Dispatches

Weekly Dispatches From the Front Lines of World Literature

The latest news from Singapore and Malaysia!

This week, our writers bring you news from Singapore and Malaysia. In Singapore, the literary community has been remembering the achievements of eminent Chinese-language writer Yeng Pway Ngon after he passed away. While in Malaysia, a new anthology has been published, which has collected writing about the lockdown. Read on to find out more! 

Shawn Hoo, Editor-at-Large, reporting from Singapore

On January 10, the literary community in Singapore and abroad mourned the passing of eminent Chinese-language writer 英培安 Yeng Pway Ngon. Winner of the Cultural Medallion, SEA Write Award, and four Singapore Literature Prizes, Yeng’s writing spans poetry (his latest collection is 石头 Stone), novels (including award-winning 骚动 Unrest and 画室 Art Studio), radio plays, and essays in the manner of Lu Xun. To fully appreciate Yeng’s contribution to Singapore’s cultural landscape, one must also look to his role as a bookseller, having founded two iconic Chinese-language bookstores, Vanguard Books and Grassroots Book Room, that have indelibly shaped the reading culture. In an online literary memorial service on January 15, organised by Grassroots that was attended by more than 170 participants, former students, friends, writers, and cultural workers recited some of Yeng’s verses and looked back at his public and private life. The singularity of Yeng’s influence on Singapore literature has led the Chinese-language newspaper Lianhe Zaobao to pose the question of finding the next Yeng Pway Ngon. As we remember this acclaimed cultural figure, read a play by Yeng (translated by Jeremy Tiang) from the January 2014 issue of Asymptote.

In other news, the Epigram Books Fiction Prize 2021 announced its winners on January 16 in a virtual ceremony. For the first time in the prize’s five-year history, the prize has been awarded to not one but two novels. The winning manuscripts are Sebastian Sim’s And the Award Goes to Sally Bang! and Meihan Boey’s The Formidable Miss Cassidy. They each receive SGD$15,000 in prize money as well as publication. This comes as Epigram Books announced just days before that they will stop publishing in the United Kingdom and focus on their Singapore business. Setting up its London arm in 2016, founder Edmund Wee had initially hoped that the move would allow a Singapore title to get onto the longlist of the coveted Man Booker Prize. After more than thirty titles and four years of work, the effort has proved—at least for the time being—futile. The good news, on the other hand, is that the cost savings from discontinuing the UK endeavour will be redirected to prize money for expanding the Fiction Prize shortlist from four to six novels. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from the Czech Republic and Sweden!

This week our writers bring news from the Czech Republic, where Michal Ajvaz has been awarded the Czech state Prize for literature, and Sweden, where a major publishing house has announced a competition to discover the next international crime fiction star. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from the Czech Republic

On 30 October the Czech state Prize for literature 2020 was awarded to poet and fiction writer Michal Ajvaz, whose work has been compared to Borges and Neil Gaiman. Three of his novels are available in English: the imaginary travelogue Golden Age (trans. Andrew Oakland), The Other City (trans. Gerald Turner), a guidebook to an invisible, “other” Prague, populated by ghosts, eccentrics, talking animals, and impossible statues invisible to tourists, and Empty Streets (trans. Andrew Oakland), the story about a missing girl and a search for meaning.

At the end of September, Milan Kundera was reported to have joyfully accepted the Czech Republic’s Franz Kafka Prize. Following on the announcement in late July that Kundera and his wife decided to donate their archive and books to the Moravian Library in Brno, this marked another step in the slow but steady warming of relations between the Czech-born writer and his motherland—or at least, the city of his birth, Brno.

Over the past few years, the Czech Literary Centre has forged strong links with a couple of key partners, and as a result the Lakes International Comic Art Festival (LICAF) chose Czech comics as the focus of its 2020 festival in October in Kendal, UK. Although live participation of Czech graphic artists had to be postponed to 2021 because of the pandemic, a few events were held online and some trailers showcasing forthcoming English translations of Czech comic books were launched. One features the artist Václav Mašek and his summer 2019 residency in Kendal, while Jan Novák’s Zátopek, a graphic novel about the life of the legendary Czech marathon runner, previewed in this video trailer, has since been published by SelfMadeHero.

In 2021, the Czech Literature Centre’s priority will be poetry, and its plans for digital events include a series on Czech poetry for an international audience, online readings, and discussions as well as residencies for writers. Meanwhile, Paris Notebook, a bilingual poetry collection by Tereza Riedlbauchová, one of the authors featured in the summer issue of Modern Poetry in Translation (a video from the online launch can be seen here), has recently been published by Visible Spectrum, in an English translation by Stephan Delbos. For those who have been tempted to break into translating Czech literature but don’t know where to start, the great news is that Bristol Translates has expanded the range of languages on offer and this year’s summer workshop will include Czech, with Asymptote’s past contributor Gerald Turner, Václav Havel’s court translator, as tutor and places are still available (details here). And budding Czech translators under the age of forty have until the end of March to take part in the 6th International Competition for Young Translators (details here). READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Argentina, Japan, and Palestine!

This week our writers bring you exciting news from Argentina, Japan, and Palestine! In Argentina, the legalization of abortion has been celebrated and supported by many, including renowned feminist writer Nora Domínguez; in Japan, leading women writers and their translators will be in conversation for the Japan Foundation New York, whilst translator Yukiko Konosu shared her recommended new reads from Japan, including Rin Usami; and in Palestine, four great new works of Palestine literature are soon to be published in English. Read on to find out more! 

Allison Braden, Editor-at-Large, reporting from Argentina 

Two days before 2020 slid into history and memory, an anxious crowd gathered outside Argentina’s Congress in Buenos Aires. They watched the Senate debate on big screens and the summer heat dissipated as day turned into night, Tuesday turned into Wednesday. Many—though not all—of those who stood outside wore green scarves, the symbol of a yearlong movement to legalize abortion in the historically conservative country. In the small hours of Wednesday morning, after a long and suspenseful Senate session, they found out that their work had paid off: Congress legalized voluntary abortion through the fourteenth week of pregnancy.

Several of the pro-choice activists who advocated for this major legislation were writers. The day before the senators took up the bill, a collection of Argentina’s most notable writers, including Claudia Piñeiro, Florencia Abbate, Agustina Bazterrica, and Gabriela Saidon, released a statement and video expressing their support. “The green wave puts an end to hypocrisies, inequalities, injustices and replaces a long dark violence with dignity,” they wrote. “Like the deep and living heartbeat of the sea, it instills in us a pulse to continue fighting.”

Nora Domínguez was among the writers who endorsed the statement. She’s one of three directors of an ambitious project to publish the history of Argentina’s literature through a feminist lens. The first of six volumes, En la intemperie: poéticas de la fragilidad y la revuelta (In the Open: Poetics of Fragility and Revolt) was published by Eduvim late last year, but it’s chronologically the last in the series, focusing on the period between 1990 and 2019. The work features a collection of analysis and criticism from Argentina’s leading feminist thinkers—part of the project’s larger effort to give form to “certain absences, not to build a counter-canon but rather to provoke detours, scandalous stops, fissures, divisions, and contradictions” in the existing canon. In a December interview, Domínguez confirmed that Argentina has experienced a boom in recent years of new voices in the country’s literature, not just women but trans writers and young people as well. This century’s feminism is a culmination of both feminist and literary genealogies. The work to interrogate and revise a patriarchal canon and the work to advocate for laws that respect women’s autonomy go hand in hand. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

2021's first roundup brings you news from Taiwan, Hong Kong, and the United States!

Asymptote‘s Weekly Roundup is back for 2021 and this week our editors bring you news of major prize events in Taiwan, an event honouring the renowned writer Xi Xi in Hong Kong, and a refreshing online poetry series in the United States. Read on to find out more! 

Darren Huang, Editor-at-Large, reporting from Taiwan   

On December 15, the winners of the 2021 Taipei International Book Exhibition (TiBE) Book Prizes and the 17th Golden Butterfly Awards for book design were announced by the Taipei Book Fair Foundation. Both awards are major events at the annual TiBE, which starts on January 26. The winners featured a variety of forms and themes by writers from China, Taiwan, and Hong Kong, whose works reflect the prize’s investment in the “freedom of expression and freedom of publication as well as the tolerance and openness of this land.” Fiction prize winners include Huang Chun-ming, whose fiction has been featured in Asymptote, Kuo Chiang-sheng, and Pam Pam Liu’s graphic novel, “A Trip to Asylum.” Kuo’s novel concerns a piano tuner who bonds with the widower of a dead pianist, while Liu’s work, the first graphic novel to win in the fiction category, describes the experiences of a man who is admitted and finally released from a psychiatric hospital. In the nonfiction category, Hong Kong writer Hon Lai-chu won for her essay collection, “Darkness Under the Sun,” in which the author reflects on Hong Kong’s 2019 democracy protests.

In late November 2019, President Tsai Ing-wen awarded a posthumous citation to the nativist poet Chao Tien-yi for his contributions to contemporary Taiwanese poetry and children’s literature. Chao was one of the founders of the Li Poetry Society, a collective of Taiwanese nativist poets. Chao worked in a realist mode, through which he lyrically portrayed Taiwan’s landscape and the everyday lives of the working-class in such poems as “Cape Eluanbi,” an ode to the Pacific Ocean, and “Song of the Light-Vented Bulbul,” a nostalgic portrait of his hometown of Taichung. In 1973, the poet suffered a disappointing setback in his career when he lost his position as acting director of National Taiwan University’s (NTU) Department of Philosophy due to false accusations of Communist sympathies. Chao transformed his despair into the poems, “Daddy Lost His Work” and “Don’t Cry, Child.” The Ministry of Culture cited Chao’s works as “both mirror and window for reflecting upon a particular era in Taiwan for generations to come.”

READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Austria, Singapore, and Vietnam!

This week our writers bring you the latest news from Austria, where the annual European Literature Days took place; Singapore, where Singapore Unbound has launched a new translation imprint; and Vietnam, where Jaroslav Hašek’s The Good Soldier Švejk has been translated into Vietnamese. Read on to find out more! 

Julia Sherwood, Editor-at-large, reporting from Austria

The rolling hills of Austria’s Wachau are usually alive with the sound of music and literature in November as writers from all over Europe converge on the picturesque wine-growing region on the banks of the Danube for the annual European Literature Days. This year, however, since Austria went into lockdown just days before the festival began on 19 November, the words and the music emanated from the empty auditorium of the sound space (Klangraum) of the Minoriten Church in Krems. Writer Walter Grond and his colleagues from Literaturhaus Europa, joined by co-hosts Rosie Goldsmith from England’s Wiltshire and Hans-Gerd Koch from Berlin, linked up digitally with writers and musicians across Europe for four days of readings and discussions. The last-minute switch to digital format went without a hitch and the loss for those who had been looking forward to meeting old friends and enjoying autumn walks and the delicious local wine proved to be a gain for the rest of the world, as the entire festival was live-streamed (the recordings are available on the Elit YouTube channel). More Wilderness!—the festival theme that, as had happened so often before, proved to be uncannily prescient in view of the pandemic—was introduced by Austrian writer Robert Menasse in conversation with German philosopher Ariadne von Schirach, who continued exploring the wilderness inside and outside the following day in a dialogue with biologist and biosemiotician Andreas Weber. Over the weekend, a dizzying range of authors discussed and read from their works: from stars such as Sjón, Petina Gappah, and A.L. Kennedy (the recipient of this year’s Austrian Booksellers’ Prize of Honour for Tolerance in Thinking and Acting); through those who made their name more recently, like Olga Grjasnowa (Germany), Filip Springer (Poland) as well as Polly Clarke and Dan Richards from the UK; to writers who have yet to make their name in the Anglophone world, such as the Hungarian Gergely Péterfy, the Italian Fabio Andina, the Czech-born Austrian writer and musician Michael Stavarič, the Slovak Peter Balko, and Miek Zwamborn, a Dutch author based on the Scottish Isle of Mull. In addition to Menasse and Grond, the home-grown talent included writer and musician Ernst Molden, whose balcony concerts helped to keep up the spirits of his neighbourhood in Vienna during the first wave of the pandemic, and Daniela Emminger, whose reading from her dystopian novel set in Hitler’s birthplace, Braunau, was enlivened by the appearance of a banana-munching gorilla. Emminger’s succinct summaries of the whole festival can be read here. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Central America, Sweden, and Argentina!

This week, our writers bring you the latest news from Central America, Sweden, and Argentina. A poetry festival featuring Latin American heavy hitters has just wrapped up in Guatemala, where, in addition, a new YA title draws from a military coup and a reprint tackles guerrilla warfare; Sweden’s most prestigious literary prize has been awarded in the fiction, non-fiction, and children’s book categories, and the Swedish Arts Council is trying to keep the literary sector afloat; a series of sundry voices gathered at a non-fiction festival in Argentina, where they spoke about how hard it is to narrate the pandemic—and how easy it is to honor another viral phenomenon. Read on to find out more!

José García Escobar, Editor-at-Large, reporting from Central America

Guatemala just finished the sixteenth edition of the celebrated Festival Internacional de Poesía de Quetzaltenango (FIPQ). As a virtual festival, it included readings and presentations of notorious poets including Cesar Augusto Carvalho (Brasil), Isabel Guerrero (Chile), Yousif Alhabob (Sudan), Rosa Chavez (Guatemala), and Raúl Zurita (Chile). Relive FIPQ’s closing ceremony with a performance of the Guatemalan indie-pop band, Glass Collective, here.

Guatemalan novelist and translator David Unger just put out a new YA book. Called Sleeping with the Light On, it is based on how the author and his family experienced the 1954 US-backed military coup, which overthrew the democratically elected president Jacobo Arbenz. Sleeping with the Light On (Groundwood Books) is illustrated by Carlos Aguilera.

Finally, before the end of the year Catafixia Editorial will reissue two essential books of Guatemalan history and literature, Yolanda Colom’s Mujeres en la alborada and Eugenia Gallardo’s No te apresures en llegar a la Torre de Londres porque la Torre de Londres no es el Big Ben. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Lebanon, the Vietnamese diaspora, and France!

This week, our writers bring you the latest news from Lebanon, the Vietnamese diaspora, and France. In Lebanon, Jadaliyya has published an essay on the late Lebanese poet Iliya Abu Madi and Lebanese author Nasri Atallah has been included in a new anthology, Haramcy; in the Vietnamese diaspora, December 6 marks the 183th birthday of Petrus Ký, a prominent Vietnamese scholar who helped to improve the cultural understanding between French-colonized Vietnam and Europe; and in France, whilst bookshops have suffered from national lockdowns, a new translation of poems by contemporary poet Claire Malroux has been released. Read on to find out more! 

MK Harb, Editor-at-Large, reporting from Lebanon

Arab sci-fi lovers rejoice! An Arabic translation of the late American science fiction author Octavia Butler’s Kindred is coming out with Takween Publishing. Dr. Mona Kareem Kareem, a writer, literary scholar, and Arabic-English literary translator, worked on the Arabic manuscript during her residency at Princeton University. She will be holding an online talk, “To Translate Octavia Butler: Race, History, and Sci-Fi,” on December 7. Tune in as you wait for the manuscript with sci-fi jitters! In other translation news, Kevin Michael Smith, a scholar and translator of global modernist poetry, translated two poems by Saadi Youssef for Jadaliyya. Yousef is a prolific writer, poet, and political activist from Iraq and we are delighted to see more of his work profiled in English. Also on Jadaliyya is this beautiful rumination on the late Lebanese poet Iliya Abu Madi and his political imagination. Abu Madi wrote spellbinding poetry and was part of the twentieth-century Mahjar movement in the United States, which included the renowned Lebanese author, Gibran Khalil Gibran.

In publishing news, Bodour Al-Qasimi, founder and CEO of Kalimat Group, an Emirati publishing house for Arabic books, has been announced as the president of the International Publishers Association! Al-Qasimi has tirelessly worked on expanding the scope of the Arab publishing industry and we are happy to see her achieve this feat. Award-winning artist and cultural entrepreneur, Zahed Sultan, is seeking to release Haramcy, an anthology with twelve writers from the Middle East, North Africa, and South Asia, including Lebanese author Nasri Atallah. It is set to be published with Unbound Books and the anthology addresses pertinent themes of love, invisibility, and belonging. In the spirit of the holidays, if you are feeling generous and capable of donating, then consider contributing to the Haramcy Fund.

We know the holidays are upon us and you are looking forward to cozying up with a book or two (or five in our case!). We have some new Arabic literature in translation for you to read during the holidays! The Saif Ghobash Banipal Prize shortlist has been announced! Another shortlist we are excited about is the Warwick Women in Translation Prize, which features Thirteen Months of Sunrise by Sudanese author, Rania Mamoun, translated from Arabic by Elisabeth Jaquette.

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

December 6, 2020 marks the 183th birthday of Petrus Ký, also called Trương Vĩnh Ký, whose prolific achievements as scholar, translator, and publisher helped broaden the cultural understanding between French-colonized Vietnam and Europe. His vanguard efforts popularized chữ quốc ngữ, or modern Romanized script—leading to its official adoption as Vietnam’s national language in the early twentieth century. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Central America, Palestine, and Malaysia!

This week, our writer’s bring you the latest news from Central America, Palestine, and Malaysia. Central America’s biggest book fair, FILGUA, has begun, whilst José Luis Perdomo Orellana received Guatemala’s most prestigious literary award; Palestine Writes Literature Festival has begun online, featuring over seventy writers and activists, including Angela Davis and Fady Joudah; and in Malaysia, readers have mourned the passing of prominent writer Salleh Ben Joned, whilst Georgetown Literary Festival has featured writers including Ho Sok Fong. Read on to find out more! 

José García Escobar, Editor-at-Large, reporting from Central America

After many delays and obvious setbacks, Central America’s biggest book fair, FILGUA, started yesterday. As a virtual book fair, FILGUA will feature over 140 online activities, book presentations, and conversations among prominent authors, journalists, and activists, such as Daniel Krauze (Mexico), Olga Wornat (Argentina), Rigoberta Menchú (Guatemala), and Javier Castillo (Spain). They have also announced that next year’s FILGUA, as planned for this year’s, will be celebrated alongside Central America’s biggest literary festival, Centro América Cuenta.

In November, writer and journalist José Luis Perdomo Orellana received the Miguel Ángel Asturias National Prize in Literature—Guatemala’s most prestigious literary prize. José Luis is best known for La última y nos vamos, a collection of interviews with Gunther Grass, Nadine Gordimer, José Saramago, and others. Also in November, indie giants Catafixia Editorial announced they will reissue Eugenia Gallardo’s most famous novel No te apresures a llegar a la Torre de Londres, porque la Torre de Londres no es el Big Ben.

Finally, the famed Guatemalan author Eduardo Halfon recently revealed the cover of his upcoming new book Canción, shortly after The New York Review shared an excerpt. Canción is out in January with Libros del Asteriode.

Carol Khoury, Editor-at-Large, reporting from Palestine

If you are still searching for a silver lining of the dark COVID-19 cloud, here’s one to consider: five days of virtual readings, talks, and performances celebrating Palestinian literature.

Palestine Writes Literature Festival, originally scheduled to take place in New York City in March 2020 (with the postponement announced due to the pandemic), will now take place virtually 2–6 December 2020. READ MORE…

Weekly Updates from the Front Lines of World Literature

This week's latest news from Lebanon, Taiwan, and Sweden!

This week, our writers bring you news from Lebanon, Taiwan, and Sweden. In Lebanon, the three-day festival Electronic Literature Day will feature writers including Rabih Alameddine and Raafat Majzoub; in Taiwan, the writer Liu Wu-hsiung, known by his pen name, Qi Deng-sheng, is being mourned after passing away and a recent exhibition has featured the works of the late Taiwanese poets Yang Mu and Lo Fu; and in Sweden, writer Jonas Hassen Khemiri was in line for the National Book Award’s Translated Literature prize. Read on to find out more! 

MK Harb, Editor-at-Large, reporting from Lebanon

Fernweh! Or “a longing for far-off places, especially those not yet visited.” I recently learned the meaning of this German word on our newly developed “Untranslatable Words” column on Instagram (yes, that’s right we are on Instagram now!). To remedy this longing, which many of us are grappling with, check out this stellar lineup of writers on Electronic Literature Day, a three-day online literary festival featuring writers, thinkers, and practitioners in dynamic formats (November 24-26). The festival is co-organized by Barakunan, an independent publisher and art collective based in Beirut and Berlin. It will feature some of Lebanon’s finest, from acclaimed author Rabih Alameddine, writer and artist Raafat Majzoub, and cultural and social activist Dayna Ash.

This month, the translation news across the Arab region is abundant! Yasmine Seale won the 2020 Queen Mary Wasafiri New Writing Prize for poetry. We’ve previously highlighted Seale’s poetic and engrossing translation of Aladdin that came out with W. W. Norton in 2018. Sawad Hussain sat down with the Anglo-Omani society to discuss translating Arabic literature and the emotional mechanisms involved in bringing the texts “to life” in English. Hussain is the winner of two English PEN Translates awards and in the podcast, she discusses and contextualizes transgender narratives in Oman through the prism of translating The Shadow of Hermaphroditus by Badriyya al-Badri. Here at Asymptote, we are excited about Arabic children’s literature in translation! The English translation of Sonia Nimr’s Wondrous Journeys in Strange Lands from Interlink Books will debut on November 24! It is a feminist folktale unfolding through the journeys of a young Palestinian woman by the name of Qamar. Marcia Lynx Qualey, founder of Arablit Quarterly, worked on the translation. She previously gave an interview to Asymptote in 2017. Finally, on November 24 the shortlist for the 2020 Saif Ghobash Banipal Prize for Arabic Literary Translation will be announced. This year’s prize saw fourteen entries in fiction and poetry, with excellent nominees such as Ibtisam Azem’s The Book of Disappearance translated by Iraqi novelist and scholar, Sinan Antoon. READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest news from Singapore, Taiwan, and the United Kingdom!

This week, our writers bring you the latest news from Singapore, Taiwan, and the United Kingdom. In Singapore, the Singapore Writers’ Festival hosted international writers, such as Liu Cixin, Teju Cole, and Sharon Olds, whilst the Cordite Poetry Review published a special feature on Singapore poetry; in Taiwan, Kishu An Forest of Literature centre has held a discussion about a new translation of Mary Shelley’s Frankenstein; and in the UK, Carcanet Press has launched Eavan Boland’s final collection, The Historians, whilst new books about renowned poets Seamus Heaney, Sylvia Plath, and Anne Sexton have been released. Read on to find out more! 

Shawn Hoo, Editor-at-Large, reporting from Singapore:

The beginning of November sees a deluge of new writing coming from a host of literary journals. Joshua Ip and Alvin Pang have guest edited a special feature on Singapore poetry in Cordite Poetry Review that gives us the rare pleasure of rethinking Singapore poetry through the art of transcreation. The editors commissioned thirty young poets (who write primarily in English) for the challenge of transcreating verse, not just from the official languages of Malay, Tamil, and Chinese, but also ‘minor’ languages such as Kristang, Bengali, and Tagalog that make up Singapore’s linguistic soundscape. Additionally, Mahogany Journal, a new online periodical on the scene for anglophone South Asian writers in Singapore, has just released their second issue, which is themed ‘Retellings.’ Finally, one of our longest-running online journals, the Quarterly Literary Review of Singapore, has launched its October issue. Lovers of Singapore literature have a huge array of choice.

Meanwhile, this year’s virtual Singapore Writers’ Festival (mentioned in my October dispatch) concluded last weekend. While festivalgoers did not experience the familiar ritual of queuing and squeezing into a room packed with fellow writers and readers, the online format delivered its own peculiarities. Liu Cixin, Teju Cole, and Sharon Olds were some of the international stars joining us from different time zones across our devices. Margaret Atwood, whose message to novelist Balli Kaur Jaswal was a hopeful “we will get through,” had many viewers sending questions through a live chat box asking the author of The Handmaid’s Tale what it means to write in these dystopian times. Instead of browsing the festival bookstore in between panels, I scrolled through the webstore run by Closetful of Books. Nifty videos were added to lure me to new book releases, booksellers curated a list of recommended reads, while readers craving connection left love notes to nobody in particular. The copy of Intimations I ordered arrived with a sweet touch: it came with a bookplate signed by Zadie Smith. With access to video on demand, rather than rushing from room to room, I found myself toggling between panels on Southeast Asian historical fiction and Korean horror without so much as lifting a finger. If I find myself unable to concentrate (as Zadie Smith said of our social media age: “I feel very bullied at the speed I am told to think daily”), I tune in to Poetry Bites to hear Marc Nair engage in ten-minute intimate chats with ten poets. Kudos to festival director Pooja Nansi and her team for this massively successful event. We are all already looking forward to what the next year’s edition of the festival brings. READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest news from Poland, Hong Kong, and Serbia!

This week our editors bring you the latest literary news from Poland, Hong Kong, and Serbia. In Poland, high-profile authors including Olga Tokarczuk have been vocally supporting women’s rights and an exciting, newly discovered Bruno Schulz story has been published; in Hong Kong, authors have spoken out against claims of a dearth of writing in Hong Kong to attest to its thriving literary scene, just as the Hong Kong International Literary Festival kicks off; and in Serbia, a new biography of Ivo Andrić, the only Yugoslav Nobel Prize winner for literature, has sparked debate. Read on to find out more!  

Julia Sherwood, Editor-at-Large, reporting from Poland

As if having to cope with two waves of the coronavirus pandemic was not enough, Poland has been swept by two major waves of social unrest. The summer months were dominated by protests against the rising tide of homophobia, which prompted an open letter from the world’s leading writers, directors, and actors, including Margaret Atwood, Pedro Almodóvar, and Olga Tokarczuk. And since October 22 people have been out on the streets in their thousands protesting against the decision to further tighten the country’s abortion law, already one of the most restrictive in the world. Members of the LGBT+ community and people from all walks of life, including miners and farmers on tractors, joined women in marches up and down the country. Olga Tokarczuk summed up the sentiment in a tweet:

“Let us not deceive ourselves—this system will cynically exploit every moment of crisis, war, and epidemic, to return women to the kitchen, the church, and the cradle. Women’s rights are not given once and for all. We have to safeguard them, like every other achievement broadening the range of civil rights and human dignity. As of today, all of us are women warriors.”

Many other renowned writers—women including Wioletta Grzegorzewska, Agnieszka Taborska, and Anna Janko, as well as men, such as Zygmunt Miłoszewski, Mariusz Szczygieł, Jacek Dehnel, Szczepan Twardoch, Ziemowit Szczerek, and Aleksander Kaczorowski, have expressed their support for the women’s strike and their right to voice their anger in very strong language. Marta Frej, whose in-your-face feminist posters and memes have been empowering women and LGBT+ people for years now (here is her cover for a recent issue of the weekly Polityka) was joined by a number of renowned illustrators (see a selection featured in Calvert Journal).

Moving on to more strictly literary news, the online journal Notes from Poland has come up with a minor sensation: a translation of “Undula,” a newly discovered story, almost certainly written by Bruno Schulz, more than a decade before the writer’s first known works appeared. The story “follows the masochistic sexual imaginings of a sick man confined to his bed in a room inhabited by whispering shadows and cockroaches” and was published in an obscure Polish oil industry newspaper in 1922 under the name Marceli Weron. The Ukrainian researcher Lesya Khomych, who found it in an archive in Lviv, immediately suspected that this was a pseudonym and that the story could only have been written by Bruno Schulz. The story has now been translated and is introduced by Stanley Bill of the University of Cambridge and editor-at-large at Notes from Poland. READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest news from the Vietnamese diaspora, Malaysia, and France!

This week, our writers bring you the latest news from the Vietnamese diaspora, Malaysia, and France. This month celebrates children’s literature in the Vietnamese diaspora, with a host of events and literary magazine Da Màu publishing a special issue. Malaysia also anticipates an exciting month with two Malaysian-born women recently making the longlist for Warwick Prize for Women in Translation and the shortlist for the Malaysian Migrant Poetry Competition due to be announced today. A second lockdown in France has instigated an appeal by publishing and bookselling unions to keep bookshops open—and the prestigious Goncourt prize has postponed announcing its 2020 winner until this happens. Read on to find out more! 

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

October 2020 is Children’s Literature Month for the Vietnamese diaspora. The Vietnamese American Arts & Letters Association (VAALA) is currently hosting its first online, month-long Viet Book Fest, which features readings by authors, followed by interactive Q&A sessions, and culminating in a Halloween celebration and book auction on October 31. About thirty families have attended each session, and Facebook live engagement has reached close to 1,000 people.

Vietnamese diasporic literature, representing “the losing side,” suffers from double marginalization since it belongs neither to the Vietnamese literary tradition inside Vietnam nor its host country’s mainstream tradition. To resist this condition, Viet Book Fest titles share an endeavor analogous to translation: how to preserve the diasporic community’s collective memory and make it resonate in a transplanted, multivalent milieu.

Tran Thi Minh Phuoc’s Vietnamese Children’s Favorite Stories teaches foundational stories—many of which are epistemological—such as how the Vietnamese came to eat bánh chưng (“offering earth cake”) during the lunar new year, and how the monsoon season originated from an ancient rivalry between the Mountain Lord and the Sea Lord. Minh Le’s Green Lantern: Legacy reconciles conflicting cultural values, where a Western-based superhero myth centering on innovation and technological prowess is rewritten to include a Vietnamese viewpoint that incorporates community legacy and compassion. The idea of non-conforming identity as a magical construction is reflected in Bao Phi’s My Footprints, where a Vietnamese-American girl learns to take pride in her two moms and her heritage, as symbolized by her embrace of the fenghuang (phoenix) from East Asian mythology and the Sharabha from Hindu mythology. Lastly, Viet Thanh Nguyen and Ellison Nguyen’s Chicken of the Sea extols peace, where the victorious King of the Dog Knights grants amnesty to the defeated chicken pirates and welcomes them with a big party. READ MORE…

Weekly Updates from the Front Lines of World Literature

This week’s latest news from Australia, Taiwan, and Sweden!

This week, our writers bring you the latest news from Australia, Taiwan, and Sweden. In Australia, the NT Writers Festival has celebrated Aboriginal writing and language; in Taiwan, registration has opened for the 2021 Taipei International Book Fair and the winners of the Golden Tripod Awards were announced; and in Sweden, the Nobel Prize in Literature announcement was made, awarding American poet Louise Glück. Read on to find out more! 

Rita Horanyi, Newsletter Editor, reporting from Australia

In Australia, like much of the rest of the world, literary events have been cancelled or moved online due to lockdowns and travel restrictions. Thus, it was especially exciting to see that the Northern Territory (NT) Writers Festival—held this year in the country’s tropical Top End in Darwin—was able to pull off a predominantly live event after having to postpone the festival from May to October.

The NT Writers Festival showcases local talent, alongside interstate and international guests, with a particular focus on South East Asian voices. Unfortunately, COVID-19 meant it was challenging to include writers from South East Asia this year, but, with the assistance of digital technology, acclaimed Indonesian poet Norman Erikson Pasaribu was able to join the festival to discuss “Translating Indonesia” with past Asymptote Editor-at-Large for Indonesia and translator Tiffany Tsao (the session is available to watch online here).

One of the ways the NT Writers Festival differs from many literary events in the country is in its strong emphasis on Aboriginal writing and language. This year’s festival included a panel with Meigim Kriol Strongbala (a group based in Ngukurr working to strengthen the place of Kriol), who discussed the process of translating the popular children’s book Too Many Cheeky Dogs (the session was held in both Kriol and English). Another special appearance was by the Gay’wu (Dilly Bag) group of women from Yirrkala in North East Arnhem Land. This group of women read from and discussed the writing of their Stella Prize longlisted book, Songspirals, which illuminates the role of women in the crying of Yolŋu songlines. Senior Yolŋu Elder Eunice Djerrkngu Yunupingu even keened milkarri (women’s songspirals) in front of festival audiences. In other sessions, a group of Arrernte poets from Mparntwe/Alice Springs read and discussed their new poetry collection, Arelhekenhe Angkentye: Women’s Talk, which interweaves poems in both English and Arrernte. READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest literary news from Japan, Slovakia, Sri Lanka, and Central America!

This week, our writer’s bring you the latest news from Japan, Slovakia, Sri Lanka, and Central America. In Japan, renowned writer and symbol of the #MeToo movement Shiori Ito is poised to reach a wider international audience with the forthcoming translation of her memoir, Black Box , and was named one of the “100 Most Influential People of 2020” by Time Magazine. In Slovakia, three prominent Slovak writers feature in a new interactive map made by University College London and Eva Luka was named as winner of the national poetry award. In Sri Lanka, October’s National Reading Month has begun, with winners of the recently announced literary awards selling fast. And in Central America, Guatemalan poet Giovany Emanuel Coxolcá Tohom won the Premio de Poesía Editorial Praxis, whilst José Luis Perdomo Orellana took home Guatemala’s most prestigious literary prize, the Miguel Ángel Asturias National Prize in Literature. Read on to find out more!  

David Boyd, Editor-at-Large, reporting from Japan

In September, Time Magazine named Shiori Ito one of the “100 Most Influential People of 2020.” Ito is a journalist, activist, and renowned symbol of Japan’s #MeToo movement, who—in the words of sociologist Chizuko Ueno—“has forever changed life for Japanese women with her brave accusation of sexual violence against her harasser.” Ito’s account of her experiences, Black Box, which was first published in Japanese in 2017 by Bungei Shunju, is due to be published next year in an English translation by Allison Markin Powell, whose previous translations include The Ten Loves of Nishino by Hiromi Kawakami and The Boy in the Earth by Fuminori Nakamura. Powell’s translation of Ito’s work will be published by Tilted Axis Press in the United Kingdom and Feminist Press in the United States.

Since the book’s publication in 2017, Powell says, “Ito’s message seems only to have grown more important, more urgent. Black Box is not a rape memoir. It’s a manifesto to tear down the system. Ito methodically maps out the ways in which institutions failed her, and how almost everyone attempted to gaslight her at each stage. Her perseverance is an inspiration.”

On her own experience working to bring Black Box into English, Powell says, “I’ve had to develop strategies so as not to take on too much of the trauma myself.”

In August, Ito sued LDP member Mio Sugita, “claiming that [Sugita’s] repeated ‘likes’ of tweets abusing her character constituted defamation,” as reported in The Mainichi. Sugita, who is known for having called the LGBT community “unproductive” in the past, has this month courted controversy once again, by admitting that she said “women lie” about sexual assault, after initially denying having made such a remark. As noted in The Japan Times, Sugita’s party was “slow and lukewarm” in their response. The lawmaker has not faced any penalties. READ MORE…