Mexico City, in the state of Querétaro, another event of international importance took place: the publication of Editar Guerra y paz (Editing War and Peace) by the independent publishing house Gris Tormenta. Written by Argentine editor Mario Muchnik, the book is part of Gris Tormenta’s Editors Collection, a series that highlights the work behind designing, planning, and putting out a book.

Finally, February also brought thrilling news to writers. Translated by seasoned Asymptote contributor Christina MacSweeney, Daniel Saldaña Paris‘s novel Ramifications was featured in the longlist of the Dublin Literary Award. Similarly, poet, translator, Asymptote contributor, and champion of contemporary literature in Spanish Robin Myers had her poem “Diego de Montomayor” selected for the compilation The Best American Poetry 2022.

READ MORE…

Blog Editors’ Highlights: Winter 2022

January 24, 2022  |  in News  |  by Darren Huang, Erica X Eisen, and Xiao Yue Shan

The reconstituting of memories that have been erased is a central concern for the playful yet meditative Winter 2022 issue.

Asymptote’s Winter 2022 issue is now out, marking the magazine’s eleventh year in publication! The newest edition features writing from a record forty-three countries and twenty languages. Here to introduce you to what this issue has to offer are our blog editors with some thoughts on the pieces that stood out to them the most.

In Maria Stepanova’s 2021 genre-defying work In Memory of Memory, she wrote that her excavation of family history was motivated by a desire to discover “the way memory works, and what memory wants from me.” Stepanova was absorbed with not only recovering the stories of her Jewish family but also probing her own obsessive relationship with memory itself. The memoir suggests the faultiness of memory in its rips and tears, while betraying an anxiety over its artifice in the way the memoirist manipulates the archive through inclusion, exclusion, and distortion for the purpose of her narrative. The reconstituting of memories that have been erased through the forces of time and displacement is a central concern for the playful yet meditative Winter 2022 issue. Like Stepanova, the authors of these varied works construct complex inquiries into the past through reappraisals of memory, dreams of alternate lives, and imaginative play with form. They seek the truth through memories while contesting their inevitable artificiality and malfunctioning.

In Rose Bialer’s deeply affecting interview, the Hungarian poet, memoirist, and translator George Szirtes speaks of returning to certain memories and themes in his personal history throughout his career in poetry, sometimes writing new poems that function as continuations of collections published decades before. This idea of Szirtes’s “return” to the same moments for their comprehension reflects his mistrust of memories but also his belief that truths are embedded within them. One of the talk’s many astonishing moments is when Szirtes claims that the return over time to the same memories in his poems reveals parallel narratives that add up to a palimpsest of personal history and identity. For Szirtes, formal constraints such as the terza rima continuously open the same memories to new facets and understandings. This illuminating conversation demonstrates how the fluidity of memory allows the poet-translator to construct an unstable past and self while “registering the sense of truth in all its complexity.”

READ MORE…

What’s New in Translation: December 2021

December 13, 2021  |  in New in Translation, Reviews  |  by Alyea Canada, Jacqueline Leung, and Maddy Robinson

Czech women's writing, German autofiction, and Japanese mystery!

This month, our selections of the best in global literature present a bevy of questions to be answered—rectifying the neglect of Czech women’s writing at the end of the twentieth century, solving murders, and chasing that ever-wandering place of home. Read on for these pivotal texts that are taking place amidst the most sustaining inquiries of our time: of secrets, of memory, and of desire.

a world apart

A World Apart and Other Stories by Various Authors, translated from the Czech by Kathleen Hayes, University of Chicago Press, 2021 

Review by Maddy Robinson, Social Media Manager

Kathleen Hayes’s collection of fin-de-siècle Czech women’s writing, A World Apart and Other Stories, is to be granted a second edition—twenty years after its initial publication, and around a century after the heyday of its writers. As Hayes informs us in her introduction, despite the proliferation of women’s writing in Czech literary magazines and anthologies at the time, or the academic attention the period has received, there continues to be a distinct lack of English translations for feminine texts from the turn of the century. In an effort to combat this dearth of material, Hayes carefully selected and translated eight short stories written before the First World War, to offer English language readers entry into a literary movement that might otherwise have remained solely within the domain of Central European Studies academics. We are presented with invaluable insight into the societal and individual concerns which accompanied this turbulent period in history, especially viewed in the context of a people struggling with “the woman question.”

The book opens with Božena Benešová’s “Friends,” an evocative tale of childhood sensitivity to perceived social hierarchies, and a frank condemnation of anti-Semitism. Hayes remarks that this is rather unusual, given that “at the time it was written, negative references to the Jews were still the norm in Czech literature.” The story also constitutes an anomaly in this anthology, as from this point on, there is but one central theme around which each story revolves: passion, forbidden or otherwise.

She was a strange woman, but perhaps, after all, strange only from my point of view. I was totally incapable of getting close to her soul.

The titular story, “A World Apart,” was published in an anthology of the same name in 1909 by Růžena Jesenská and is perhaps the most striking and complex of the collection. Travelling by train, the protagonist Marta recounts the story of a friendship she once had with a Miss Teresa Elinson, an intense woman whom she also met on a train, and who convinces her to visit her manor house “A World Apart.” Miss Elinson’s attempts to seduce Marta are not initally met with outright rejection—however, there is a foreboding, Du Maurier-like sense that if she were to remain at A World Apart, she might suffer the same fate as her deceased predecessor, Berta. Though Hayes puts the unlikely subject matter of lesbian desire more down to “literary convention than psychological realism,” Jesenská’s depiction of the risks of breaking worldly norms, as well as her portrait of the passionate, Dandy-esque figure of Teresa Elinson, make for a fascinating contribution to any study of turn-of-the-century queer desire and its manifestations. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

December 3, 2021  |  in Dispatches, News, Weekly Roundup  |  by Carol Khoury, Laurel Taylor, and Mary Hillis

Workshops, festivals, and plenty of new publications and announcements to celebrate in this week's round of literary news.

The “great moon of December” leads us into the final starts of 2021, though the literary world shows no signs of winding down. Let our editors introduce you to classical poetry reawakened, Arab literature awards, star-studded literary events in Tokyo, the latest from the European Literature Festival, and much more!

Carol Khoury, Editor-at-Large, reporting from Palestine

Once upon a time, the so-called ‘women’s magazines’ of today had a completely different form (though they were never truly intended for women per se). Back in the tenth century, there was a celebrated Shiʻite Muslim Arab court poet, master chef, and polymath called Kushājim; originally from Ramla in Palestine—near contemporary Tel Aviv—Kushājim lived during the turbulent war-ridden period of the Middle and Late Abbasid Caliphates, which led him to move between Jerusalem, Damascus, Baghdad, and Cairo before finally settling in Aleppo. During his lifetime, Kushājim was considered the epitome of excellence in literature, and was highly commended by the literary critics of his time, both for his poetic works and intellectual faculties. His canon “vividly chronicles culinary, social, and intellectual aspects of court life [. . .], detailing numerous native and exotic foodstuffs and recipes; the social etiquettes of sharing wine and food; the various musical instruments used at the time to entertain the caliphs and their guests; the harem with its cross-dressing male and female dancers, concubines, and odalisques; the wide variety of plants and geometric designs found in courtly gardens; indoor pastimes and outdoor sports; the art of gift-giving; and the traits of coveted courtiers and boon companions.” What does this resemble but the contemporary women’s magazine?

Ancient Exchanges, an online journal at the University of Iowa devoted to literary translations of ancient texts, has recently published four gastronomic poems by Kushājim—on asparagus, mushabbak, khushkanaj (both desserts), and pomegranates. Translated from classical Arabic by Salma Harland, the four poems are run bilingually, accompanied with art by ArabLit Quarterly art director Hassân Al Mohtasib.

In her translator’s note (which includes a teaching guide), Harland explains that “although the original poems were written in accordance with the fixed feet and rhyme schemes often used in classical Arabic poetry, I have chosen to prioritize aesthetic grace and readability over meter without completely eliminating musicality.”

One is invited to take a seat at Kushājim’s table, set by Harland, and to take in a feast by a master who “not only details the preparation methods and ingredients needed for certain dishes but also the impact that their elegant presentation has on the banquet guests. Mouths water and eager hands cannot keep their distance”; even “[a] sedulous ascetic would break his fast / and yield before such a repast.” READ MORE…

Weekly Dispatches from the Front Lines of World Literature

November 12, 2021  |  in Dispatches, News, Weekly Roundup  |  by Darren Huang, Jovanka Kalaba, and Julia Sherwood

News this week from the Czech Republic, Taiwan, and Serbia!

This week, our editors are bringing news of their vigorously alive world literatures. From a celebration of Czech letters at the Warsaw Book Fair and the Prague MicroFestival, to a commemoration of iconic Taiwanese writer Li Qiao, to a push for Serbian women’s voices in a collection of short stories—the ongoing efforts of writers, presses, and translators around the world indicate always towards greater and greater realms of understanding.

Julia Sherwood, Editor-at-Large, reporting from the Czech Republic

Held from September 9 to 12, the Warsaw Book Fair was one of the first major industry events to make a comeback after the pandemic-enforced hiatus, with the Czech Republic as the guest of honour. The timing was quite fortuitous, since barely two months after the event, cases were again surging in these two countries, as well as in most of Europe.

Czech literature has been enjoying a real boom among Polish readers, and this was reflected in the strong contingent of leading Czech writers who came to Warsaw. They included Michal Ajvaz, Bianca Bellová, David Böhm, Petr Hruška, Alena Mornštajnová, Iva Procházková, Jaroslav Rudiš, Marek Šindelka, and Kateřina Tučková. Past Asymptote contributor Radka Denemarková—who drew the largest crowds—felt that “in recent times, it has been particularly important for us writers to show solidarity—especially with countries such as Poland and Hungary—creating a kind of enclave of humanism.”

Also popular with Polish readers was a meeting with Petra Hůlová, who presented the Polish translation of her 2018 novel Stručné dějiny hnutí (A Brief History of the Movement), a book she describes as “a feminist manifesto and critique of feminism rolled in one.” Her “provocative satire of a feminist future challenges and unsettles in equal parts” (Kirkus Reviews) has just been published by World Editions as The Movement, in Alex Zucker’s English translation. You can read an excerpt from the book here as well as in BODY.Literature, the Prague-based English-language literary journal whose fall issue also features poetry by Karel Šebek (trans. Ondřej Pazdírek) and Pavla Melková (trans. Joshua Mensch), as well as a chilling absurdist story by Vratislav Kadlec (trans. Graeme Dibble).

On October 18, Hůlová and Zucker read from and discussed The Movement in an event organized by Czech Centre New York. Their conversation (now available to watch on YouTube) also included the writer-translator pair Kateřina Tučková and Veronique Firkusny and the novel Gerta, published by AmazonCrossing earlier this year. On November 22, Firkusny will be featured again as part of European Literature Night, organized by the Czech Centre; she will appear with Elena Sokol, as their joint translation of the final part of past Asymptote contributor Daniela Hodrová’s trilogy, City of Torment, is soon to be published by Jantar Publishing. READ MORE…

Our Fall 2021 Issue Is Here!

October 21, 2021  |  in News  |  by Lee Yew Leong

Featuring Octavio Paz, Sara Stridsberg, Wolfgang Cordan, and Marian Schwartz on Nina Berberova, amid new work from 30 countries!

In Asymptote’s just-released Fall 2021 Edition, “Beings in Time,” headlined by Octavio Paz and Marian Schwartz, time is painfully distended for many of the narrators in this issue as it has been for us. With Jakuba Katalpa and Wolfgang Cordan, in particular, revisiting dark chapters in recent human history, it was a deliberate choice to bookend the Fiction and Poetry sections with Patrizia Cavalli’s irrepressibly joyful “Dancing Shoes” and Ricardo Zelarayán’s thrilling narrative poem “The Great Salt Flats.” Kim Bo-Young’s I’m Waiting for You, reviewed with gusto by Cristy Stiles, sets time travelers in endlessly inventive scenarios. In Brave New World Literature, Caitlin Woolsey encounters, at age twenty-one, the timeless Bedouin oral tradition of Jordan’s people. Elsewhere, in Drama, Anna Carlier transports us to a future ecological nightmare, where “half the world is drying up” and “the other half . . . drowning,” with no way to tell if the clock is “counting up or . . . down.” All is illustrated by our guest artist the brilliant photographer Genevieve Leong.

Our wildcard Special Feature this issue spotlights the work of institutional advocates: Russia’s Institute for Literary Translation, the Lithuanian Cultural Institute, Catalan Culture’s Institut Ramon Llull, and the Literature Translation Institute of Korea agreed to take the same set of ten questions posed by our editor-in-chief. The result is a fascinating cross-cultural snapshot of the role of an otherwise mostly invisible player in world literature.

Promotional_Oct_blog
Whenever and wherever we are, we can all spread the news of Asymptote’s latest wonders on Facebook, Instagram, or Twitter, where we will be plugging every single article in a 40-hour marathon. If you’re keen to spread word in real life, we invite you to download and distribute this magnificent flyer of the issue (pictured above). Many thanks from us at Asymptote!

Read the new issue

Become a sustaining member today

Translation Tuesday: Four Poems by Jan Skácel

October 19, 2021  |  in Translations  |  by Daniela Kukrechtová

when apricots sweeten / and rye hardens in the fields

This Translation Tuesday, we bring to you four poems by one of the most widely acclaimed Czech poets of the twentieth century. These poems by Jan Skácel, recipient of the Petrarch Prize for Poetry, rendered in Daniela Kukrechtová’s translation, achieve a stunning potency in their brevity, evoking the beauty of the Moravian landscape that cycles through the seasons and its landscapes. In the short space of the poem, Skácel’s poems revel in the incongruity of his images and often unravel in their conclusions to a surprising revelation. 

South Moravia 

Let whoever wants to poke about in our blames;
marvelous are the nights on the plains,
when apricots sweeten
and rye hardens in the fields.

When night is tall, when from the night gallows
a man hangs,
by the road he stole 

love from someone and he is hanging for theft.

Autumn in the City 

Here is a city, squares and houses,
and also girls with chignons on their heads,
in which wind, a mouse, and desire dwell.

And also there is autumn.

And somewhere high above, there is the sun.
Dug in a cloud like a claw in a horse’s heart. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

August 6, 2021  |  in Dispatches, News, Weekly Roundup  |  by Charlie Ng, Julia Sherwood, and Lucas Stewart

Our editors report from the Czech Republic, Slovakia, Myanmar, and Hong Kong in this week's roundup of literary news!

“Braid your hair, my boys, with greener leaves / We still have verse among us.” In Adonis’ s long work, “Elegy for the Time at Hand,” the poet enchants with the perseverance of language and beauty throughout all things. This week, our editors from around the world bring news of writers weaving, observing, resisting, and changing the world around them. In the Czech Republic, poetry enjoys its moment in the spotlight. In Myanmar, the illegal regime continues to jail and silence its writers and poets. In Hong Kong, the young generation of writers prove their capabilities, and a new volume of poetry traces the current precarious politics. 

Julia Sherwood, Editor-at-Large, reporting for the Czech Republic

Czech poetry is enjoying something of a moment in the new millennium, says writer and translator Pavla Horáková in the latest installment of her series for Prague Radio International, Czech Books You Must Read, which presents two “poets of the everyday”—Petr Hruška and Milan Děžinský. As his collection, A Secret Life, translated by Nathan Fields, comes out from Blue Diode Publishing, Děžinský—who is also a translator and has introduced Czech readers to leading American poets such as Sharon Olds, Robert Lowell and James Wright—explains in this brief video (in English) how much it means to him that his own work has now found its way to Anglophone readers.

Both Děžinský and Hruška are past recipients of the Magnesia Litera Prize for poetry; this year, the award—the Czech Republic’s most prestigious—went to Pavel Novotný for his collection Zápisky z garsonky (Notes from a Bedsit). Another poet, Daniel Hradecký, bagged the prize in the prose category for Tři kapitoly (Three Chapters), an autofictional work described by one critic as “brimming with cynicism, causticity, alcohol and the existential  philosophy of those on the margins of society.” One of the five authors that Hradecký beat to the prize, Lucie Faulerová, had the consolation of being among the winners of the 2021 EU Prize for Literature, for her novel Smrtholka (The Deathmaiden). You can read an excerpt translated into English by Alex Zucker here. The winner of the 2021 Magnesia Litera Book of of the Year is veteran translator and emeritus professor of English literature Martin Hilský’s Shakespearova Anglie, Portréte doby (Shakespeare’s England. A Portrait of an Age), nominated in the non-fiction category. The jury praised this monumental work, which explores Elizabethan society in extraordinary detail and represents “the culmination of Hilský’s lifelong interest in the work of William Shakespeare and makes a significant contribution to our knowledge of Elizabethan culture.” READ MORE…

To Learn the Wider World: The Summer 2021 Educator’s Guide

August 2, 2021  |  in Asymptote for Educators  |  by Anna Rumsby, Katarzyna Bartoszyńska, Kent Kosack, and Mary Hillis

Stories set in other places and cultures, written in different languages, widen the world; I try to bring that feeling into the classroom.

Since its inception in 2016, the Educational Arm has developed instructional materials to accompany select pieces from the nonfiction, fiction, poetry, drama, and visual sections of each issue of Asymptote. Now with twenty Educator’s Guides in our archive, and over one hundred lesson plans based on translations from over fifty different languages, teachers can truly experience the world with their students. We encourage educators to explore the myriad of ways Asymptote content can be adapted and used in their curriculums; most lessons can be readily applied in literature courses at the high school or university level, but are also flexible enough to be adapted for a variety of humanities classes such as English, creative writing, cultural studies, and modern languages. They can also be easily applied to engage lifelong learners at community centers or arts organizations.

The Summer 2021 Educator’s Guide features lesson plans based on a diverse array of texts from the latest issue of Asymptote, including nonfiction translated from Czech and Spanish, poetry from Brazil and Iceland, and visual art inspired by China and the U.S. In these lessons, students are invited to observe urban life through the lens of psychogeography; explore the multifaceted relationship between art, memory, and cultural identity; research poets and critically examine the concept of literary canon; and delve into the translation process while reflecting on their own experiences reading works in translation. We hope that the Educator’s Guide will serve as a springboard for the use of world literature in your own classroom.

In this following roundtable, four members of the Educational Arm—representing a variety of teaching contexts—sit down for a discussion about the Educator’s Guide. Anna Rumsby (English language teaching, U.K./Germany), Mary Hillis (English language teaching, Japan), Kent Kosack (creative writing, U.S.), and Kasia Bartoszynska (literature, U.S.) discuss their favorite lessons from previous Educator’s Guides—why they chose the pieces in question, how they adapted them, with additional discourse on teaching through the pandemic and the importance of reading world literature.

Mary Hillis (MH): How does translated literature fit into your teaching practice? Have you taught any lessons from the Educator’s Guide, or do you have any favorite lessons from previous guides?

Anna Rumsby (AR): I teach English to German speakers; most of my lessons revolve around the German school system, and therefore involve rather more pedestrian areas such as grammar and traditional style essays. As a relatively new addition to the Education Arm, I was deeply impressed and invigorated by the creative freedoms we enjoy in producing the incredibly unique material at hand, working from some incredibly talented authors and translators. It definitely highlighted what had sometimes been lacking for me in my other work. I suppose that, in a way, working on the Educator’s Guide means I can design lessons which I would love to teach, rather than those I teach day to day.

In the Fall 2020 Educator’s Guide, I was particularly struck by the lesson plan called “Writing About What is Lost,” on “Living Trees and Dying Trees” by Itō Hiromi, translated by Jon L. Pitt. I am a great lover of both folklore and the botanical world; my MA dissertation involves a lot of Black Forest folklore, and my partner is a gardener, so the exercise on the importance and meaning of trees in Japanese culture really struck me. It reminded me of strolling through botanical gardens in the pre-COVID age, being told the Latin names and significance of all the trees I pointed at. I love how the lesson plan uses Itō Hiromi’s work as a springboard for further research, which in turn explores specific topics in more depth.

Kent Kosack (KK): I’m glad you mentioned “Writing about What is Lost.” It’s a great example of what teaching world literature and literary translation can do—letting the students explore a different place, a culture or sensibility, and using it to learn more about the wider world. By the end of the lesson, they’re making connections to their own lives and—in this case—reflecting on what’s been lost. It’s difficult work, but especially during this pandemic, necessary and potentially cathartic.  READ MORE…

Section Editors’ Highlights: Summer 2021

July 26, 2021  |  in News  |  by Bassam Sidiki, Caridad Svich, and Lee Yew Leong

Our Section Editors pick their favorite pieces from the Summer 2021 issue!

The brand-new Summer 2021 edition of Asymptote is barely ten days old and we are still enjoying the diverse offerings from thirty-five countries gathered therein. Last week, blog editors Xiao Yue Shan, Allison Braden, and Shawn Hoo shared their favorites. Today, section editors Lee Yew Leong, Bassam Sidiki, and Caridad Svich distill their highlights for us:

From Lee Yew Leong, Fiction, Poetry, Special Features, and Interview Editor:

Why do so few men read fiction by women? lamented MA Sieghart as recently as seventeen days ago in The Guardian. With female authors taking five out of six slots, the Summer fiction lineup, published just in time for #WomeninTranslation month, offers parochial-minded readers a taste of what they are missing out on. These stories are also deeply centered on the female experience: Gabriel Payares and Maša Kolanović deliver unsettling takes on pregnancy and new motherhood, while the aging protagonists of Kathrin Schmidt’s and Can Xue’s stories go on mushroom-fueled head trips that seem to set the universe right again. A third set explores the corrosive effects of work on identity (in particular, Joanna Chen’s superb translation of mechanical engineer Tehila Hakimi’s Company recalled for me Amelie Nothomb’s masterpiece Fear and Trembling).

When you don’t go by a Judeo-Christian name, the constant bracing against mispronunciation can result in estrangement from your own identity, as Xiao Yue Shan explored in her recent essay on linguistic exile. I can relate. That’s why I found the ending of Abdushukur Muhammet’s “My Name” deeply moving. Translator Munawwar Abdulla not only does an excellent job nailing Muhammet’s melancholic voice, but also provides much needed contextualization in her translator’s note that imbues the poem with a sharp political layer. READ MORE…